
George Strait performs at Nashville’s Bridgestone Arena on March 21, 2014. Photo: Jill Trunnell
It must have been a hard task to select a set list for this tour. With 60 No. 1 songs under his belt and more than three decades of touring, the 61-year-old
George Strait has amassed enough chart-topping material to fill two concerts with hits—without repeating a song. And that’s not including his numerous Top 10 singles or beloved album cuts, often covered by other artists in their own set lists.
In 1981, a then 29-year-old Strait released his first single, “Unwound.” By 1982, his fourth single, “Fool Hearted Memory,” became his first No. 1 on the
Billboard chart. In 2014, he will end his touring days as one of Country’s most-loved entertainers and song interpreters.
At Nashville’s Bridgestone Arena on Friday night (March 21), Strait offered fans a career retrospective, comprising 30+ songs. The crowd was on its feet, cheering approval long before Strait actually took the stage. His performance included nearly a dozen No. 1 songs, tracks from his 1981 debut album
Strait Country, two cover songs, his latest single, and a smattering of Top 10 hits.
Indeed, when you have the knack for finding such top shelf material as Strait and his team have done for the past 30+ years, the songs become stars in their own right. The crowd cheered for the mellifluous melodies of “You Look So Good In Love” and “Check Yes Or No” as if Strait had introduced a guest artist to the stage—which he later did, three in fact, throughout the set.
Opener
Sheryl Crow returned to join Strait for “Here For A Good Time.” The musical chemistry and complementary tones of their voices are undeniable.
Eric Church brought swagger and an impassioned performance of “Cowboys Like Us,” while the crowd’s cell phone camera flashes lit up the room when an unassuming
Kenny Chesney walked onstage. Instead of performing their duet “Shiftwork” from Chesney’s
Just Who I Am: Poets & Pirates project, Chesney joined Strait for the classic “Amarillo By Morning.” Numerous fan favorites followed, as Strait offered “Ocean Front Property,” “Marina Del Rey,” “River of Love,” “I Saw God Today,” and “Fool Hearted Memory,” among others.

Eric Church joins George Strait onstage. Photo: Jill Trunnell
The crowd hung onto every word, whether it was “Unwound,” or “I Believe,” which was penned after the school shooting tragedy in Newtown, Conn., in 2012. “More than anything it is a song about faith. We all need a little faith; without faith, we have no hope,” said Strait.
Like his starched jeans and ever-present cowboy hat, Strait’s career and connection with his audience has been constant. He has spent all 30-plus years (and counting) at one label home, MCA Nashville—a longer stint at one imprint than Johnny Cash, Dolly Parton, Loretta Lynn, Merle Haggard, Waylon Jennings or George Jones. His chart-topping singles span more years than most Country legends. In a time when artists find ever more creative ways to initiate and maintain connection with fans, Strait does what he’s always done: deliver solid songs with minimal distractions. A tip of his hat, a pearly white smile, and a few guitar strums are all this troubadour needs to accent his stable of hits.
With the last chord of “Unwound” behind him, Strait took a leisurely stroll around the diamond-shaped stage, allowing fans from every vantage point in the arena to say their farewell to the entertainer affectionately known as “King George.”
As the lights went out, the crowd used their collective cell phone lights to create a glow throughout the arena. In that haunting moment, tens of thousands of fans cheered, clapped, shouted and called for their favorite performer, but the stage was dark—and empty.
Luckily, Strait obliged the (loud) request for an encore, treating the crowd to “All My Ex’s Live In Texas.” The line
That’s why I hang my hat in Tennessee was particularly loved by this Music City crowd. Undoubtedly the evening’s most unexpected cover was a rendition of Tom Petty’s “You Wreck Me,” which Strait’s effortless voice handled with ease, and his cover of Johnny Cash’s “Folsom Prison Blues” could have been the national anthem, judging from the crowd’s instantaneous singalong. Strait ended with the tour’s namesake tune, “The Cowboy Rides Away.”
