
Garth Brooks. Photo: Moments By Moser Photography
Garth Brooks and Trisha Yearwood are two of a kind, but they didn’t have to work on a full house at their Ryman Auditorium show on Thursday night (Sept. 8). The filled-to-capacity venue, which Brooks often refers to as “The House,” erupted in applause when an announcer encouraged the audience to take a few photos, and then put away the phone and enjoy the music. This was clearly an audience who longed for a ‘90s concert experience.
Brooks had never performed a full set at the Ryman until this show, which served as a launching pad for his SiriusXM station, known as The Garth Channel. The show was streamed live on the new channel. At a press conference earlier in the day, he explained his programming philosophy by indicating that if he liked someone’s music, he’d play it, regardless of genre.

Garth Brooks. Photo: Moments By Moser Photography
But for his opening number, Brooks and his guitar relied solely on the classics, mashing up a medley of songs and artists that inspired him. This ranged from Cal Smith’s “Country Bumpkin” and George Jones’ “He Stopped Loving Her Today,” to George Strait’s “Amarillo By Morning” and Dolly Parton’s “I Will Always Love You,” as well as Randy Travis’ “I Told You So” and Keith Whitley’s “Don’t Close Your Eyes.”

Photo: Henry Diltz, Copyright Blue Rose, Inc. 2016
But the place went berserk when the curtain lifted to reveal his band and a simple set with no enormous screens. Suddenly the opening lines of “Friends in Low Places” resonated through the rows of wooden pews. From there it became one big sing-along: “Rodeo,” “Two of a Kind, Workin’ on a Full House,” “The River,” and so on. The live renditions were punctuated with fist pumps and teary eyes from the audience as well as the performer.
Brooks’ undeniable charisma was on full display all night long. After “Unanswered Prayers,” he shaped his thumbs and index fingers into the shape of a heart, a la Taylor Swift. After delivering “That Summer,” he exclaimed, “I’ve never been here before but they’re gonna have to get rid of me now!” When the rumble of “The Thunder Rolls” arrived, the singing along resumed at full volume.

Pictured (L-R): Garth Brooks, Trisha Yearwood. Photo: Moments By Moser Photography
Of course, it’s always refreshing to hear Yearwood sing and she graced the set list for a duet of “In Another’s Eyes” as well as a lovely rendition of “Walkaway Joe” accompanied only by Brooks on guitar. Indicating that they are in the midst of recording a duets album, they unveiled a satisfying new duet, “Whiskey to Wine,” about former lovers who have mellowed out with new partners. Brooks mentioned that the new album will be “the most Garth thing” he’s ever done.
Crowd-pleasers like “Papa Loved Mama” and “Callin’ Baton Rouge,” along with a band introduction, set up the big broadcast finale of “The Dance.” Brooks quietly introduced it by saying, “I hope you remember it,” and naturally, everyone sang along.

Pictured (L-R): Jimmy Mattingly, Garth Brooks. Photo: Moments By Moser Photography
When the main program ended, only a smattering of people left. After a few minutes, Brooks returned for a handful of hits and rarely-heard songs, ranging from the enduring “Much Too Young (To Feel This Damn Old)” and “Every Time That It Rains,” to “In Lonesome Dove” to “Longneck Bottle.” On “Shameless,” he looked near ecstasy, an expression that carried through “Standing Outside the Fire,” and likely well past the time he exited the hallowed stage.
Brooks will rekindle his world tour on Friday (Sept. 16) in Anaheim, California.
Dierks Bentley Launches Emoji Keyboard, Custom Lyrics App
/by Craig_ShelburneDierks Bentley is the inspiration for a new emoji keyboard, as well as an app that rephrases a user’s thoughts into Bentley lyrics.
For example, “I love you” might be changed to “Without you I’d be nothing,” and “Want to go dancing?” could turn into “Want to have a Mardi Gras in the clouds?” Emojis on the keyboard can be used to text, Tweet, post, and more.
“I’m always looking for different ways for fans to be involved in my music,” shares Bentley. “I think the fans will pick up on a lot of the lyrics, familiar characters and friends we worked in!”
Allan Zhang and Sam Mendelson of Echelon Creative Inc, say, “It’s a privilege to get to work with Dierks and the team. His songs are so catchy and poetic that it makes our LyricLink technology work even better.”
