BOBBY KARL WORKS THE ROOM
Chapter 438
If you take away all the talking parts, the Country Music Hall of Fame Medallion Ceremony on Sunday evening (Oct. 27) was a whale of a concert.
The two-hour-plus event boiled down to a delicious banquet of musical performances. I knew we were in good hands when Connie Smith kicked things off by totally rocking the Hank Williams jewel “Sing, Sing, Sing.” This annual event traditionally begins with a gospel performance, and hers was as good as it gets. The song appears on her album Connie Smith Sings Hank Williams Gospel. If you don’t own it, you’re a fool.

Bobby Bare and Kenny Rogers. Photo by Donn Jones.
The ceremony honored this year’s Hall of Fame inductees,
Jack Clement, Bobby Bare and
Kenny Rogers.
“Cowboy” Jack Clement was saluted in song by
John Prine with a charming folk rendition of “Ballad of a Teenage Queen.” Then the Clement-penned hit “I Know One” was given a sublime arrangement by
Marty Stuart & His Fabulous Superlatives. That performance was simply jaw-dropping.
Kris Kristofferson had plenty of slap-back rhythm behind him on “Big River,” but let’s face it, he doesn’t have a rockabilly bone in his body.
Emmylou Harris redeemed the Clement tribute portion of the show with her ethereal reading of “When I Dream.”
The
Bobby Bare tribute segment began with
Rodney Crowell’s yearning treatment of “Detroit City.”
Buddy Miller was stunning, soulful and searing on the Bare hit “How I Got to Memphis.” Kristofferson returned to the stage to deliver a wonderfully rough-hewn version of “Come Sundown.”
John Anderson climaxed the Bare musical segment with a terrifically wry take on the delightful “Marie Laveau.” That song was written by
Shel Silverstein. If you don’t own Bare’s Silverstein-concept album
Lullabies, Legends and Lies, you are also a fool.
Darius Rucker was the first to sing for
Kenny Rogers. He did a strong and steady “Lucille” that brought the song’s ultimately tragic message back to the forefront. Songwriter
Don Schlitz did “The Gambler” with verve and sincerity.
Barry Gibb & Kelly Lang performed an affectionate, buoyant “Islands in the Stream,” and
Alison Krauss was rose-petal lovely on “Sweet Music Man” to close out the Kenny segment. That lady embodies musical class.
Throughout the show,
The Medallion All-Star Band backed everyone to perfection. Led by awesome keyboardist
John Hobbs, this group included
Eddie Bayers (drums),
Deanie Richardson (fiddle, mandolin),
Michael Rhodes (bass),
Biff Watson (acoustic guitar),
Thom Flora (vocals),
Tania Hancheroff (vocals),
Michael Johnson (steel guitar) and
J.T. Corenflos (electric guitar). This was Johnson’s first gig with the band, and I am told that he became teary-eyed about playing these truly classic country songs. Hooray for that, because I feel exactly the same way listening to them.
The band did a dandy number on its own, a jazzy instrumental take on “You Are My Sunshine.” Then it closed the gig with “Will the Circle Be Unbroken” backing all of the performers, plus the attending Country Music Hall of Fame members. This is also a traditional element of the Medallion ceremonies.
By the way, all the singing stars get just one, pre-show run-through with the band. You know what? That’s all they need.
OK, now for the non-performance elements of the ceremony. I still like beginning the show with a historic audio clip from the Hall of Fame’s
Bob Pinson collection in its library. On Sunday, it was 1943’s “Pistol Packin’ Mama” by
Bing Crosby & The Andrews Sisters. Ya gotta love something so vintage hipster.
Opening speaker
Steve Turner pointed out, “The 2013 Medallion Ceremony is a doubly special occasion, because this is the first event in our new CMA Theater, made possible by a $10 million gift from the Country Music Association.” The theater seats nearly 800 and includes a main floor, mezzanine seating and shallow, steeply-banked lower and upper balconies. The sound is excellent and so are the sight lines. Mark this down as a major, major new Nashville venue.
“We thank you for your role in the development of our worldwide reputation as Music City,” Turner continued. “Music City is how we got to be the ‘It’ city.”

Alison Clement. Photo by Donn Jones.
CMA chief
Ed Hardy was next. His remarks about the inductees mainly foreshadowed and repeated the accomplishments that
Kyle Young was shortly to speak of. Speaking of Kyle, his remarks on each inductee needed editing. Can we enliven the evening by inserting video segments and/or varying the bio narrators?