Thanking and waving to the crowd one last time, he walked unassumingly from the stage, having entertained for two and a half hours. He rode in on a song in 1981, and rode out of Nashville that evening a class act, having forged a textbook career that countless artists have tried to recreate, but few, if any, ever will.
Good ride cowboy. Good ride.
Sheryl Crow, an established headliner in her own right, opened the show with her blend of folk, rock and Country. Her set list includes many of her pop hits including “All I Wanna Do,” and “My Favorite Mistake,” though Crow made it clear that her musical influences are steeped in Country. She recalled how she first watched Strait perform years ago in Jonesboro, Ark., and named Jessi Colter, Linda Ronstadt and Dolly Parton among her influences.
She also proved that her voice, a beautifully versatile instrument, can handle breezy, whispery uptempo songs such as her signature “Soak Up The Sun” and “Everyday Is A Winding Road” and vocally challenging compositions such as the heart-tugging single mom ballad “Waterproof Mascara” (co-written with Chris DuBois and Brad Paisley) with equal aplomb. Perhaps her biggest crowd response came with “Redemption Day,” which was recorded by Johnny Cash in the midst of his final recording years. She owned the stage like the touring veteran that she is, bringing a rock sensibility and an engaging, pure Country vocal that thrilled the Music City audience.
The Cowboy Rides Away Tour George Strait Set List
1. “The Fireman”
2. “Check Yes Or No”
3. “Ocean Front Property”
4. “Marina Del Rey”
5. “Blame It On Mexico”
6. “Fire I Can’t Put Out”
7. “Nobody In His Right Mind Would’ve Left Her”
8. “Arkansas Dave”
9. “Here For A Good Time” (featuring Sheryl Crow)
10. “When Did You Stop Loving Me”
11. “River Of Love”
12. “You Look So Good In Love”
13. “How ‘Bout Them Cowgirls”
14. “Cowboys Like Us” (featuring Eric Church)
15. “I Saw God Today”
16. “Still Make Cheyenne”
17. “Drinkin’ Man”
18. “I Believe”
19. “Give It Away”
20. “Fool Hearted Memory”
21. “Amarillo By Morning” (featuring Kenny Chesney)
22. “Give It All We Got Tonight”
23. “The Chair”
24. “I Got A Car”
25. “I’ll Always Remember You”
26. “Troubadour”
27. “Unwound”
28. “You Wreck Me” (Tom Petty cover)
29. “All My Ex’s Live In Texas”
30. “Run”
31. “Folsom Prison Blues” (Johnny Cash cover)
32. “The Cowboy Rides Away”
MusicRowPics: MusicRow's Rising Women On The Row
/by Jessica NicholsonMusicRow celebrated five accomplished ladies on Friday, March 21, with the third annual MusicRow Rising Women on the Row awards. Sony Music Nashville’s vice president of sales Caryl Healey; Essential Broadcast Media founder Ebie McFarland; BMLG’s senior vice president of sales, digital and marketing Kelly Rich; Warner-Chappell Music’s senior director of A&R Alicia Pruitt; and co-owner of business-management firm Flood Bumstead McCready & McCarthy Julie Boos were feted during a sold-out morning event that featured speaker Nancy Shapiro, national chief of member services for the Recording Academy.
Special guest Jo Dee Messina performed songs from her latest project, Me, in front of the 300 attendees.
For a full recap of the celebration, read Bobby Karl’s writeup from the event.
All photos by Bev Moser.
[slide]
To purchase photos from MusicRow’s 3rd Annual Rising Women on the Row, click here.
City National Bank served as the Presenting sponsor for the third consecutive year while Supporting sponsorships included ASCAP; Marbaloo; Flood, Bumstead, McCready & McCarthy; Big Machine Label Group; Loeb & Loeb; The Recording Academy; and Martin, Allbee & Associates.
