
Don Robertson. Photo: donrobertson.com
Nashville Songwriters Hall of Fame member Don Robertson has passed away at age 92.
Robertson created classic songs for Elvis Presley, Eddy Arnold, Hank Snow, Charley Pride and dozens of other stars. He died in California on March 16.
Among his standards are “I Really Don’t Want to Know,” “Born to Be with You,” “Please Help Me I’m Falling” and “I Don’t Hurt Anymore.” Robertson was also a successful recording artist.
He was born Donald Irwin Robertson in Peking, China on December 5, 1922. His physician father, who developed the first blood bank, was then the head of the Department of Medicine at Peking Union College.
His mother was a pianist and poet. She began giving Robertson piano lessons when he was 4 years old, and he was composing his first songs just three years later.
The family returned to the United States, and Don Robertson was raised in Chicago. By age 14, he was earning money as a piano player in local dance bands. During his college years at the University of Chicago, he landed a job as the musical arranger at radio station WGN for its singing trio The Brandt Sisters.
Even bigger stars were The Dinning Sisters at the rival radio powerhouse WLS and its “National Barn Dance.” In 1945, he travelled to Los Angeles as the accompanist and arranger for the Dinnings, who had signed with Capitol Records. (The sisters soon scored major hits for the company with 1947’s “My Adobe Hacienda” and 1948’s “Buttons and Bows.”)
He married the trio’s Lou Dinning. Robertson took a job as a rehearsal pianist at Capitol, worked as a nightclub artist and occasionally played on recording sessions. Both he and Lou Dinning soon had solo recording contracts at Capitol. They also recorded for the label as a duo.
Don Robertson’s first big songwriting success was with his co-written “I Really Don’t Want to Know.” It became a No. 1 country hit for Eddy Arnold in 1954, as well as a simultaneous pop success for Les Paul & Mary Ford. Elvis Presley revived the song in 1971, and it has been recorded by nearly 200 others.
Hank Snow hit the top of the country charts with Robertson’s co-written “I Don’t Hurt Anymore” in 1954, with Dinah Washington scoring a No. 3 r&b smash with the same song that year. This song has also been recorded by Bob Dylan, Johnny Cash, Rodney Crowell, Willie Nelson, Jerry Lee Lewis, Martina McBride, Dottie West, Hank Thompson and many other artists.
In 1955, both Frankie Laine and Les Paul & Mary Ford had pop hits with Robertson’s “Hummingbird.” In country music, Carl Smith had a top-10 hit in 1955 with the songwriter’s “You’re Free to Go.”
As an artist, Robertson had a top-10 pop hit with his Capitol Records disc of “The Happy Whistler” in 1956.
The Chordettes also scored a 1956 top-10 pop success with Robertson’s “Born to Be with You.” As one half of The Echoes (with Bonnie Guitar), Robertson re-recorded his tune in 1960. Then Sonny James revived it as a No. 1 country hit in 1968. Dion, Dave Edmunds, Bing Crosby, Anne Murray, Duane Eddy and The Browns are among the dozens who have subsequently recorded “Born to Be with You.”

Don Robertson with Waylon Jennings and Jack Clement. Photo: Don Robertson Music Corporation
Other notable Don Robertson songs of the 1950s included “Go Back You Fool” (Faron Young, 1955), “Condemned Without Trial” (Eddy Arnold, 1953) and “I’m Counting on You” (Kitty Wells, 1957). In 1960, Della Reese brought Robertson’s “Not One Minute More” to pop fame. In the country field, Hank Locklin’s 1960 No. 1 hit “Please Help Me I’m Falling” crossed over to become a top-10 pop success as well. Skeeter Davis recorded its “answer” song, “I Can’t Help You (I’m Falling Too).” Janie Fricke revived the song as a country hit in 1978.
“Please Help Me I’m Falling” also brought Don Robertson’s distinctive piano style to prominence. He pioneered the “slip-note” style of playing that was later nationally popularized by Floyd Cramer.
In 1964, Bonanza TV star Lorne Greene recorded Robertson’s western-saga song “Ringo,” which became a No. 1 pop smash. Pop crooner Al Martino had a big hit with Robertson’s “I Love You More and More Every Day” in 1964, and this was revived on the country charts in 1973 by Sonny James.
In 1965, Don Robertson returned to solo recording with the RCA Nashville LP Heart on My Sleeve. It contained his own versions of some of the hits he’d written.
Elvis Presley scored with the songwriter’s “I’m Yours” that same year. During his career, Presley recorded 15 Don Robertson songs, many as soundtrack numbers for the superstar’s films.