Not that Kyle didn’t have his moments. “We do have a message from ‘Cowboy,’” he told us. “He says, by all means, ‘Relax.’” He also asked for a moment of silence to honor departed Hall of Famers
George Jones, Jim Foglesong and
Gordon Stoker. Throughout the evening, he offered easy-going asides about performers and honorees.
Both Prine and Stuart recalled how they were drawn into Cowboy’s orbit. Clement died on Aug. 8. Kyle introduced the Hall of Famer’s “Leading Lady,”
Aleene Jackson, as well as son
Niles Clement and daughter
Alison Clement-Bolton.
Charley Pride did the Clement induction honors. “I think he’s watching, right now,” said Pride. He added that Clement said to him, “Charley, these songs we’re recording, 50 years from now, they’ll still be playing them.” True enough.
Clement’s “cowbaby” daughter Alison delivered the evening’s best acceptance speech. “What’s a girl to do?” she inquired. “How do you represent the man of a thousand personnas?” She ended her presentation by donning a Clement top hat and singing a ditty reminding everyone, as Clement did, that, “If you’re not having fun, you’re not doing your job.”
“There’s something about Bobby Bare’s voice: I just believe every word he’s singing,” said Buddy Miller. “Bobby Bare is one of the best human beings I’ve ever known,” added Kristofferson.
Tom T. Hall inducted Bare. “I was thinking about all the good times we had together,” he recalled. “I’m 77 and Bare’s 78 – It’s beginning to look like we’re gonna get away with it!”
“This is a big, big deal,” said Bare. “This is as far as you can go and as high as you can get.” He introduced his sister
Delma, wife
Jeannie Bare and children
Angela Bare Parker, Shannon Bare and
Bobby Bare Jr. and thanked the many musical confederates who’ve helped him along the way. “I have been truly blessed,” he said. “The gods have smiled on me. I’m just a singer. But ain’t I somethin’?’”
Schlitz praised Kenny Rogers by saying, “You chose to nurture songwriters who came to Nashville with their dreams. On behalf of my fellow songwriters — thank-you, thank-you, thank-you.” Krauss told us how obsessed she is with Rogers, constantly collecting photos of him.

Garth Brooks prepares to induct Kenny Rogers into the Country Music Hall of Fame – photo by Donn Jones.
Garth Brooks did the induction honors, indicating that he felt it was wrong that he’d been made a member of the Hall of Fame before “The Gambler.” “In this business, everyone who comes before you is a god: Anyone who comes after you is a punk,” said Brooks. “If there was a class called Entertaining 101, Kenny Rogers could be the professor of that class. You wanna learn how to treat people? Kenny Rogers can show you that. I cannot tell you how honored I am to introduce the newest member of the Country Music Hall of Fame.”
“This is a wonderful, wonderful thing for me,” said Kenny, “the pinnacle of my success….Music comes and goes. Songs come and go. Singers come and go. But the Hall of Fame is forever, baby!”
Accompanying Kenny were wife
Wanda Rogers and sons
Justin, Jordan, Christopher and
Kenny Rogers Jr., plus brothers
Randy Rogers and
Roy Rogers and sister
Sandy.
After the ceremony, we headed for another major, major new Nashville venue, the sixth-floor Event Hall. It’s actually three major, major new party spaces — the spacious vestibule, the outdoor balcony overlooking the new Omni and Music City Center and the Hall, with its chandeliers, draped tables, lounging furniture and glass wall’s awesome view of the downtown skyline.
The cocktail supper featured wilted salad, steamed salmon, seasoned rice dishes, melt-in-your-mouth carved roast beef and assorted dessert bon bons.
Even better than the food was the star gazing – Attendees included
Brenda Lee, Barbara Mandrell, Jan Howard, Jeff Hanna & Matraca Berg, Mel Tillis, Ralph Emery, Ricky Skaggs & Sharon White, Jimmy Fortune, Sonny James, Charlie McCoy, Charlie Worsham, Charlie Chase, Lorianne Crook and
Jordanaires Ray Walker and
Curtis Young. Handsome
Bill Cody did his usual fabulous job of hosting the red carpet entrances.
