Tim McGraw is set to begin shooting the upcoming Disney film Tomorrowland next week. Tomorrowland, with will also star actor George Clooney, will be made in Vancouver.
The film is slated for a Christmas release in 2014.

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Kenny Rogers and Dolly Parton debuted the music video for their new duet, “You Can’t Make Old Friends,” on ABC’s Good Morning America Monday morning (Sept. 16). Rogers and Parton shot the clip (directed by Trey Fanjoy and produced by Trent Hardville) earlier this year in Nashville. The song, penned by Ryan Hanna King, Caitlyn Smith and Don Schlitz, is the title track from Rogers’ upcoming album, which will be released on Warner Bros. Records Oct. 8. It was 30 years ago that Rogers and Parton released the No. 1 chart-topper “Islands In The Stream.”

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Sarah Darling will appear Monday (Sept. 16) on the nationally syndicated lifestyle TV program, The Better Show. During the appearance, Darling will visit Nashville’s Loveless Cafe to create her season twist on the classic Lemon Chess Pie. She will also perform her latest single, “Little Umbrellas,” along with “You Don’t Have To Be Lonely,” from her EP Home To Me. For local airtimes, visit better.tv.

 
 

Through Trisha Walker International, Indiana-based Flynnville Train have signed a worldwide distribution deal for their new album, Back On Track with AGR Television Records in Germany, distributed by Universal.
The group will perform at the 25th Anniversary of the Gstaad Festival in Switzerland, Sept. 20 and 21 alongside LeAnn Rimes, The Time Jumpers and Gretchen Wilson.

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TKO Artist Management‘s Emily Gallo has been promoted from Assistant to Executive Assistant to the President. Kelly Bolton has been hired as a Management Assistant. Previously an intern at TKO, Kelly recently graduated from Centre College in Danville, KY with a Bachelor of Arts degree. Gallo can be contacted at emily@tkoartistmanagement.com; Bolton can be reached at receptionist@tkoartistmanagement.com.

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The National Association of Music Education will host the National In-Service Conference in Nashville for the first time, Oct. 27-30. Mayor Karl Dean will speak at the event and artists including Sarah Darling, Casey James and Striking Matches will perform a concert honoring teachers and school administrators in music education.
 
 
 
 
 
 
 
 

Broadcast Music, Inc. has revealed the dates for the Florida Restaurant and Lodging Association’s 19th Annual Key West Songwriters Festival presented by BMI. The 2014 dates are set for May 7-11. The Key West Songwriters Festival will again feature five days of one-of-a-kind showcases and concert events from its base operations at the Smokin’ Tuna Saloon to over 30 different venues across the island.
“Our involvement with the Key West Songwriters Festival is just another way we at BMI demonstrate our full commitment to our songwriters, getting their music exposure in meaningful, unique settings,” said BMI’s Executive Director of Writer/Publisher Relations Mark Mason. “We are honored to have the Florida Restaurant and Lodging Association on board to make next year’s festival the biggest and best yet.”
The 18th annual Key West Songwriters Festival in May of 2013 welcomed more than 15,000 fans total and sold-out audiences at all of the ticketed events. The Sony Records concert event crowded Duval Street with more than 5,000 people alone.
An official lineup and additional information for the 2014 Key West Songwriters Festival will be announced in the coming months.
More information is available at keywestsongwritersfestival.com.

Sheryl Crow and Southern Living welcomed an intimate group of friends and fans to her farm in Nashville, Tenn. on Thursday (9/5) to preview her new album, Feels Like Home, which released Sept. 10.
Upon arriving, attendees enjoyed delicious appetizers inspired by Sheryl’s favorite Southern Living recipes and signature cocktails. Guests also took advantage of the rare opportunity to visit with her horses in their stable before MusicRow‘s own Robert K. Oermann interviewed Sheryl about the songs on her new album. Sheryl also performed selections from her debut country project from Warner Bros. Records during the intimate gathering.