During the 1960s, Hank Snow landed three more hits with Robertson songs — “I Stepped Over the Line” (1964), “The Queen of Draw Poker Town” (1965) and “Ninety Miles an Hour (Down a Dead End Street)” (1963). (The star’s popular 1956 recording of “With This Ring I Thee Wed” is also a Robertson song.)

Don and Irene Robertson with Priscilla Presley
at the Rock and Roll Hall of Fame, 1996. Photo: donrobertson.com
Robertson co-wrote and played piano on Charley Pride’s 1967 hit “Does My Ring Hurt Your Finger.” He has also been the piano accompanist for Chet Atkins, Jessi Colter, Nat King Cole, Ann-Margret, John Prine, Jerry Wallace, Nancy Wilson and Presley, among others.
Don Robertson was placed in the Nashville Walkway of Stars in 1967 and inducted into the Nashville Songwriters Hall of Fame in 1972.
Next, he wrote the 1979 Ray Price hit “There’s Always Me,” and resurfaced in 1982-83 as the co-writer of Billy Swan’s “With Their Kind of Money and Our Kind of Love,” “Your Picture Still Loves Me” and “Yes.”
Over the years, millions have heard Don Robertson playing his song “Pianjo” as “Gomer,” the animatronic bear opening the “Country Bear Jamboree” attraction at Disneyland and Disney World.
The songwriting legend has lived in Lake Sherwood, Calif., since 1960. He is survived by his wife of 53 years, Irene, by their sons Bobby and Jim, by five grandchildren and by a great-granddaughter.
YouTube Previews Cards, Music For Artists at SXSW
/by Jessica NicholsonIn its artist lounge at SXSW, YouTube provided a demo for one of its latest tools, YouTube Music For Artists. The tool tracks an artist’s YouTube stats, such as the Top 100 cities viewing an artist’s music via YouTube, and total song plays (beyond just official artist videos), and date maps which track YouTube views each week. A separate world map features information on the artist’s popularity in various geographic locations, based on YouTube views.
According to digitalmusicnews.com, YouTube Music for Artists’ product manager also hinted at a future release of customized, targeted in-video content cards to inform viewers when an artist will perform in their area. It is a feature that social media giant Facebook already offers–for a price.
Additionally, YouTube has begun offering the feature Cards, graphic annotations that link to artist merchandise sites, official artist sites, concert ticket sites, and more. The rollout of Cards will soon replace the text-only annotations that have been a YouTube mainstay for years.
Cards can also link to approved vendors such as BandCamp, BandPage, iTunes, Google Play, BandsInTown, SongKick, CafePress, Band Merch, Etsy, Topspin, and others.
MusicRowLife: Jason Aldean Weds Brittany Kerr
/by Jessica NicholsonAldean and Kerr, 27, were celebrated by family and friends, including Aldean’s daughters, Keeley, 12, and Kendyl, 7, from his previous marriage.
The couple became engaged in September 2014.
LifeNotes: Classic Songwriter Don Robertson Passes
/by Robert K OermannDon Robertson. Photo: donrobertson.com
Nashville Songwriters Hall of Fame member Don Robertson has passed away at age 92.
Robertson created classic songs for Elvis Presley, Eddy Arnold, Hank Snow, Charley Pride and dozens of other stars. He died in California on March 16.
Among his standards are “I Really Don’t Want to Know,” “Born to Be with You,” “Please Help Me I’m Falling” and “I Don’t Hurt Anymore.” Robertson was also a successful recording artist.
He was born Donald Irwin Robertson in Peking, China on December 5, 1922. His physician father, who developed the first blood bank, was then the head of the Department of Medicine at Peking Union College.
His mother was a pianist and poet. She began giving Robertson piano lessons when he was 4 years old, and he was composing his first songs just three years later.
The family returned to the United States, and Don Robertson was raised in Chicago. By age 14, he was earning money as a piano player in local dance bands. During his college years at the University of Chicago, he landed a job as the musical arranger at radio station WGN for its singing trio The Brandt Sisters.
Even bigger stars were The Dinning Sisters at the rival radio powerhouse WLS and its “National Barn Dance.” In 1945, he travelled to Los Angeles as the accompanist and arranger for the Dinnings, who had signed with Capitol Records. (The sisters soon scored major hits for the company with 1947’s “My Adobe Hacienda” and 1948’s “Buttons and Bows.”)
He married the trio’s Lou Dinning. Robertson took a job as a rehearsal pianist at Capitol, worked as a nightclub artist and occasionally played on recording sessions. Both he and Lou Dinning soon had solo recording contracts at Capitol. They also recorded for the label as a duo.
