
Pictured (L-R): Jon Nite, Keith Urban, Nicolle Galyon, and Jimmy Robbins.
Members of the Country music industry gathered for a lunchtime celebration for
Keith Urban‘s 16th No. 1 single Monday (Aug. 25) at Nashville restaurant The Tippler. Urban recorded “We Were Us” as a duet with
Miranda Lambert.
ASCAP’s
LeAnn Phelan and BMI’s
Jody Williams were on hand to honor the song’s writers,
Nicolle Galyon,
Jimmy Robbins, and
Jon Nite. Though Galyon and Nite have celebrated No. 1 singles with other No. 1 parties in recent months, “We Were Us” is technically the first No. 1 single for both writers. It marks Robbins’ fifth chart-topper.
Though the jaunty tune featured two superstar vocalists, the song wasn’t a lock for a radio single, due to scheduling conflicts.
Urban recalled that upon hearing the song, “Miranda’s voice and face immediately came to mind.” The duo were able to record the song together in the studio. “So many times with duets, it’s like, ‘Well, send me the thing and I’ll sing it into my computer and send it back to you.’ It was so nice to be at the studio at the same time at the microphone singing it together. To me it felt really special the first time we heard it with her voice.”
Still, the song’s journey from recording to radio single was challenging. “The song went through this strange journey,” said Urban. “Trying to get the timing for singles is very complicated at the best of times. We had great support but timing was not on our side to get the single right. The discussion came up that maybe we should get another girl for the song. These poor songwriters went through a period of hell because I made the decision that I would rather have Miranda on the track and have to let it just live as an album track than put someone else on it, just to have a radio single. I’m of the belief that when a song is right, it’s right,” he said, while thanking his Capitol Nashville team, Lambert and her Sony Nashville team, and the songwriters for all making the hit happen.
Lambert couldn’t attend the celebration, but did offer her thanks to Urban and the songwriters, publishers and labels via a video message. “I’m so thrilled about this song going No.1 and I loved being a part of it. It should be celebrated and I’m thrilled to have a little piece of it,” she said.

Pictured, Seated: Jon Nite, Keith Urban, Nicolle Galyon, Jimmy Robbins. Standing: UMG’s Royce Risser, Sony/ATV Tree’s Josh VanValkenburg, ASCAP’s LeAnn Phelan, Producer Nathan Chapman, BMI’s Jody Williams, UMG’s Joe Fisher, Warner/Chappell’s BJ HIll, ASCAP’s Mike Sistad, Universal Publishing’s Kent Earls, BMI’s Bradley Collins and UMG’s Cindy Mabe. Photo: Rick Diamond
“A lot of people pray to have a publishing deal and very few get one who fights for you,” said Galyon, who recognized the staff at Warner/Chappell, her publishing home for the past several years. “Now we have Ben Vaughn on our team and I think everyone in this town knows he’s not afraid to be the first person to believe in something. I’m so honored to work with both of them day in and day out.” She also recognized those in publishing administration. “I get to wake up every morning and just figure out how to rhyme, because they are pushing all the paper that I don’t have to worry about, and they never get thanked. All I’ve ever wanted to do is write songs and this song has bought me the creative freedom to do that.”
Northwestern Mutual and Avenue Bank sponsored the event to celebrate the song’s success. Warner/Chappell and Avenue Bank both made donations on behalf of the songwriters to Thistle Farms.
Urban took home plenty of hardware of his own. The singer-songwriter received plaques honoring the platinum-selling success of two of his singles, “We Were Us” and “Cop Car.” “My dad said to me very early on, ‘If you can, try to work with people who you would have dinner with when there is no work to discuss.’ I feel so fortunate since I’ve moved to this town, I would have dinner with everyone that I work with when there is no work to discuss, except ‘How are you doing and how is your family?’ That is a huge blessing because this is a short life. No matter how long you live, it’s a short life—unless you are standing in line in the DMV,” he quipped.
The party ended on another high note, as Urban performed an acoustic take on the single with Galyon, Nite, and Robbins.