We schmoozed alongside
Roger Cook, Roger Murrah, Dan Rogers, Bobby Braddock, Bob Burwell, Bob DiPiero & Leslie Tomasina, Bill Carter, Bill Denny, John Grady, John Esposito, Dave Pomeroy, David Conrad, David & Susana Ross, Mike Milom, Michael Montana, Ernie Williams, Jody Williams, Sally Williams, Steve Greil, Steve Popovich Jr., Steve & Ree Guyer Buchanan, Al Bunetta and
Alanna Young. Kenny Rogers was so cool at the cocktail supper, amiably posing for photos with anybody who wanted one. He knows he’s a walking icon and just accepts it.
Also working the room were
Harold Bradley, Tony Brown, Victoria Shaw, Troy Tomlinson, Roy Wunsch & Mary Ann McCready, Jo Walker-Meador, Don Light, Ken Levitan, Dwight Wiles & Diana Johnson, Jerry Foster, Janice & Bud Wendell, Nancy Jones, Eddie Stubbs, Layng Scott, Gary Overton, Tim Wipperman and
Chris Horsnell.
Bobby Karl Works The CMHoF Medallion Ceremony
/by Bobby KarlBOBBY KARL WORKS THE ROOM
Chapter 438
If you take away all the talking parts, the Country Music Hall of Fame Medallion Ceremony on Sunday evening (Oct. 27) was a whale of a concert.
The two-hour-plus event boiled down to a delicious banquet of musical performances. I knew we were in good hands when Connie Smith kicked things off by totally rocking the Hank Williams jewel “Sing, Sing, Sing.” This annual event traditionally begins with a gospel performance, and hers was as good as it gets. The song appears on her album Connie Smith Sings Hank Williams Gospel. If you don’t own it, you’re a fool.
Bobby Bare and Kenny Rogers. Photo by Donn Jones.
The ceremony honored this year’s Hall of Fame inductees, Jack Clement, Bobby Bare and Kenny Rogers.
“Cowboy” Jack Clement was saluted in song by John Prine with a charming folk rendition of “Ballad of a Teenage Queen.” Then the Clement-penned hit “I Know One” was given a sublime arrangement by Marty Stuart & His Fabulous Superlatives. That performance was simply jaw-dropping.
Kris Kristofferson had plenty of slap-back rhythm behind him on “Big River,” but let’s face it, he doesn’t have a rockabilly bone in his body. Emmylou Harris redeemed the Clement tribute portion of the show with her ethereal reading of “When I Dream.”
The Bobby Bare tribute segment began with Rodney Crowell’s yearning treatment of “Detroit City.” Buddy Miller was stunning, soulful and searing on the Bare hit “How I Got to Memphis.” Kristofferson returned to the stage to deliver a wonderfully rough-hewn version of “Come Sundown.” John Anderson climaxed the Bare musical segment with a terrifically wry take on the delightful “Marie Laveau.” That song was written by Shel Silverstein. If you don’t own Bare’s Silverstein-concept album Lullabies, Legends and Lies, you are also a fool.
Darius Rucker was the first to sing for Kenny Rogers. He did a strong and steady “Lucille” that brought the song’s ultimately tragic message back to the forefront. Songwriter Don Schlitz did “The Gambler” with verve and sincerity. Barry Gibb & Kelly Lang performed an affectionate, buoyant “Islands in the Stream,” and Alison Krauss was rose-petal lovely on “Sweet Music Man” to close out the Kenny segment. That lady embodies musical class.
Throughout the show, The Medallion All-Star Band backed everyone to perfection. Led by awesome keyboardist John Hobbs, this group included Eddie Bayers (drums), Deanie Richardson (fiddle, mandolin), Michael Rhodes (bass), Biff Watson (acoustic guitar), Thom Flora (vocals), Tania Hancheroff (vocals), Michael Johnson (steel guitar) and J.T. Corenflos (electric guitar). This was Johnson’s first gig with the band, and I am told that he became teary-eyed about playing these truly classic country songs. Hooray for that, because I feel exactly the same way listening to them.
The band did a dandy number on its own, a jazzy instrumental take on “You Are My Sunshine.” Then it closed the gig with “Will the Circle Be Unbroken” backing all of the performers, plus the attending Country Music Hall of Fame members. This is also a traditional element of the Medallion ceremonies.
By the way, all the singing stars get just one, pre-show run-through with the band. You know what? That’s all they need.