The app is available for download from the App Store now with Google Play arriving this weekend.
Industry Ink: CMA, Americana Music Association, Reviver Entertainment Group
/by Jessica NicholsonCMA Songwriters Series Makes Birthplace Of Country Music Museum Debut
Pictured (L-R): Barry Dean, Tracy Lawrence, Rick Huckaby, and Luke Laird perform during the CMA Songwriters Series Thursday at The Birthplace of Country Music Museum in Bristol, Va. Photo: Rob Moore / CMA
Tracy Lawrence was joined by Barry Dean, Rick Huckaby, and Luke Laird on Thursday (Sept. 8) for the CMA Songwriters Series debut at The Birthplace of Country Music Museum in Bristol, Virginia. The show was one of several special events leading up to the historic rivalry football game between the University of Tennessee Volunteers and the Virginia Tech Hokies.
The CMA Songwriters Series is in its 12th season, kicking off the first show of this year at indigo at The O2 in London during the C2C Festival. That was followed by its debut appearance at SXSW at the Paramount Theatre in Austin, Texas, and a stop in Washington, D.C. at the renowned Library of Congress. Since 2005, the CMA Songwriters Series has presented more than 90 shows in 15 cities including Austin, Belfast, Chicago, Dublin, London, Los Angeles, New Orleans, New York, and Paris.
Americana Music Association Adds Director of Marketing and Research
Sarah Comardelle
The Americana Music Association has promoted Sarah Comardelle to Director of Marketing and Research. In her new role, Comardelle will oversee the implementation of marketing, social media and special event initiatives, including the Americana Music Festival & Conference. She reports directly to Executive Director Jed Hilly .
Prior to stepping into her current role at the feisty not for profit music association, the Belmont University graduate first joined the Americana Music Association as a volunteer and has served as manager of Marketing and AmericanaFest conference Coordinator.
“Sarah is one of the most dedicated and hard working individuals I have ever met,” said Hilly, “and has become an invaluable member of our community – I am thrilled to announce this deserving promotion.”
Comaardelle can be reached at sarah@americanmusic.org.
Will Robinson Joins Reviver Entertainment Group
Will Robinson
Will Robinson has joined Reviver Entertainment Group as Northeast/Midwest Regional Promotion Manager. Robinson will report to Reeves.
“Will’s depth of experience as a programmer and promotion manager will provide 1608 unparalleled expertise, experience and results. We are thrilled to have Will as our boots on the ground in the Northeast and Midwest,” Bob Reeves, Sr. Vice President of Promotion for Reviver Entertainment Group, said.
Robinson previously worked as a programmer at WRBQ in Tampa and WQYK with stops at WNEW in New York, WCAT in Harrisburg and WFRE in Frederick. After 16 years in programming, he began working records with Nine North. He continued down the promotion path at RPM and I.R.S.
Robinson joins 1608 Regional Promotion Managers Clay Henderson leading the Southwest/Midwest and Ben Bieri overseeing the West Coast. Hayley Cowoski continues as Promotion Coordinator for Reviver Records and 1608.
SMACKSongs Signs Kylie Morgan To Kobalt-Administered Pub Deal
/by Jessica Nicholson(Front row, L-R): Robin Palmer, SMACKSongs Senior Creative VP; Kylie Morgan. (Back row, L-R): Josh Osborne, Partner, SMACKSongs; Michael McAnally Baum, Business Affairs, SMACKSongs; Lee Krabel, Senior Creative Director, SMACKSongs; Daniel Novick, Savur Threadgold LLP. Photo: Courtesy SMACKSongs
SMACKSongs, led by songwriters Shane McAnally and Josh Osborne, has signed Kylie Morgan to a worldwide publishing agreement, exclusively administered by Kobalt.
“The first time I walked through the doors of SMACK, I knew I was home. I couldn’t be more thankful to the whole staff for being so loving and welcoming,” said Morgan. “To have someone like Shane McAnally believing in me is honestly an answered prayer. I have no doubt this is where I’m supposed to be and I’m so excited to start building this crazy dream with such amazing people.”
The Newcastle, Oklahoma native has been writing, singing and playing guitar since age 12, drawing national attention for her independently released music and role on E!’s Opening Act. At age 18, Morgan moved to Nashville to pursue her career as a singer/songwriter.
