Kane Brown. Photo: Matthew Paskert
Kane Brown took the stage at Bridgestone Arena on Friday (April 11) and Saturday (April 12) as part of “The High Road Tour.” Both nights, the arena was packed with eager fans, sporting tour t-shirts and “KB” hats, ready for the entertainer to deliver his high-energy set.
Ashley Cooke kicked off Saturday night with fan favorites such as “I Almost Do,” “Never Til Now,” “It’s Been A Year,” her Joe Jonas collaboration “All I Forgot” and more. She surprised the crowd with the announcement of her newest single “The F Word,” releasing this Friday (April 18), before previewing the tune. She also got the crowd rocking to a medley of cover songs including Kelly Clarkson’s “Since U Been Gone,” Avril Lavigne’s “Complicated” and Rascal Flatts’ “Life Is A Highway,” before closing her set with her first No. 1 at country radio, “Your Place.”
Next up was Nashville native Mitchell Tenpenny, who was making his Bridgestone debut. Tenpenny soaked in every moment, playing hits including “We Got History,” “Bucket List,” “Alcohol You Later,” “Truth About You” and “Drunk Me,” among others. Tenpenny also showcased his newest radio single “Same Moon” off his The 3rd album. Energizing the crowd, he also delivered electric covers of 2Pac’s “California Love,” where his brother joined him for the rap portion, and ended his set with Goo Goo Dolls’ “Iris.”
Kane Brown. Photo: Matthew Paskert
As the lights went dim, the arena was ready for Brown’s genre-blending, emotionally-charged and energetic show. From the moment smoke filled the air and Brown emerged dramatically at the end of the circle stage outstretched to the center of the venue, it was clear the crowd was in for a fun night.
The explosive kickoff came with “I Am,” accompanied by a burst of fireworks that set the tone for a night where spectacle and soul collided. He kept the energy high with “Start a Fire” and “I Can Feel It,” making the massive arena feel like a packed-out party.
When “Fiddle In The Band” hit, the spotlight turned to the fiddle player for a jaw-dropping solo that had the crowd roaring, but it was “Like I Love Country Music” that turned Bridgestone into a giant singalong, with fans shouting every word right back at him.
Kane Brown & Lauren Alaina. Photo: Matthew Paskert
One of the night’s best surprises came during “What Ifs,” when Lauren Alaina joined Brown on stage, bringing the house down for their chart-topping duet. He kept the good vibes rolling with the dance-filled “Lose It,” with Brown utilizing every inch of the giant stage, and a moody, blue-lit “Be Like That,” which saw him striding up a ramp at the back of the stage, captivating the audience with every step. After the band briefly exited, Brown took a moment alone sitting at the top of the ramp, diving into a heartfelt “Homesick.”
“People sometimes forget that celebrities are humans, too, and we go through things. This song is about some of my own personal struggles, and a reminder to everyone that you are not alone,” Brown said before transitioning into the beautifully emotional “Haunted,” made even more intense by a red fog and the illusion of the video screen burning away behind him, creating a highlight of the night.
Photo: Matthew Paskert
Brown and his band then walked to the edge of the stage, creating a setup in the middle of the arena for their stripped-back acoustic section, which Brown wanted to have imitate his high school days of playing at bonfires. The band shared intimate takes on “Backseat Driver,” “Worship You” and “For My Daughter.” Then Brown remained there by himself for a powerful solo performance of “Heaven,” where he asked the crowd to get as loud as possible. The crowd roared and shined their cell phone lights, illuminating the venue.
Brown kicked the party back into gear with “One Mississippi” before inviting Tenpenny and Cooke back out for a stellar rendition of “Says I Can.” He followed that with fan-favorite “Good As You.”
Kane Brown. Photo: Matthew Paskert
Then came a tender moment when he was joined on stage by his wife Katelyn, who also impressed the crowd vocally, on “Body Talk,” with laser beams lighting up the entire stage, before launching into their duet “Thank God,” with the fans swaying and singing along to every word.
The finale was figuratively and literally pure fire with “Bury Me In Georgia” and “One Thing Right” featuring pyrotechnics and red lasers lighting up the arena. To cap it all off, “Miles On It” turned into a full-circle moment as Brown brought out the team who helped bring the music video to life, and one final singalong rippled through the arena.