OK, now for the non-performance elements of the ceremony. I still like beginning the show with a historic audio clip from the Hall of Fame’s Bob Pinson collection in its library. On Sunday, it was 1943’s “Pistol Packin’ Mama” by Bing Crosby & The Andrews Sisters. Ya gotta love something so vintage hipster.
Opening speaker Steve Turner pointed out, “The 2013 Medallion Ceremony is a doubly special occasion, because this is the first event in our new CMA Theater, made possible by a $10 million gift from the Country Music Association.” The theater seats nearly 800 and includes a main floor, mezzanine seating and shallow, steeply-banked lower and upper balconies. The sound is excellent and so are the sight lines. Mark this down as a major, major new Nashville venue.
“We thank you for your role in the development of our worldwide reputation as Music City,” Turner continued. “Music City is how we got to be the ‘It’ city.”
Alison Clement. Photo by Donn Jones.
CMA chief Ed Hardy was next. His remarks about the inductees mainly foreshadowed and repeated the accomplishments that Kyle Young was shortly to speak of. Speaking of Kyle, his remarks on each inductee needed editing. Can we enliven the evening by inserting video segments and/or varying the bio narrators?
Not that Kyle didn’t have his moments. “We do have a message from ‘Cowboy,’” he told us. “He says, by all means, ‘Relax.’” He also asked for a moment of silence to honor departed Hall of Famers George Jones, Jim Foglesong and Gordon Stoker. Throughout the evening, he offered easy-going asides about performers and honorees.
Both Prine and Stuart recalled how they were drawn into Cowboy’s orbit. Clement died on Aug. 8. Kyle introduced the Hall of Famer’s “Leading Lady,” Aleene Jackson, as well as son Niles Clement and daughter Alison Clement-Bolton.
Charley Pride did the Clement induction honors. “I think he’s watching, right now,” said Pride. He added that Clement said to him, “Charley, these songs we’re recording, 50 years from now, they’ll still be playing them.” True enough.
Clement’s “cowbaby” daughter Alison delivered the evening’s best acceptance speech. “What’s a girl to do?” she inquired. “How do you represent the man of a thousand personnas?” She ended her presentation by donning a Clement top hat and singing a ditty reminding everyone, as Clement did, that, “If you’re not having fun, you’re not doing your job.”
“There’s something about Bobby Bare’s voice: I just believe every word he’s singing,” said Buddy Miller. “Bobby Bare is one of the best human beings I’ve ever known,” added Kristofferson.
Tom T. Hall inducted Bare. “I was thinking about all the good times we had together,” he recalled. “I’m 77 and Bare’s 78 – It’s beginning to look like we’re gonna get away with it!”
“This is a big, big deal,” said Bare. “This is as far as you can go and as high as you can get.” He introduced his sister Delma, wife Jeannie Bare and children Angela Bare Parker, Shannon Bare and Bobby Bare Jr. and thanked the many musical confederates who’ve helped him along the way. “I have been truly blessed,” he said. “The gods have smiled on me. I’m just a singer. But ain’t I somethin’?’”
Schlitz praised Kenny Rogers by saying, “You chose to nurture songwriters who came to Nashville with their dreams. On behalf of my fellow songwriters — thank-you, thank-you, thank-you.” Krauss told us how obsessed she is with Rogers, constantly collecting photos of him.
Garth Brooks prepares to induct Kenny Rogers into the Country Music Hall of Fame – photo by Donn Jones.
Garth Brooks did the induction honors, indicating that he felt it was wrong that he’d been made a member of the Hall of Fame before “The Gambler.” “In this business, everyone who comes before you is a god: Anyone who comes after you is a punk,” said Brooks. “If there was a class called Entertaining 101, Kenny Rogers could be the professor of that class. You wanna learn how to treat people? Kenny Rogers can show you that. I cannot tell you how honored I am to introduce the newest member of the Country Music Hall of Fame.”
“This is a wonderful, wonderful thing for me,” said Kenny, “the pinnacle of my success….Music comes and goes. Songs come and go. Singers come and go. But the Hall of Fame is forever, baby!”
Accompanying Kenny were wife Wanda Rogers and sons Justin, Jordan, Christopher and Kenny Rogers Jr., plus brothers Randy Rogers and Roy Rogers and sister Sandy.