Brinson Strickland To Head The Collective Nashville
/by Sarah SkatesBrinson Strickland
Collective Music Management has appointed Brinson Strickland President of the Nashville division, which is home to clients including Sara Evans and Corey Smith.
Strickland brings more than 20 years of experience to post, including the past eight years as a manager at McGhee Entertainment where his roster included Clint Black, The Willis Clan and Ronnie Dunn. He previously spent 10 years as Managing Partner at 262 Five, Ltd.
The Collective Nashville is one of four locations that make up Collective Music Management, with offices in Beverly Hills, New York and San Francisco. Clients include Linkin Park, Stone Temple Pilots, Staind, Slash, Toni Braxton, Plain White T’s and Kelli Rowland.
Genevieve Jewell has exited The Collective Nashville.
Strickland can be reached at brinson@thecollective-la.com.
The Collective Nashville can be reached at 615-610-1960 and 1103 Holly St., Nashville, TN 37206.
Good Ride Cowboy: George Strait Reviews Hits On Farewell Tour
/by Jessica NicholsonGeorge Strait performs at Nashville’s Bridgestone Arena on March 21, 2014. Photo: Jill Trunnell
It must have been a hard task to select a set list for this tour. With 60 No. 1 songs under his belt and more than three decades of touring, the 61-year-old George Strait has amassed enough chart-topping material to fill two concerts with hits—without repeating a song. And that’s not including his numerous Top 10 singles or beloved album cuts, often covered by other artists in their own set lists.
In 1981, a then 29-year-old Strait released his first single, “Unwound.” By 1982, his fourth single, “Fool Hearted Memory,” became his first No. 1 on the Billboard chart. In 2014, he will end his touring days as one of Country’s most-loved entertainers and song interpreters.
At Nashville’s Bridgestone Arena on Friday night (March 21), Strait offered fans a career retrospective, comprising 30+ songs. The crowd was on its feet, cheering approval long before Strait actually took the stage. His performance included nearly a dozen No. 1 songs, tracks from his 1981 debut album Strait Country, two cover songs, his latest single, and a smattering of Top 10 hits.
Indeed, when you have the knack for finding such top shelf material as Strait and his team have done for the past 30+ years, the songs become stars in their own right. The crowd cheered for the mellifluous melodies of “You Look So Good In Love” and “Check Yes Or No” as if Strait had introduced a guest artist to the stage—which he later did, three in fact, throughout the set.
Opener Sheryl Crow returned to join Strait for “Here For A Good Time.” The musical chemistry and complementary tones of their voices are undeniable. Eric Church brought swagger and an impassioned performance of “Cowboys Like Us,” while the crowd’s cell phone camera flashes lit up the room when an unassuming Kenny Chesney walked onstage. Instead of performing their duet “Shiftwork” from Chesney’s Just Who I Am: Poets & Pirates project, Chesney joined Strait for the classic “Amarillo By Morning.” Numerous fan favorites followed, as Strait offered “Ocean Front Property,” “Marina Del Rey,” “River of Love,” “I Saw God Today,” and “Fool Hearted Memory,” among others.
Eric Church joins George Strait onstage. Photo: Jill Trunnell
The crowd hung onto every word, whether it was “Unwound,” or “I Believe,” which was penned after the school shooting tragedy in Newtown, Conn., in 2012. “More than anything it is a song about faith. We all need a little faith; without faith, we have no hope,” said Strait.
Like his starched jeans and ever-present cowboy hat, Strait’s career and connection with his audience has been constant. He has spent all 30-plus years (and counting) at one label home, MCA Nashville—a longer stint at one imprint than Johnny Cash, Dolly Parton, Loretta Lynn, Merle Haggard, Waylon Jennings or George Jones. His chart-topping singles span more years than most Country legends. In a time when artists find ever more creative ways to initiate and maintain connection with fans, Strait does what he’s always done: deliver solid songs with minimal distractions. A tip of his hat, a pearly white smile, and a few guitar strums are all this troubadour needs to accent his stable of hits.
