
John Alexander
Manager and marketer
John Alexander has channeled his years of experience into his new company, Alexander Music, Marketing and Management, with
Sarah Darling as his flagship artist.
Alexander spent over a decade as Director of Music Marketing, and later in national account development, with GAC. There Alexander worked with labels to craft awareness campaigns for their artists, building a considerable number of business relationships along the way.
Darling is no stranger to multi-faceted marketing campaigns, having struck deals with MoonPie, Crock-Pot, and having appeared on episodes of
The Bachelor. Alexander’s skills and relationships have allowed Alexander to market Darling without the benefit of a Top 40 radio hit. “I basically have done a lot of non-traditional marketing with Sarah,” he tells MusicRow.com. “She hasn’t had a Top 40 hit at this point, but she’s performed on the Grand Ole Opry 35 times and had three No. 1 videos and several branded endorsements. We have kept her name out there in front of the industry and fans in a lot of non-traditional ways.”
In late 2012, Darling’s partnership with MoonPie was announced, a deal that put her likeness on over 3 million boxes. “That was over two years in the making,” says Alexander. “I was still at GAC at the time and trying to help her. I met with the vice president to pitch Sarah’s song ‘Wrapped in Moonlight.’ He liked the idea, but wasn’t ready to do business. I always thought she would have a great synergy with that brand, so I kept in touch.” Darling’s single “Home To Me” was the perfect fit. “I sent Tory Johnson a three-line e-mail that included an MP3 of the song. I said, ‘Tory, when your customers bite into a MoonPie, doesn’t that feel like home to them?’ That opened the door and she was in 2700 Walmarts with the MoonPie brand.”
Alexander quit his job at GAC to join Black River Entertainment as VP, Strategic Management in 2010, where his role was managing Sarah. Alexander and Darling recently split from Black River.
“For me, it was a matter of wanting to manage Sarah. It was a graceful parting of ways,” says Alexander. “Any label in Nashville that is thinking of, or has started up, a management company under the roof of the label realizes it is tenuous situation. As an artist manager, it is your job to live and die by the artist, to be the artist advocate. That causes internal conflict because the objectives are different. The philosophy behind running a record label and managing an artist are sometimes different.”

The silver lining was an opportunity to open his own company, and Alexander has hit the ground running. Darling’s latest single, “Little Umbrellas,” was released to iTunes yesterday (June 4), and has since moved up 52 positions on the chart. The song is Darling’s first independent single release and was penned by Darling,
Doug Johnson and
Rob Crosby. SiriusXM will play it exclusively for four weeks before the song goes for adds on June 24. Alexander also made deals with 764 Records, an imprint distributed by Sony. A music video is in the works. Alexander is building his team around Sarah, working with
Jay Frank on digital marketing and with publicist
Amanda French.
Alexander is eager to create more partnerships for his artist. “I think television is a very important part of any artist’s career today. We have long-term aspirations to get Sarah her own lifestyle channel. She’s a baker and a fashion person, so we’re going to build a brand with her that way.” Darling currently has a national ad campaign with Durango.
“He’s an amazing manager,” says Darling, “but the thing I value most is the marketing side, which is such a great thing for an artist these days. It’s wonderful to work with someone who gives me that freedom to explore ideas. He feels confident that I know myself as an artist, so he can just let me do that. It’s exciting for me because I have so many ideas.”
Alexander is open to managing other artists eventually, but says “I owe it to Sarah to make her the flagship and to build the brand around her and get her to where she needs to be.” In the meantime, consulting is another option. “If there is a need for an artist who is signed, I can consult and help them market themselves, but I would be selective about whom I work with.”
This is not Alexander’s first foray into the world of management. In 1981, he met singer Patty Loveless (then Lovelace) while she was covering rock songs in North Carolina nightclubs and spent three years managing her career prior to the singer signing with MCA Nashville. Alexander also tried his hand at managing pop, rock and urban acts, and spent time working for the New York Mets and in pro wrestling radio. In 1996, he worked as an account executive for a country radio station on Long Island. In 2000, Alexander began work with Jones MediaAmerica, the marketing and sales division for the Jones Radio Network and Great American Country television. The company was later sold to Scripps Networks, and Alexander began producing programming for GAC and creating partnerships between national brands and artists, which now benefit him in his new role.
“We have built an incredible story over the past 13 years,” says Alexander. “I have a good reputation. I respect everyone that I do business with. I under promise and over deliver. It’s being built slowly and we can do some good things for artists who need help strategically, but Sarah is priority No. 1 for me.”
