
Carrie Underwood. Photo: Schmidt PR
“It feels so good to be back on the road,” Carrie Underwood told the crowd on Friday (Feb. 5) at Louisville, Kentucky’s KFC Yum! Center, home to the fourth stop on Underwood’s The Storyteller Tour-Stories in the Round. “I hope you are ready to party because we are.”
Judging by the crowd’s reaction, the feeling was more than mutual. It was clear that Underwood’s fans have been eagerly awaiting live music, following Underwood’s The Blown Away Tour in 2012-2013. Since then, Underwood has taken time off the road to release Greatest Hits: Decade #1, her fifth studio album Storyteller, and to give birth to her son Isaiah.
Underwood wedged 22 songs into her nearly two-hour performance, including eight tracks from Storyteller. For the majority of the show, Underwood played hit song after hit song, her voice strong, confident, and rejuvenated.
Appropriate for a tour named In The Round, three LED rings hung above center stage, emblazoned with imagery from The Storyteller Tour. The contraption descended, forming a towering stage. Garbed in a resplendent golden frock, country’s queen made her entrance atop the nearly 18-foot high center lift, and held court from the first bluesy notes of “Renegade Runaway,” a track from Storyteller.
The Storyteller Tour’s production more than complimented Underwood’s commanding voice and her songs’ dramatic storylines. The massive stage stretched across the entire arena, ensuring fans on every side of the arena got a great seat. The three LED rings hanging above center stage lowered, rose, and rotated at other moments during the concert to create a dramatic focal point. Four satellite stages and varying lifts offered a myriad of visual options that kept the audience engaged.
The intensity of the production might have overpowered a lesser artist, but Underwood, with her confident, engaging persona and clear, sharp soprano, remained the centerpiece of the evening.
Strutting from one end of the massive stage to the other, Underwood was sassy and playful as she powered through a set of rock- and pop-tinged country hits including “Last Name,” “Undo It,” and “Good Girl,” reminding the crowd that she also possesses possibly one of the best female rock voices in the business. Of course, Underwood didn’t have to do all the legwork; the center stage rotated 360 degrees during several songs throughout the evening.

Carrie Underwood on harmonica during “Choctaw County Affair.” Photo: Schmidt PR
Underwood was seven songs into her set before the paced slowed. Underwood’s backing band sank beneath the stage as a spotlight and disco ball punctuated a performance of her current single, “Heartbeat,” followed by her debut single from 2005, “Jesus, Take The Wheel.”
“This is still one of my favorite songs to sing,” Underwood told the crowd. The inspirational tune still wears well more than a decade later, eliciting one of the biggest crowd responses of the evening. More hits followed, including “Wasted,” “Two Black Cadillacs,” and an especially sterling rendition of “Blown Away.”
Having amassed plentiful No. 1 songs in her career (including many that she co-wrote), Underwood has reached the enviable career phase of having to select which chart-toppers to incorporate into shows. While Underwood did her best to showcase hits from all chapters of her career, songs such as “So Small,” “Just A Dream,” “Temporary Home,” and “See You Again,” were absent from the set.
Underwood’s powerhouse voice wasn’t the only instrument she showcased throughout the evening. She played guitar on working person’s anthem “Smoke Break,” and held her own during a harmonica “battle” with a band member during another Storyteller track, the southern murder mystery “Choctaw County Affair.”
She gave the crowd a turn in the spotlight during “All-American Girl,” holding a “Carrie Cam” as she circled the stage’s perimeter.

Carrie Underwood closes the show with “Something In The Water.” Photo: Schmidt PR
While it has become expected for country artists these days to incorporate at least one Top 40 or rock ‘n’ roll cover tune in concert, Underwood bucked the trend, keeping her two cover tunes entrenched in classic country.
“There are so many amazing artists that I got to grow up listening to and I respect so much,” Underwood told the crowd. “I feel like I would be just wrong if I didn’t mention one person that so many of us in my generation of country music idolize…that person that has meant so much to us is Dolly Parton. She’s the person we all aspire to have her career. She’s one of the nicest and most humble people I’ve met in my entire life,” she said, before quieting the crowd with an a cappella intro (later tastefully backed by a lone acoustic guitar) of Parton’s signature “I Will Always Love You.”
Two songs later, Underwood welcomed show openers The Swon Brothers and Easton Corbin back to the stage for a fun romp of Nitty Gritty Dirt Band’s “Fishin’ In The Dark.”