“Kylie is one of the most talented and hardworking young writers I’ve had the privilege to work with,” said Robin Palmer, senior vice president of creative at SMACKSongs. “We couldn’t be more excited to get started!”
“When we first heard Kylie’s music, we knew we had found another tremendous talent,” noted Kobalt Nashville General Manager Jesse Willoughby. “We’re beyond excited to be working with her and continuing our creative relationship with such an amazing company as SMACK.”
Morgan has spent the past three years with Zavitson Music and writing with songwriters Rivers Rutherford, Tony Haselden and Jim Collins.
Kylie Morgan
Artist Updates: Florida Georgia Line, Brett Eldredge, Dustin Lynch
/by Craig_ShelburneFlorida Georgia Line Wings It On The Chew
Pictured L-R: The Chew’s Carla Hall with FGL’s Brian Kelley and Tyler Hubbard. Photo: Paula Lobo/ABC
Florida Georgia Line appeared on ABC’s The Chew on Friday (Sept. 9) to help kick off the show’s “September of Surprises.” The duo put their cooking skills to the test when they hit the kitchen with host and Nashville native Carla Hall to make hot wings. Brian Kelley and Tyler Hubbard also played “Florida Georgia Dine,” where the pair tried to name popular foods from their home states while blindfolded.
Brett Eldredge Unwraps Title Of Christmas Album
Brett Eldredge
Brett Eldredge has selected Glow as the title of his upcoming Christmas album, due in October. The album also shares its name with an original track he wrote to capture a warm, holiday feeling. Meghan Trainor will be featured on the album on a special duet.
“I originally had the idea for a song called ‘Glow’ as the vision of someone you love, making your whole world light up,” says Eldredge. “It captures the simplicity of sitting next to the dimly lit Christmas tree and watching her glow in the lights. There’s a line where I compare that to the image of ‘sunshine over a field of snow.’ I grew up in Illinois and there’s no mistaking the beauty of the countryside with covered in snow. And I always try and compare those beautiful things in life to love. I always had this vision of a really bright album, making your whole heart and soul glow and I just feel like I can see this album standing out, glowing, to everyone. I always use the word magic when it comes to Christmas, but that’s the feeling that Glow gives me when I hear it. So it just seemed like the perfect title for a Christmas album.”
Dustin Lynch Teams Up For Solitaire Game
Gaming company MavenHut has partnered with Dustin Lynch to create the Dustin Lynch Solitaire mobile app, which allows users to enjoy Solitaire with a musical twist and unique competitive edge. The game also showcases elements such as magical power-ups, synchronous real-time gaming, and various tournament options.
“I’m completely hooked! This is my new favorite way to pass time and have some friendly competition doing so when I’m traveling,” said Lynch. “I hope we get to play in tournaments together, good luck!”
“Dustin’s creativity, authenticity, and strong following on social platforms by users spanning various age, income, and cultural backgrounds make him the perfect partner for our first Solitaire celebrity-featured mobile app,” said Andreea Leonte of MavenHut.
Eric Church Band Golf Event Raises Funds For MusiCares
/by Craig_ShelburnePictured (L-R): Lee Hendricks (bass), Michael Todd (tour crew), Debbie Carroll of MusiCares, Driver Williams (guitar), Ben Rigby (tour crew), Craig Wright (drums), Jeff Hyde (acoustic guitar). Photo: Chad Lee
The fifth annual Eric Church Band “Put a Club in My Hand” Golf Tournament has raised $214,190 for MusiCares, the charitable arm of The Recording Academy.
Produced by Big Hearted Babes, the event was held in Nashville on Aug. 22. The invitation-only tournament was an all-day event featuring an 18-hole scramble for artists, musicians, tour staff, music industry professionals and more.
Funds for the donation were raised through 160 registered golfers, 34 generous partners and a silent auction. To date, the annual event has raised more than $600,000 for MusiCares, an organization that provides a safety net of assistance for those in the music industry to help with medical, financial, and personal emergencies.
“What makes this event so special is that not only does it reflect Eric’s longtime support of MusiCares, but each year, Eric’s band and crew put this fundraising tournament together,” said Neil Portnow, President/CEO of The Recording Academy and MusiCares. “For me, this underscores the fact that MusiCares serves music people in professions throughout the industry. In fact, we recently started a round of special outreach and assistance for music people affected by the Louisiana floods, and benefits such as this golf tournament help MusiCares to be immediately responsive when a crisis strikes part of our community.”