Brown will continue “The High Road Tour” on April 24 in Columbia, South Carolina, before heading to Grand Rapids, Albany, Atlantic City and more.
Kane Brown. Photo: Matthew Paskert
Kane Brown. Photo: Matthew Paskert
Kane Brown. Photo: Matthew Paskert
Kane Brown. Photo: Matthew Paskert
Kane Brown. Photo: Matthew Paskert
Date Set For 2025 Music Row Ladies Golf Tournament
/by LB CantrellMRLGT 2024 first place costume contest winners Team Regions Bank featuring Hannah Dasher and Elvie Shane.
The 38th annual Music Row Ladies Golf Tournament (MRLGT) will take place on Monday, Aug. 11 at Old Natchez Country Club in Nashville.
With all proceeds again going to United Cerebral Palsy of Middle Tennessee, the tournament is one of Music Row’s longest-running charity events and United Cerebral Palsy of Middle Tennessee’s largest annual fundraiser. Throughout its 38-year history, the MRLGT has raised $2.5 million for the organization, supporting people with disabilities across Middle Tennessee by providing wheelchair ramps, home modifications and medical equipment donations.
The longtime tournament tradition of teams collaborating on themed costumes will continue this year.
“The MRLGT is a cherished Music Row tradition that we are honored to present year after year,” shares former Nashville music industry executive and MRLGT Founder Herky Williams. “Last year, the tournament generated roughly $84,000 for United Cerebral Palsy of Middle Tennessee. The funds placed over 1,800 pieces of durable medical equipment, built 232 wheelchair ramps and financed eight home modifications.”
Registration opens in June, with more details to be announced soon. For information about becoming a sponsor or contributor, reach out to MRLGTnash@gmail.com.
Jack Wharff Inks With Kobalt
/by John Nix ArledgePictured (L–R, back row): Kevin Lane, Stephanie Cox and Morgan Brasfield; (L–R, front row): Mason Romm, Jack Wharff and Nate Fenningdorf
Singer-songwriter Jack Wharff has signed with Kobalt Music.
The 21-year-old from Richmond, Virginia has made a name for himself by blending the storytelling of country music with the soulful energy of bluegrass. Currently based in Nashville, his self-titled group, The Jack Wharff Band, is signed to Big Machine Label Group and represented by United Talent Agency for touring.
“We are thrilled to embark on the Jack Wharff journey! From the moment Allison Jones played the Jack Wharff band for me, I was hooked,” explains Kobalt Nashville GM Stephanie Cox. “His music is raw and honest, and his band delivers the songs with an electrifying blend of bluegrass, country, and rock.”
Playdate Mgmt’s Mason Romm adds, “Thank you so much to the Kobalt team, we’re super excited to start working with them. Excited for Jack’s journey to start at Kobalt!”
“I’m so blessed to join the Kobalt family,” echoes Wharff. “I can’t wait to see what God has in store for the future.”
Kane Brown Cements Superstar Status At Bridgestone Arena Weekend Run
/by Madison HahnenKane Brown. Photo: Matthew Paskert
Kane Brown took the stage at Bridgestone Arena on Friday (April 11) and Saturday (April 12) as part of “The High Road Tour.” Both nights, the arena was packed with eager fans, sporting tour t-shirts and “KB” hats, ready for the entertainer to deliver his high-energy set.
Ashley Cooke kicked off Saturday night with fan favorites such as “I Almost Do,” “Never Til Now,” “It’s Been A Year,” her Joe Jonas collaboration “All I Forgot” and more. She surprised the crowd with the announcement of her newest single “The F Word,” releasing this Friday (April 18), before previewing the tune. She also got the crowd rocking to a medley of cover songs including Kelly Clarkson’s “Since U Been Gone,” Avril Lavigne’s “Complicated” and Rascal Flatts’ “Life Is A Highway,” before closing her set with her first No. 1 at country radio, “Your Place.”
Next up was Nashville native Mitchell Tenpenny, who was making his Bridgestone debut. Tenpenny soaked in every moment, playing hits including “We Got History,” “Bucket List,” “Alcohol You Later,” “Truth About You” and “Drunk Me,” among others. Tenpenny also showcased his newest radio single “Same Moon” off his The 3rd album. Energizing the crowd, he also delivered electric covers of 2Pac’s “California Love,” where his brother joined him for the rap portion, and ended his set with Goo Goo Dolls’ “Iris.”
