29th Annual Key West Songwriters Festival Showcases Over 250 BMI Creators Across 50 Stages [See Photos]

Liz Rose & Friends bring The Bluebird Café to Blue Heaven in Key West with special appearance from Lee Thomas Miller. Photo: Carol Tedesco for BMI

The 29th annual Key West Songwriters Festival, presented by BMI, brought five days of music, sunshine and storytelling to the island last week (April 30 – May 4), drawing song lovers from around the country to experience performances from more than 250 BMI multi-genre creators.

With support from the Florida Restaurant & Lodging Association and Rams Head Presents, the sprawling event featured both free and ticketed shows across 50 stages—from hotel rooftops and beachside patios to beloved Key West bars—spotlighting everyone from veteran hitmakers to up-and-coming stars.

LoCash shuts down Duval Street with a packed crowd during the 29th annual Key West Songwriters Festival. Photo: Carol Tedesco for BMI

BMI songwriters kicked off their journey with a “Lift Off to the Kickoff” celebration in Delta’s Sky Club at BNA, as Delta Air Lines returned as the festival’s official airline. That evening, festivities officially began at the Ocean Key Resort & Spa with the “Sunset Pier Kick Off Party,” hosted by Storme Warren and featuring sets by DJ Smoke, Gable Bradley, Brian Fuller and an all-star band made up of Dylan Altman, Robert Randolph and Guthrie Trapp. Additional performances that night from Jordan Dozzi, Kylie Frey, Claudia Hoyser, Jenna LaMaster, Matt McKinney, Delaney Ramsdell, The Kentucky Gentlemen, Grace Tyler and Heath Warren packed local venues like Salty Frog’s, Island Dogs and The Alamo.

Thursday (May 1) brought rounds at the Southernmost Beach Resort, La Concha and the Marquesa Hotel, with performances from BMI affiliates including Sam Blasko, Parker Daniel, Raul Malo, Mia Mantia, Jake Mitchell, Blake Pendergrass, Becca Rae and Adam Sanders. One of the day’s highlights was the return of “Liz Rose & Friends” to Blue Heaven, with Rose sharing the stage with Johnny Clawson, Cassidy Daniels, Lauren McLamb, Lee Thomas Miller, Heath Warren and others. At the Coffee Butler Amphitheater, fans took in sets from Chase Matthew and Nate Smith, before heading to The Backyard Bar for the “HD Radio Late Night Hang” featuring The Band Loula and The Brummies.

The party continued Friday (May 2) at Rams Head Southernmost Bar & Restaurant, the event’s home base, with rounds throughout the day as part of the “Lewis Brisbois Presents: Hometown Pub Takeover.” Performers included Cole Goodwin, Joey Hyde, Brooke Lee, Matt Morrisey, Lenny Pey and Rob Ragosta. Elsewhere around town, festivalgoers attended “Coffee, Concert and Conversation” with Jeffrey Steele and saw acts like Lewis Brice, Bob DiPiero, Alison Nichols, Schmitty and Craig Wiseman at iconic venues including the Curry Mansion, Sloppy Joe’s and Schooner Wharf Bar. That evening, the Key West Theater hosted a sold-out show presented by The Texas Heritage Songwriters Association, with Palmer Anthony, Abbey Cabler, Matt Castillo, David Lee, Bobby Pinson, Morgan Lee Powers and Liz Rose taking the stage.

Pictured (L-R): BMI’s Lilly Brown, BMI’s Leslie Roberts, BMI’s Jackson Kiger, BMI’s MaryAnn Keen, BMI’s Kelsey O’Neill, BMI’s Josh Tomlinson, BMI’s Dan Spears and BMI’s Shannon Sanders gather at the kickoff party at the 29th annual Key West Songwriters Festival. Photo: Carol Tedesco for BMI

On Saturday (May 3), the Key West Woman’s Club returned for a second year with hourly songwriter rounds at the Hellings Curry Museum. Featured performers included Gloria Anderson, Sheena Brooke, Allie Colleen, Danielle Johnson and Bridgette Tatum. Later that night, crowds filled Duval Street for a free outdoor show from Thomas Edwards and headliners LoCash. Simultaneously, the San Carlos Institute welcomed a stacked lineup of veteran writers including Marti Frederiksen, Elisha Hoffman, Rebecca Lynn Howard, Tommy Sims and James Slater.