After the ceremony, we headed for another major, major new Nashville venue, the sixth-floor Event Hall. It’s actually three major, major new party spaces — the spacious vestibule, the outdoor balcony overlooking the new Omni and Music City Center and the Hall, with its chandeliers, draped tables, lounging furniture and glass wall’s awesome view of the downtown skyline.
The cocktail supper featured wilted salad, steamed salmon, seasoned rice dishes, melt-in-your-mouth carved roast beef and assorted dessert bon bons.
Even better than the food was the star gazing – Attendees included Brenda Lee, Barbara Mandrell, Jan Howard, Jeff Hanna & Matraca Berg, Mel Tillis, Ralph Emery, Ricky Skaggs & Sharon White, Jimmy Fortune, Sonny James, Charlie McCoy, Charlie Worsham, Charlie Chase, Lorianne Crook and Jordanaires Ray Walker and Curtis Young. Handsome Bill Cody did his usual fabulous job of hosting the red carpet entrances.
We schmoozed alongside Roger Cook, Roger Murrah, Dan Rogers, Bobby Braddock, Bob Burwell, Bob DiPiero & Leslie Tomasina, Bill Carter, Bill Denny, John Grady, John Esposito, Dave Pomeroy, David Conrad, David & Susana Ross, Mike Milom, Michael Montana, Ernie Williams, Jody Williams, Sally Williams, Steve Greil, Steve Popovich Jr., Steve & Ree Guyer Buchanan, Al Bunetta and Alanna Young. Kenny Rogers was so cool at the cocktail supper, amiably posing for photos with anybody who wanted one. He knows he’s a walking icon and just accepts it.
Also working the room were Harold Bradley, Tony Brown, Victoria Shaw, Troy Tomlinson, Roy Wunsch & Mary Ann McCready, Jo Walker-Meador, Don Light, Ken Levitan, Dwight Wiles & Diana Johnson, Jerry Foster, Janice & Bud Wendell, Nancy Jones, Eddie Stubbs, Layng Scott, Gary Overton, Tim Wipperman and Chris Horsnell.
Davis Re-signs With Magic Mustang For Publishing
/by Lorie HollabaughPictured (L-R): BBR Music Group President/Owner Benny Brown, Westin Davis, and Magic Mustang Music Sr. Creative Director Juli Newton-Griffith
Magic Mustang Music has re-signed writer Westin Davis to a publishing deal. Davis, a Fernandina, Fla. native, penned “Young Love,” the upcoming new single from Kip Moore’s sophomore record, as well as cuts for Thompson Square and Tracy Lawrence.
“Westin is an incredible songwriter and one of the hardest workers I know. His success is well deserved. I am elated to have him here at Magic Mustang.” said Juli-Newton Griffith, Sr. Creative Director at Magic Mustang Music.
Magic Mustang Music is home to songwriters Jason Aldean, Thompson Square, Steve Bogard, Sherrie Austin, Lindsay Ell, David Fanning, Rob Hatch, Kristy Lee Cook, Kurt Allison, Tully Kennedy, John Edwards, Rich Redmond, Erik Habig, Justin Lantz, Jason Delkou and Justin Wilson.
Artist Updates (10/28/13)
/by Jessica NicholsonPhoto: George Uribe
Country Music Artist and frequent at the Grand Ole Opry, Mallary Hope, 26, was engaged on Saturday, Oct. 26 to Ryan Dokke, 31, Regional Promotions Manager at Arista Records, a division of Sony Music.
Dokke proposed to Hope in the middle of the unbroken circle on the stage at The Grand Ole Opry
• • •
New country duo Dan + Shay, (“19 You + Me”) were the final featured artist for the fourth season of Warner Music Nashville’s Pickin’ on the Patio celebration.
