
Pictured (L-R): Troy Tomlinson, President/CEO, Sony ATV Music; Kenny Chesney; and Miles Adcox, Owner/CEO, Onsite.
“Songwriters are creative people and we are dreamers. We are supposed to keep dreaming and creating and we need protecting as the constant rejection is devastating. For every dreamer, there has to be a true believer,” songwriter Tom Douglas told a crowd filled with industry members and supporters Tuesday evening (Oct. 24) during a celebration held by Inspire Nashville.
For countless songwriters and superstars, that believer and champion has been Troy Tomlinson, president and CEO of Sony/ATV Music Publishing’s Nashville operation.
As the evening’s honoree and Inspiration Award recipient, Tomlinson was feted for not only his work in helping numerous aspiring songwriters such as Douglas and artist-writers such as Kenny Chesney, Taylor Swift, Luke Bryan, and Thomas Rhett fulfill their dreams, but for his work with organizations including Belmont University’s Bridges To Belmont, Abe’s Garden, Porter’s Call and more.
Country Music Association CEO Sarah Trahern welcomed guests to the event, which also raised awareness and funds for therapy organization The Onsite Foundation, led by founder Miles Adcox.
Douglas shared how much of Tomlinson’s success comes from pure passion and an almost unparalleled work ethic. Tomlinson, a Portland, Tennessee native, dropped out of college to become an apprentice at a tool and die company. After an incident left him with second and third degree burns on his hands, Tomlinson needed to find a new career direction.
According to Douglas, Tomlinson met music publishing executive Cliff Williamson through a mutual friend. Williamson noticed Tomlinson had retrofitted his old Monte Carlo to accommodate 400 cassette tapes in wooden slots in the back seat, and figured he had a strong passion for music. That instinct would usher Tomlinson into the beginnings of a prestigious role in Nashville’s music community, and, in the process, help numerous songwriters fill their dreams.

Tom Douglas
The evening highlighted The Onsite Foundation’s work to help inspire people and help them heal from emotional wounds, via short- and long-term experiential therapy workshops and retreats. A video was shown spotlighting a retreat for veterans, held at Onsite’s campus just outside of Nashville. The foundation partners with therapists specializing in trauma, codependency, stress, addiction and more.
“You are one of a kind,” Tomlinson said of Adcox, as the audience applauded. “You have a heart for people and you have a deep, deep soul and you are a great encourager, the kind of guy we all want to have a round as much as possible in our lives. I appreciate your staff, I’ve gotten to meet them a number of times, and the board of directors. It’s a representation of what is the best about us in this part of the world. Thank you for the redemptive work you do. The work you do there is beautiful. If you have been to Onsite or have supported someone who has been there, you know why supporting it is easy.”
Songwriters Douglas, Allen Shamblin and Tony Lane were also on hand to perform in honor of Tomlinson. Speakers in attendance included Donald Miller and Bob Goff.
Lee Ann Womack performed a stunning rendition of “Stubborn (Psalm 151),” which was included on her There’s More Where That Came From project.
Bill Haslam was in attendance, and video tributes came from the likes of Dean Dillon, Luke Bryan, Brett Eldredge, Kelsea Ballerini, Cole Swindell, Thomas Rhett, and Keith Urban, who called Tomlinson his “favorite hillbilly publisher and friend.”
One of Tomlinson’s most enduring associations in his career has been with superstar singer-songwriter Kenny Chesney, who was on hand to honor his longtime friend and publisher.

Kenny Chesney
“From the first day I met him, I knew Troy and I were going to be friends. We had a lot of the same family value and the same experiences growing up,” Chesney told MusicRow backstage. “I remember going into Troy’s office the first day, playing him a song I had written and he and I just connected on a personal level and not only did he sign me to Acuff-Rose years ago, he has not only been my publisher but also a really true friend.
“As it’s called Inspire, he has inspired me as a publisher and as a friend and somebody you want to model your life after. He is so deserving of tonight. Troy has been there for me in the best of times and the worst of times, and he has been truly a positive voice in my life.”
At the end of the evening, Adcox presented Chesney with a check to support Chesney’s recently-launched charity, Love For Love City, in its work to support those affected by the recent hurricanes, especially those affected in the US and British Virgin Islands.
