Rodney Crowell. Photo: Neilson Hubbard
Is everybody on vacation?
This week’s DISClaimer stack of sounds sure seems like it. Superstars are in short supply and the songwriting pickin’s are slim.
Mind you, there are still some highlights, namely Scotty McCreery, Sheryl Crow, Chris Janson, Tanner Adell, Billy Currington and our Disc of the Day winner, Rodney Crowell.
Shaylen stages her debut in the column and takes home a DISCovery Award.
BILLY CURRINGTON / “King of the World”
Writer: Troy Jones; Producer: Carson Chamberlain; Label: Mercury Nashville
– An upbeat, bluesy celebration of summer, loaded with dobro and slide guitar licks. He’s got a boxed lunch, some weed, Merle’s tunes, a devoted dog, a fishing pole and a boat. Feelin’ fine.
MAE ESTES / “Mountain of a Man”
Writers: Jon Decious/Lauren McLamb/Liz Rose/Paul Sikes; Producer: Paul Sikes; Label: Big Machine Records
– A peppy, double-time beat drives this snappy ditty praising a 6’10” former boyfriend. A dobro solo, an echoing gang of backup singers and her pert soprano delivery are among the audio highlights.
GAVIN ADCOCK / “Last One to Know”
Writers: Erik Dylan/Gavin Adcock/Jack Rauton/Luke Laird; Producer: Jay Rodgers; Label: Thrivin Here Records/Warner Music Nashville
– This ACM New Male nominee takes a break from his rowdy, redneck-rebel image with a mournful lament. He’s still not much of a singer.
LUKE COMBS / “Back in the Saddle”
Writers: Dan Isbell/Jonathan Singleton/Luke Combs; Producers: Chip Matthews, Jonathan Singleton, Luke Combs; Label: Sony Music Nashville
– A roaring declaration of …. exactly what? He’s hollering powerfully about launching some kind of comeback. It’s a potent sounding track, if somewhat lyrically vague.
CALI TUCKER / “Last Name”
Writers: Cali Tucker/Derek Robertson/G’harah “PK” Deg/Tricia Battani; Producer: G’harah “PK” Degeddingseze; Label: Mother Tucker Music
– This former contestant on The Voice is the daughter of LaCosta Tucker and the niece of Tanya. Her new single addresses having a famous name, but needing to stand on her own. Cali’s nicely phrased vocal rides atop a burbling, multi-layered, heavily edited, electronic pop production.
SCOTTY McCREERY & HOOTIE & THE BLOWFISH / “Bottle Rockets”
Writers: Bobby Hamrick/Brent Anderson/Darius Rucker/Dean Felber/Derek George/Frank Rogers/Jeremy Bussey/Jim Sonefeid/Mark Bryan/Monty Criswell/Scotty McCreery; Producer: Frank Rogers; Label: Triple Tigers
– A tuneful recollection of teenage summer on a Carolina beach with his girlfriend. The bonfire night was perfect, especially when she asked him to sing “Hold My Hand.” At the mention of the title, the Blowfish chime in with glorious harmony singing. An irresistible single.
SHAYLEN / “Loneliest Man”
Writers: Andrew Baylis/Conor Matthews/Riley Thomas/Shaylen; Producers: Julian Raymond, Shaylen; Label: Nashville Harbor Records & Entertainment
– He dumped her, but she’s okay with it, knowing he’s headed on a journey that will make him, “the loneliest man in the world.” Confidently sung and well produced. Languid and lovely, yet not especially compelling as a song.
RODNEY CROWELL / “Twenty-One Song Salute (Owed to G.G. Shinn and Cléoma Falcon)”
Writer: Rodney Crowell; Producer: Tyler Bryant; Label: Rodney Crowell
– Hidden in the lyric are the titles of 21 songs that helped to forge his musical life. The track rocks splendidly and Crowell remains a master at delivering a Texas-accented country performance. Tyler Bryant provides the harmony vocal. Highly recommended. This singer-songwriter belongs in the Country Music Hall of Fame.