Top Row: (L-R) Lisa Ray (VP, Brand Management), Scott Hendricks (SVP, A&R), Jordan Pettit (Dir., National Promotion). Bottom Row: (L-R) Tom Martens (Southeast Regional, Promotion), Dan Smyers, Shay Mooney, John Esposito (President & CEO, WMN), Chris Stacey (SVP, Promotion), Abby Law (Midwest/Northeast Regional, Promotion) Chris Palmer (VP, Promotion), Jessica Rouse (Coordinator, Promotion)
• • •
Cody Joe Hodges – Getting Back To Country
/by contributorNot long after graduating from Texas A&M in 2006, Cody Joe took off to Nashville, where he was lucky enough to find a place to stay with the late, great Johnny Paycheck’s steel guitar player, Jay Andrews. After his stay in Nashville, he decided to move back to Texas and join the Army. While in the Army, he ended up singing with the group “Harmony in Motion,” a vocal ensemble based out of Fort Carson, Colorado, and began traveling across America playing for large entertainment venues. Upon discharge, his dad had a talk with him about a career in the power line business as a lineman. This sounded like something exciting and also a great opportunity to draw upon for songwriting, so he joined the energy field in 2010. At the same time, he started a band called “Cody Hodges & The Linemen”, they came out with their first album as a band in 2012. In the spring of 2013, he decided to focus on his music and see what plans God had for him. So far, it has been a blessing. Cody Joe was recently nominated as Rising Star for the 2014 Texas Music Awards. This past year, Cody Joe Hodges and his band moved on to Round 2 of the Shiner Rising Star Competition, and he was nominated as Male Country Vocalist of the Year for the International Music and Entertainment Association.
Cody Joe is a traditionalist in the sense that he loves the sound of traditional country; with a steel guitar, fiddle and good, old-fashioned story-telling songs, the way country music was when he was growing up. As a true Texan, he grew up idolizing George Strait and aspires to the lifelong career he has had in the music industry. He is also a huge fan of the true country and outlaw country greats such as: Waylon Jennings, Johnny Cash and Merle Haggard. Not only were/are they storytellers, but fantastic writers, artists and personalities.
Cody Joe Hodges’s music has been described as “outlaw country”, with a large influence of the country greats and performers who started the genre in the late 70’s and 80’s. Cody Joe’s voice ranges from silky smooth to raspy seduction. A Cody Joe Hodges live performance is one you will not forget. He and his band always thrill, putting on a high-energy performance at every show. It is rare that you will find someone that reaches across the aisle to both the old and new generations, but Cody Joe Hodges does it every time. With a steel guitar, fiddle, stand-up bass, guitar and drums, Cody Joe’s sound is something out of the past. Be prepared to dance because his goal for every show is to fill the dance floor.
Cody Joe tries to put a positive message in every song. There is a lot of negative in this world, and when people listen to music, whether it is to escape or to be entertained, his goal is to put a grin on your face or a smile in your heart.
While Cody Joe and his band currently play a lot of bars and honky tonks, they love playing fairs, festivals and concerts where they can reach out to all ages and play for folks they wouldn’t normally reach in the bar and honky tonk scene.
www.codyjoehodges.com
www.facebook.com/codyjoehodges
twitter.com/codyjoehodges
instagram.com/codyjoehodges
www.soundcloud.com/codyjoehodges
www.youtube.com/codyjoehodges
Songwriter O'Donnell Inducted Into New Brunswick Country Music HOF
/by Jessica NicholsonThe event, held Oct. 19, was hosted by Gary Morris.
O’Donnell’s song credits include “Give It All We Got Tonight” (George Strait), “Back When I Knew It All” (Montgomery Gentry), “Tougher Than Nails” (Tracy Lawrence), among others.
Feek, Slater, Carter Slated For CMA Songwriters Series
/by Jessica NicholsonCarter is best known for her No. 1 smash, “Strawberry Wine,” which won CMA Song of the Year in 1997; In addition, she co-wrote the Kenny Chesney hit “You and Tequila,” which was nominated last year for CMA Song of the Year.
Feek is one half of the duo Joey + Rory. He wrote or co-wrote much of the duo’s current album, His and Hers, and has logged multiple No. 1’s including “Little More Country Than That” recorded by Easton Corbin and “Some Beach” recorded by Blake Shelton.
Slater is a singer/songwriter who has penned songs including “In My Daughters Eyes” recorded by Martina McBride, “Unstoppable” recorded by Rascal Flatts, and “The High Cost of Living” recorded by Jamey Johnson.
'MusicRow' No. 1 Song
/by Eric T. ParkerDarius Rucker
Darius Rucker’s latest single, “Radio,” has made it to the No. 1 spot on MusicRow’s radio chart–imagine that! Ninety-nine reporting stations from around the country spun the title 3,111 times this week to land it at our chart’s pinnacle.
Written by Ashley Gorley, Luke Laird and Rucker, the Capitol Nashville title finds a teenager enjoying the freedom of the road with memorable songs blaring on the radio. MusicRow‘s Robert K. Oermann calls the title: “Thumpy and funky…Lively, romping and impossible to resist.”