DISClaimer: Country Music Stages A Comeback
/by Robert K OermannApparently, there are still a few record makers out there who cherish our honky-tonk traditions. One of them is our DisCovery Award winner, James Carothers. His CD is titled, of course, Honky Tonk Land.
There’s also an Ernest Tubb tribute album in this stack of platters. How could it be anything but country, country, country?
The trio of big stars on tap today are solidly country, too, albeit in modern ways. My applause goes to all three, Blake Shelton, Brad Paisley and Lee Brice. Deciding among them for a Disc of the Day award was simply impossible. So I am giving it to a guy who marries tradition to electronics with striking results, Sturgill Simpson.
SARA BETH/Nowhere With You
Writers: Ashley Hewitt/Dean Sams/SaraBeth Swagerty; Producer: Dean Sams; Publishers: Onjarose/Last Song Standing/Clear Box/Delta Pearl, ASCAP/BMI; Circle S (track)
-This sweet and pleasant, languidly paced ditty goes down smoothly.
STURGILL SIMPSON/The Promise
Writers: Farrington/Mann/Floreale; Producer: Dave Cobb; Publishers: Songs of Kobalt, BMI; High Top Mountain
-Many in the media are hailing this Nashvillian as a “savior” of country music. His resonant baritone has echoes of Waylon, but his extraordinary style is all his own. If you know this song from its days as a 1988 pop hit for the British dance act When In Rome, you’ll be stunned at how he transforms it into an earthy, yearning country love ballad. Esquire, Rolling Stone, The Washington Post and other elite commentators are calling Simpson’s Metamodern Sounds in Country Music CD the country album of the year. You’ll get no argument from me. The singer-songwriter is nominated as Emerging Artist of the Year at next month’s Americana Music Awards.
BLAKE SHELTON/Neon Light
Writers: Andrew Dorff/Josh Kear/Mark Irwin; Producer: Scott Hendricks; Publishers: Songs of Universal/Moreendorffin/Global Dog/Book of Spells/Green Vinyl, BMI/ASCAP; Warner Bros.
-Honky-tonk heartbreak brought right up to date with a sensational groove and brilliantly clever lyrics. Absolutely irresistible.
James Carothers
JAMES CAROTHERS/New Country Singers
Writers: James Carothers; Producer: none listed; Publisher: James Carothers; BMI; JC (track)
-If this doesn’t make you smile, you must not be listening. It seems that the depressing drinking in his hang-dog life doesn’t quite match up to the beer-and-babes lyrics he hears today’s country singers warbling. This boy is a stone-country singer, and his song is as catchy as can be. Play it.
BRAD PAISLEY/Perfect Storm
Writers: Brad Paisley/Lee Thomas Miller; Producers: Luke Wooten/Brad Paisley; Publishers: House of Sea Gayle/Words & Music/Warner-Tamerlane/The Country and Western, ASCAP/BMI; Arista (track)
-The echoey guitar flourishes are heavenly, as Brad continues to dazzle as a player. Beyond that, the song is a melodic dream of being lost in love. In a word, wonderful.
AL BRAKE/Hot Pink Lady
Writers: Al Brake; Producer: Bob Bullock; Publishers: none listed; AB (track)
-This Canadian came to Nashville to record his self-titled CD. But all the professional surroundings in the world can’t disguise his thin, too-sharp, breath-challenged voice.
LEE BRICE/Drinkin’ Class
Writers: none listed; Producer: none listed; Publishers: none listed; Curb (track)
-If this isn’t a monster hit, I’ve never heard one. Every nine-to-fiver in America is going to raise a glass to this anthem. Apparently, it is already a sensation with audiences at Lee’s shows. I can certainly hear why.
QUENTIN REDDY/Moonlight Ride
Writers: Rob Crosby/Brice Long/Quentin Reddy/Darren Crow; Producer: Bart McKay; Publishers: Golden Vault/Wadmalaw/The Song Factory/Wordspring/Blongsongs/Q Factor, BMI/SESAC/SOCAN; On Ramp (track)
-This fellow has already achieved a measure of notoriety by competing on CMT’s “Big in a Small Town” TV competition in Canada. To translate that into U.S. radio prominence, I think it’s going to take a song that’s a little less generic than this.