“They are hurting and it’s broken,” Chesney continued backstage. “Anything you could possibly think you need day to day, they need. That’s what Love For Love City is trying to accomplish, as is this event tonight. Music does heal, and I feel eventually…it won’t ever be the same, but it will be a new normal, down there and in Texas and the Florida Keys and Vegas. Everybody’s life has been altered in the past few months. It’s been a tough time of loss.”

Troy Tomlinson
Chesney closed out the evening with an acoustic set that included “Beer In Mexico,” “I Go Back,” and “Old Blue Chair.”
That shared passion for great, inspiring songs and for the craft of songwriting continues for Chesney and Tomlinson. He recounted for the crowd how he added a second verse to “Old Blue Chair” at Tomlinson’s insistence.
“As a songwriter, I scratch and claw for everything I get. Good ones are hard to come by,” Chesney summed. “Troy has always been very honest with me when I call him in the middle of the night with a great song idea. He’ll either get excited or he’ll say, ‘I’ve got to go back to sleep.’” He says, laughing. “My career, I might be in this business without Troy Tomlinson, but I might not, because he was the first guy to raise his hand and say, ‘I believe in this guy from East Tennessee,’ and really worked with me as a songwriter. He helped me over the years to grow into the songwriter I’m still working to be.”

Troy Tomlinson
Visibly moved by the evening’s speeches and performances, Tomlinson took the stage to thank the crowd for their support of The Onsite Foundation, and to thank those who impacted his own career.
“I would like to say I’m speechless, but those of you who know me know that wouldn’t be true.”
Tomlinson gave thanks to his family, including Sylvia, his wife of 30 years, as well as his children and grandchildren.
He paid tribute to Cliff Williamson and Jerry Bradley, who were both in attendance.
“Cliff pulled me out of a factory when I was 20 years old and taught music publishing. I will never understand why you did what you did, but I will always be inspired by what you did.
“Jerry Bradley, when I was 24 years old, Jerry hired me as a song plugger at Acuff-Rose. You pushed me out front, and you taught me to learn about contracts and not only what the words meant, but what the spirit of that contract meant. You told me how to negotiate when needed, and when you do it tough when needed and when to do it softly when needed. You gave me opportunity after opportunity. I will always try to do the same thing with the young people around me that you did for me.”
He ended with a thank you to all the songwriters he has heard or worked with in his career. “If you have ever put pen to paper and you have endeavored to write down the truth and something you’ve lived or seen someone live, if you have done that and you have made me feel something—humor, sadness, joy, escape, anger even—I’ll take it, just make me feel something. If you have done that, you have inspired me.”
For more on The Onsite Foundation, visit onsiteworkshops.com.

Lee Ann Womack
Inspire Nashville Honors Sony/ATV Music Publishing’s Troy Tomlinson With Star-Studded Celebration
/by Haley CrowPictured (L-R): Troy Tomlinson, President/CEO, Sony ATV Music; Kenny Chesney; and Miles Adcox, Owner/CEO, Onsite.
“Songwriters are creative people and we are dreamers. We are supposed to keep dreaming and creating and we need protecting as the constant rejection is devastating. For every dreamer, there has to be a true believer,” songwriter Tom Douglas told a crowd filled with industry members and supporters Tuesday evening (Oct. 24) during a celebration held by Inspire Nashville.
For countless songwriters and superstars, that believer and champion has been Troy Tomlinson, president and CEO of Sony/ATV Music Publishing’s Nashville operation.
As the evening’s honoree and Inspiration Award recipient, Tomlinson was feted for not only his work in helping numerous aspiring songwriters such as Douglas and artist-writers such as Kenny Chesney, Taylor Swift, Luke Bryan, and Thomas Rhett fulfill their dreams, but for his work with organizations including Belmont University’s Bridges To Belmont, Abe’s Garden, Porter’s Call and more.
Country Music Association CEO Sarah Trahern welcomed guests to the event, which also raised awareness and funds for therapy organization The Onsite Foundation, led by founder Miles Adcox.
Douglas shared how much of Tomlinson’s success comes from pure passion and an almost unparalleled work ethic. Tomlinson, a Portland, Tennessee native, dropped out of college to become an apprentice at a tool and die company. After an incident left him with second and third degree burns on his hands, Tomlinson needed to find a new career direction.