Another highlight of the evening came with the closing track from Storyteller, “What I Never Knew I Always Wanted.” Underwood sang from atop a piano as personal photos and videos of Underwood with husband Mike Fisher and their nearly one-year-old son Isaiah scrolled on video screens around the arena, giving fans a peek at Underwood’s life beyond the music and touring.
Underwood closed the show from center stage, her voice soaring and inspired on her Grammy-winning track “Something In The Water.” Blue lasers were employed to make “rain” fall across the entire stage. The effect was a dramatic and potent reminder of why this multi-talented performer is a seven-time Grammy winner and a two-time ACM Entertainer of the Year.
The event further landed on a high note for Underwood; during an after-show celebration, Underwood was presented with a plaque celebrating more than 20 million albums sold for her albums Some Hearts, Carnival Ride, Play On, Blown Away, Greatest Hits: Decade #1 and Storyteller.

Pictured (L-R): Sony Music Nashville Marketing Director Rachel Fontenot, Sales VP Caryl Healey, Promotion & Artist Development EVP Steve Hodges, and Chairman & CEO Randy Goodman; Carrie Underwood; Sony Music Nashville EVP/COO Ken Robold; Ann Edelblute, Carrie Underwood’s manager (The HQ); and Sony Music Nashville Marketing Sr. VP Paul Barnabee, Marketing & Media Mgr Bob Foglia, and Digital Strategy VP Sarah Westbrook. Photo: Jeff Johnson
SET LIST:
1. “Renegade Runaway”
2. “Last Name”/“Something Bad” (chorus)
3. “Undo It”
4. “Good Girl”
5. “Church Bells”
6. “Cowboy Cassanova”
7. “Heartbeat”
8. “Jesus, Take The Wheel”
9. “Wasted”
10. “Blown Away”
11. “Two Black Cadillacs”
12. “Dirty Laundry”
13. “Choctaw County Affair”
14. “I Will Always Love You”
15. “What I Never Knew I Always Wanted”
16. “Fishin’ In The Dark”
17. “Clock Don’t Stop”
18. “All-American Girl”
19. “Little Toy Guns”
20. “Before He Cheats”
21. “Smoke Break”
22. “Something In The Water”
ASCAP, ASCAP Foundation, Logan’s Roadhouse, Niemann Donate $3300 To High School
/by Craig_ShelburnePictured (L-R): ASCAP’s Michael Martin, Jerrod Niemann, Logan’s Roadhouse’s Sam Borgese, and Centennial High School Orchestra Director Allison Cowan and Principal Dr. Leigh Webb. Photo: Ed Rode
ASCAP, The ASCAP Foundation, Logan’s Roadhouse and Jerrod Niemann presented a $3300 check to the Centennial High School Orchestra on Monday (Feb. 8) as part of collective efforts to support school music programs.
The check was presented to school officials and student orchestra members during a presentation ceremony held in the school’s Performing Arts Center. Funds will be used to purchase instruments such as violins and a cello, as well as new strings, tuners and microphones.
Niemann, CEO of Logan’s Roadhouse Sam Borgese and Vice President of ASCAP Nashville Membership Michael Martin were in attendance to present the grant.
Pictured (L-R): ASCAP’s Michael Martin, Logan’s Roadhouse’s Sam Borgese, Centennial High School’s Allison Cowan, Jerrod Niemann (center) and members of the Centennial High School Orchestra. Photo: Ed Rode
Niemann spoke to students, offering encouragement to follow their passion for music. “Dedicating your life to music offers a unique kind of give and take. You give it all you’ve got, music can take you anywhere,” he said. “That’s why I’m proud to team up with Logan’s and The ASCAP Foundation. We all believe in giving kids the opportunity to find a way to express themselves through the gift and love of music.”
“Logan’s Roadhouse believes in music and its power to make the world a better place. We also believe that great music comes from encouraging students like these,” said Borgese. “We are thrilled to support these students and the school so that together they can continue to enrich the lives of people around the world with their music.”
“Music education in schools is so valuable−not only is it a launching pad for the songwriters of tomorrow, it is known to improve many other facets of learning. We applaud Logan’s Roadhouse for their tremendous efforts to nurture music creators of all level. The ASCAP Foundation is proud to collaborate with Logan’s on this charitable initiative,” said ASCAP Foundation President Paul Williams.