TONY BOOTH/Walking The Floor Over You
Writers: Earnest Tubb; Producers: Jim Loessberg/Justin Trevino; Publishers: Unichappell, BMI; Heart of Country
-I love this Lone Star State label. Its latest CD is a tribute to Ernest Tubb called Thanks a Lot Texas Troubadour. Country vet Tony Booth kicks it off with a sprightly, bopping rendition of ET’s signature song. Other participants on this thoroughly enjoyable and totally country package include Johnny Bush, the late George Jones, Dottsy, Darrell McCall, Dolly Parton, Norma Jean and Georgette Jones.
JIM PHOTOGLO/Halls of My Heart
Writers: Jim Photoglo; Producer: Jim Photoglo; Publishers: Griffin Pie/Haber; ASCAP; Grifftone (track)
-Photoglo’s songwriting catalog includes such evergreens as “Fishin’ in the Dark” (The Nitty Gritty Dirt Band), “Hometown Honeymoon” (Alabama) and “Honky Tonk Heart” (Highway 101). This is the title tune of his latest solo CD. It is a heartwarming salute to Elvis, The Beach Boys and The Beatles that wafts with nostalgia and stardust. His evocative, tender, tenor voice sounds younger than yesterday. Recommended without reservation, especially if you’re looking for songs with true class. Also, it is exquisitely produced.
Weekly Register: Debuts From Taylor Swift, Chase Rice
/by Sarah SkatesSwift shakes off the “haters” in new hit.
However, this marks a sales tally slip from the 2012 debut of “We Are Never Ever Getting Back Together,” the lead single from her mega blockbuster Red album. “Never Ever…” sold 623,000 units, marking the biggest digital sales week ever for a female. In the two years since the release of “Never Ever…” streaming has grown in popularity, while simultaneously decreasing sales.
On the Country album chart, Chase Rice debuted at No. 1 selling 44K copies of Ignite the Night. Following at No. 2 is Nashville Outlaws—A Tribute to Motley Crue, selling 31K.
Rounding out the Top 5 Country albums are Luke Bryan (16K this week), Brantley Gilbert (10K) and Miranda Lambert (10K).
Tracking Tracks
Jason Aldean is still smoldering at the top of the Country tracks chart with “Burnin’ It Down” scoring 83K clicks to cross the 500K mark. Making notable debuts are Blake Shelton’s “Neon Light” with 28K, and Lee Brice’s “Girls In Bikinis” with 18K.
The Top 5 Country tracks this week are “Burnin’…” (83K), FGL “Dirt” (62K), Kenny Chesney “American Kids” (61K), Sam Hunt “Leave The Night On” (50K) and Lady A “Bartender” (42K).
All numbers based on Nielsen Soundscan.

Q Management Group Signs Colton Dixon
/by Jessica NicholsonColton Dixon. Photo: David Molnar
Q Management Group, headed by owner and president Zachary Kelm, has signed 19 Recordings artist and American Idol Season 11 finalist Colton Dixon. The Franklin, Tenn.-based Q Management Group also represents the bands Skillet and We As Human.
“We are incredibly excited to be working with Colton,” Kelm said. “He has great talent, passion, drive and integrity. We are looking forward to getting this new music from Anchor out there in every facet possible and building a partnership that propels his already burgeoning career.”
Last week, Dixon released his sophomore album, Anchor, which climbed the iTunes overall albums chart to No. 4.
Natalie Hemby Joins Creative Nation, Pulse Music
/by Jessica NicholsonPictured (L-R): Jeff Skaggs (Creative Nation), Beth Laird (Creative Nation), Natalie Hemby, Scott Cutler (Pulse), Luke Laird (Creative Nation)
Songwriter Natalie Hemby has signed a worldwide publishing deal with Creative Nation and Pulse Music Publishing. The signing once again unites Nashville-based Creative Nation with LA-based Pulse, both publishing and management companies. With the signing, Hemby joins Creative Nation’s roster of songwriters, which includes frequent collaborators, Luke Laird and Barry Dean.