With the last chord of “Unwound” behind him, Strait took a leisurely stroll around the diamond-shaped stage, allowing fans from every vantage point in the arena to say their farewell to the entertainer affectionately known as “King George.”
As the lights went out, the crowd used their collective cell phone lights to create a glow throughout the arena. In that haunting moment, tens of thousands of fans cheered, clapped, shouted and called for their favorite performer, but the stage was dark—and empty.
Luckily, Strait obliged the (loud) request for an encore, treating the crowd to “All My Ex’s Live In Texas.” The line That’s why I hang my hat in Tennessee was particularly loved by this Music City crowd. Undoubtedly the evening’s most unexpected cover was a rendition of Tom Petty’s “You Wreck Me,” which Strait’s effortless voice handled with ease, and his cover of Johnny Cash’s “Folsom Prison Blues” could have been the national anthem, judging from the crowd’s instantaneous singalong. Strait ended with the tour’s namesake tune, “The Cowboy Rides Away.”
Thanking and waving to the crowd one last time, he walked unassumingly from the stage, having entertained for two and a half hours. He rode in on a song in 1981, and rode out of Nashville that evening a class act, having forged a textbook career that countless artists have tried to recreate, but few, if any, ever will.
Good ride cowboy. Good ride.
Sheryl Crow, an established headliner in her own right, opened the show with her blend of folk, rock and Country. Her set list includes many of her pop hits including “All I Wanna Do,” and “My Favorite Mistake,” though Crow made it clear that her musical influences are steeped in Country. She recalled how she first watched Strait perform years ago in Jonesboro, Ark., and named Jessi Colter, Linda Ronstadt and Dolly Parton among her influences.
She also proved that her voice, a beautifully versatile instrument, can handle breezy, whispery uptempo songs such as her signature “Soak Up The Sun” and “Everyday Is A Winding Road” and vocally challenging compositions such as the heart-tugging single mom ballad “Waterproof Mascara” (co-written with Chris DuBois and Brad Paisley) with equal aplomb. Perhaps her biggest crowd response came with “Redemption Day,” which was recorded by Johnny Cash in the midst of his final recording years. She owned the stage like the touring veteran that she is, bringing a rock sensibility and an engaging, pure Country vocal that thrilled the Music City audience.
The Cowboy Rides Away Tour George Strait Set List
1. “The Fireman”
2. “Check Yes Or No”
3. “Ocean Front Property”
4. “Marina Del Rey”
5. “Blame It On Mexico”
6. “Fire I Can’t Put Out”
7. “Nobody In His Right Mind Would’ve Left Her”
8. “Arkansas Dave”
9. “Here For A Good Time” (featuring Sheryl Crow)
10. “When Did You Stop Loving Me”
11. “River Of Love”
12. “You Look So Good In Love”
13. “How ‘Bout Them Cowgirls”
14. “Cowboys Like Us” (featuring Eric Church)
15. “I Saw God Today”
16. “Still Make Cheyenne”
17. “Drinkin’ Man”
18. “I Believe”
19. “Give It Away”
20. “Fool Hearted Memory”
21. “Amarillo By Morning” (featuring Kenny Chesney)
22. “Give It All We Got Tonight”
23. “The Chair”
24. “I Got A Car”
25. “I’ll Always Remember You”
26. “Troubadour”
27. “Unwound”
28. “You Wreck Me” (Tom Petty cover)
29. “All My Ex’s Live In Texas”
30. “Run”
31. “Folsom Prison Blues” (Johnny Cash cover)
32. “The Cowboy Rides Away”
Big Deal Music Signs Duhon
/by Jessica NicholsonZeke Duhon
Zeke Duhon, a young singer/songwriter from Tulsa, Okla., has signed his first publishing deal with Big Deal Music in Nashville, TN. Charlie Peacock (Civil Wars) will produce the artist’s first project.