In addition to this grant, Logan’s Roadhouse recently announced $25,000 of funding to school music program across the country. This is the latest effort in Logan’s Roadhouse’s dedication to supporting emerging artists.
In 2015, Borgese and Williams announced a joint effort to support emerging artists through the Music City Live! Tour, naming Niemann as the tour’s spokesperson and mentor. Music City Live! will kick off in early summer and the artists will be showcased at specially-selected Logan’s Roadhouse locations throughout the country.
Industry Pics: Brandy Clark, Thomas Rhett, Ryan Kinder, Chris Young, Webster PR Legendary Lunch
/by Jessica NicholsonBrandy Clark Welcomes Radio Programmers To CRS
Brandy Clark welcomed radio to Nashville for CRS 2016 at a special lunch and performance with Warner Music Nashville’s Kevin Herring (SVP Promotion), Katie Bright (Director National Promotion), Kristen Williams (VP Promotion), Chad Schultz (VP Radio Interactive Mktg.), Mallory Opheim (Regional Promotion Manager), Rick Young (Regional Promotion Manager), Lou Ramirez (Regional Promotion Manager), Mark Niederhauser (Regional Promotion Manager).
Pictured: Kevin Herring (SVP Promotion), Katie Bright (Director National Promotion), Wookie (WDSY), Jody Wheatley and Sue Wilson (WQMX), Bill Black (WKSJ), Brandy Clark, Crystal Legends (WRNS), Kristen Williams (VP Promotion), Chad Schultz (VP Radio Interactive Mktg.), Carletta Blake-Williams (WRNS), Mallory Opheim (Regional Promotion Manager), Mike Preston (KKWF), Rick Young (Regional Promotion Manager), Lou Ramirez (Regional Promotion Manager), Mark Niederhauser (Regional Promotion Manager).
Thomas Rhett, BMLG Celebrate New Single, “T-Shirt”
Thomas Rhett and members of Big Machine Label Group celebrated the release of Rhett’s latest single, “T-Shirt.”
Pictured (L-R): Allison Jones, Ashley Sidoti, Bradford Hollingsworth, Scott Borchetta, George Briner, Thomas Rhett, Brad Howell, Amy Staley, Ellen Mundy, Sean Stevens
Ryan Kinder Celebrates Grand Ole Opry Debut Performance
Warner Bros. Records/Warner Music Nashville’s Ryan Kinder made his Opry debut this weekend and posed for pictures afterward with Opry’s GM Pete Fisher.
Pictured (L-R): Ryan Kinder, Grand Ole Opry GM Pete Fisher
Chris Young Attends Westwood One Super Bowl 50 Pre-game Party
Chris Young took a night off from his I’m Comin’ Over Tour to attend the Westwood One Super Bowl 50 Pre-game Party at Verso in San Francisco on Saturday night (Feb. 6).
Pictured (L-R): John Kilgo, VP of Label Relations, Cumulus; Suzanne Grimes, President, Westwood One Division, EVP Corporate Marketing, Cumulus; Chris Young; Tommy Page, SVP Brand Partnerships, NASH Cumulus Media & Westwood One
Webster PR Hosts 2nd Annual Legendary Lunch
The Webster Public Relations 2nd Annual Legendary Lunch was held this week at The Palm where music legends from the 60s, 70s, 80s, 90s and 00s came together with program directors from various country stations. The Country Music Association sponsored this year’s event.
Front (L-R): Sylvia, Lorrie Morgan, Dave & Sugar’s Dave Rowland, Jennifer McCarter (McCarter Sisters), Jim Halsey, Jan Howard, Jeannie Seely, Lulu Roman, T. Graham Brown. Middle (L-R): Howard Bellamy, Bill Anderson, David Bellamy, Rex Allen Jr., Gene Watson, Lee Greenwood, Moe Bandy, Sonny LeMaire (EXILE), T.G. Sheppard, Marlon Hargis (EXILE), Roy Clark, Steve Goetzman (EXILE), Deborah Allen, Ronnie McDowell, Jimmy Fortune, Leroy Van Dyke, John Conlee. Back (L-R): CMA’s Sarah Trahern, WPR’s Kirt Webster, Mark Wills, Big Kenny, John Rich, John Anderson, Lorraine Jordan, Collin Raye. Photo: Rick Diamond (WireImage/Getty Images), photographer; for Jeremy Westby & Kirt Webster (Webster Public Relations).