Kane Brown. Photo: Matthew Paskert
As the lights went dim, the arena was ready for Brown’s genre-blending, emotionally-charged and energetic show. From the moment smoke filled the air and Brown emerged dramatically at the end of the circle stage outstretched to the center of the venue, it was clear the crowd was in for a fun night.
The explosive kickoff came with “I Am,” accompanied by a burst of fireworks that set the tone for a night where spectacle and soul collided. He kept the energy high with “Start a Fire” and “I Can Feel It,” making the massive arena feel like a packed-out party.
When “Fiddle In The Band” hit, the spotlight turned to the fiddle player for a jaw-dropping solo that had the crowd roaring, but it was “Like I Love Country Music” that turned Bridgestone into a giant singalong, with fans shouting every word right back at him.
Kane Brown & Lauren Alaina. Photo: Matthew Paskert
One of the night’s best surprises came during “What Ifs,” when Lauren Alaina joined Brown on stage, bringing the house down for their chart-topping duet. He kept the good vibes rolling with the dance-filled “Lose It,” with Brown utilizing every inch of the giant stage, and a moody, blue-lit “Be Like That,” which saw him striding up a ramp at the back of the stage, captivating the audience with every step. After the band briefly exited, Brown took a moment alone sitting at the top of the ramp, diving into a heartfelt “Homesick.”
“People sometimes forget that celebrities are humans, too, and we go through things. This song is about some of my own personal struggles, and a reminder to everyone that you are not alone,” Brown said before transitioning into the beautifully emotional “Haunted,” made even more intense by a red fog and the illusion of the video screen burning away behind him, creating a highlight of the night.
Photo: Matthew Paskert
Brown and his band then walked to the edge of the stage, creating a setup in the middle of the arena for their stripped-back acoustic section, which Brown wanted to have imitate his high school days of playing at bonfires. The band shared intimate takes on “Backseat Driver,” “Worship You” and “For My Daughter.” Then Brown remained there by himself for a powerful solo performance of “Heaven,” where he asked the crowd to get as loud as possible. The crowd roared and shined their cell phone lights, illuminating the venue.
Brown kicked the party back into gear with “One Mississippi” before inviting Tenpenny and Cooke back out for a stellar rendition of “Says I Can.” He followed that with fan-favorite “Good As You.”
Kane Brown. Photo: Matthew Paskert
Then came a tender moment when he was joined on stage by his wife Katelyn, who also impressed the crowd vocally, on “Body Talk,” with laser beams lighting up the entire stage, before launching into their duet “Thank God,” with the fans swaying and singing along to every word.
The finale was figuratively and literally pure fire with “Bury Me In Georgia” and “One Thing Right” featuring pyrotechnics and red lasers lighting up the arena. To cap it all off, “Miles On It” turned into a full-circle moment as Brown brought out the team who helped bring the music video to life, and one final singalong rippled through the arena.
Brown will continue “The High Road Tour” on April 24 in Columbia, South Carolina, before heading to Grand Rapids, Albany, Atlantic City and more.
Kane Brown. Photo: Matthew Paskert
Kane Brown. Photo: Matthew Paskert
Kane Brown. Photo: Matthew Paskert
Kane Brown. Photo: Matthew Paskert
Kane Brown. Photo: Matthew Paskert
Ben Johnson Jumps Into Top 10 On MusicRow Top Songwriter Chart
/by Madison HahnenBen Johnson. Photo: Dusty Barker
Ben Johnson has entered the top 10 on this week’s MusicRow Top Songwriter Chart. Jordan Davis’ “Bar None,” Jelly Roll’s “Liar,” Nate Smith’s “Nobody Likes Your Girlfriend” and Dasha’s “Not At This Party” all push the songwriter to No. 7 this week.
Ashley Gorley stays at No. 1 with “Fix What You Didn’t Break,” “I Had Some Help,” “Liar,” “Love Somebody,” “Not At This Party,” “Park,” “She Hates Me” and “This Town’s Been Too Good To Us.” Riley Green remains at No. 2 with solo-penned “Worst Way.”