TANNER ADELL / “Giddy Up Gorgeous”
Writer: Tanner Adell; Producers: Cambo, leelee, LOUALLDAY; Label: TA
– The titled tune of Adell’s current tour is the lead track on her new Don’t Pet EP. It’s a lilting statement that she won’t be a victim and aims to steer her own destiny. A tasteful, spare production has just the right touch for her personable vocal delivery.
CHRIS JANSON / “Wild Horses”
Writers: Chris Janson/Kelly Roland/Pat Bunch; Producers: Chris Janson, Michael Wayne Wilkes; Label: Harpeth 60 Records/Warner Music Nashville
– If she’s looking for a wild guy, he’s her man. The country-rock track thumps along with zest and Janson gives it his all. Highly listenable.
THE JACK WHARFF BAND / “Moonshine Man”
Writer: Jack Wharff; Producer: Charlie Worsham; Label: Big Machine Records
– His almost-shrieking tenor vocal fronts sawing fiddles, fleet mandolin picking, electric guitar bursts and furious Southern-rock drumming. Intriguing and worth some spins.
SHERYL CROW & THE REAL LOWDOWN / “The New Normal”
Writers: Audley Freed/Fred Eltringham/Jen Gunderman/Peter Stroud/Robert Kearns/Sheryl Crow; Producer: Sheryl Crow and The Real Lowdown; Label: The Valory Music Co.
– Collaborating with her longtime band, the new Rock & Roll Hall of Fame inductee returns to her pop-rock roots with this snappy bopper. The outspoken lyric critiques AI/robot culture, “the leader of the free world,” fake news and more. A/C programmers take note.
JOSH ROSS / “Later Tonight”
Writers: Alexander Izquierdo/Ashley Gorley/John Byron/Ryan Vojtesak; Producer: Matt Geroux; Label: Core Entertainment
– His “Single Again” was a big ol’ hit. The follow-up is a finger-bopping ode to moving on after a breakup. Except when he gets back home, she’s still on his mind. The melody has all the complexity of a nursery rhyme. This one’s all about the percussive production.
Bailey Zimmerman To Host Exclusive Listening Party At Boots & Hearts Music Festival
/by Lorie HollabaughBailey Zimmerman. Photo: Masonn1k
Bailey Zimmerman will premiere his sophomore album, Different Night, Same Rodeo, at an exclusive late-night listening event at the Boots and Hearts Music Festival on the SiriusXM Front Porch Stage on Aug. 7.
Hosted by Buzz Brainard of SiriusXM’s The Highway, the event will feature an intimate conversation and an album playback, giving festival goers a first listen before its official midnight release. As Friday night’s headliner, Zimmerman will bring his unmistakable energy to the main stage.
Single-day tickets for Thursday are $69.99 plus taxes and fees. Friday – Sunday tickets are available for $139.99 plus taxes and fees for general admission and $239.99 plus taxes and fees for VIP admission. Full weekend passes, parking passes, tent and RV camping passes are available here.
Hudson Westbrook Celebrates New Album At Sold-Out Nashville Show
/by Lauryn SinkHudson Westbrook. Photo: Ian Noh
Hudson Westbrook celebrated his new record, Texas Forever, with a sold-out release week show on Wednesday (June 23) at Marathon Music Works in Nashville. With the crowd singing every word, it is clear fans are already connecting with the record, released today (July 25).
Mackenzie Carpenter kicked off the night with an hour-long set that had the crowd locked in from start to finish. Drawing heavily from her debut album Hey Country Queen, she delivered standout tracks like “A Dozen Red Flags” and “Gone Fishin’” with infectious energy. Her rendition of “I’m Not Pretty,” co-written with and recorded by Megan Moroney, ignited the room as fans sang along at full volume. Sprinkling in a few well-chosen covers, Carpenter kept the momentum high with spirited singalongs of “Gunpowder and Lead,” “Should’ve Been A Cowboy” and “Check Yes or No,” setting a lively tone for the night ahead.
Photo: Ian Noh
Before long, Westbrook hit the stage with “Weatherman” kicking things off at full speed before rolling into “Dopamine” and “Two Way Drive.” The crowd lit up for his debut single, “Take It Slow,” a clear early highlight.