Martina McBride Teams With Sarah Cannon Network For Launch Of Band Against Cancer
/by Jessica NicholsonPicture (L-R): Nash Icon Records’ Jim Weatherson, Cumulus’ Shawn Parr, Sarah Cannon’s Dee Anna Smith and Milton Johnson, Martina McBride and BMLG’s Scott Borchetta. Photo: Adam Taylor
Martina McBride and Big Machine Label Group (BMLG) have teamed with Sarah Cannon Network, the global cancer institute of Hospital Corporation of America (HCA), and announced today the launch of Band Against Cancer, activated through The Sarah Cannon Tour concert series.
The Sarah Cannon Tour will travel through several key U.S. cities in 2016 and return home to Nashville with a special concert event at the Grand Ole Opry in October. The tour, which helps to benefit several charitable cancer support organizations, includes performances by McBride and other country artists. Full details about each stop of the tour will be announced in the coming months at bandagainstcancer.com.
In addition to the concert events, Martina will anchor a national social and digital initiative engaging people in ways that every follower can help to advance our mission to fight cancer. Further, national awareness campaigns with iHeart Media, Premiere Networks, Cumulus Media and Westwood One will align with Band Against Cancer.
The initial focus of the campaign will be on people facing blood cancer. Approximately every three minutes, one person in the United States is diagnosed with a blood cancer. Further, 70 percent of all blood cancer patients who are in need of a transplant do not have a matched donor in their family. By arming people with resources and education, the initiative can help patients access potentially life-saving treatments including stem cell transplants and the latest targeted medicines.
“Helping families who are facing cancer has always been a cause that is near and dear to my heart,” said McBride. “I’m honored to be the voice that connects these individuals and their families with a fully committed team of cancer experts. Together with Sarah Cannon, this means each person can fight cancer where they get their greatest strength, in their own communities, with their own band of support.”
“We have learned that when we bring cause and music together we’re able to cut through the media noise and bring very important messages to a greater number of people,” said Scott Borchetta, President/CEO Big Machine Label Group. “The sum is so much greater than the parts and it’s defined in our new relationship with Sarah Cannon. The initial focus of our relationship is attacking blood cancer and we are honored to join them in spreading the message and reaching the greatest number of people possible with Martina McBride and other great BMLG artists and their music.”
Pictured (L-R): Martina McBride and BMLG’s Scott Borchetta. Photo: Adam Taylor
On The Cover – Tim McGraw (Feb./Mar. 2016)
/by Sherod RobertsonTim McGraw has sold more than 40 million records worldwide and dominated the charts with 36 No. 1 singles.
He’s won three Grammy Awards, 16 Academy of Country Music Awards, 14 Country Music Association Awards, 10 American Music Awards, three People’s Choice Awards and numerous other honors. His iconic career achievements include being named the BDS Most Played Artist of the Decade for all music genres and having the Most Played Song of the Decade for all music genres with “Something Like That.”
He is the most played country artist since his debut in 1992, with two singles spending over 10 weeks at No. 1 (“Live Like You Were Dying” and “Over and Over”). “Top of the World,” the first single off his Damn Country Music album, is his 58th Top 10 single. His critically-acclaimed acting skills were highlighted in the award-winning films Friday Night Lights and The Blind Side, and he will next appear in Lionsgate’s The Shack alongside Sam Worthington and Octavia Spencer. Tim most recently narrated ESPN’s Shaq and Dale documentary and co-produced and narrated the NFL Films documentary, Favre Returns.
Click here to purchase a copy, or receive a free copy with a yearly subscription.
MusicRow Reveals 14th Annual MusicRow CountryBreakout Awards Winners
/by Jessica NicholsonThe Nashville industry gathered Monday afternoon (Feb. 8) at Margaritaville to celebrate MusicRow’s 14th annual Country Radio Meet & Greet and CountryBreakout Awards.
The award winners were celebrated for their success in 2015 on MusicRow’s CountryBreakout Chart, the leading secondary country radio chart.
This year’s winners are as follows:
Male Artist of the Year: Jason Aldean
Female Artist of the Year: Kelsea Ballerini
Breakout Artist of the Year: Kelsea Ballerini
Duo/Group of the Year: Florida Georgia Line
Independent Artist of the Year: Erica Nicole
Label of the Year: Capitol Records Nashville
Songwriter of the Year (three-way tie): Shane McAnally, Ashley Gorley, Josh Osborne
At each awards show, MusicRow also honors one of its MusicRow panel radio station reporters. This year, Melissa Frost of KRRV-FM (Alexandria, La.) was honored as MusicRow’s Reporter of the Year.