Charlie Handsome (No. 3), Taylor Phillips (No. 4) and Jordan Walker (No. 5) round out this week’s top five.
The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.
Click here to view the full MusicRow Top Songwriter Chart.
Jake Scott Plots U.S. Headline Tour
/by Lauryn SinkJake Scott
Jake Scott is set to hit the road this summer on his first headline tour in three years, dubbed “Jake Scott Live in ‘25.” Special guest MaRynn Taylor will join as direct support.
Pre-sale tickets are available today (April 14), before the general on-sale begins this Friday (April 18).
As an artist, Scott has amassed over one billion streams, the double-Platinum “She Likes It” in collaboration with Russell Dickerson and a debut album in 2023. As a songwriter, he has songs recorded by Morgan Wallen, Aloe Blacc, Jason Mraz, Sara Evans and others. Scott has toured with artists across formats including LANY, Ben Rector, Brett Young and, most recently, Dickerson.
“I absolutely cannot wait to hit the road again this summer. It will be my first US headline tour in 3 years and so much life and new music has happened in that time,” shares Scott. “These shows will be a little different than my shows in the past. I want to take the audience deeper. I want to go on a journey and explore the highs and lows of love, loss and living—and their respective musical dynamics. We’re going to dance and sing. We’re going to sit in the stillness of the moment and revel in the magic of music that connects us. I’ve never been more excited for a tour.”
The tour kicks off on July 18 in Fort Worth, Texas, with stops in Los Angeles, Salt Lake City, Nashville and more. It concludes on Aug. 23 in Scott’s hometown of Fayetteville, Arkansas.
Penned alongside Daniel Ross and Ryan Hurd, Scott will release his new single, “How To Be Lonely,” this Friday. Scott produced the track himself.
Jake Scott “Live In ’25” US Headline Tour Dates:
July 18 – Fort Worth, TX – Tannahill Tavern + Music Hall
July 19 – Houston, TX – House Of Blues Houston
July 20 – Austin, TX – Empire Control Room & Garage
July 22 – Phoenix, AZ – Crescent Ballroom
July 23 – San Diego, CA – Music Box
July 25 – Los Angeles, CA – El Rey Theater
July 26 – Roseville, CA – Goldfield Trading Post
July 28 – Portland, OR – Mission Theater
July 29 – Seattle, WA – The Showbox
July 31 – Salt Lake City – The Union
August 2 – Colorado Springs, CO – The Black Sheep
August 3 – Denver, CO – Summit Music Hall
August 5 – Omaha, NE – Slowdown
August 6 – Minneapolis, MN – Fine Line
August 8 – Chicago, IL – House of Blues
August 9 – St. Louis, MO – Delmar Hall
August 10 – Grand Rapids, MI – The Intersection Elevation
August 12 – Columbus, OH – The Bluestone
August 14 – TBA East Coast Market
August 15 – Washington, DC – 9:30 Club
August 16 – TBA East Coast Market
August 19 – Atlanta, GA – Buckhead Theater
August 20 – Charlotte, NC – The Fillmore Charlotte – Underground
August 22 – Nashville, TN – Brooklyn Bowl
August 23 – Fayetteville, AR – JJ’s Live
Jon Pardi Adds Fall Leg To ‘Honkytonk Hollywood Tour’
/by Lorie HollabaughJon Pardi is extending his “Honkytonk Hollywood Tour,” which kicks off next week, into the fall.
Picking back up on Sept. 18 in Grand Rapids with special guests Jake Worthington and Colby Acuff, Pardi will visit Oklahoma City, Savannah, Green Bay, Raleigh, Beaumont and more through Oct. 25.
Tickets for the newly-added stops will go on sale this Friday (April 18) and subscribers will get exclusive early access to presale tickets starting on Thursday (April 17). The tour will also offer a variety of different VIP packages and experiences for fans including premium tickets, a guided backstage tour, invitation to the Pardi Time! VIP Lounge, limited edition autographed tour poster, and more. Ticket information is available here.
A portion of ticket sale proceeds from the tour benefit the newly established Starlight Fund founded by Pardi with his wife Summer, which supports organizations dedicated to providing opportunities and resources specific to young people in need that are pursuing a path in the trades, agriculture and construction.