The festival closed out Sunday (May 4) with “Sunday Songs: Music & Mimosas” at Williams Hall, where Ronnie Bowman, Chuck Cannon, Elisha Hoffman, Rebecca Lynn Howard, Tommy Sims, Robert Randolph, The Band Loula and BMI’s Shannon Sanders performed beloved gospel songs. That evening, the “All Star Encore” at the Key West Theater brought the celebration to a close with appearances from Ronnie Bowman, Adam Craig, Jet Harvey, Paul Jenkins, Jay Knowles, Jim McCormick and Aaron Raitiere.

Proceeds from the festival benefit Michelle’s Foundation, a Key West-based nonprofit supporting children and families in need. Additional funds support CreatiVets, which helps U.S. military veterans process trauma through music and the arts.

Sponsors for the 29th annual Key West Songwriters Festival include Delta Air Lines, Gallagher, HD Radio and Texas Roadhouse.

Guthrie Trapp, Dylan Altman and Robert Randolph kick off the 29th annual Key West Songwriters Festival on the Sunset Pier. Photo: Carol Tedesco for BMI

Raul Malo performs poolside at the Marquesa Hotel during the Key West Songwriters Festival. Photo: Carol Tedesco for BMI

Pictured (L-R): BMI’s Jackson Kiger, BMI’s Mitch Ballard, BMI’s Josh Tomlinson, BMI’s Clay Bradley, LoCash, BMI’s Kelsey O’Neill, BMI’s Nina Carter and BMI’s Lilly Brown pose backstage at the Duval Street show during the 29th annual Key West Songwriters Festival. Photo: Carol Tedesco for BMI

Allie Colleen, Sheena Brooke and Bridgette Tatum takeover the Key West Women’s Club during the Key West Songwriters Festival. Photo: Carol Tedesco for BMI

Pictured (L-R): Texas Heritage Songwriters’ Association’s Joe Ables, Matt Castillo, Palmer Anthony, BMI’s Mason Hunter, David Lee, Abbey Cabler, Morgan Lee Powers and BMI’s Mitch Ballard pose on stage at the Key West Songwriters Festival ahead of the Texas Heritage Songwriters Association Show. Photo: Carol Tedesco for BMI

Ronnie Bowman, Rebecca Lynn Howard, The Band Loula, BMI’s Shannon Sanders, Chuck Cannon and Tommy Sims gather to perform during SUNDAY SONGS! Music & Mimosas at Williams Hall during the Key West Songwriters Festival. Photo: Carol Tedesco for BMI

Maddox Batson Releases Deluxe EP, ‘First Dance (The After Party)’

Maddox Batson. Photo: Michael Callejas

Maddox Batson released the deluxe edition of his EP, First Dance (The After Party), on Friday (May 2) via Prosper Entertainment/Warner Records. It includes three new songs: “I Need A Truck,” “Somewhere South” and “2 Feet.”

“Last week at Stagecoach, Jelly Roll gave me some great advice. He said, ‘the next time you walk on stage, just walk slow and take it all in,’” shares the 15-year-old country singer-songwriter. “It’s been a whirlwind, and I’m so grateful to all the fans who take the time to listen to these songs, learn all the words and share them. Hearing you sing them back when they aren’t even out yet is beyond incredible, and I promise you, I am taking it all in with y’all!”

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The deluxe EP follows Batson’s announcement of the “I Need A Truck Tour“, which kicks off on Sept. 7 in Richmond, Virginia and features 29 dates across the United States. After making his Grand Ole Opry debut in March and appearing at Stagecoach Music Festival in April, Batson will join Lainey Wilson’s “Whirlwind Tour” for select dates in September and October.