Industry Ink: Warner Hosts 'For The Linds' Event
/by Sarah Skates(L-R): Back row: John Esposito (President & CEO, WMN), Damien Horne, George Walleman, Peter Strickland (EVP/GM, WMN), Jordan Pettit (National Director, W.A.R Promotion), Brett Eldredge, Chris Stacey (Sr. VP, WMN Promotion), Chad Shultz (National Director, WMN Promotion); Front row: Abby Law (NE/MW Regional, W.A.R Promotion), Raffaella Braun (West Coast Regional, W.A.R Promotion), Annette Walleman, Chris Palmer (VP, W.A.R Promotion), Charlie Worsham, Rachel Reinert, Jessica Rouse (Coord., W.A.R Promotion)
Warner Music Nashville celebrated the life of Lindsay Walleman June 4 on the WMN Patio in Nashville. Approximately 200 friends and family came together to show support and remember their friend who passed away earlier this year from cancer. Some shared stories and memories of Lindsay and the event included a picture slideshow. The FTL (For The Linds) Sarcoma Fund, in affiliation with the T.J. Martell Foundation, has been created in Lindsay’s memory and has already raised over $10,000. Those wishing to make a donation can visit https://tjmartell.myetap.org/ fundraiser/ftl/.
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Pictured (L-R): ASCAP’s Mike Sistad, Striking Matches’ Justin Davis & Sarah Zimmermann, Alyssa Bonagura and Eric Paslay. Photo by ASCAP’s Alison Toczylowski
ASCAP celebrated the legendary Bluebird Cafe’s 31st birthday and kicked off the 2013 CMA Music Festival with an exclusive showcase featuring Eric Paslay, Striking Matches and Alyssa Bonagura Wednesday night (June 5). The June edition of the popular monthly songwriters round leads ASCAP’s CMA Music Festival events, which continue with two full days of performances on The Buckle Stage in downtown Nashville on Thursday, June 6 and Sunday, June 9 from 11:00 a.m. until 4:30 p.m.
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Pictured (L-R): Museum Director Kyle Young, Underwood and Chairman/CEO of Sony Music Nashville Gary Overton. Photo by Donn Jones
Carrie Underwood celebrated the opening of her Blown Away Tour exhibition at the Country Music Hall of Fame and Museum at a special June 4 reception. The exhibit, which explores Underwood’s critically acclaimed world tour, features original costumes, custom accessories, set pieces, a tribute to Carrie’s fans and much more. The Blown Away Tour exhibition is open through Nov. 10, 2013. MusicRow subscriber members can read Bobby Karl’s exclusive coverage of the grand opening here.
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Row Notes:
• A new restaurant, The Row Kitchen & Pub, will celebrate its grand opening June 6 – 9. The former Longhorn Steakhouse building has been revived by singer-songwriter Kelly Black and pays tribute to the history of Music Row.
• Nashville-based developer Stonehenge DCM sold its Note 16 apartment building on 16th Ave. for $15.6 million. The buyer is California based LLU Tennessee Multifamily Properties LLC. The Nashville Post has the story.
Weekly Register: FGL, Shelton and 'The Voice's' Danielle Bradbery
/by bossrossIt’s no surprise that Danielle Bradbery was one of the final five saved by America on last night’s show. Bradbery currently has three songs on the top 100 country tracks list.
With no new country album releases in the 5k and up zone this week it seems an excellent time to focus on tracks. The tracks chart is a very interesting list these days. First we have to keep mentioning Florida Georgia Line who aren’t bordering on success— they now own it. Their monster smash, “Cruise” retains its lock on the chart top by selling another 196k units. At this rate it will be 4X Platinum next week! Having two versions of the track has been a masterful and profitable idea for all connected to this project. (The remix featuring Nelly actually sold 126k of this week’s total 196k, for an RTD of over one million.)
But happening right underneath the glitz of FGL’s achievement there is another story playing out, based around a TV singing contest—The Voice. Blake Shelton’s huge personality and tall talent have really benefited from this massive media exposure platform. And the Okie has totally maxed the opportunity. Shelton’s “Boys ‘Round Here” track jumps 36% this week staying in the No. 2 spot with over 147k downloads. The song has charted for 10 weeks and next week will surely pass the one million mark. Shelton’s benefit concert this past week to support disaster victims in his home state likely helped swell his numbers, but he’s just so damn likable…
And that brings us to another of Shelton’s good qualities, his ability to pick talent. He chose last year’s winner, Cassadee Pope and now it seems he has once again found a talent that is touching the hearts and pocketbooks of fans across the country.