“Honkytonk Hollywood Tour” Fall Dates:
9/18 – Grand Rapids, MI – Van Andel Arena
9/19 – Champaign, IL – State Farm Center
9/20 – Jonesboro, AR – First National Bank Arena
9/25 – Oklahoma City, OK – Zoo Amphitheatre
9/26 – Rogers, AR – Walmart AMP
9/27 – Council Bluffs, IA – Harrah’s Stir Cove
10/2 – Bridgeport, CT – Hartford HealthCare Amphitheater
10/4 – Virginia Beach, VA – The Dome
10/9 – Savannah, GA – Enmarket Arena
10/10 – Raleigh, NC – The Red Hat Amphitheater
10/11 – Charlotte, NC – Skyla Credit Union Amphitheatre
10/17 – Sioux Falls, SD – Denny Sanford PREMIER Center
10/18 – Green Bay, WI – Resch Center
10/23 – Belton, TX – Cadence Bank Center
10/24 – Beaumont, TX – Doggett Ford Park Arena
10/25 – Edinburg, TX – Bert Ogden Arena
Tucker Wetmore Reveals Track List For Upcoming Debut Album ‘What Not To’
/by Lorie HollabaughTucker Wetmore has unveiled the full track list for his debut album What Not To, set for release April 25 via EMI Records Nashville/Back Blocks Music.
Produced by Chris LaCorte, the expansive 19-song collection captures the highs, lows and lessons learned in Wetmore’s 25 years. He co-wrote 11 of the album’s tracks, including the long-requested fan-favorite “Drinkin’ Boots” and the current viral sensation “Brunette.” The record weaves together interconnected themes, and at its core is the title track, “What Not To,” a song about struggle, compassion and salvation. Writers contributing to the new album include Chris Tompkins, Chase McGill, Jameson Rodgers, Josh Miller, Tucker Beathard and many more.
Wetmore has spent the spring playing for international audiences across Europe at Country 2 Country, including a sold-out headlining stop at London’s Electric Ballroom, and continues that momentum with his extended “Waves On A Sunset Tour 2025” through May before hitting the road as direct support for Thomas Rhett’s “Better In Boots T0ur 2025,” which visits 33 markets this summer.
What Not To Track List:
1. “Whatcha Think Is Gonna Happen?” (Matt Jenkins, Ben Stennis, Michael Tyler)
2. “3,2,1” (Josh Miller, Summer Overstreet, Jordan Reynolds)
3. “Bad Luck Looks Good On Me” (Tucker Wetmore, Julian Bunetta, Jackson Foote, Jaxson Free, Steph Jones)
4. “Casino” (Josh Jenkins, Alex Palmer, John Pierce and Michael Tyler)
5. “Takes One To Break One” (Matt Jenkins, Josh Miller, Ben Stennis)
6. “Brunette” (Chris LaCorte, Chase McGill, Josh Miller, Blake Pendergrass)
7. “Wind Up Missin’ You” (Tucker Wetmore, Thomas Archer, Chris LaCorte)
8. “Give Her The World” (Tucker Wetmore, Madison Kozak, Chase McDaniel)
9. “Goodbye Whiskey” (Tucker Wetmore, Thomas Archer, Ross Copperman, Jacob Hackworth)
10. “When I Ain’t Lookin’” (Austin Goodloe, Thomas Archer, Michael Tyler, Tucker Beathard)
11. “Drink Alone” (Tucker Wetmore, Jacob Hackworth, Chris LaCorte, Chase McGill, Jameson Rodgers)
12. “Bad Habit” (Tucker Wetmore, Corey Crowder, Chris LaCorte, Jameson Rodgers)
13. “What Not To” (Tucker Wetmore, Jacob Hackworth, Chris LaCorte, Chase McGill, Jameson Rodgers)
14. “Break First” (Michael Tyler, Matt Roy, Lauren Hungate, Matt Dragstrem)
15. “Drinkin’ Boots (Demo)” (Tucker Wetmore, Jared Keim, Michael Lotten)
16. “Drunk On Her” (Jaxson Free, Gabe Foust, Jacob Hackworth, Chris Tompkins)
17. “Silverado Blue” (Tucker Wetmore, Brett Sheroky, Dan Wilson)
18. “Wine Into Whiskey” (Tucker Wetmore, Jacob Hackworth, Justin Ebach)
19. “Whiskey Again” (Tucker Wetmore, Jacob Hackworth, Chris LaCorte, Chase McGill, Jameson Rodgers)
Carrie Underwood Takes Final Bow At ‘Reflection’ Vegas Residency After Three-Year Run
/by Lorie HollabaughCarrie Underwood closes her “Reflection” residency. Photo: Jeff Johnson
Carrie Underwood wrapped her three-plus year run of “Reflection: The Las Vegas Residency” at Resorts World Theatre at Resorts World Las Vegas on April 12.