First Dance (The After Party) Track List:
1. “I Don’t Like You Anymore” (Maddox Batson, Hunter Phelps, David Garcia and Ashley Gorley)
Produced by: David Garcia
2. “Girl In Green” (Maddox Batson, Peter Fenn and Sam Romans)
Produced by: Peter Fenn
3. “X’s” (Maddox Batson, Benjamin Negrin, Elysse Yulo, Jaxson Free, Josh Dorr and Nick Bailey)
Produced by: Nick Bailey
4. “God Talkin’” (Maddox Batson, Josh Dorr, Elysse Yulo, Tiggi, Ned Cameron and Hallieo Hertrick)
Produced by: Ned Cameron and Tiggi
5. “Problem” (Maddox Batson, Johnny Simpson, Dan Henig, JKash, Jake Torrey and Sean Cook)
Produced by: Johnny Simpson, JKash and Sean Cook
6. “It Was You” (Maddox Batson, Andy Sheridan Josh Dorr)
Produced by: Andy Sheridan
7. “Southbound” (Maddox Batson, Benjamin Negrin, Nick Bailey, Brett Truitt, Josh Dorr and Elysse Yulo)
Produced by: Nick Bailey and Brett Truitt
8. “I Need A Truck” (Maddox Batson, Ashley Gorley, Hunter Phelps, David Garcia)
Produced by: David Garcia
9. “Somewhere South” (Maddox Batson, Tiggi, Brett Truitt, Josh Dorr, Elysse Yulo, Benny Brisk)
Produced by: Tiggi and Brett Truitt
10. “2 Feet” (Maddox Batson, Tiggi, Mishon Ratliff)
Produced by: Tiggi

Artist Action: Miranda Lambert, Kip Moore, Justin Moore, Lauren Daigle, More

Miranda Lambert Fires Up ‘Kerosene’ On American Idol

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Miranda Lambert served as a guest mentor and also delivered a fiery performance in celebration of the 20th anniversary of her breakthrough hit “Kerosene” this week on American Idol during the Top 10 episode. She brought her signature authenticity and sharp musical instincts to Idol rehearsals this week, offering guidance and encouragement to each of the 10 remaining hopefuls.

She’ll perform on this week’s ACM Awards, airing live on Prime Video on May 8, and is also set to join Morgan Wallen for several stadium dates of his upcoming “I’m The Problem Tour.”

 

Kane Brown Fools Kip Moore On Latest Episode of PrankU

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Kip Moore was the latest target on the hit digital comedy series PrankU. This week, fans get an exclusive behind-the-scenes look at how the prank was pulled off, with a little help from Kane Brown, who joins in as an accomplice. In the full episode airing last week, Moore’s friend Graham convinces him to climb through a window into what they believe is their locked Airbnb. But in reality, it’s the wrong house—and the “real” homeowner is not happy. With hidden cameras rolling, Moore walks right into one of the most unexpected moments of the season. The Kip Moore episode is part of PrankU’s country music takeover, following a recent prank on Thomas Rhett earlier this month, and leading into next week’s debut featuring Dustin Lynch.

 

Justin Moore’s Golf Classic Raises Over $475k For St. Jude

Pictured (L-R): L3 Entertainment’s Cody Villalobos and Peter Hartung, 2025 Golf Classic Chair Kristin Daniel, Justin Moore, ALSAC/St.Jude’s Mariangeles Grear, L3 Entertainment’s Joey Gonzales and JR Runnels. Photo: Nelson Chenault

Justin Moore recently hosted his fifth annual Justin Moore St. Jude Golf Classic at the Pleasant Valley Country Club in Little Rock. The star-studded, sold-out event raised $477,000+ in support of St. Jude Children’s Research Hospital and its lifesaving mission. Across two days, Moore was joined by an all-star lineup of players and special guests at the tourney, including fellow country artists and entertainers such as retired Major League Baseball (MLB) pitcher Adam Wainwright, Miss Arkansas 2025 Camille Cathey, Miss Northeast Arkansas Brooke Caraway and more. Since its inception, the tournament has now raised more than $2,000,000 for St. Jude.

 

Lauren Daigle Shines At BrightStone’s 2nd Annual Night Full Of Stars Benefit

Lauren Daigle performs with the BrightStone Show Choir during the second annual A Night Full of Stars benefit. Photo: Courtesy of Mary Fran White, BrightStone Digital Marketing Manager

Lauren Daigle headlined BrightStone’s second annual A Night Full of Stars benefit event, filling Liberty Hall at The Factory at Franklin to capacity on April 28. BrightStone is a nonprofit that provides job training, life-long learning, and residential opportunities for adults with intellectual and developmental disabilities, and  the sold-out evening celebrated and supported adults with intellectual and developmental disabilities through an inspiring night of music, community, and heartfelt performances and also featured the BrightStone Show Choir.