It’s no surprise that Danielle Bradbery was one of the final five saved by America on last night’s show. Bradbery currently has three songs on the top 100 country tracks list. “Grandpa (Tell Me ‘Bout The Good Ole Days)” which she sang on last week’s show jumped to No. 7 with almost 52k downloads. The previous week her rendition of “Heads Carolina, Tails California” sold 48k (No. 8) and then added another 9k this week. Four weeks ago her song choice was “Maybe It Was Memphis” which debuted at No. 9 with sales of over 49k.
Isn’t this normal you might ask? Well there are other contestants with songs on the charts, but on the country side all of them added together don’t equal Danielle’s tally.
Album Chart
Moving briefly to the album side, Blake Shelton (42k) leads, barely edging out Darius Rucker (No. 2; 41k) for the top spot. It’s week two for Mr. Rucker who suffered a 51% decline, much less than normal. George Strait (No. 3; 26k); Lady Antebellum (No. 4; 24k) and Florida Georgia Line (No. 5; 22k) round out the top 5.
Stay tuned for next week when we’ll have numbers on LeAnn Rimes’ new Spitfire, plus measure the effects on sales from the CMT Awards and of course CMA Music Fest…
Rowfile: John Alexander
/by Jessica NicholsonJohn Alexander
Manager and marketer John Alexander has channeled his years of experience into his new company, Alexander Music, Marketing and Management, with Sarah Darling as his flagship artist.
Alexander spent over a decade as Director of Music Marketing, and later in national account development, with GAC. There Alexander worked with labels to craft awareness campaigns for their artists, building a considerable number of business relationships along the way.
Darling is no stranger to multi-faceted marketing campaigns, having struck deals with MoonPie, Crock-Pot, and having appeared on episodes of The Bachelor. Alexander’s skills and relationships have allowed Alexander to market Darling without the benefit of a Top 40 radio hit. “I basically have done a lot of non-traditional marketing with Sarah,” he tells MusicRow.com. “She hasn’t had a Top 40 hit at this point, but she’s performed on the Grand Ole Opry 35 times and had three No. 1 videos and several branded endorsements. We have kept her name out there in front of the industry and fans in a lot of non-traditional ways.”
In late 2012, Darling’s partnership with MoonPie was announced, a deal that put her likeness on over 3 million boxes. “That was over two years in the making,” says Alexander. “I was still at GAC at the time and trying to help her. I met with the vice president to pitch Sarah’s song ‘Wrapped in Moonlight.’ He liked the idea, but wasn’t ready to do business. I always thought she would have a great synergy with that brand, so I kept in touch.” Darling’s single “Home To Me” was the perfect fit. “I sent Tory Johnson a three-line e-mail that included an MP3 of the song. I said, ‘Tory, when your customers bite into a MoonPie, doesn’t that feel like home to them?’ That opened the door and she was in 2700 Walmarts with the MoonPie brand.”
Alexander quit his job at GAC to join Black River Entertainment as VP, Strategic Management in 2010, where his role was managing Sarah. Alexander and Darling recently split from Black River.
“For me, it was a matter of wanting to manage Sarah. It was a graceful parting of ways,” says Alexander. “Any label in Nashville that is thinking of, or has started up, a management company under the roof of the label realizes it is tenuous situation. As an artist manager, it is your job to live and die by the artist, to be the artist advocate. That causes internal conflict because the objectives are different. The philosophy behind running a record label and managing an artist are sometimes different.”
Alexander is eager to create more partnerships for his artist. “I think television is a very important part of any artist’s career today. We have long-term aspirations to get Sarah her own lifestyle channel. She’s a baker and a fashion person, so we’re going to build a brand with her that way.” Darling currently has a national ad campaign with Durango.
“He’s an amazing manager,” says Darling, “but the thing I value most is the marketing side, which is such a great thing for an artist these days. It’s wonderful to work with someone who gives me that freedom to explore ideas. He feels confident that I know myself as an artist, so he can just let me do that. It’s exciting for me because I have so many ideas.”
Alexander is open to managing other artists eventually, but says “I owe it to Sarah to make her the flagship and to build the brand around her and get her to where she needs to be.” In the meantime, consulting is another option. “If there is a need for an artist who is signed, I can consult and help them market themselves, but I would be selective about whom I work with.”