Songwriters Shane McAnally, Ashley Gorley, Josh Osborne tied for the Songwriter of the Year honor, which recognizes the writer(s) who penned the most No. 1 songs on the MusicRow CountryBreakout chart. McAnally, Gorley, and Osborne penned five chart-topping songs each in 2015.
The show also featured performances from MusicRow CountryBreakout Chart toppers LOCASH, as well as MusicRow’s 2016 Independent Artist of the Year Erica Nicole.
Stay tuned for Bobby Karl’s full recap of the 14th annual MusicRow CountryBreakout Awards on musicrow.com.
Reviver Label Services Reveals New Imprint, Promotion Team
/by Jessica NicholsonPIctured (L-R): Bob Reeves, Glenn Noblit, Tyler Waugh, Paul Williams
David Ross, President and CEO of Reviver Records, has announced the promotion team working the company’s newest imprint, 1608, which is part of the expansion of Reviver Label Services.
Bob Reeves will serve as Vice President of Promotion, and will also cover the West Coast in terms of radio promotion. Reeves comes to Reviver with a long line of success in the industry, six years at Warner Music Nashville, as well as a recent stint at Blaster Records.
Paul Williams will serve as the Regional Director, while heading up promotional campaigns in the Northeast and the Midwest areas of the United States. Williams has enjoyed a wide-ranging career in the industry, with stints at Sony Music Nashville and perennial radio powerhouse KPLX in Dallas.
Tyler Waugh will be the group’s Regional Director for the Southeast. Waugh comes to Reviver from Soundstream Records, and began his career at Arista Nashville, where he worked for four years.
Glenn Noblit will be working the Southwest as Regional Director. The veteran promoter has worked in the industry since the late 1990s, with highlights including stints at Warner Music Nashville and Lost Highway.
“I’m excited that these four seasoned executives were available to help launch our newest imprint. They all bring the energy, creativity, and drive that we want to be a trademark of Reviver Label Services,” says Ross. “I know that with the experience of our staff, the sky is the limit.”
Publicity for Reviver Label Services will be handled by Webster Public Relations.
Exclusive: Bobby Bones On CRS, His Record Deal And Future In TV
/by Eric T. ParkerBobby Bones says he has finally comfortable in Nashville since his move from Austin in 2013. In an exclusive interview prior to Country Radio Seminar (CRS), Bones discusses with MusicRow his brand expansion apart from his radio show, The Bobby Bones Show, with a music career of his own, a future on television and a memoir he plans to release later this year.
In MusicRow‘s latest print magazine (February/March), Bones also discusses his $1 million FCC fine. He has raised double that amount for charity—on the other hand—while performing in his band Bobby Bones and the Raging Idiots, which is now signed to Black River Entertainment. Pick up a copy of MusicRow’s current issue to read the full interview.
On CRS
This is my third year doing CRS. The first year I was scared to death because you walk in and everybody is here. It’s like the first time you go to a big city and see the tall skyscrapers. The legendary people were like the skyscrapers to me—the greatest radio people, the executives you read about, the artists. I had never seen that stuff before. The first year I stared a lot and hid in corners. It’s still weird to me, but now I have to play it cooler and act like I fit in. Now they ask me to speak, which is still weird to me. I’ll talk about branding, radio, music, breaking artists. I always feel stupid doing it, but its great—I feel like a resident of CRS rather than a tourist. If it’s your first CRS, just watch—it’s intimidating. If it’s your eighth CRS, don’t get so hammered on the first night that you don’t get to enjoy the second or third night.
On his record deal and band
It all started not because I think I’m going to win CMA Vocalist of the Year, but I had been doing standup comedy for years. As a teenager, my “band” was just a guitar I bought at a pawn shop. Bobby Bones and the Raging Idiots is a terrible name, but we kept it from years ago. A while ago we played some songs and told some jokes at a charity show in Nashville, which turned into a couple other shows. Then people started coming to shows like crazy. We never planned to sign to a record label because we were never taking it serious. The only thing we were taking serious was that we could do some positive things with it because all our ticket sales went to charity. [Producer] Eddie and I’s goal was to raise $1 million. After that we said we would talk about signing a record deal and putting out a comedy record. Eddie is a real musician and I’m a writer/comedian. Over a year and a half, we raised over $2 million. We had been on the road with Kelsea Ballerini on the weekends and I got to know the Black River people well and really liked them. We didn’t shop a deal, but thought, “Let’s do this together.” We just now have merch, which is basically white T-shirts with us writing our names on them. We also signed with ASCAP, CAA, and Red Light.