One of the most memorable moments of the evening came when brothers Jack Rubin, a BrightStone student, and Carter Rubin, Season 19 winner of NBC’s The Voice, performed a duet of “If I Didn’t Have You.” Carter, who captivated the nation as a 15-year-old on The Voice, famously performed Daigle’s “You Say” during his knockout round, making it all the more meaningful for the brothers to share the stage on a night where Daigle herself was performing.

 

Ernest Performs At WURTH 400 NASCAR Cup Series Race

Ernest performs the first ever Busch Light Summer Music Series at the WÜRTH 400 NASCAR Cup Series race. Photo: Courtesy of Busch Light

Ernest recently brought his boot-stomping energy to the race track at the WÜRTH 400 NASCAR Cup Series race at the Texas Motor Speedway on May 4. He performed hits from his albums Flower Shops (The Album) and Nashville, Tennessee right before the race, which was his first time attending and performing at a NASCAR race. The concert was the first show in the Busch Light Summer Music Series, which features five free pre-race country music performances designed to bring fans closer to the artists they love at NASCAR events all summer long.

 

The BoykinZ Join War And Treaty In The ATL

The BoykinZ & War and Treaty. Photo: Audrey Irvine

Country sister quartet The BoykinZ opened for duo War and Treaty last Friday (May 2) at Buckhead Theatre in Atlanta, marking a hometown debut for the act. Signed to QC Music, The BoykinZ are expected to release their first EP later this year.

Weekly Register: Tucker Wetmore Cracks Top 5 On Country Albums Chart

BigXThaPlug secures the top spot on the country streaming songs charts this week, according to Luminate data. His track with Bailey Zimmerman “All The Way” holds the No. 1 position with 17 million streams. Morgan Wallen keeps the No. 1 position on the country albums chart with his 2023 album One Thing At A Time garnering 46K in total consumption.

The next four spots on the albums chart are Shaboozey‘s Where I’ve Been Isn’t Where I’m Going at No. 2 with 35k in total consumption, Wallen’s Dangerous: The Double Album at No. 3 earning 33K in total consumption, Tucker Wetmore‘s What Not To at No. 4 with 29k and Post Malone’s F-1 Trillion at No. 5 with 23k.

On the songs chart, Wallen’s “Just In Case” rises to No. 2 this week earning 13 million streams, Shaboozey’s “A Bar Song (Tipsy)” sits at No. 3 with 13 million streams, Wallen’s “I’m The Problem” comes in at No. 4 with 13 million streams, and Wallen‘s “I Ain’t Coming Back” featuring Post Malone at rounds out the top five with 12 million streams.

Alan Stoker Retires From Country Music Hall of Fame and Museum

Pictured (L-R): Kyle Young, CEO of the Country Music Hall of Fame and Museum; Alan Stoker; Michael Gray; Vice President of Museum Services; and Kevin Fleming, Museum Director of Library and Archival Collections. Photo: Courtesy of the Country Music Hall of Fame and Museum

The Country Music Hall of Fame and Museum celebrated the retirement of longtime staffer Alan Stoker, Curator of Recorded Sound Collections, last week after more than 50 years of service to the organization.

Stoker’s last day with the museum was May 1, exactly 51 years from the day he began, and he is the museum’s longest-serving employee and has been a major contributor to the nonprofit since joining the staff in 1974. He has led the museum’s audio preservation and digitization efforts, as well as audio remastering for many historical reissue albums released by the museum’s CMF Records label, ranging from Hank Williams’ demo recordings and The Bristol Sessions to box sets on Patsy Cline, Bill Monroe, Merle Haggard and Williams. Stoker has won two Grammy’s The Complete Hank Williams box set and another for Night Train to Nashville: Music City Rhythm & Blues 1945-1970.