This is not Alexander’s first foray into the world of management. In 1981, he met singer Patty Loveless (then Lovelace) while she was covering rock songs in North Carolina nightclubs and spent three years managing her career prior to the singer signing with MCA Nashville. Alexander also tried his hand at managing pop, rock and urban acts, and spent time working for the New York Mets and in pro wrestling radio. In 1996, he worked as an account executive for a country radio station on Long Island. In 2000, Alexander began work with Jones MediaAmerica, the marketing and sales division for the Jones Radio Network and Great American Country television. The company was later sold to Scripps Networks, and Alexander began producing programming for GAC and creating partnerships between national brands and artists, which now benefit him in his new role.
“We have built an incredible story over the past 13 years,” says Alexander. “I have a good reputation. I respect everyone that I do business with. I under promise and over deliver. It’s being built slowly and we can do some good things for artists who need help strategically, but Sarah is priority No. 1 for me.”
SiriusXM Presents “Highway Finds” Concert
/by Michael_SmithPerforming artists included Parmalee, Cole Swindell, Chase Rice, Sarah Darling, JT Hodges, Ray Scott and The Lost Trailers. The event included acoustic performances by Chuck Wicks, Josh Grider, Katie Armiger, JJ Lawhorn and Samantha Lawhorn. Highlights from the concert aired on The Highway.
In celebration of CMA Music Fest, The Highway will also hold in-studio performances this week in SiriusXM’s Music City Theatre in Nashville. Gary Allan, Kellie Pickler, Kree Harrison and Randy Houser will perform for live audiences. These performances will air on The Highway beginning today.
For a complete list of broadcast times, visit www.siriusxm.com/thehighway.
Dualtone Partners for Clear Channel Radio Revenue
/by Eric T. ParkerToday’s agreement follows several similar and recent agreements with Big Machine Label Group, Glassnote Entertainment Group, DashGo, rpm Entertainment, Robbins Entertainment, Naxos, eOne, Wind-up and Fearless Records.
Founded in 2001 by Scott Robinson, Dualtone represents The Lumineers, Shovels & Rope, Ivan & Alyosha, Little Comets and Guy Clark. Over the years, label artists have been nominated for 17 Grammy Awards, including three wins from a catalog of over 200 titles from June Carter Cash, Townes Van Zandt and several tribute albums featuring Norah Jones, Emmlyou Harris and Johnny Cash.
“Dualtone is dedicated to the long-term career development of each artist on our roster, and radio plays an essential role in their success,” said Robinson. “We will do whatever we can to help ensure a vibrant future for Internet radio as well as recognizing the continuing importance of broadcast radio. This is how our artists can reach as many of their fans as possible on whatever device they’re using.”
2013 SOURCE Awards Honorees Announced
/by Jessica NicholsonPictured, Back row, (L-R): Paula Szeigis, Vickie Arney (Donna Hilley’s daughter), Sarah Trahern, Debbie Tenpenny (Donna Hilley’s daughter); Front row (L-R): Debbie Fleischer-Robin, Bonnie Rothbaum Garner, Gerrie McDowell. Honoree Bebe Evans not pictured. Photo: Denise Fussell
SOURCE will celebrate the careers of seven women at the upcoming 2013 SOURCE Awards, which will take place at the Musician’s Hall of Fame and Museum in Nashville on Tuesday, Sept. 24.
For the 11th annual awards ceremony, SOURCE will honor the following women: Bebe Evans (Charlie Daniels Band, Inc.), Bonnie Rothbaum Garner (Rothbaum, Columbia Records, Dick Cavett Show), Gerrie McDowell (Gerrieco, Curb, Capitol and Mercury Records), Debi Fleischer-Robin (Fleischer-Robin Enterprises, Columbia/Sony Records, Crystal Gayle), Paula Szeigis (Charlie Daniels Band, Inc.), Sarah Trahern (Great American Country, TNN, C-Span), plus a posthumous recognition for Donna Hilley (Sony/ATV Publishing).
Founded in 1991, SOURCE is a nonprofit organization supporting women executives and professionals who work in all facets of the Nashville music industry. In 2003, the annual SOURCE Awards were established to pay respect to and honor the women who helped develop and build upon the foundation of the music industry in Nashville.
SOURCE members held a special luncheon at ASCAP on May 23 for this year’s honorees.
Artist Updates (6-5-13)
/by Eric T. Parker• • •
Court Yard Hounds
The Court Yard Hounds, Martie Maguire and Emily Robison, plan to release a new album due out July 16 on Columbia Records, titled Amelita. The two-thirds of the Dixie Chicks sister-duo will release a new track “Sunshine” to iTunes next week. Take a listen to the new folk-country single here.