On his album tracks
I went to Black River with a kids record idea, and we put out a kids EP [in November 2015] and it was No. 1 on iTunes for two weeks. [A 12-track album will be out in the spring] with a lot of really great artists that have no business being on a record with me because they’re way too good. But I wrote every song on both records. I had help from some great writers and buddies I’ve written comedy with too. Eric Paslay, Phil Barton and I wrote “When I Grow Up,” a kids song. On this other record I wrote with everyone from Lee Thomas Miller, Keifer Thompson, Lindsay Ell, and Kristian Bush. I’m really appreciative they gave it a try. I can think of kind of funny lyrics or things to say, but they really carried me through the music part of it. There’s no stand-up, but there are comedy bits/skits as tracks in between songs.
On whether or not his music will be available for streaming
Of course. I get angry if I can’t stream something. I’m a dude who loves music! It will be played on the radio and I hope people buy it, and I hope the stream it and when their account goes dead, they play their purchased song.
On expanding his brand on and off the air
We did a Nashville alternative show, and a national sports show with iHeart (Clear Channel) with Andy Roddick. I had to quit the sports show about nine months ago because we’re on the road doing Raging Idiots shows. I was doing the book, and I have a TV deal with ABC. They said, you have to pick or you’re going to die! The ABC deal is not with Right Side Blind, the production company that iHeart owns half of. With Right Side Blind, I think we have nine shows in development right now, all at different stages. A couple with a couple country artists in town that hopefully get picked up. Pitching has already happened on a few, we’ve shot sizzle reels on some, and two are in pilot. There’s a lot of great personality in Nashville that the east and west coast don’t see. We have a couple really good shows I think that hopefully in 2016-17 will be out. You talk about something I went into blind—I wanted to do TV but not be on camera all the time, so iHeart was like, “Great, let’s build a production company.” I really should get iHeart tattooed on my body somewhere.
Nashville Industry Execs Form M-Pact Music Group
/by Jessica NicholsonPictured (L-R): Mike Kraski, D. Vincent Williams.
Nashville music industry executives Mike Kraski, D Vincent Williams, Danny Pool, Lori Maxwell, and Debbie Zavitson have teamed to create multi-service company M-Pact Music Group.
“In today’s music business environment, one needs to incorporate assets that support one another and create cost efficiencies and multiple revenue streams,” company president/CEO Kraski said. “That’s exactly what M-Pact does. We have built a dynamic company with subsidiaries that are both diversified and integrated.”
“In my professional history, I was always missing the person with the business expertise,” said Williams. “Mike would be the first to tell you that what he had always been missing was the creative counterpart. Having each other in this business is both inspiring and invigorating.”
The companies that fall under the M-Pact Music Group umbrella include M-Pact Music Publishing, M-Pact Management and Consulting, M-Pact Development Services, M-Pact Productions, Amuse Entertainment and Band Doctor.
M-Pact Management and Consulting (formerly Tenacity Management and Consulting) will be helmed by Kraski, and will include the division’s first signing, Austin Moody.
Songwriter/producer Williams will serve as EVP/Chief Creative Officer. Their partner is businessman Danny Pool, owner of Blue Guitar Publishing. Lori Maxwell will act as VP of Finance and Business/CFO.
Debbie Zavitson has been brought onboard to steer the publishing division as VP of Publishing Operations/Chief Operating Officer. Writers signed to the venture include Keesy Timmer, Williams and Moody.
M-Pact Productions will utilize the company’s new full-service studio, with full-time engineer Dallen Beck helping to develop artists and songwriters. Meanwhile, Band Doctor will provide one-stop shopping for all musicians’ needs, from rehearsals to an entire tour. All musicians are vetted by an internal staff of credentialed musicians.
M-Pact Music Group will be located at 2937 Berry Hill Dr. Nashville, TN 37204 effective March 1.