Performing 72 shows of the production, Underwood is not only the first, and longest-running, resident headliner at Resorts World Theatre, but also has the longest-running Las Vegas residency of any solo female country music artist—marking a historic milestone on the iconic Las Vegas Strip. The show had multiple sold-out runs, and Underwood performed to over 300,000 fans.
AEG Presents Las Vegas Executives Bobby Reynolds, Kris Lingle-Griffith and HC Rowe present Commemorative Plaque to Carrie Underwood backstage at Resorts World Theatre
During her final bow, fans took to their feet with applause and cheers in the sold-out showroom as Underwood shared her gratitude in the heartfelt farewell performance.
“’Reflection’ has truly been one of the standout moments of my performing career thus far,” says Underwood. “It is a production I am so very proud of and have had so much fun performing over the course of this residency these past 3+ years. I’ve loved being in Las Vegas where we’ve welcomed fans from all over the world who have come to see us. It’s been so special to reflect on the first 20 years of this career I am so grateful for, and have loved being on stage with my band and all the performers every night. Thank you AEG Presents, Resorts World, and Las Vegas for making my first residency such an amazing experience!”
On April 11, executives from AEG Presents Las Vegas and Resorts World Las Vegas presented Underwood with a commemorative plaque and custom gaming table felt to celebrate her closing weekend of “Reflection.” In a private reception, AEG Presents’ Bobby Reynolds and Resorts World Las Vegas’ Alex Dixon led a champagne toast, commemorating Underwood’s illustrious residency.
Noel Miller, Carrie Underwood and Melissa Arias, Chief Chapter Advancement Officer, Make-A-Wish America. Photo: Jeff Johnson
“Carrie’s final performances mark the end of an era,” says Reynolds, Senior Vice President, AEG Presents Las Vegas. “Carrie and Reflection have made Las Vegas residency history, a testament to the tremendous artistry, talent, and fandom that have powered this production since the venue’s opening. The AEG Presents family could not be more proud to have presented this show alongside Carrie and her team over the last three years, as well as the Resorts World Las Vegas family. Her incredible talent has left an indelible mark on our team, this venue, and her fans, and we will cherish the memories from her unforgettable performances.”
“Carrie Underwood’s Reflection was a defining chapter for Resorts World Theatre,” adds Dixon, CEO of Resorts World Las Vegas. “As our first headliner, Carrie helped put our venue on the map as a top destination for live entertainment on the Strip. Her unforgettable performances and connection with fans created lasting memories for all of us. We’re honored to have shared this journey and look forward to continuing to bring world-class moments to Las Vegas.”
One dollar from each ticket sold for “Reflection: The Las Vegas Residency” is being donated to Make-A-Wish America. A highlight of Underwood’s closing night performance included her reunion with former Make-A-Wish child Noel Miller, who Underwood met through the charity organization in 2008 at age 12. Miller, now 28, joined Underwood onstage to sing her No. 1 hit, “All-American Girl,” a popular moment in the show that she had revived for “Reflection” after first introducing it to audiences in her “Carnival Ride Tour” in 2008.
Underwood has been involved with the organization as a WishMaker for nearly 20 years. Earlier in the evening, Underwood presented Make-A-Wish with a check for $236,844 on behalf of all the fans who have attended “Reflection” over the past few years. The donation comes at a fitting time for the organization as April is World Wish Month and 2025 is the 45th anniversary of Make-A-Wish.