Don Robertson’s first big songwriting success was with his co-written “I Really Don’t Want to Know.” It became a No. 1 country hit for Eddy Arnold in 1954, as well as a simultaneous pop success for Les Paul & Mary Ford. Elvis Presley revived the song in 1971, and it has been recorded by nearly 200 others.
Hank Snow hit the top of the country charts with Robertson’s co-written “I Don’t Hurt Anymore” in 1954, with Dinah Washington scoring a No. 3 r&b smash with the same song that year. This song has also been recorded by Bob Dylan, Johnny Cash, Rodney Crowell, Willie Nelson, Jerry Lee Lewis, Martina McBride, Dottie West, Hank Thompson and many other artists.
In 1955, both Frankie Laine and Les Paul & Mary Ford had pop hits with Robertson’s “Hummingbird.” In country music, Carl Smith had a top-10 hit in 1955 with the songwriter’s “You’re Free to Go.”
As an artist, Robertson had a top-10 pop hit with his Capitol Records disc of “The Happy Whistler” in 1956.
The Chordettes also scored a 1956 top-10 pop success with Robertson’s “Born to Be with You.” As one half of The Echoes (with Bonnie Guitar), Robertson re-recorded his tune in 1960. Then Sonny James revived it as a No. 1 country hit in 1968. Dion, Dave Edmunds, Bing Crosby, Anne Murray, Duane Eddy and The Browns are among the dozens who have subsequently recorded “Born to Be with You.”
Don Robertson with Waylon Jennings and Jack Clement. Photo: Don Robertson Music Corporation
Other notable Don Robertson songs of the 1950s included “Go Back You Fool” (Faron Young, 1955), “Condemned Without Trial” (Eddy Arnold, 1953) and “I’m Counting on You” (Kitty Wells, 1957). In 1960, Della Reese brought Robertson’s “Not One Minute More” to pop fame. In the country field, Hank Locklin’s 1960 No. 1 hit “Please Help Me I’m Falling” crossed over to become a top-10 pop success as well. Skeeter Davis recorded its “answer” song, “I Can’t Help You (I’m Falling Too).” Janie Fricke revived the song as a country hit in 1978.
“Please Help Me I’m Falling” also brought Don Robertson’s distinctive piano style to prominence. He pioneered the “slip-note” style of playing that was later nationally popularized by Floyd Cramer.
In 1964, Bonanza TV star Lorne Greene recorded Robertson’s western-saga song “Ringo,” which became a No. 1 pop smash. Pop crooner Al Martino had a big hit with Robertson’s “I Love You More and More Every Day” in 1964, and this was revived on the country charts in 1973 by Sonny James.
In 1965, Don Robertson returned to solo recording with the RCA Nashville LP Heart on My Sleeve. It contained his own versions of some of the hits he’d written.
Elvis Presley scored with the songwriter’s “I’m Yours” that same year. During his career, Presley recorded 15 Don Robertson songs, many as soundtrack numbers for the superstar’s films.
During the 1960s, Hank Snow landed three more hits with Robertson songs — “I Stepped Over the Line” (1964), “The Queen of Draw Poker Town” (1965) and “Ninety Miles an Hour (Down a Dead End Street)” (1963). (The star’s popular 1956 recording of “With This Ring I Thee Wed” is also a Robertson song.)
Don and Irene Robertson with Priscilla Presley
at the Rock and Roll Hall of Fame, 1996. Photo: donrobertson.com
Robertson co-wrote and played piano on Charley Pride’s 1967 hit “Does My Ring Hurt Your Finger.” He has also been the piano accompanist for Chet Atkins, Jessi Colter, Nat King Cole, Ann-Margret, John Prine, Jerry Wallace, Nancy Wilson and Presley, among others.
Don Robertson was placed in the Nashville Walkway of Stars in 1967 and inducted into the Nashville Songwriters Hall of Fame in 1972.
Next, he wrote the 1979 Ray Price hit “There’s Always Me,” and resurfaced in 1982-83 as the co-writer of Billy Swan’s “With Their Kind of Money and Our Kind of Love,” “Your Picture Still Loves Me” and “Yes.”
Over the years, millions have heard Don Robertson playing his song “Pianjo” as “Gomer,” the animatronic bear opening the “Country Bear Jamboree” attraction at Disneyland and Disney World.
The songwriting legend has lived in Lake Sherwood, Calif., since 1960. He is survived by his wife of 53 years, Irene, by their sons Bobby and Jim, by five grandchildren and by a great-granddaughter.