Rucker is up for CMA Single of the Year at the Nov. 6 live telecast for his 2013 single “Wagon Wheel,” which is also nominated for Song of the Year. He will film with the CMA Country Christmas two days following (Nov. 8) for a Christmas program to be broadcast nationally on ABC-TV Monday, Dec. 2. Rucker is also featured on Sandra Boynton’s Warner Bros. Frog Trouble children’s project, singing “Beautiful Baby.”
Toby Keith, Hunter Hayes Among Latest After Midnite Hosts
/by Lorie HollabaughAfter MidNite’s 20-week takeover began on Aug. 1 and runs through the end of the year. Carrie Underwood, Jason Aldean, Dierks Bentley, Kenny Rogers, and Darius Rucker are just a few of the guests who have already stopped in to help the show celebrate its milestone over the past few months. The show is nationally syndicated by Premiere Networks and can be heard on more than 230 affiliates by 2.7 million people weekly.
Toby Keith – Oct. 28 – Nov. 3
Lee Brice and Tyler Farr (featuring CMA Correspondents Jo Dee Messina and Craig Morgan) – Nov. 4 – 10
Hunter Hayes – Nov. 11 – 17
Randy Houser – Nov. 18 – 24
Little Big Town – Nov. 25 – December 1
MusicRowLife: Ashley Monroe Weds
/by Jessica NicholsonBlake Shelton officiated the nuptials, and Miranda Lambert (a fellow member of Pistol Annies) served as the maid of honor. The wedding took place at Blackberry Farm, the same location that Kelly Clarkson wed this past weekend.
Danks and Monroe met in 2011 and announced their engagement in September 2012.
It's Beginning To Look A Lot Like CMAs – Street Closings Alert
/by Lorie HollabaughMonday, Oct. 28
Beginning at 6:00 AM/CT, the Northside lane of Demonbreun Street will close between Fourth and Fifth Avenues South.
Friday, Nov. 1
At 6:00 AM/CT, Fifth Avenue South will close between Demonbreun Street and Broadway. The right lane between the Hilton driveway and Broadway will remain open for northbound traffic only.
Saturday, Nov. 2
At 6:00 AM/CT, Sixth Avenue South will close between Demonbreun Street and Broadway.
Sunday, Nov. 3
At 6:00 AM/CT, Demonbreun Street will close between Fifth and Sixth Avenues South.
Monday, Nov. 4
At 9:00 AM/CT, Fifth Avenue South will completely close between Demonbreun Street and Broadway.
Wednesday, Nov. 6
-At 6:00 AM/CT, Sixth Avenue South will close between Korean Veterans Blvd. and Demonbreun Street.
-At 6:00 AM/CT, Fifth Avenue South will close between Korean Veterans Blvd. and Demonbreun Street.
-At 6:00 AM/CT, Demonbreun Street will close between Fifth and Fourth Avenues South.
-At 6:00 AM/CT, the Fourth Avenue Southbound curb lane (West) will close between Broadway and Demonbreun Street.
-At 6:00 AM/CT, Demonbreun Street will close between Eighth and Sixth Avenues South.
-At 6:00 AM/CT, Seventh Avenue South will close between Demonbreun Street and Broadway.
-At 6:00 AM/CT, McGavock Pike will close between Eighth and Seventh Avenues South.
Saturday, Nov. 9
At 8:00 AM/CT, the Northside lane of Demonbreun Street will close between Fourth and Fifth Avenues South.
Sunday, Nov. 10
At 8:00 AM/CT, the Northside lane of Demonbreun Street will close again between Fourth and Fifth Avenues South.
The Northside lane of Demonbreun Street will re-open between Fourth and Fifth Avenues South no later than 6:00 PM/CT on each day it is closed. Fourth Avenue South will re-open between Broadway and Demonbreun Street no later than 10:00 PM/CT on Wednesday, Nov. 6. All other roads will re-open no later than 4:00 AM/CT on Thursday, Nov. 7; except Fifth Avenue South, which will re-open between Demonbreun Street and Broadway no later than5:00 PM/CT on that day. In addition, Sixth Avenue South between Demonbreun Street and Broadway, and Demonbreun Street between Sixth and Fifth Avenues South will re-open no later than 6:00 AM/CT on Saturday, Nov. 9.