“This is me and my mom’s favorite song and it’s called ‘Johnny Walker,’” Westbrook shared before launching into a cover of the tune. He eased into a quieter stretch with “Pray Your Name,” followed by a cover of Miranda Lambert’s reflective “The House That Built Me.”
From there, he brought the energy back with the live debut of “First Time” and the title track of his new record, “Texas Forever.” Calling Carpenter back to the stage, the duo took on another live debut, their unreleased duet, “Lie To Me.”
Westbrook launched into a run of crowd favorites, rolling through “Take Your Time,” “Damn Good Taste in Whiskey” and “Dressed Down” without missing a beat. Before “Funny Seeing You Here,” he jumped off stage to take a few quick photos with fans.
Photo: Ian Noh
With the crowd fully locked in, Westbrook kept things playful with a cover of Neon Trees’ “Everybody Talks,” followed by a full-throttle take on Taylor Swift’s “You Belong With Me” that had the entire room singing along.
He kicked off the final stretch with “Mine Tomorrow” and “House Again,” with fans lighting up the room with flashlights as they sang along word for word.
He followed with “Sober” and closed with “5 to 9,” one final singalong that sent the night out on a high.
Westbrook continues his tour tonight (July 25) in Charlotte, North Carolina.
Jake Worthington Slates Sophomore Album ‘When I Write The Song’ For September
/by Lorie HollabaughJake Worthington will release his sophomore album for Big Loud Texas, When I Write The Song, on Sept. 12. He’s giving fans a taste of the new project, “My Home’s In Oklahoma,” a western swing toe-tapper, today (July 25).
When I Write The Song doubles down on the authentic country sounds of Worthington’s debut self-titled album and features the new track “My Home’s In Oklahoma,” alongside viral “It Ain’t The Whiskey,” (nominated for the Texas Country Music Association’s Country Single of the Year,) Miranda Lambert collab “Hello Shitty Day,” “I’m The One (feat. Marty Stuart)” and the most recent release “Not Like I Used To.” Writers contributing to the album include Dean Dillon, Jessie Jo Dillon, Roger Springer, Clint Daniels, Jeff Hyde and more.
“This record means to me…it’s a reminder to fight the good fight,” shares the 2025 Texas Country Music Association Entertainer of the Year nominee. “I’m a strong believer in ‘do what moves ya.’ Make the kind of music that wrecks your world or picks up all the pieces. If it makes you feel that kind of way, and if that’s what you need, then don’t let anybody or anything change that. That’s what this record is to me.”
Worthington will celebrate the album’s announce tonight (July 25) with a headlining show at Billy Bob’s Texas. He joins Zach Top as direct support on all dates of his “Cold Beer & Country Music Tour,” followed by supporting slots on Jon Pardi’s “Honkytonk Hollywood Tour.”
When I Write The Song Track List:
1. “It Ain’t The Whiskey” (Jake Worthington, Will Banister, Jeff Hyde, Roger Springer)
2. “Hello Shitty Day” (feat. Miranda Lambert) (Dean Dillon, Jessie Jo Dillon, Jesse Frasure, Miranda Lambert)
3. “Too Much To Think” (Jake Worthington, Monty Holmes, Roger Springer)
4. “King Of The World” (Jake Worthington, Roger Springer, Jacob Boyd Weinschenk)
5. “I’m The One” (feat. Marty Stuart) (Jake Worthington, Jenna LaMaster, Marty Stuart)
6. “Drownin’ In Whiskey” (Jake Worthington, Clint Daniels, Jeff Hyde, Roger Springer)
7. “Not Like I Used To” (Jake Worthington, Monty Criswell, Derek George)
8. “When I Write The Song” (Jake Worthington)*
9. “Two First Names” (Jake Worthington, Wyatt McCubbin, Brett Tyler)
10. “I Only Drink When It Rains” (Jake Worthington, Roger Springer, Jacob Boyd Weinschenk)
11. “I Still Believe In Miracles” (Jake Worthington, Robert Arthur, Roger Springer)*
12. “I Feel You” (feat. Mae Estes) (Jake Worthington, Roger Springer, Jacob Boyd Weinschenk)*
13. “My Home’s In Oklahoma” (Jake Worthington, Will Banister, Roger Springer)*
14. “Get Gone Too” (Jake Worthington, Clint Daniels, Jeff Hyde, Roger Springer)
Produced by Joey Moi and Chuck Ainlay
*Produced by Jon Randall and Chuck Ainlay
Scotty McCreery And Hootie & The Blowfish Hit No. 1 On MusicRow Radio Chart
/by John Nix ArledgeScotty McCreery rises to the No. 1 position on the MusicRow CountryBreakout Radio Chart this week alongside Hootie & The Blowfish with their song, “Bottle Rockets.”