Weekly Register: Little Big Town’s “Girl Crush” Tops 2 Million
/by Jessica NicholsonLittle Big Town
In addition to earning Little Big Town a Grammy nomination, “Girl Crush” has sold 6.1K this week, enough to push the sultry ballad over the 2 million mark.
Thomas Rhett and Chris Stapleton continue their reigns over the Top Country tracks and Top Country albums rankings, respectively. Rhett’s “Die A Happy Man” pushed 39K units this week, while Stapleton’s Traveller project moved 27K units (landing at No. 8 on the overall rankings).
Following Rhett on the top-selling country tracks are Sam Hunt‘s “Break Up In A Small Town” (28K), Cole Swindell‘s “You Should Be Here” (28K), Luke Bryan with Karen Fairchild‘s “Home Alone Tonight” (24K), and Brett Eldredge‘s “Drunk On Your Love” (24K). Meanwhile, The Cadillac Three earned the top country debut, coming in at No. 47 and selling 4.1K in its debut week.
On the overall tracks rankings, Zayn debuted at No. 1 with “Pillowtalk” selling 240K. Drake‘s new track “Summer Sixteen” sold 213K.
Overall tracks sales are down 25.8 percent over last year, while country track sales are down 24.2 percent from last year.
Following up Stapleton’s lead on the country albums rankings are Sam Hunt’s Montevallo with 7.8K, Blake Shelton‘s Reloaded: 20 #1 Hits compilation selling 7.4K, Hank Williams, Jr‘s It’s About Time (6.7K), and Carrie Underwood‘s Storyteller (6.2K). The top country debuts include sets from Swon Brothers at No. 19 (1.8K), Aubrie Sellers at No. 23 (1.6K), and Buddy Miller & Friends at No. 30 (1.4K).
Rihanna‘s Anti album takes the No. 1 overall album spot this week, selling 166K. Kevin Gates follows at No. 2 with Islah selling 112K. Adele‘s 25 is at No. 3 (106K), and Sia‘s This Is Acting is at No. 4 (81K).
Info provided by Nielsen Soundscan.
Carrie Underwood Reigns Supreme During The Storyteller Tour-Stories In The Round
/by Jessica NicholsonCarrie Underwood. Photo: Schmidt PR
“It feels so good to be back on the road,” Carrie Underwood told the crowd on Friday (Feb. 5) at Louisville, Kentucky’s KFC Yum! Center, home to the fourth stop on Underwood’s The Storyteller Tour-Stories in the Round. “I hope you are ready to party because we are.”
Judging by the crowd’s reaction, the feeling was more than mutual. It was clear that Underwood’s fans have been eagerly awaiting live music, following Underwood’s The Blown Away Tour in 2012-2013. Since then, Underwood has taken time off the road to release Greatest Hits: Decade #1, her fifth studio album Storyteller, and to give birth to her son Isaiah.
Underwood wedged 22 songs into her nearly two-hour performance, including eight tracks from Storyteller. For the majority of the show, Underwood played hit song after hit song, her voice strong, confident, and rejuvenated.
Appropriate for a tour named In The Round, three LED rings hung above center stage, emblazoned with imagery from The Storyteller Tour. The contraption descended, forming a towering stage. Garbed in a resplendent golden frock, country’s queen made her entrance atop the nearly 18-foot high center lift, and held court from the first bluesy notes of “Renegade Runaway,” a track from Storyteller.
The Storyteller Tour’s production more than complimented Underwood’s commanding voice and her songs’ dramatic storylines. The massive stage stretched across the entire arena, ensuring fans on every side of the arena got a great seat. The three LED rings hanging above center stage lowered, rose, and rotated at other moments during the concert to create a dramatic focal point. Four satellite stages and varying lifts offered a myriad of visual options that kept the audience engaged.
The intensity of the production might have overpowered a lesser artist, but Underwood, with her confident, engaging persona and clear, sharp soprano, remained the centerpiece of the evening.
Strutting from one end of the massive stage to the other, Underwood was sassy and playful as she powered through a set of rock- and pop-tinged country hits including “Last Name,” “Undo It,” and “Good Girl,” reminding the crowd that she also possesses possibly one of the best female rock voices in the business. Of course, Underwood didn’t have to do all the legwork; the center stage rotated 360 degrees during several songs throughout the evening.