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Twentieth Century Fox Home Entertainment released The Last Ride, a film, based on the final days of Hank Williams’ life, on Blu-ray/DVD, yesterday (June 4). The cast features Henry Thomas, Jesse James, Kaley Cuoco, Fred Dalton Thompson and Stephen Tobolowsky. All-new versions of Williams’ greatest songs are included in addition to a making-of feature on the release.
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Pictured (L-R): Keith Urban, Kree Harrison. Via Twitter.
American Idol season 12 runner-up Kree Harrison made her debut on the Grand Ole Opry in Nashville on Tuesday night (June 4), and Idol judge Keith Urban joined Harrison onstage for an emotional performance of “Help Me Make It Through The Night.” Harrison also performed her debut single “All Cried Out” and the hymn “In The Garden.”
Grand Ole Opry Throws Welcome Home Party for Kellie Pickler
/by Michael_SmithPictured (L-R): Steve Buchanan; Larry Fitzgerald; Butch Spyridon; Pickler & Hough; Pete Fisher; Gordon Kerr
Last night (June 4), the Grand Ole Opry threw a welcome home party for Dancing With The Stars winner Kellie Pickler, who was joined by her dancing partner Derek Hough. Pickler kicked off the first of two sold-out Opry shows with her single “Someone Somewhere Tonight.”
After the song, members of the audience held up paddles giving the singer a perfect “10.”
“Oh my goodness,” Picker said. “Did y’all plan that or did everybody just happen to have those [paddles] in their pocket? That is so sweet. I wish y’all could’ve been the judges!”
During the evening, Pickler received presentations from the Opry, the Nashville Convention and Visitors Corporation and her label Black River Entertainment.
Last night’s show also featured performances by American Idol contestant Kree Harrison, Keith Urban, Rascal Flatts, Bill Anderson, Diamond Rio, Ricky Skaggs and Lennon and Maisy of ABC’s Nashville.
Industry Ink (6-5-13)
/by Jessica NicholsonBMI and ASCAP toasted the team behind the Carrie Underwood No. 1 smash “Two Black Cadillacs” at a ceremony held at the Country Music Hall of Fame and Museum on Tuesday, June 4.
Kicking off CMA Music Fest week, Underwood invited 200 of her most avid fans to an exclusive in-the-round performance featuring “Two Black Cadillacs” co-writers Josh Kear and Hillary Lindsey, as well as Underwood performing a selection of her many hits. Following the performances, BMI and ASCAP treated the crowd to what is typically an industry insider event by honoring the team behind “Two Black Cadillacs.”
Pictured (L-R): Big Yellow Dog’s Carla Wallace, Bug Music’s Sara Johnson, BMI’s Bradley Collins, host Cody Alan, BMI’s Jody Williams, Sony Music Nashville’s Lesly Tyson and Gary Overton, co-writer Josh Kear, Carrie Underwood, co-writer Hillary Lindsey, ASCAP’s Ryan Beuschel, producer Mark Bright, and BMG Chrysalis’ Taylor Lindsey and Kevin Lane. Photo: Rick Diamond.
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SESAC has signed Contemporary Christian singer/songwriter Natalie Grant for representation. SESAC recently caught up with the artist at the historic Ryman Auditorium before her performance at the K-Love Awards in Nashville to visit and celebrate the new partnership.
Pictured (L-R): Maximum Artist Management’s Mitchell Solarek, Natalie Grant and SESAC’s Tim Fink. Photo: Ed Rode.
DISClaimer: Finding Songs of Substance
/by Robert K OermannAll the stars are twinkling, but only a few are burning brightly. By and large, this is a stack of perfectly acceptable country singles. They’re all professionally crafted and designed for radio playlists. They are also mostly lightweight. The exceptions belong to Dierks Bentley and Kellie Pickler, both of whom are performing songs of substance. They battled for Disc of the Day, with Bentley’s relentless sonic production giving him the edge. The other exceptional platter belongs to our DisCovery Award winner, Elizabeth Lyons. Her self-titled EP came out last year and has reportedly sold well as an iTunes phenomenon. With zero press, publicity or promotion, Lyons has already sold more than 30,000 songs. Now the recent Vanderbilt University graduate is releasing her first single and video from the project. Get ready to have your country-pop ears pinned back.