The track was released as the lead single from McCreery’s recent EP Scooter & Friends, and was written by McCreery, Brent Anderson, Bobby Hamrick, Darius Rucker, Dean Felber, Derek George, Frank Rogers, Jeremy Bussey, Jim Sonefeid, Mark Bryan and Monty Criswell.
McCreery and Dustin Lynch are set to hit the road on their co-headlining “Two For The Road Tour.” With support from Walker Montgomery and Sons of Habit, the 12-date tour will kick off Nov. 6 in Michigan and includes stops in Illinois, Tennessee, Kentucky and more.
“Bottle Rockets” currently sits at No. 11 on the Billboard Country Airplay chart and No. 11 on the Mediabase chart.
Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.
The Droptines Sign With Big Loud Texas
/by LB CantrellPictured (L-R): Elliott Bell (Manager, C3 Management), Tony Rincon (Pedal Steel), Jon Randall (Co-founder / President of A&R, Big Loud Texas), Dillon Sampson (Bass), Miranda Lambert (Co-Founder, Big Loud Texas), Conner Arthur (Lead Singer / Guitarist), Brendon Anthony (Vice President, Big Loud Texas), Johnny Sheets (Drummer), Wes Donehower (SVP of A&R, Mercury Records / Big Loud Records). Photo: Brayln Kelly Smith
Big Loud Texas has signed another act to its growing roster with the addition of Austin-based band The Droptines. The band shared the news from stage over the weekend when opening for Whiskey Myers at Nashville’s sold-out Ascend Amphitheater.
“When we met JR [Jon Randall] and Brendon [Anthony], it just felt like ‘these are the guys,’ and then it’s incredible to know we also have the expertise of someone with a career like Miranda [Lambert]‘s to lean on,” shares The Droptines. “We just felt like if we are going to do this, we’re going to do it with them.”
“I can’t express my excitement to have The Droptines call Big Loud Texas home,” shares Big Loud Texas Co-Founder and President of A&R Jon Randall. “I absolutely love these guys and their music. They are the hardest working band out there and I can’t wait for everybody to hear what we’ve been up to in the studio.”
To celebrate the signing, The Droptines make their label debut today with the release of “Take Too Much.” Written by frontman Conner Arthur and produced by Randall at Arlyn Studios, the tune is driven by a vocal growl reminiscent of Springsteen, reflecting their influence from rock heroes like Tom Petty, and songwriters James McCurty, Mike McClure and more.
Date Changed For Music Row Ladies Golf Tournament
/by Madison HahnenWith all proceeds again going to United Cerebral Palsy of Middle Tennessee, the tournament is one of Music Row’s longest-running charity events and United Cerebral Palsy of Middle Tennessee’s largest annual fundraiser. Throughout its 38-year history, the MRLGT has raised $2.5 million for the organization, supporting people with disabilities across Middle Tennessee by providing wheelchair ramps, home modifications and medical equipment donations.
Limited team space is still available. Interested players or sponsors can email mrlgtnash@gmail.com.
Akando Music Adds Two Regional Directors To Team
/by Lauryn SinkChristina Kosters & Greg Raneiri.
Akando Music, the radio promotion arm of Triple Tigers Records, has added two new regional directors to its team.
Christina Kosters will oversee the east region, while Greg Raneiri handles the west.
“Both Christina and Greg brought the energy and enthusiasm to the table we were looking for at Akando Music” says JC Coffey, Sr. Director of National Promotion.
Kosters joins the Akando Music team from Capital Christian Music Group where she served as Director of National Promotion Southeast.