Carrie Underwood on harmonica during “Choctaw County Affair.” Photo: Schmidt PR
Underwood was seven songs into her set before the paced slowed. Underwood’s backing band sank beneath the stage as a spotlight and disco ball punctuated a performance of her current single, “Heartbeat,” followed by her debut single from 2005, “Jesus, Take The Wheel.”
“This is still one of my favorite songs to sing,” Underwood told the crowd. The inspirational tune still wears well more than a decade later, eliciting one of the biggest crowd responses of the evening. More hits followed, including “Wasted,” “Two Black Cadillacs,” and an especially sterling rendition of “Blown Away.”
Having amassed plentiful No. 1 songs in her career (including many that she co-wrote), Underwood has reached the enviable career phase of having to select which chart-toppers to incorporate into shows. While Underwood did her best to showcase hits from all chapters of her career, songs such as “So Small,” “Just A Dream,” “Temporary Home,” and “See You Again,” were absent from the set.
Underwood’s powerhouse voice wasn’t the only instrument she showcased throughout the evening. She played guitar on working person’s anthem “Smoke Break,” and held her own during a harmonica “battle” with a band member during another Storyteller track, the southern murder mystery “Choctaw County Affair.”
She gave the crowd a turn in the spotlight during “All-American Girl,” holding a “Carrie Cam” as she circled the stage’s perimeter.
Carrie Underwood closes the show with “Something In The Water.” Photo: Schmidt PR
While it has become expected for country artists these days to incorporate at least one Top 40 or rock ‘n’ roll cover tune in concert, Underwood bucked the trend, keeping her two cover tunes entrenched in classic country.
“There are so many amazing artists that I got to grow up listening to and I respect so much,” Underwood told the crowd. “I feel like I would be just wrong if I didn’t mention one person that so many of us in my generation of country music idolize…that person that has meant so much to us is Dolly Parton. She’s the person we all aspire to have her career. She’s one of the nicest and most humble people I’ve met in my entire life,” she said, before quieting the crowd with an a cappella intro (later tastefully backed by a lone acoustic guitar) of Parton’s signature “I Will Always Love You.”
Two songs later, Underwood welcomed show openers The Swon Brothers and Easton Corbin back to the stage for a fun romp of Nitty Gritty Dirt Band’s “Fishin’ In The Dark.”
Another highlight of the evening came with the closing track from Storyteller, “What I Never Knew I Always Wanted.” Underwood sang from atop a piano as personal photos and videos of Underwood with husband Mike Fisher and their nearly one-year-old son Isaiah scrolled on video screens around the arena, giving fans a peek at Underwood’s life beyond the music and touring.
Underwood closed the show from center stage, her voice soaring and inspired on her Grammy-winning track “Something In The Water.” Blue lasers were employed to make “rain” fall across the entire stage. The effect was a dramatic and potent reminder of why this multi-talented performer is a seven-time Grammy winner and a two-time ACM Entertainer of the Year.
The event further landed on a high note for Underwood; during an after-show celebration, Underwood was presented with a plaque celebrating more than 20 million albums sold for her albums Some Hearts, Carnival Ride, Play On, Blown Away, Greatest Hits: Decade #1 and Storyteller.
Pictured (L-R): Sony Music Nashville Marketing Director Rachel Fontenot, Sales VP Caryl Healey, Promotion & Artist Development EVP Steve Hodges, and Chairman & CEO Randy Goodman; Carrie Underwood; Sony Music Nashville EVP/COO Ken Robold; Ann Edelblute, Carrie Underwood’s manager (The HQ); and Sony Music Nashville Marketing Sr. VP Paul Barnabee, Marketing & Media Mgr Bob Foglia, and Digital Strategy VP Sarah Westbrook. Photo: Jeff Johnson
SET LIST:
1. “Renegade Runaway”
2. “Last Name”/“Something Bad” (chorus)
3. “Undo It”
4. “Good Girl”
5. “Church Bells”
6. “Cowboy Cassanova”
7. “Heartbeat”
8. “Jesus, Take The Wheel”
9. “Wasted”
10. “Blown Away”
11. “Two Black Cadillacs”
12. “Dirty Laundry”
13. “Choctaw County Affair”
14. “I Will Always Love You”
15. “What I Never Knew I Always Wanted”
16. “Fishin’ In The Dark”
17. “Clock Don’t Stop”
18. “All-American Girl”
19. “Little Toy Guns”
20. “Before He Cheats”
21. “Smoke Break”
22. “Something In The Water”