Elizabeth Lyons
ELIZABETH LYONS/Everything Tonight
Writers: Elizabeth Lyons/Matt Nolen/Ryan Tyndell; Producer: Matt Nolen; Publishers: Elizabeth Lyons/Ole Purple Cape, BMI; Roar (Track)
-Deliriously rhythmic, this will make you feel like twirling around the room until you fall down dizzy. She sings with plenty of fizz and confidence. The lyric has loads of neat little turns of phrase that make it quite distinctive. “God is a DJ/Mixing us His way.” “Baby you’re my sky/And heaven is where you are.” “I am the rhythm/And you are the rhyme.” “I can hear your heart sing…This is the beginning of a brand new song.” I am totally into this.
SAMMY KERSHAW/The Route That I Took
Writer: Sammy Kershaw; Producers: Sammy Kershaw and Billy Lawson; Publisher: Kershaw, BMI, Big Hit (CDX)
-It is billed as his tribute to the late George Jones, to whom he bears more than a passing vocal resemblance. As usual, Kershaw sings superbly. But the production is non-existent. It’s just him and an acoustic guitar.
AARON WATSON/Summertime Girl
Writers: Aaron Watson/Jon Wolfe/Roger Springer/Tony Ramey; Producers: Sam Seifter & Wes Hightower; Publishers: Sonnet/Aaron Watson/Roger Springer/T&D/Fool Hearted, BMI/SESAC; HTK (CDX)
-I have liked just about everything he’s released so far, and he continues his winning ways with this uptempo, sunshine-y romp.
DAVID NAIL/Whatever She’s Got
Writers: Jimmy Robbins/Jon Nite; Producers: Chuck Ainlay, Frank Liddell & Glenn Worf; Publishers: Universal/Extraordinary Alien/EMI April/Jon Mark Nite, ASCAP; MCA Nashville
-Tuneful and easy on the ears. I like it when the production breaks down toward the end and he sings in a semi-vacuum. Unmistakably radio ready.
KEITH URBAN/Little Bit of Everything
Writers: Brad Warren/Brett Warren/Kevin Rudolf; Producers: Nathan Chapman & Keith Urban; Publishers: EMI Blackwood/Sagequinnjude/Farmlove/Lion Aire, BMI; Capitol Nashville
-A bopping, feel-good ditty for summertime listening. Approximately as deep as a rain puddle.
Writers: Ryan Tyndell/Hillary Lindsey/Gordie Sampson; Producer: Ross Copperman; Publishers: Purple Cape/Ole/BMG Gold/Bughouse/Dash8/Bug/BMG Chrysalis, BMI/ASCAP; Capitol Nashville
-Somebody call the fire department. Throbbing and fevered, this burns with a smoldering ember of lingering desire and aching memory. A superb sounding single.
KELLIE PICKLER/Someone Somewhere Tonight
Writers: Walt Wilkins/Davis Raines; Producer: Frank Liddell & Luke Wooten; Publishers: Curb Congregation/Dennis Morgan, SESAC/BMI; Black River
-This is the finest ballad performance of Pickler’s career to date, loaded with heart and meaning and truth and beauty. Play the fire outta this, and make her the radio star she deserves to be. Can you tell I’m completely in love with her?
KENNY CHESNEY/When I See This Bar
Writers: Kenny Chesney/Keith Gattis; Producer: Buddy Cannon & Kenny Chesney; Publishers: Sony-ATV Acuff Rose/Basuare/Sony-ATV Tree/Pioneer Town, BMI; Blue
-Laid-back nostalgia with a distinct island vibe. The production starts out simple, spare and stark, but gradually builds into a fuller sonic experience.
AARON LEWIS/Granddaddy’s Gun
Writers: Rhett Akins/Dallas Davidson/Bobby Pinson; Producers: James Stroud & Aaron Lewis; Publishers: Rhettneck/EMI Blackwood/Music of Stage Three/Bobby’s Songs and Salvage/BMG Chrysalis, BMI; Blaster
-Well written and produced with panache. I particularly liked the dobro work.
FLORIDA GEORGIA LINE/Round Here
Writers: Rodney Clawson/Chris Tompkins/Thomas Rhett; Producer: Joey Moi; Publishers: Big Loud Mountain/Big Red Toe/Amarillo Sky/Big Loud Bucks/Angel River, BMI/ASCAP; Republic Nashville
-It’s official: The entire country music format is now songs about dirt-road partying. Now that that’s settled, this is fantastically well-sung, irresistibly catchy, bodaciously rhythmic and dazzlingly produced.