As the son of Country Music Hall of Fame member Gordon Stoker of the Jordanaires, in 2022 Stoker and journalist Michael Kosser published the first book about the group with Backbeat Books: The Jordanaires: The Story of the World’s Greatest Backup Vocal Group as Told by Gordon Stoker. Additionally, Stoker is a vocalist and musician himself who plays drums, guitar, bass and piano and has performed and recorded with many bands through the years, including opening for Ray Charles, Rick Nelson, Crystal Gayle and others. He has also represented the museum for over 20 years at the annual National Recording Preservation Board meeting at the Library of Congress in Washington, D.C.

“As the museum’s ‘audio czar,’ Alan has pursued a lifelong dedication to recorded sound,” says Kyle Young, CEO for the Country Music Hall of Fame and Museum. “His passion and expertise helped elevate the museum’s audio restoration lab to a premier destination for preserving rare recordings, while helping build the museum’s extensive digital archive for future generations to access. We wish him the best in his retirement, and we’re grateful for his many contributions and tireless work to conserve and share this important cultural artform.”

Stoker started at the museum as a part-time delivery person at its former location on Music Row and quickly moved up to working at the front desk and in the museum’s store. In 1977, the museum began operating Historic RCA Studio B and he became the first on-site manager, creating the first visitor tour and training tour guides. He also served as the museum’s first Grants Program Director, securing audio and moving image grants for preservation efforts in its archives. In 1980, the museum set up an audio restoration lab, and Stoker was tapped to run the facility and serve as its audio engineer. He also worked as the museum’s Archival Video Engineer for more than 25 years, ensuring the museum captured and preserved key film and TV productions featuring country music. In 2015, after Jack White purchased Elvis Presley’s first-ever recording (which he made for his mother), White brought the record to Stoker to transfer it for him.

“I never dreamed that a summer job I started between my freshman and sophomore years in college would turn into a career for a lifetime, lasting over 50 years,” says Stoker. “I’m extremely proud of the audio and moving image acquisitions and preservation work that we’ve done here. I have every confidence this important work will continue at the high standard that I hope I’ve been a part of helping establish. I will miss the day to day and my friends on staff, but I’m happy that the museum, the Frist Library and Archive and the collection are in such great hands.”

Maggie Reeves Inks With Dream 3 Publishing & Kobalt Music

Pictured (L-R, front row): Kevin Lane (Kobalt), Maggie Reeves and Emily Olson (Dream 3). (L-R, back row): Matthew Jafari (Attorney, Keller Turner Andrews and Ghanem, PLLC), Emilia James (Membership Manager, ASCAP), Morgan Brasfield (Kobalt), Stephanie Cox (Kobalt), Laurel Kittleson-Cobb (Dream 3), Greg Hill (Dream 3).

Singer-songwriter Maggie Reeves has signed a publishing deal with Dream 3 Publishing and Kobalt Music.

Greg [Hill], Laurel [Kittleson-Cobb], and Emily [Olson] are some of the very best people I have met in the industry,” says Reeves. “Getting to know them has been a joy, but getting to work with them is an absolute dream come true! Their partnership with Kobalt was one I had never seen before, they love songwriters, and fight for songs to be heard. I am honored to team up with these incredible companies. This is the beginning of an incredible ride.”

The 25 year old Macon, Georgia native has been in music city since 2017, first coming to Nashville to attend Belmont University. She is known around town for her modern yet soulful sound and forging a genuine connection with audiences.

Throughout her time in Nashville, she has written for Erin Kirby, Charly Reynolds, Reid Haughton, Jenna & Zoe and Riley Clemmons, among others. Reeves has also opened for a number of artists, including Jason Aldean, Chuck Leavell of the Rolling Stones, Scotty McCreery, Randell Bramlett, Bear Rinehart from Need to Breathe, Hunter Hayes, Matt Powell and David Cook. She was also a participant in ASCAP’s GPS program in 2024.

“I’ve been so impressed with Maggie and the way she thinks about her career as a songwriter,” says Olson, Partner at Dream 3. “She is able to write and blend country and CCM effortlessly, and excels at helping artists really say what they want to say. She is a dream to work with!”

Producer/Composer Fred Mollin Shares Glimpse Behind The Studios Doors In New Book ‘Unplugged’

Producer and composer Fred Mollin‘s new book Unplugged will be released on May 11.