Larry Gatlin Will Host ‘Opry Country Classics’ At Ryman Auditorium
/by Jessica NicholsonLarry Gatlin. Photo: Chris Hollo/Grand Ole Opry
The history of classic Opry performances will continue on the Ryman stage on Thursdays this fall. A new season of Opry Country Classics will be held for six-show run, from Thursday, Sept. 22 through Oct. 27.
Host and performer Larry Gatlin will welcome Spotlight Artists including Marty Stuart (Sept. 22), Charlie Daniels Band (Sept. 29), Connie Smith (Oct. 6), Crystal Gayle (Oct. 13), Lorrie Morgan (Oct. 20) and The Time Jumpers (Oct. 27).
Opry Country Classics tickets as well as money-saving ticket combos including admission to both Thursday night Opry Country Classics shows and Tuesday, Friday, or Saturday Grand Ole Opry shows are available by visiting opry.com or by calling 615-871-OPRY or 800-SEE-OPRY.
RaeLynn Shares Hopes, Heartbreak On Long-Awaited Debut Album
/by Eric T. ParkerRaeLynn will release her debut album WildHorse with Warner Bros. Records/Warner Music Nashville on December 2.
“Every lyric takes you through a part of my journey these last four years – this record is my college experience in a lot of ways,” says RaeLynn. “I graduated from high school, moved away from my parents, and started a life on my own. I fell in love, had my heart broken and then found love again. I married the man of my dreams and now we’re starting a life together. All the highs and lows from these last four years are here. I’ve always wanted to put out an album where my personality and songwriting could really shine through and I feel like WildHorse finally gives fans a true glimpse into who I am as an artist and a young woman… This album is my journey and I sure hope you find some of your journey in it, too.”
The long-awaited project includes RaeLynn’s latest single “Love Triangle.” That song and the title track are immediately available for fans who pre-order the full album. The project is co-produced by Jimmy Robbins and Nicolle Galyon. The album additionally features appearances by Dan + Shay and Leeland Mooring, who is lead singer of the band Leeland as well as RaeLynn’s cousin.
“I remember when I wrote ‘WildHorse’ and thinking how the apple doesn’t fall too far from the tree. My grandmother used to call my mom a wild horse and I definitely am, too. I’ve always had a different way of looking at life and embracing my carefree spirit. Sure, I can be a handful with my Texas sass mixed with sparkly glitter, but you know, I am who I am. And, I know I’m not the only one out there, right? I hope that when you hear this song, it gives you the confidence to be yourself and be the wild horse you were meant to be,” RaeLynn said.
RaeLynn was on Team Blake on Season 2 of The Voice in 2012. She released three singles with Republic Nashville before signing with Warner Bros. Records/Warner Music Nashville in June.
WildHorse Track Listing
Garth Brooks Revisits The ‘90s For SiriusXM Concert At The Ryman
/by Craig_ShelburneGarth Brooks. Photo: Moments By Moser Photography
Garth Brooks and Trisha Yearwood are two of a kind, but they didn’t have to work on a full house at their Ryman Auditorium show on Thursday night (Sept. 8). The filled-to-capacity venue, which Brooks often refers to as “The House,” erupted in applause when an announcer encouraged the audience to take a few photos, and then put away the phone and enjoy the music. This was clearly an audience who longed for a ‘90s concert experience.
Brooks had never performed a full set at the Ryman until this show, which served as a launching pad for his SiriusXM station, known as The Garth Channel. The show was streamed live on the new channel. At a press conference earlier in the day, he explained his programming philosophy by indicating that if he liked someone’s music, he’d play it, regardless of genre.
Garth Brooks. Photo: Moments By Moser Photography
But for his opening number, Brooks and his guitar relied solely on the classics, mashing up a medley of songs and artists that inspired him. This ranged from Cal Smith’s “Country Bumpkin” and George Jones’ “He Stopped Loving Her Today,” to George Strait’s “Amarillo By Morning” and Dolly Parton’s “I Will Always Love You,” as well as Randy Travis’ “I Told You So” and Keith Whitley’s “Don’t Close Your Eyes.”