“We are thrilled to welcome Zeke into the Big Deal family,” says Pete Robinson, Senior VP of Big Deal Music Nashville. “He represents the best of Nashville’s new music scene.”
Duhon moved to Nashville in August 2013, and soon became the flagship artist for boutique management firm Nashville Underground Management.
ACM New Artist Honor To Be Presented at ACM Fan Jam
/by Jessica NicholsonThey will join previously announced ACM Fan Jam performers Luke Bryan and Florida Georgia Line.
Nominees Brett Eldredge, Justin Moore, and Kip Moore will compete for the coveted title of ACM New Artist of the Year Presented by Kohl’s. The winner will be announced and the award presented on the ACM Fan Jam stage during the live Awards telecast. Fans can vote for their favorite New Artist on Monday, March 24 at 3 p.m. ET/12noon PT at voteACM.com until Sunday, April 6 at 8:00 PM ET/5:00 PM PT (before the LIVE show starts).
Online fan voting for New Artist of the Year and Entertainer of the Year categories is open to fans in the United States, Canada and Australia.
Fifth Annual 'We're All 4 The Hall' Returns May 6
/by Jessica NicholsonThe We’re All 4 The Hall benefit concert, led by Keith Urban and Vince Gill, will return to Nashville’s Bridgestone Arena on May 6.
This year’s theme is all about the songs. Songtellers (A LARGE Intimate Evening) will feature Urban, Gill, Brantley Gilbert, Brett Eldredge, Carrie Underwood, David Nail, Deana Carter, Kacey Musgraves, Kip Moore, Lee Ann Womack with Buddy Miller, Mary Chapin Carpenter, Reba McEntire and Ronnie Milsap.
Each artist will perform a song they have written or recorded, or a classic hit, and each artist will tell a story regarding why the song was written, or why it was recorded.
Reserved seat tickets, which are priced at $35 and $50 (does not include Ticketmaster surcharge), will go on sale April 4 at 10 a.m. CST and are available at ticketmaster.com, the Bridgestone Arena box office or by calling 800-745-3000. A limited number of VIP ticket packages will also go on sale on April 4 at ticketmaster.com.
“I think this is going to be an extremely unique and revealing night for everyone,” said Urban. “Not only are we going to see extraordinary ‘one of a kind’ performances, but we’re going to hear some stories that just may have us hearing these well known songs in a whole new way.”
Previous We’re All 4 The All concerts have collectively raised more than $2 million in support of the Country Music Hall of Fame Museum’s preservation efforts, exhibitions and educational programs. In addition, Urban has teamed up again with rally.org to help fans raise funds for the Country Music Hall of Fame and to compete for prizes including VIP tickets. For more information go to keithurban.net.
“The first four All 4 the Hall concerts have netted more than $2 million,” said Museum Director Kyle Young. “They continue to be our most successful fundraisers, with the proceeds helping to fund the care of our unrivaled collection, exhibitions, educational programs and more. The museum appreciates the generosity and unwavering support that Keith Urban and Vince Gill continue to display for our institution and for this genre of music. Fans eagerly anticipate this show, expecting, and getting, a unique, entertaining, and world-class line-up that only Keith and Vince can inspire. This year’s concert will not disappoint.”
Exclusive Interview: Scott Borchetta and Chris Stacey on BMLG Launch of Dot Records
/by Jessica NicholsonDot Records will be led by former Warner Music Nashville promotion exec Chris Stacey. “We continue to learn and continue to re-engineer nonstop,” BMLG founder and CEO Scott Borchetta told MusicRow. “It felt like the perfect time to take on that research and development and hit the reset button and bring in great new executive energy. Chris is someone I’ve wanted to work with for some time. I’ve never seen him lie down and he is a serial entrepreneur. When we first met, I realized we both have this amazing desire to continue to stretch the boundaries, and we love the excitement of starting new companies. Watching what he did at Warner Bros. the past several years was so impressive. I thought, ‘Ok, maybe instead of having to fight with him, I can join him,’ so this is the opportunity.”