With a career spanning decades, Mollin’s work producing iconic music and composing for film and TV makes him a natural storyteller. He has collaborated over the years with icons including Billy Joel, Jimmy Webb, Johnny Mathis, Kris Kristofferson, Linda Ronstadt and Michael McDonald. In his new book, he draws upon his wide variety of experiences, including producing the Dan Hill hit “Sometimes When We Touch” and composing for Beverly Hills, 90210, offering readers a unique glimpse behind the scenes of the entertainment industry. Mollin has produced albums for a wide range of artists, including Jimmy Webb, Johnny Mathis, Billy Ray Cyrus and America, as well as the Disney Lullaby Album series.

Unplugged delves into Mollin’s creative process, his collaborations with renowned artists, and his unique perspective on the evolution of music and entertainment. The memoir is a must-read for music enthusiasts and anyone intrigued by the inner workings of the industry, providing a journey through Mollin’s notable career.

“After a lifetime immersed in music across various roles and genres, I wanted to capture my journey with a memoir,” Molin tells MusicRow. “My book takes the reader behind studio doors, sharing stories of collaborations with remarkable artists and my experiences scoring film and television. It also offers an insider’s perspective on the music business and how to navigate it. My story is a great deal about passion and perseverance in the world of recorded music. I hope it inspires anyone considering a creative life.”

Brad Paisley & Fender Unveil Signature ‘Lost Paisley’ Telecaster

Brad Paisley with the “Limited Edition Brad Paisley 1967 Lost Paisley”

Brad Paisley and the Fender Custom Shop are collaborating on a new Limited Edition Brad Paisley 1967 “Lost Paisley” Telecaster, a vintage-inspired reimagining of the original ’60s Blue Paisley Finish.

The guitar revitalizes one of Fender’s most beloved designs, the Paisley Red finish that was originally introduced in 1968. The Fender Custom Shop in Corona, California will produce 67 guitars, while Brad Paisley in collaboration with the Fender Nashville R&D team, will personally build 19 guitars as a tribute to the year of the original creation. The 67 from the Custom Shop will be sold through Fender’s dealer network while Paisley’s 19 guitars will be available exclusively through his channels.

“From the very beginning there has always been a pattern following me, from the moment they wrote my last name on my birth certificate. It’s unreal that my own name is one of the coolest finishes I think Fender has ever done. This is an attempt to show what this lost color could have been. It’s the best guitar I’ve ever had,” says Paisley.

The Blue Paisley Telecaster’s unique story began when Brad Paisley was gifted a nearly forgotten treasure—lightly used sheets of original Blue Paisley Cling-Foil from the 1960s. What started as a stroke of luck soon turned into a mission. Together with close collaborators Zac Childs and Joe Glaser, Paisley set out to restore one of his well-worn 1967 Telecaster guitars and revive the long-lost art of the Paisley finish. Through painstaking research and craftsmanship, they not only perfected the restoration but also recreated the original Paisley Cling-Foil paper.

First introduced in 1968, the short-lived Paisley Red and Blue Flower finishes were Fender’s answer to the counterculture moment of the “Summer of Love,” featuring decorative Cling-Foil paper adorned with vibrant colors and a matching metallic burst, and the guitars stood out with a bold psychedelic flair. However, the finish’s combination of thick paper, weak adhesives, and polyester clear coats made them vulnerable. Many Paisley guitars were refinished or repainted as chipping and flaking became unavoidable. By late 1969, Fender had discontinued the line, and these instruments began to fade into obscurity.

In the decades that followed, the Paisley Telecaster guitars gained a cult-like following. Often spotted in vintage stores, the instruments became prized by collectors and musicians drawn to their eccentric aesthetic and rare backstory. Paisley, who shares his name with the iconic design, naturally gravitated toward the standout classics. Now, in a full-circle moment through his collaboration with the Fender Custom Shop, Brad’s vision for the Lost Telecaster has come to life—an instrument that honors its vintage roots while embracing modern craftsmanship and precision.