Raneiri joins from KSON in San Diego where he was Assistant Brand Manager and a midday host.
Kosters can be reached at christina.kosters@akandopromo.com. Raneiri is available at greg.reneiri@akandopromo.com.
CMA EDU Hosts 12th Annual Leadership Summit
/by Lauryn SinkCMA EDU class of 2025-2026. Photo: Jamie Schramm/CMA
The Country Music Association’s industry development program, CMA EDU, held its 12th annual Leadership Summit this week.
The latest CMA EDU membership class participated three days of in professional development training, industry education and community building at the CMA headquarters in Nashville. This year’s class is made up of 37 students from 24 universities across the country.
Summit kicked off on Monday (July 21) with a session led by Red Frogs, an organization dedicated to promoting safe and supportive environments at live events, to learn about bar safety and event responsibility. Later in the day, students headed to Warner Chappell Music for an exclusive writers round featuring performances and stories from songwriters Erik Dylan, Jack Rauton and Schmitty.
Carter Faith and Team with CMA EDU Class of 26-26. Photo: Jamie Schramm/CMA
On Tuesday (July 22), students heard from Sarah Trahern (CMA CEO) before Brittany Schaffer (Dean of the Mike Curb College of Entertainment and Music Business at Belmont University) moderated a conversation with country artist Carter Faith and her team, including Cameron Lutz (Manager, Range Music), Ash Wolk (Manager, Range Music), Meredith Jones (Music Agent, CAA) and Katie McCartney (Executive Vice President & General Manager, Music Corporation of America) focused on how their individual roles contribute to an artist’s success.
The afternoon kicked off with a publishing panel led by Prescription Songs, featuring Hannah Bay-Schuck (A&R Executive, 7 Hills Music) and Jillian Rutstein (Senior Director, Digital Marketing & Creative Synch, Prescription Songs and Amigo Records). The focus then shifted to artist development with a session hosted by Sony Music Nashville, spotlighting insights from CMA EDU alum, Oakley Holmes (Senior Coordinator, Digital Marketing & Artist Development, Sony Music Nashville), Meghan Reich (Manager, Digital Marketing & Artist Development, Sony Music Nashville) and Fred Rubenstein (Vice President, Digital Marketing, Sony Music Nashville). The day concluded with a special two-hour session hosted by Black River Entertainment, where country artist Chris Young and his producer Andy Sheridan walked students through the creative process behind Young’s new album.
Chris Young discusses new album with CMA EDU Class of 25-26. Photo: Jamie Schramm/CMA
To close out the event, students took part in a panel highlighting the work of The Neal Agency. Panelists Kelly Littlefield (Director, HR & Operations, The Neal Agency), Adi Sharma (Co-Head and Agent, The Neal Agency), Michelle Bower (President, Strategic Partnerships, The Neal Agency) and Marisa Mineo (Head of Tour Marketing, The Neal Agency) offered insights into the agency’s approach to management, strategy, and artist development. Following the panel, keynote speaker and CMA Board member, Mary Hilliard Harrington (Artist Manager, Wild Heart/Red Light Management), whose visionary leadership continues to shape the future of the music business, spoke about her career path. The Summit concluded with a special “Live at CMA” performance from rising artist Hudson Westbrook.
Hudson Westbrook performs for Live at CMA. Photo: Jamie Schramm/CMA
“Welcoming each new class of CMA EDU students is always a highlight, and this year is no exception,” says Tiffany Kerns, CMA Senior Vice President, Industry Relations & Philanthropy. “This class is full of passionate, driven students who are already on track to becoming the next generation of leaders in our industry. It’s incredibly rewarding to watch them soak up every opportunity offered through the CMA EDU program, and walk away with insight, meaningful connections, and a stronger sense of where they can make an impact in our business. I am so proud of what this program continues to offer, and even more excited to see how these students carry it forward.”
DISClaimer Single Reviews: Rodney Crowell Gives Hall Of Fame Worthy Performance
/by Robert K OermannRodney Crowell. Photo: Neilson Hubbard
Is everybody on vacation?
This week’s DISClaimer stack of sounds sure seems like it. Superstars are in short supply and the songwriting pickin’s are slim.