Music Greats Rally Monday for Billy Block
/by Robert K OermannBilly Block
The stars of Americana music are aligning to perform at today’s (3/23) Ryman Auditorium celebration of the life of impresario Billy Block.
“This is another example of what an amazing community Nashville is,” said Block’s widow Jill Block. “Everyone I asked said ‘yes.’”
Among those scheduled to make music at the Ryman event are Rodney Crowell, Jim Lauderdale, The McCrary Sisters, Lari White & Chuck Cannon, Jason Eskridge, Pat McLaughlin, John Scott Sherrill, Jeffrey Steele, Daniel Leanse, Etta Britt, DeMarco Johnson, Buddy Miller and Alyssa Bonagura.
One song-and-video segment will feature son Rocky Block with Tommy Simms, Vince Gill, Delbert McClinton and LeRoy Parnell.
Brother Jay Block, music executive John Grady, Rev. Bob True, Rev. Mark Faulkner and Rev. Mike Wilson will be among those officiating/speaking.
Billy Block was a radio, television and concert host, as well as a record label owner, a promoter and a music journalist. In addition, the drummer was a bandleader, a session musician and a recording artist. He died on March 11 following a sustained battle with cancer.
It was among his last wishes to be celebrated at the Ryman. He reportedly had the venue’s photo at his bedside when he passed away.
The event on Monday, March 23 will begin at 7 p.m. at the Ryman. The public is welcome.
Industry Ink: Sony/ATV, Dickinson Wright, BMLG, My Country Nation
/by Jessica NicholsonBaby News for Austen and Abbey Adams
The newborn weighed 6 lbs, 6 oz., and was 19″ long. She joins big sister Adelais.
Reba, BMLG Launch Fourth Annual Outnumber Hunger Campaign
Reba will kick off the campaign with a special concert event, “Reba and Friends Outnumber Hunger,” featuring songs from her forthcoming album Love Somebody. The concert, which will also include performances from Tim McGraw, Rascal Flatts, Florida Georgia Line, Eli Young Band, and Maddie & Tae, will be broadcast on local Gannett affiliates beginning April 17. On April 18, the concert will air on CMT as well as through an exclusive radio broadcast on iHeartMedia Country stations.
“I was raised to treat others with compassion. Knowing that one in six Americans struggle with hunger means my fans and people I see every day need help,” said Reba. “The Outnumber Hunger campaign is such a simple way to help your neighbors, so how could you not? I’m so proud to lead the charge with Big Machine Label Group, General Mills and Feeding America.”
My Country Nation Announces ’46 Hours’ Programming
Dollywood Celebrates 30 Years
/by Troy_StephensonThe Showcase of Stars will kick off with Dolly Parton playing four shows August 8-9 at D.P.’s Celebrity Theatre.
Festival of Nations will celebrate its own 15th anniversary within the park with traditional music, dance, food, and art from countries across the world from March 21-April 20.
Dollywood’s Barbeque & Bluegrass will take place May 23-June 7 and include music from The Earls of Leicester, Del McCoury Band, Rhonda Vincent and more.
Dollywood’s Great American Summer includes extended park hours and a fireworks show to be preceded by a nightly dance party.
Rock The Smokies will take place on Sept. 5 and feature live contemporary Christian music from Third Day and For King & Country, while Dollywood’s National Southern Gospel & Harvest Celebration happens Oct. 2-31 and will feature some of the biggest names in Southern Gospel.
And the seven-time award winning Dollywood’s Smoky Mountain Christmas will feature four million holiday lights and performances including A Christmas Carol and the return of Rudolph The Red Nosed Reindeer. Guests can take part in the holiday tradition at Dollywood from Nov. 7, 2015-Jan. 2, 2016.
For detailed schedules and festival entertainment lineups,visit www.dollywood.com
MusicRow Pics: Bryson Jennings Previews Tunes From Upcoming EP
/by Jessica NicholsonBryson Jennings. Photo: Kelsey Grady
South Carolina native Bryson Jennings has been making the rounds in Nashville for approximately three years, and he’s already picked up co-writing sessions with with artist-writers including Darius Rucker, Cole Swindell and Gloriana.
The singer-songwriter has parlayed his writing talents into a forthcoming EP (co-produced by John Kennedy) and a debut single. Jennings stopped by MusicRow this week to preview some of his tunes for staffers.
“Young Nights,” his current single, released to radio on Feb. 16. The song is a tribute to his South Carolina upbringing. “As songwriters, cell phones have replaced pen and paper for a lot of us,” he said. “I had this idea for a song written in my phone and went to hang out with some guys at Hilton Head. We do this trip every year, and we usually get into a bit of trouble on those trips. I came back and I was in that mindframe of seeing all your buddies you haven’t seen in a while.” Jennings is gearing up to shoot a video for the song in April.