“I am very pleased that this partnership with Creative Nation has led to such a monumental signing,” said Scott Cutler, CEO of Pulse. “I am a super fan of Natalie Hemby and am reminded daily of what an honor it is to have such great partners in Beth and Luke Laird and the whole Creative Nation team.”
Beth Laird, Creative Nation’s Co-Owner and General Manager adds, “Having Natalie join the Creative Nation team has always been a dream of mine. She is a female trailblazer who continually brings a creative freshness to everything she does. We are honored to represent her with an amazing partner like Pulse.”
CRS Reveals Core Panel for Seminar
/by Eric T. ParkerPictured (L-R) top: Gregg Lindahl, Erica Farber; bottom: Lon Helton, Dan Halyburton, Beverlee Brannigan.
Country Radio Seminar has revealed core panel moderators for 2015, overseeing and directing the bulk of the educational panels throughout the annual seminar Feb. 25-27.
The core panel will include Beverlee Brannigan (VP of Programming for Journal Broadcast Group, 2012 Country Radio Hall of Fame inductee), Erica Farber (Pres./CEO of Radio Advertising Bureau/New York), Dan Halyburton (Falls Media Group, Country Radio Hall of Fame and Texas Radio Hall of Fame inductee), Lon Helton (Editor/Publisher, Country Aircheck, 2006 Country Music DJ Hall of Fame inductee) and Gregg Lindahl (40-year radio veteran, past SVP Digital and Strategy for Cox Media Group).
“Our development of the core panel of moderators has led to exceptional panel discussions over the past four years,” stated CRS Executive Director, Bill Mayne. “These individuals have been gracious and giving in sharing their talents of facilitation in delivering meaningful panel ‘take away’ results for all attendees!”
Registration for this year’s Nashville Convention Center event is currently $399 at CountryRadioSeminar.com.
No. 1 Party: Keith Urban and Miranda Lambert's "We Were Us"
/by Jessica NicholsonPictured (L-R): Jon Nite, Keith Urban, Nicolle Galyon, and Jimmy Robbins.
Members of the Country music industry gathered for a lunchtime celebration for Keith Urban‘s 16th No. 1 single Monday (Aug. 25) at Nashville restaurant The Tippler. Urban recorded “We Were Us” as a duet with Miranda Lambert.
ASCAP’s LeAnn Phelan and BMI’s Jody Williams were on hand to honor the song’s writers, Nicolle Galyon, Jimmy Robbins, and Jon Nite. Though Galyon and Nite have celebrated No. 1 singles with other No. 1 parties in recent months, “We Were Us” is technically the first No. 1 single for both writers. It marks Robbins’ fifth chart-topper.
Though the jaunty tune featured two superstar vocalists, the song wasn’t a lock for a radio single, due to scheduling conflicts.
Urban recalled that upon hearing the song, “Miranda’s voice and face immediately came to mind.” The duo were able to record the song together in the studio. “So many times with duets, it’s like, ‘Well, send me the thing and I’ll sing it into my computer and send it back to you.’ It was so nice to be at the studio at the same time at the microphone singing it together. To me it felt really special the first time we heard it with her voice.”
Still, the song’s journey from recording to radio single was challenging. “The song went through this strange journey,” said Urban. “Trying to get the timing for singles is very complicated at the best of times. We had great support but timing was not on our side to get the single right. The discussion came up that maybe we should get another girl for the song. These poor songwriters went through a period of hell because I made the decision that I would rather have Miranda on the track and have to let it just live as an album track than put someone else on it, just to have a radio single. I’m of the belief that when a song is right, it’s right,” he said, while thanking his Capitol Nashville team, Lambert and her Sony Nashville team, and the songwriters for all making the hit happen.
Lambert couldn’t attend the celebration, but did offer her thanks to Urban and the songwriters, publishers and labels via a video message. “I’m so thrilled about this song going No.1 and I loved being a part of it. It should be celebrated and I’m thrilled to have a little piece of it,” she said.