Photo: Henry Diltz, Copyright Blue Rose, Inc. 2016
But the place went berserk when the curtain lifted to reveal his band and a simple set with no enormous screens. Suddenly the opening lines of “Friends in Low Places” resonated through the rows of wooden pews. From there it became one big sing-along: “Rodeo,” “Two of a Kind, Workin’ on a Full House,” “The River,” and so on. The live renditions were punctuated with fist pumps and teary eyes from the audience as well as the performer.
Brooks’ undeniable charisma was on full display all night long. After “Unanswered Prayers,” he shaped his thumbs and index fingers into the shape of a heart, a la Taylor Swift. After delivering “That Summer,” he exclaimed, “I’ve never been here before but they’re gonna have to get rid of me now!” When the rumble of “The Thunder Rolls” arrived, the singing along resumed at full volume.
Pictured (L-R): Garth Brooks, Trisha Yearwood. Photo: Moments By Moser Photography
Of course, it’s always refreshing to hear Yearwood sing and she graced the set list for a duet of “In Another’s Eyes” as well as a lovely rendition of “Walkaway Joe” accompanied only by Brooks on guitar. Indicating that they are in the midst of recording a duets album, they unveiled a satisfying new duet, “Whiskey to Wine,” about former lovers who have mellowed out with new partners. Brooks mentioned that the new album will be “the most Garth thing” he’s ever done.
Crowd-pleasers like “Papa Loved Mama” and “Callin’ Baton Rouge,” along with a band introduction, set up the big broadcast finale of “The Dance.” Brooks quietly introduced it by saying, “I hope you remember it,” and naturally, everyone sang along.
Pictured (L-R): Jimmy Mattingly, Garth Brooks. Photo: Moments By Moser Photography
When the main program ended, only a smattering of people left. After a few minutes, Brooks returned for a handful of hits and rarely-heard songs, ranging from the enduring “Much Too Young (To Feel This Damn Old)” and “Every Time That It Rains,” to “In Lonesome Dove” to “Longneck Bottle.” On “Shameless,” he looked near ecstasy, an expression that carried through “Standing Outside the Fire,” and likely well past the time he exited the hallowed stage.
Brooks will rekindle his world tour on Friday (Sept. 16) in Anaheim, California.
LifeNotes: Pedal Steel Pioneer Bud Isaacs Passes
/by Robert K OermannHe was born Forrest Isaacs in Indiana on March 26, 1928 and developed his love for country music by listening to Hawaiian steel guitarist Jerry Byrd on WLW’s Midwestern Hayride out of Cincinnati.
After his radio debut on WIBC in Indianapolis, Isaacs began traveling to perform on various barn-dance shows in 1944. He worked in Texas, Arizona, Michigan and elsewhere during the following decade.
Jimmy Dickens hired him as a sideman. This association led to Isaacs performing on the Grand Ole Opry in 1950-54, then to a stint in Red Foley’s band at the Ozark Jubilee in Springfield, Missouri in 1954-57.
Isaacs was experimenting with different instrumental techniques throughout the early 1950s. In 1953, he added foot and knee pedals to a steel guitar. By manipulating these, he was able to vary the tension on individual strings to create bending, warbling, sustained, highly expressive notes.
In November 1953, Webb Pierce tapped him to play the then-new pedal steel guitar on his recording of “Slowly.” It became a massive hit in 1954, revolutionized the instrument and led to country music’s wholesale embrace of its sound. Dozens of instrumentalists rushed to imitate the playing style of Bud Isaacs. The stylist, himself, became an in-demand session player.
In addition to Pierce, Dickens and Foley, his playing can be heard on records by Jim Reeves, Skeeter Davis, Chet Atkins, Kitty Wells, Justin Tubb, Hawkshaw Hawkins, Buck Owens, Wilf Carter and more.
Bud Isaacs was married to singer, yodeler and bass player Geri Mapes. They toured for years as The Golden West Singers before retiring to Yuma, Arizona.
He was inducted into the Steel Guitar Hall of Fame in 1984. Since then, German record companies have issued three compilations of his recordings, Master of the Steel Guitar (2005), Swingin’ Steel Guitar of Bud Isaacs (2005) and Bud’s Bounce (2006).
Bud Isaacs will be cremated in Yuma, and a memorial service will be held at a later date.
Weekly Chart Report (9/9/16)
/by Troy_StephensonClick here or above to access MusicRow‘s weekly CountryBreakout Report.