According to Douglas, Tomlinson met music publishing executive Cliff Williamson through a mutual friend. Williamson noticed Tomlinson had retrofitted his old Monte Carlo to accommodate 400 cassette tapes in wooden slots in the back seat, and figured he had a strong passion for music. That instinct would usher Tomlinson into the beginnings of a prestigious role in Nashville’s music community, and, in the process, help numerous songwriters fill their dreams.
Tom Douglas
The evening highlighted The Onsite Foundation’s work to help inspire people and help them heal from emotional wounds, via short- and long-term experiential therapy workshops and retreats. A video was shown spotlighting a retreat for veterans, held at Onsite’s campus just outside of Nashville. The foundation partners with therapists specializing in trauma, codependency, stress, addiction and more.
“You are one of a kind,” Tomlinson said of Adcox, as the audience applauded. “You have a heart for people and you have a deep, deep soul and you are a great encourager, the kind of guy we all want to have a round as much as possible in our lives. I appreciate your staff, I’ve gotten to meet them a number of times, and the board of directors. It’s a representation of what is the best about us in this part of the world. Thank you for the redemptive work you do. The work you do there is beautiful. If you have been to Onsite or have supported someone who has been there, you know why supporting it is easy.”
Songwriters Douglas, Allen Shamblin and Tony Lane were also on hand to perform in honor of Tomlinson. Speakers in attendance included Donald Miller and Bob Goff.
Lee Ann Womack performed a stunning rendition of “Stubborn (Psalm 151),” which was included on her There’s More Where That Came From project.
Bill Haslam was in attendance, and video tributes came from the likes of Dean Dillon, Luke Bryan, Brett Eldredge, Kelsea Ballerini, Cole Swindell, Thomas Rhett, and Keith Urban, who called Tomlinson his “favorite hillbilly publisher and friend.”
One of Tomlinson’s most enduring associations in his career has been with superstar singer-songwriter Kenny Chesney, who was on hand to honor his longtime friend and publisher.
Kenny Chesney
“From the first day I met him, I knew Troy and I were going to be friends. We had a lot of the same family value and the same experiences growing up,” Chesney told MusicRow backstage. “I remember going into Troy’s office the first day, playing him a song I had written and he and I just connected on a personal level and not only did he sign me to Acuff-Rose years ago, he has not only been my publisher but also a really true friend.
“As it’s called Inspire, he has inspired me as a publisher and as a friend and somebody you want to model your life after. He is so deserving of tonight. Troy has been there for me in the best of times and the worst of times, and he has been truly a positive voice in my life.”
At the end of the evening, Adcox presented Chesney with a check to support Chesney’s recently-launched charity, Love For Love City, in its work to support those affected by the recent hurricanes, especially those affected in the US and British Virgin Islands.
“They are hurting and it’s broken,” Chesney continued backstage. “Anything you could possibly think you need day to day, they need. That’s what Love For Love City is trying to accomplish, as is this event tonight. Music does heal, and I feel eventually…it won’t ever be the same, but it will be a new normal, down there and in Texas and the Florida Keys and Vegas. Everybody’s life has been altered in the past few months. It’s been a tough time of loss.”
Troy Tomlinson
Chesney closed out the evening with an acoustic set that included “Beer In Mexico,” “I Go Back,” and “Old Blue Chair.”
That shared passion for great, inspiring songs and for the craft of songwriting continues for Chesney and Tomlinson. He recounted for the crowd how he added a second verse to “Old Blue Chair” at Tomlinson’s insistence.
“As a songwriter, I scratch and claw for everything I get. Good ones are hard to come by,” Chesney summed. “Troy has always been very honest with me when I call him in the middle of the night with a great song idea. He’ll either get excited or he’ll say, ‘I’ve got to go back to sleep.’” He says, laughing. “My career, I might be in this business without Troy Tomlinson, but I might not, because he was the first guy to raise his hand and say, ‘I believe in this guy from East Tennessee,’ and really worked with me as a songwriter. He helped me over the years to grow into the songwriter I’m still working to be.”