“Feels Like Home may be the most focused album I’ve ever made,” Sheryl Crow says of her debut album. “All of my albums have had a few different styles going on in them, and this album definitely has a few different takes on what Country music means to me, but not calculatedly so. First and foremost, I just wanted to make sure that for this album I wrote about were things that I really knew about.”
The project is filled of storytelling and features some of the most powerful and heartfelt vocals of her career. Crow adds, “Country music is rightly suspicious of carpetbaggers who jump on a bandwagon, but in my case, this world in Nashville really does feel like home. I grew up three and a half hours from Nashville, and my parents just moved out of that home that I grew up in recently. So I grew up in a community that was all farmland and churches and schools and a town square. So country is where I come from, and that’s the kind of life I wanted to give my kids, and you can find that sort of life here in Nashville. Even though Nashville has so much more to offer, there is still a small town feel that I love.”
As Crow recalls, “Back when I was growing up, the outside world wasn’t much of our experience, and that’s different now. But we grew up with two radio stations that played country, but now the world is much more connected wherever you are. Clearly, I’m also a girl who loves to rock and fell hard for the Rolling Stones and Dylan too – but you’ll notice my favorite rockers also had close ties to country music. And I’ve loved being part of the community here in Nashville, and the fact that my kids are growing up inside of that community. For me, it’s been amazing to not only be around so many other artists and music people who go to church together, and support each other’s school fundraisers, and basically have a real sense of community here.”

It was a friendly conversation with one Nashville neighbor by the name of Brad Paisley that set Crow on the course to start work on Feels Like Home. “I had a lot of trepidation about trying too hard to make an album within the country format. Because I do love it, and between my friends in Kansas City, and California and even New York, it is what anyone who wants to hear songs, and wants to hear guitar solos and storytelling basically listens to now. But over the years, I’ve seen lots of artists try to make this transition and it hasn’t to me gone well or felt natural or real to me, and the only way I wanted to do this was authentically. Brad instantly understood how to approach this. He said, `Let’s just do what you do. Bring your influences with you. Just turn your vocal up and make your stories a little more concise and you’re already there.’ That realization that I already was at home here is really the reason this album ended up being made.”
Feels Like Home really got started with Crow, Paisley and Chris DuBois — one his frequent collaborators – penning one of the albums’ standout tracks “Waterproof Mascara,” a song that recalls classics by some of country’s greatest female vocalists like Patsy Cline and Loretta Lynn, the later of whom Crow sang with, along with friend Miranda Lambert, on the CMA Awards in 2011. According to Crow, “It meant so much that a great country artist like Brad put his faith in me. There wasn’t a label at that point. Brad just believed we’d land in the right home here, and I do believe with Warner Nashville, I’m on the greatest label for me now. I feel spoiled to be around people who are on fire for music — especially after being in another situation that did not feel like that.”

Gradually, Crow began working with a series of collaborators that included her longtime guitar player and frequent co-writer Jeff Trott (with whom she co-wrote such past Crow classics as “If It Makes You Happy,” “Her Favorite Mistake” and “Everyday Is A Winding Road”) as well as many of Nashville’s finest writers, including DuBois, Luke Laird, Natalie Hemby and Chris Stapleton, among others.
“The thing about country music is the stories you tell usually get to the point quicker,” Crow explains. “So writing the songs for this album, after 20 years writing songs, felt so great because I am still doing what I love, but I’m learning and stretching at the same time. Because I have such a strong curiosity and the songwriting process that’s really at the heart of what goes on in Nashville, it’s been invigorating and satisfying to study what makes a country song work. “
The writing process for Feels Like Home was a little different for Crow. “It took a while because I didn’t want to find people to write a Sheryl Crow song for me, but in the end I loved the experience. One thing I found interesting is that in Nashville people often write in groups of threes – which I don’t think I’ve ever done,” she says. “In fact, other than my first album, I’ve rarely written with anyone else other than Jeff Trott — let alone two other people. But it works — I think there’s a sense that if there are three people there, then a song will actually get finished.”
Crow also credits her co-producer Justin Niebank as a key collaborator on Feels Like Home. “After a little false start, I was asking around for a great engineer, and Vince Gill told me Justin was the man for the job, and he was right. And after a few days, I realized that he was more than just a great engineer, but a real partner in producing this album.”
For Crow, making her first album for a Nashville label is an experience she won’t forget. “It was amazing to be making an album in my community, and have my life still be my primary inspiration,” she says. “I was still driving my kids to school in the morning, and doing mommy things in-between sessions. Having a structured time to work, and being able to work at my house, everything about this just felt very loving and homey. Like the title says, it just felt like home.”