Pictured, Seated: Jon Nite, Keith Urban, Nicolle Galyon, Jimmy Robbins. Standing: UMG’s Royce Risser, Sony/ATV Tree’s Josh VanValkenburg, ASCAP’s LeAnn Phelan, Producer Nathan Chapman, BMI’s Jody Williams, UMG’s Joe Fisher, Warner/Chappell’s BJ HIll, ASCAP’s Mike Sistad, Universal Publishing’s Kent Earls, BMI’s Bradley Collins and UMG’s Cindy Mabe. Photo: Rick Diamond
“A lot of people pray to have a publishing deal and very few get one who fights for you,” said Galyon, who recognized the staff at Warner/Chappell, her publishing home for the past several years. “Now we have Ben Vaughn on our team and I think everyone in this town knows he’s not afraid to be the first person to believe in something. I’m so honored to work with both of them day in and day out.” She also recognized those in publishing administration. “I get to wake up every morning and just figure out how to rhyme, because they are pushing all the paper that I don’t have to worry about, and they never get thanked. All I’ve ever wanted to do is write songs and this song has bought me the creative freedom to do that.”
Northwestern Mutual and Avenue Bank sponsored the event to celebrate the song’s success. Warner/Chappell and Avenue Bank both made donations on behalf of the songwriters to Thistle Farms.
Urban took home plenty of hardware of his own. The singer-songwriter received plaques honoring the platinum-selling success of two of his singles, “We Were Us” and “Cop Car.” “My dad said to me very early on, ‘If you can, try to work with people who you would have dinner with when there is no work to discuss.’ I feel so fortunate since I’ve moved to this town, I would have dinner with everyone that I work with when there is no work to discuss, except ‘How are you doing and how is your family?’ That is a huge blessing because this is a short life. No matter how long you live, it’s a short life—unless you are standing in line in the DMV,” he quipped.
The party ended on another high note, as Urban performed an acoustic take on the single with Galyon, Nite, and Robbins.
Chris Young Celebrates Chart-Topper "Who I Am With You"
/by Troy_StephensonPictured (L-R): Marv Green, Chris Young, Paul Jenkins, Jason Sellers. Photo: Rick Diamond
It’s been about two years since Chris Young last topped the charts, but his latest single “Who I Am With You” ended the drought, becoming his sixth No. 1 song. A party was held at the CMA building on Music Row in Nashville to honor Young and the writers Marv Green, Paul Jenkins and Jason Sellers. Bradley Collins with BMI recognized both Green and Jenkins for their co-write on the song, which is Green’s sixth No. 1 and Jenkins’ fifth.
“Songs go where they belong,” says Green. “And this song belonged to Chris Young.”
This also marks the sixth No. 1 song penned by Sellers, who has also written hits recorded by Randy Houser, Jason Aldean, Joe Nichols, Brooks & Dunn and more. ASCAP’s LeAnn Phelan was on hand to honor Sellers.
Producer James Stroud was also recognized during the event and congratulated for his work on 133 No. 1 songs. He humbly acknowledged Young as a “true artist” and one of the purest voices in Country Music.
Young took his time to thank everyone involved with writing and producing the song, and those who worked to get it to No. 1.
“It’s been a while since our last No. 1, but I am thankful to have another one,” he said.
Others speaking at the event included representatives from CMA, CRS, Avenue Bank (who made a donation to St. Jude Children’s Research Hospital on behalf of the songwriters), Sony/ATV, ASCAP, and THiS Music.