Troy Tomlinson
Visibly moved by the evening’s speeches and performances, Tomlinson took the stage to thank the crowd for their support of The Onsite Foundation, and to thank those who impacted his own career.
“I would like to say I’m speechless, but those of you who know me know that wouldn’t be true.”
Tomlinson gave thanks to his family, including Sylvia, his wife of 30 years, as well as his children and grandchildren.
He paid tribute to Cliff Williamson and Jerry Bradley, who were both in attendance.
“Cliff pulled me out of a factory when I was 20 years old and taught music publishing. I will never understand why you did what you did, but I will always be inspired by what you did.
“Jerry Bradley, when I was 24 years old, Jerry hired me as a song plugger at Acuff-Rose. You pushed me out front, and you taught me to learn about contracts and not only what the words meant, but what the spirit of that contract meant. You told me how to negotiate when needed, and when you do it tough when needed and when to do it softly when needed. You gave me opportunity after opportunity. I will always try to do the same thing with the young people around me that you did for me.”
He ended with a thank you to all the songwriters he has heard or worked with in his career. “If you have ever put pen to paper and you have endeavored to write down the truth and something you’ve lived or seen someone live, if you have done that and you have made me feel something—humor, sadness, joy, escape, anger even—I’ll take it, just make me feel something. If you have done that, you have inspired me.”
For more on The Onsite Foundation, visit onsiteworkshops.com.
Lee Ann Womack
Mickey Gilley Joins Third Coast Talent Roster
/by Lorie HollabaughMickey Gilley has signed with the Third Coast Talent Agency for exclusive representation. The agency will represent Gilley and will also represent the Urban Cowboy Reunion Show featuring Gilley and Johnny Lee.
Tracy Lawrence Performs Exclusive Concert For Industry Guests At WME
/by Haley CrowPictured (L-R): Steve Emley (Manager/Fitzgerald Hartley), Keith Miller (Partner/WME), John Marks (Spotify), Tracy Lawrence, Greg Oswald (Co-Head/WME Nashville), Bobby Braddock, Lane Wilson (Partner/WME), and Nick Hartley (Manager/Fitzgerald Hartley). [Click photo to enlarge]
Music industry insiders gathered at The Steps at WME in Nashville on Monday (Oct. 23) for a full band performance from Tracy Lawrence. After an introduction from Bobby Braddock, who penned several of the singer’s iconic hits, Lawrence took the stage and launched into a full set showcasing every song that appears on his forthcoming album and a few more. Good Ole Days releases on Nov. 10 and can be pre-ordered here.
Lawrence is offering instant grat tracks for pre-orders including the title track “Good Ole Days,” featuring Big & Rich and Brad Arnold, which will be available this Friday (Oct. 27). Previously released instant grat tracks include “Can’t Break It To My Heart,” “Finally Home” and “Stars Over Texas.”
Industry Ink: Starstruck Entertainment, Average Joes, AIMP
/by Jessica NicholsonStarstruck’s Cliff Williamson Earns BEST Award
Pictured: Vol State President, Jerry Faulkner (left) presents the award to Cliff Williamson of Starstruck Entertainment.
Starstruck Entertainment’s Cliff Williamson was recently honored with a 2017 BEST (Businesses Empowering Students and Teachers) Award. The BEST Award celebrates the accomplishments of community leaders, business owners, and entrepreneurs. It recognizes those who share knowledge and expertise, advocate, and foster student success in pre-K through postsecondary education.
The North Central P-16 Council makes the awards each year. P-16 is made up of area secondary school educators, higher education leaders and business people. The North Central Council is led by Volunteer State Community College. The goal of P-16 is to promote the relationship between education and the value of work, develop a highly trained workforce, and create a culture of lifelong learning by positively impacting student success through awareness, advocacy, and action. The BEST Award winners were honored by the Council at a meeting recently.
Average Joes Expands Team
Tennessee native, Keegan Thomas, also joins Average Joes as Creative Designer. A self-taught graphic artist specializing in creative development, Thomas’ original concepts have been featured in Nashville Lifestyles Magazine, NashvilleRage.com, and numerous publications throughout the Southeast.