BMLG revives the name of the independent label that operated from 1950-1977. “The name is synonymous with being a great Middle Tennessee-based record company, and when you look back in history at why it was started, and the entrepreneurial spirit around it, and then what it ultimately became with servicing all kinds of different music. To bring back a heritage imprint to be part of the Big Machine Label Group portfolio, we just couldn’t find any holes in it,” said Borchetta. “Every time we brought it up, we thought it was cool. The more we’ve learned about its heritage, it’s just made sense.”
GM of Dot Records Chris Stacey
Servicing different genres of music is indeed a potential part of the plan for the new imprint. “What’s great about our new company is that it’s a partnership with Monte Lipman and the folks at Universal, which means we are a Nashville-based label, with global capabilities,” said Stacey. “We put the music first and we put the format behind that. We are not necessarily worried about format. It will be primarily a Country-based label because we are here in Nashville, and that is our center lane of what we do. But we definitely have an opportunity with the new company that if something comes along that doesn’t fit in the middle lane we can certainly put it in other lanes and get into that business.”
Like Republic Nashville, Dot Records will be a joint venture between Nashville-based Big Machine Label Group and New York’s Republic Records. Borchetta and Stacey could not confirm any artist signings to Dot Records at this time. “We are in the process of looking for the best music and the best people for our team. It is coming soon. The model will be very similar to what you see at the other BMLG imprints,” said Stacey.
Big Machine Label Group launched in 2005, and is home to artists including Taylor Swift, Reba, The Band Perry, Thomas Rhett, Florida Georgia Line, Rascal Flatts, Eli Young Band, Danielle Bradbery, Brantley Gilbert, Cassadee Pope, and numerous others.
Nashville Concert Roundup (3/21/14)
/by Jessica NicholsonThe Mavericks. Photo: Mark Tucker
The Mavericks will perform their only Nashville date for 2014 on March 27 at 7 p.m. at Hillsboro High School Auditorium.
The concert will benefit Hillsboro High School student activities, and the event holds significance for Mavericks lead singer Raul Malo, whose son attends Hillsboro High School. Tickets can be purchased for $10 at the door.
• • •
• • •
Move Live On Tour will be a complete stage production, with sets, costumes and a cast of dancers, with the Houghs headlining in solo, duet and group performances in styles ranging from ballroom and tap to salsa and hip-hop. For more information, visit ryman.com.
MusicRowLife (3/21/14)
/by Jessica NicholsonKingston weighed 9 lb, 13 oz., and was born at St. Thomas Hospital at 2:36 p.m.
• • •
Eric Decker and Jessie James
Country singer Jessie James and NFL player Eric Decker welcomed their first child on Tuesday, March 18. Daughter Vivianne Rose Decker was born at 5:36 a.m. and weighed 8 lbs, 2 oz.
James and Decker will star in the reality series Game On, which premieres March 30 on E! Television.
I.R.S. Nashville Signs Striking Matches
/by Jessica NicholsonStriking Matches is comprised of Sarah Zimmermann and Justin Davis. Zimmermann and Davis met while studying guitar at Nashville’s Belmont University. As freshmen students, they were randomly paired for an improvisational instrumental performance; they kept honing their sound as a duo long after the course was over.
They are perhaps best-known for penning “The Right One Comes Along” with Georgia Middleman, which was recorded by Clare Bowen and Sam Palladio for an episode of the television series Nashville. Since the success of that tune, Striking Matches made their Grand Ole Opry debut in December 2012 at the Ryman Auditorium and later opened for Hunter Hayes. They were also named one of CMT’s “Listen Up” artists.
“Dreams really do come true, y’all. Thank you to all of our fans, friends, family and team who have believed in us for so long…you mean the world!! Now we’re REALLY ready to make a record!!!!” the duo said via social media.