Picured, Standing (L-R): BMI’s Bradley Collins, CMA’s Brenden Oliver, ASCAP’s Mike Sistad, This Music’s Rusty Gaston, RCA Nashville’s Josh Easler, Warner/Chappell’s Ben Vaughn, Sony Music Nashville Chairman/CEO Gary Overton, Sony/ATV Tree’s Troy Tomlinson, ASCAP’s LeAnn Phelan, Producer James Stroud, BMI’s Jody Williams, CMA’s Damon Whiteside. Seated (L-R): Marv Green, Chris Young, Paul Jenkins, Jason Sellers
ole Signs Jeremy Stover and Acquires Catalog
/by Sarah SkatesBack (L-R): Shellien Kinsey (ole, Creative Coordinator), Emily Mueller (ole, Creative Mananger), Gilles Godard (ole, VP Business Development), Austen Adams (Dickinson Wright, PLLC), and Ben Strain (ole, Creative Director). Front (L-R): John Ozier (ole, GM Creative Nashville), Songwriter/Producer Jeremy Stover
ole has signed hit songwriter/producer Jeremy Stover and acquired his song catalog, which contains several chart-topping hits.
Stover teamed with Justin Moore and others to co-write the No. 1s “Lettin’ the Night Roll” and “Small Town USA,” which Stover also produced. The Moore/Stover collaboration also yielded the Top 20 hits “Backwoods,” “Till My Last Day,” and “How I Got to Be This Way.” He also wrote and produced the No. 1 Country hit “Wherever You Are” for Jack Ingram, and cowrote the Top 20 track “Wildflower” by The JaneDear Girls.
Stover’s catalog includes more than 575 compositions, including songs recorded by Scotty McCreery, Hunter Hayes, Jake Owen, Drake White, JJ Lawhorn, Cole Swindell, Easton Corbin, and Dallas Smith. As a producer, Stover has also worked with Drake White, Jordan Rager, and JJ Lawhorn.
“Jeremy Stover has already achieved a great deal of success on his own, and we’re looking forward to taking his career to the next level,” said John Ozier, ole General Manager of Creative in Nashville. “He is a great addition to the ole team, and we’re proud to represent him.”
“It’s great to have the support of a company like ole that understands the needs of songwriters and producers while offering a huge reach,” said Stover. “I currently have a few projects in the works that I’m really excited about, and I look forward to the future successes that we’ll share together.”
Current ole writers include Tyler Farr, Josh Dorr, Gord Bamford, Brett Jones, Dave Turnbull, Marty Dodson, Rush, Timbaland and Steven Tyler.
YouTube Preps Paid Service, Google Play Rebranding
/by Eric T. ParkerThis news comes after the July departure of YouTube Music’s head, Chris LaRosa, after reported frustrations about the final design in addition to the licensing and pricing structure of the forthcoming music subscription service.
YouTube Music Key has added over 20 million high quality tracks. Music discographies will be offered with unlimited skipping and uninterrupted listening while using other mobile apps, when screens are off, or when phones are offline. Video of derivative content like live concert material, covers and remixes can be collected for offline playback. Improvements are planned for Google Music’s discoverability and curation.
No word on when the service will be announced, but reports note that YouTube Music Key and Google Play Music Key will be offered together at $9.99 after a 30-day free trial. Current Google Play subscribers ($9.99/month) could receive the new service automatically.
Using conversion rates from Pandora and Spotify, Billboard estimates YouTube Music Key could get between 6.7 million and 30.7 million subscribers. Estimated annual revenue could reach $804 million in the United States alone.
SAG-AFTRA Approves TV/Theatrical Contracts
/by Troy_StephensonThe new television contract establishes the first industry wide agreement covering performers in both prime-time television and basic cable productions. SAG-AFTRA and the Alliance of Motion Picture and Television Producers reached a tentative agreement in July on the deal that provides gains of $200 million in wages, an 8.5 percent wage increase compounding to 8.7 percent, advances in Subscription Video on Demand coverage, reduction of unpaid online streaming windows for most shows and an increased contribution rate percentage to our benefits plans and a mechanism to facilitate the merger of the health plans.
SAG-AFTRA President Ken Howard said, “Once again, we have made history. With the approval of the first-ever SAG-AFTRA Television Agreement, we have reached yet another of the goals we set when we merged. I am thankful to all members who participated throughout this process and the dedicated staff of SAG-AFTRA who worked to insure our new contract would usher us into the next generation of entertainment and new media production.”
The agreement becomes effective retroactive to July 1, 2014 and will remain in force through June 30, 2017.