During his MusicRow visit, Jennings also offered tunes “I Can’t Right Now” and a song he calls “a failed pickup line,” titled “Buy You A Drink.”
Prior to his career in music, Jennings worked as a first mate on sport fishing boats. “It took a lot of long hours. The first mate maintains the boats, and there is a lot of fishing technique involved as well. These guys are on these expensive boats and could spend up to $7,000 in fuel, so they don’t want to miss a bunch of fish. You might leave the dock at 4:30 a.m. and get back at 5 p.m., and put in a few more hours of work maintaining the boat.”
His job took him up and down the Eastern seaboard, as well as to Bermuda, Mexico, the Dominican Republic and other locales, before Jennings gave up life at sea to make the move to Nashville to pursue music full-time.
Jennings’ professional and personal life are both in fast forward. The singer-songwriter is getting married this weekend in South Carolina.
Bryson Jennings visits with MusicRow staffers. Photo: Kelsey Grady
NBC Picks Up Pilot For Songwriter Competition ‘Songland’
/by Jessica NicholsonMusicRow has confirmed that Audrey Morrissey, executive producer for NBC’s The Voice, and The Voice coach Adam Levine, have partnered with Dave Stewart on a series titled Songland. The show’s pilot has been picked up by NBC.
If the pilot gets an order for a series, Songland will highlight songwriters who get the chance to pitch their compositions to producers and artists in the music industry, in hopes of securing an artist’s next smash hit.
Songland is being produced by Live Animals, as well as Dave Stewart Entertainment and Levine’s 222 Productions.
No confirmed details are available as to whether Nashville-related publishers and industry execs will be part of the show.
Road Crew Key To Touring Success
/by Sarah SkatesShowing the manpower and money that goes into a tour, Eric Church’s run is a $19 million production, including about $2 million to pay the crew. Each date requires 170 tons of equipment, 100+ crew members, 18-hour days, 14 trucks, 12 buses, and six hours of set up (CBS News).
The touring industry continues to thrive, and road crews are a key part of any outing’s success. In 2014, Pollstar valued the North American concert industry at $6.2 billion.
This week The Wall Street Journal examined the world of roadies, or concert technicians. The article discusses their widely varying income ($200 to $1,500 a day), personal sacrifices (hard on relationships), lifestyle on tour (museums, anyone?), females on the road (8 in a crew of 60) and the technical proficiency required for the gig (reading 200-page manuals on guitar effects).
Among those featured in the article are Jimmy Davis, stage manager for Hank Williams Jr., who also works at Nashville event production company LogiCom. Davis told the paper he brings home almost six figures a year.
Also featured is guitar tech Tom Weber (Van Halen, Poison, Reba McEntire, Lyle Lovett) who earns about $200,000 in a good year. He says, “We’re the Marines of the music business.”
Read more here.
CMHoF’s ‘Nashville Cats’ Exhibit To Offer Book, Album
/by Jessica NicholsonThe Country Music Hall of Fame and Museum’s upcoming exhibition, Dylan, Cash, and the Nashville Cats: A New Music City Presented by Citi will open Friday, March 27. The exhibit will be accompanied by a 112-page companion book of the same name.
Published by Country Music Foundation Press and distributed by the Hal Leonard Corporation, the book will include a foreword by Rosanne Cash, essay by curator Pete Finney, and essay about the Johnny Cash Show by Johnny Cash expert Michael Streissguth. The cover, a painting of Bob Dylan and Johnny Cash, is by artist and musician Jon Langford and was commissioned for the exhibit.
Additionally, a two-disc music compilation will be released this summer via the museum’s CMF Records and Sony Legacy Recordings. The discs will include a previously unreleased version of Dylan’s “If Not For You,” featuring Lloyd Green on pedal steel. Additional recordings on the compilation include Joan Baez‘s “The Night They Drove Old Dixie Down,” the Byrds‘ “You Ain’t Going Nowhere,” J.J. Cale‘s “Crazy Mama,” Cash’s “Will The Circle Be Unbroken,” Neil Young‘s “Heart of Gold,” Simon & Garfunkel‘s “The Boxer,” and more.
The project’s liner notes will include work from Tracy Nelson, as well as song notes by Finney and Museum Editor Michael Gray.
The Country Music Hall of Fame and Museum’s Dylan, Cash, and the Nashville Cats: A New Music City Presented by Citi will run through Dec. 31, 2016.