Mind you, there are still some highlights, namely Scotty McCreery, Sheryl Crow, Chris Janson, Tanner Adell, Billy Currington and our Disc of the Day winner, Rodney Crowell.
Shaylen stages her debut in the column and takes home a DISCovery Award.
BILLY CURRINGTON / “King of the World”
Writer: Troy Jones; Producer: Carson Chamberlain; Label: Mercury Nashville
– An upbeat, bluesy celebration of summer, loaded with dobro and slide guitar licks. He’s got a boxed lunch, some weed, Merle’s tunes, a devoted dog, a fishing pole and a boat. Feelin’ fine.
MAE ESTES / “Mountain of a Man”
Writers: Jon Decious/Lauren McLamb/Liz Rose/Paul Sikes; Producer: Paul Sikes; Label: Big Machine Records
– A peppy, double-time beat drives this snappy ditty praising a 6’10” former boyfriend. A dobro solo, an echoing gang of backup singers and her pert soprano delivery are among the audio highlights.
GAVIN ADCOCK / “Last One to Know”
Writers: Erik Dylan/Gavin Adcock/Jack Rauton/Luke Laird; Producer: Jay Rodgers; Label: Thrivin Here Records/Warner Music Nashville
– This ACM New Male nominee takes a break from his rowdy, redneck-rebel image with a mournful lament. He’s still not much of a singer.
LUKE COMBS / “Back in the Saddle”
Writers: Dan Isbell/Jonathan Singleton/Luke Combs; Producers: Chip Matthews, Jonathan Singleton, Luke Combs; Label: Sony Music Nashville
– A roaring declaration of …. exactly what? He’s hollering powerfully about launching some kind of comeback. It’s a potent sounding track, if somewhat lyrically vague.
CALI TUCKER / “Last Name”
Writers: Cali Tucker/Derek Robertson/G’harah “PK” Deg/Tricia Battani; Producer: G’harah “PK” Degeddingseze; Label: Mother Tucker Music
– This former contestant on The Voice is the daughter of LaCosta Tucker and the niece of Tanya. Her new single addresses having a famous name, but needing to stand on her own. Cali’s nicely phrased vocal rides atop a burbling, multi-layered, heavily edited, electronic pop production.
SCOTTY McCREERY & HOOTIE & THE BLOWFISH / “Bottle Rockets”
Writers: Bobby Hamrick/Brent Anderson/Darius Rucker/Dean Felber/Derek George/Frank Rogers/Jeremy Bussey/Jim Sonefeid/Mark Bryan/Monty Criswell/Scotty McCreery; Producer: Frank Rogers; Label: Triple Tigers
– A tuneful recollection of teenage summer on a Carolina beach with his girlfriend. The bonfire night was perfect, especially when she asked him to sing “Hold My Hand.” At the mention of the title, the Blowfish chime in with glorious harmony singing. An irresistible single.
SHAYLEN / “Loneliest Man”
Writers: Andrew Baylis/Conor Matthews/Riley Thomas/Shaylen; Producers: Julian Raymond, Shaylen; Label: Nashville Harbor Records & Entertainment
– He dumped her, but she’s okay with it, knowing he’s headed on a journey that will make him, “the loneliest man in the world.” Confidently sung and well produced. Languid and lovely, yet not especially compelling as a song.
RODNEY CROWELL / “Twenty-One Song Salute (Owed to G.G. Shinn and Cléoma Falcon)”
Writer: Rodney Crowell; Producer: Tyler Bryant; Label: Rodney Crowell
– Hidden in the lyric are the titles of 21 songs that helped to forge his musical life. The track rocks splendidly and Crowell remains a master at delivering a Texas-accented country performance. Tyler Bryant provides the harmony vocal. Highly recommended. This singer-songwriter belongs in the Country Music Hall of Fame.
TANNER ADELL / “Giddy Up Gorgeous”
Writer: Tanner Adell; Producers: Cambo, leelee, LOUALLDAY; Label: TA
– The titled tune of Adell’s current tour is the lead track on her new Don’t Pet EP. It’s a lilting statement that she won’t be a victim and aims to steer her own destiny. A tasteful, spare production has just the right touch for her personable vocal delivery.