“Brad Paisley’s deep connection to Fender’s history and his meticulous nature were instrumental in bringing the ‘Lost Paisley’ Telecaster to life,” says Chase Paul, Director of Product Development – Fender Custom Shop. “From the rediscovery of the original 1960s Blue Paisley Cling-Foil to the custom hardware and pickups—every element of the Limited Edition Brad Paisley 1967 ‘Lost Paisley’ Telecaster was crafted with purpose. This isn’t just an Artist Signature model—it’s a glimpse into what could have been, had this concept made it to production. A true missing link in Fender Telecaster evolution.”

“This project is a true reflection of the long standing relationship between Brad and Fender, and our shared passion for the Telecaster and its legacy,” adds Ben Blanc-Dumont, Director of Artist Marketing at Fender in Nashville. “The “Lost Paisley” Telecaster is more than just a signature guitar – it’s a love letter to the country music community that helped shape Brad’s sound and continues to influence artists across the world. We’re proud to bring this instrument to life with Brad, not only to honor a piece of Fender’s untold history, but to celebrate the players and creators who keep that legacy alive every day.”

Merlefest Wraps Another Successful Year

Seth Avett of The Avett Brothers performs during their Saturday night headline set on the Watson Stage at MerleFest 2025. Photo: Jim Gavenus Photography

MerleFest wrapped up its 37th annual celebration April 24-27 with a roaring tribute to the music and community that folk icon Doc Watson championed throughout his life.

Nearly 100 acts from rising stars to legends graced twleve across the campus of Wilkes Community College over the course of four days, drawing thousands. Among the Thursday performers were The SteelDrivers, Wyatt Flores, Brent Cobb, The Dead South and Donna the Buffalo kicking off the weekend with heart, energy, and the signature sense of community.

On Friday, Jim Lauderdale and The Gamechangers opened the day on the Creekside Stage, while Big Richard rocked the Americana Stage, followed by Tony Trischka’s EarlJam, who took fans on a journey through bluegrass history. The War and Treaty delivered a Watson Stage performance, leading into a set from I’m With Her. Bonnie Raitt captivated the audience, before the Late Night Jam hosted by Sam Bush brought a star-studded roster of pickers together for an unforgettable session.

Saturday opened with Denitia, followed by the reveal of Band Competition winners Mama & The Ruckus. Alison Brown and The Fretliners brought their sets to the Traditional Stage. Christina Vane stormed the Dance Stage, while The Waybacks’ annual “Album Hour” reimagined The Rolling Stones’ Let it Bleed. As evening set in, Sam Bush lit up the Watson Stage, paving the way for The Avett Brothers’ high-energy performance. Scythian wrapped the night on the Dance Stage.

The festival’s final day kicked off with a sing-along led by Josh Goforth and Laura Boosinger. The Jeff Little Trio honored Doc Watson with heartfelt gospel songs at Creekside, followed by The Secret Sisters’ on the Hillside Stage. Leftover Salmon got the Watson Stage crowd moving, while Wayne Henderson & Friends showcased at the Traditional Stage. Watchhouse closed out MerleFest 2025 set, wrapping up a weekend full of music, community and memories.

Amazon Music Names Dasha As Next Breakthrough Artist

Dasha. Photo: David Marek

Amazon Music announced Dasha as its latest Breakthrough Artist at Variety’s Power of Women: Nashville event last week. As part of the campaign, Dasha recently released an Amazon Music Original cover of Gretchen Wilson’s “Here for the Party” in advance of her Mane Stage debut at Stagecoach.

“We’ve long been fans of Dasha at Amazon Music,” says Michelle Tigard Kammerer, Head of Country Music at Amazon Music. “She’s a true presence in country, unafraid to be herself, ruffle some feathers and make some of the most undeniable music at the intersection of pop and country in recent memory. We look forward to helping make her creative vision a reality. We’ll see you all in Dashville, U.S.A..”

Breakthrough is Amazon Music’s program to support emerging artists, aimed at amplifying the best new talent and championing them at the most crucial moment in their careers. Amazon Music works with each Breakthrough artist and their teams to develop long-term, customized, global plans that are unique to each artist.

“I feel incredibly honored to be selected for Amazon Music’s Breakthrough program. I’ve got big plans for my fans, and it’s great to have the team at Amazon Music helping to make those plans a reality,” says Dasha. “Amazon Music has really embraced me and my creativity and we’re working on putting together things I’ve been wanting to do since day one. Stay tuned.”