Peech. Inks With TAMLA Records & Capitol CMG [Exclusive]
/by Madison HahnenPictured (L-R): Justin Tomlinson (Sr. Director of Marketing), Brianna Dowd (Project Manager),
Levi Baglino (Artist Manager), PEECH., Alexandria Dollar (Sr. Director of A&R),
Adam Banx (Music Producer/Engineer) and Jalyn Robinson (A&R Coordinator).
Singer-songwriter Peech. has signed with TAMLA Records and Capitol Christian Music Group (Capitol CMG).
“I’m super excited to be joining the Tamla/CCMG team,” shares Peech. “Everybody has been incredibly kind and I’m blessed to partner with them on this journey to the top. The world is in need of positivity and authenticity, and that’s exactly what we are going to bring. With Tamla focusing on the positive sounds of the world, I couldn’t think of a better team to work with. Together, I truly believe we can bring people together in a way that hasn’t been done before—and remind people to keep their faith and know that they aren’t alone.”
Peech. began emerging 2018 with his emotional storytelling, cross-genre production and worldwide fanbase. Crafting from his influences like Mac Miller, Kid Cudi, The Lumineers and Bon Iver, Peech. first gained recognition with Tha Lights Global and played at Rolling Loud and SXSW early in his career. His These Times Don’t Feel Right EP has earned over two million streams so far.
Last year, he released his singles “Snowfall” and “Tell Me,” as well as mixtape L.I.V.E., amassing to over 500,000 monthly listeners as well as breakout success on TikTok. Peech. is set to release his debut single under the new deal “Don’t Miss Your Moment” this Friday (April 18).
“As Senior Director of A&R here at Tamla Records, I couldn’t be more excited about this signing,” adds Alexandria Dollar, Senior Director of A&R at TAMLA Records “Peech. brings a fresh, authentic voice to country music, drawing from deep Utah roots while pushing the boundaries of the Nashville sound. With undeniable talent and compelling songwriting that connects with listeners across generations, Peech. represents exactly the kind of artist we’re proud to champion at Tamla.”
Eric Church’s Chief Cares Breaks Ground On Housing Development To Aid Hurricane Survivors
/by Lorie HollabaughPictured (L-R): Justin DeSpain and Matt Belcher (Clayton Homes), Ruth Shirley (Avery Long Term Recovery Group), Christian Bigsby (SVP Workplace Resources, Cisco), Eric Church, Governor Stein and Luke Howe (local partner, AMY Wellness Foundation) break ground at Blue Haven Community in Avery County North Carolina. Photo: Courtesy of Chief Cares
Eric Church‘s Chief Cares, the nonprofit he founded with wife Katherine in 2013, has officially broken ground on its first mid-to-long-term housing development to support families displaced by Hurricane Helene.
Dubbed Blue Haven, the development is located in Avery County, North Carolina—an area close to Church’s heart and home. Blue Haven will offer roughly 45 homes across a mix of one to three bedroom floorplans, and work is already underway, with families expected to move in by late summer. Chief Cares and its partners are acquiring the land, preparing the infrastructure and building the homes, and selected families’ housing expenses will be financially assisted to allow them to live affordably for up to three years while they rebuild their lives. At the end of that term, families will have the option to purchase their homes, with support from Chief Cares in accessing any available resources.
Eric Church addresses media and local community members on Friday, April 11, 2025 ahead of breaking ground on the Chief Cares Blue Haven community, home to 45 new homes to help North Carolina residents post Hurricane Helene. Photo: Courtesy of Chief Cares
“The land we stand on today sits in the heart of a county that has meant so much to me,” Church said during the event on April 11. “This is a place my family and I are proud to call home… Mountain people, my people.”
Following Hurricane Helene, which devastated parts of Western North Carolina in September 2024, Chief Cares shifted its mission to address the need of keeping people in their communities once disaster strikes. Focused on providing families a path to stability, homeownership and dignity, the effort is being launched under a new initiative called “Blueprint for the Blue Ridge,” a scalable model for disaster recovery rooted in housing, community and mid-to-long-term support.
“We realized that keeping the people in their communities after disaster was a problem with no real solution. We wanted to change that,” Church says. “This is truly a hand up, not a handout. Dignity and community are key to the long-term success of the Blueprint.”
Chief Cares has plans to expand into neighboring counties, with the ultimate goal of creating a national model for disaster recovery rooted in permanence, pride and place.