CHRIS JANSON / “Wild Horses”
Writers: Chris Janson/Kelly Roland/Pat Bunch; Producers: Chris Janson, Michael Wayne Wilkes; Label: Harpeth 60 Records/Warner Music Nashville
– If she’s looking for a wild guy, he’s her man. The country-rock track thumps along with zest and Janson gives it his all. Highly listenable.
THE JACK WHARFF BAND / “Moonshine Man”
Writer: Jack Wharff; Producer: Charlie Worsham; Label: Big Machine Records
– His almost-shrieking tenor vocal fronts sawing fiddles, fleet mandolin picking, electric guitar bursts and furious Southern-rock drumming. Intriguing and worth some spins.
SHERYL CROW & THE REAL LOWDOWN / “The New Normal”
Writers: Audley Freed/Fred Eltringham/Jen Gunderman/Peter Stroud/Robert Kearns/Sheryl Crow; Producer: Sheryl Crow and The Real Lowdown; Label: The Valory Music Co.
– Collaborating with her longtime band, the new Rock & Roll Hall of Fame inductee returns to her pop-rock roots with this snappy bopper. The outspoken lyric critiques AI/robot culture, “the leader of the free world,” fake news and more. A/C programmers take note.
JOSH ROSS / “Later Tonight”
Writers: Alexander Izquierdo/Ashley Gorley/John Byron/Ryan Vojtesak; Producer: Matt Geroux; Label: Core Entertainment
– His “Single Again” was a big ol’ hit. The follow-up is a finger-bopping ode to moving on after a breakup. Except when he gets back home, she’s still on his mind. The melody has all the complexity of a nursery rhyme. This one’s all about the percussive production.
The Countrypolitan Hotel & Carter Vintage Guitars Unveil Songwriting Competition
/by Lorie HollabaughThe Countrypolitan Hotel and Carter Vintage Guitars have teamed to launch “Songs from the Countrypolitan,” a songwriting competition for aspiring artists.
The competition will help tell a story inspired by the unique history of the building that houses the Countrypolitan. Located at the corner of Printer’s Alley and Union Street, The Countrypolitan recently completed a $10 million renovation, and the hotel design is inspired by the “Nashville Sound” and “Countrypolitan” eras of the 1960s and 70s in country. Rooted in Nashville’s deep history of music, the building has stories in its walls, and applicants are asked to take inspiration from the history and spirit of the hotel while penning their songs, with the connection to the theme being considered in the judging round.
Judges for the competition will be musicians Nikki Lane and Jonathan Terrell, and the winner will be announced on Aug. 30. The winner will have the opportunity to professionally record their song in a demo session at Carter Vintage Guitars, and will also be invited to perform their song live at the Countrypolitan’s Armadillo Wednesdays Showcase during AmericanaFest, among a few other perks.
“Our building is rooted in the Nashville spirit, full of history and stories,” says Bill Bacelieri, General Manager of The Countrypolitan. “The energy that defines the Countrypolitan has inspired artists and travelers alike, and we can’t wait to see who it inspires next through this contest. The Countrypolitan isn’t just a hotel–it creates a connection to a place that represents the unconventional spirit of Nashville, a city built on stories, songs and a little bit of outlaw charm.”
“At Carter Vintage Guitars, we’re passionate about supporting the next generation of musicians. Partnering with The Countrypolitan gives us a powerful opportunity to help emerging artists record and share their music,” says Ben Montague, Founder and CEO of TNAG Global, which acquired Carter Vintage Guitars in 2022. “All of our iconic demos and artist sessions are filmed and recorded in our High-End Acoustic Room—home to some of the rarest and most historic instruments in the world. The winner will have the chance to perform in the very same space where some of the most prolific players on the planet have played. With its striking, recognizable backdrop and unparalleled vibe, it’s a truly inspiring environment where artists can bring their vision to life.”
“Songs from the Countrypolitan” is open to songwriters 18 and older, and submissions must be entirely original compositions, with all artists credited, and are currently being accepted here. Submissions are now open, and artists have until Aug. 15 to submit their song.