Bryn and Keegan’s initial creative design will be featured in the upcoming campaign and video for Charlie Farley’s new single, “Where I’m From,” launching on Oct 27, and Cypress Spring’s video for “How We Ride” coming soon.
AIMP Welcomes NMPA’s David Israelite For Legislative Update
PIctured (L-R): Dale Bobo (Big Deal Music), Brad Peterson (Regions Bank), Michael Martin (ASCAP), David Israelite, John Ozier (ole), Leslie Roberts (BMI), Tim Hunze (Parallel Entertainment), Michael McAnally Baum (SMACKSongs)
Jim McCormick Renews Deal With BMG
/by Lorie HollabaughPictured (L-R): Courtney Allen (Creative Director, BMG); Kos Weaver (EVP, BMG); Jim McCormick; Daniel Lee (VP, BMG); Chris Oglesby (VP, BMG)
Jim McCormick has extended his publishing deal with BMG. McCormick has been a BMG writer since signing with the company in 2010.
He is the co-writer of the multi-week No. 1 hit “Take a Little Ride” by Jason Aldean and the No. 1 smash “You Don’t Know Her Like I Do” by Brantley Gilbert. He has had cuts by Tim McGraw, Keith Urban, Jamey Johnson, Harry Connick Jr., Craig Campbell, Ronnie Milsap, Trisha Yearwood, Trace Adkins, Jon Pardi, Luke Bryan, Kelly Clarkson, and others.
“Jim McCormick exemplifies what it is to be a professional songwriter,” said VP of Creative Daniel Lee. “His lyrical prowess, attention to detail, drive for success, and diligence to the craft are second to none. We at BMG are grateful for the opportunity to continue building what is already a highly successful career.”
“BMG is the kind of music publisher every songwriter hopes to have in his career,” says McCormick. “I owe a great deal of my continued success to the work ethic and focus of the team at BMG.”
Q&A: And The Writer Is…Ross Golan
/by Sarah SkatesPictured at the podcast’s season 2 kick-off party at Sound City Studio in Van Nuys, Calif. (L-R): J Kash (songwriter), Ross Golan (host and producer), Benny Blanco (songwriter), Ali Tamposi (songwriter), Andrew Watt (songwriter), Joe London (producer), David Silberstein (Mega House Music).
The podcast series And The Writer Is… is planning a special country music week featuring interviews with Thomas Rhett, Nicolle Galyon, Rhett Akins, Ashley Gorley and Zach Crowell. The episodes will debut beginning Nov. 6, to coincide with CMA Awards week.
This is the second season of the popular podcast hosted by Ross Golan, a multiplatinum songwriter with credits including “My House” (Flo Rida), “Same Old Love” (Selena Gomez) and “Dangerous Woman” (Ariana Grande). He and co-producer Joe London started the podcast to shine a light on the creative process, inspirations and pitfalls of songwriters.
Big Deal Music and Mega House Music sponsor the series, which since launching in late January has received over 535,000 downloads, putting it in the top 5 percent of all podcasts.
Golan has plenty of Nashville connections, including his first No. 1 as a songwriter on Lady Antebellum’s “Compass.” He is a frequent collaborator with Keith Urban, and last season featured Luke Laird on the series.
Golan recently spoke to MusicRow about the importance of giving a voice to the writers behind the hits.
What was the mission when you started this podcast?
I want people to get to know these songwriters. All the guests on the show say that after their episode airs, fans reach out to thank them. Fans say they can relate to certain things and understand things they didn’t before. The whole idea is putting a face to the craft. That is the most satisfying part.
Who are the people who decide to sell air for a living and also take care of their families? We forewent having stable income with benefits to pursue this. We are selling something intangible in an era of no CDs or albums. We are selling concepts and emotion, lyric and melody. Who are the people with the drive to make this their living?
I think the assumption is that songs grow on trees. The assumption with really prolific writers is that they will always be successful, and that it comes to them very easily.
But then you realize that Luke Laird, Ashley Gorley, Rhett Akins, all these great writers—their volume and consistency of songs is unbelievable. They must challenge themselves constantly in order to be relevant. They are studying the art form. It’s so hard to write a hit song.
That’s why sitting down and talking to them, you figure out they went to school. They struggled. They didn’t start out as songwriter of the year. I think that when you are younger, you think hit songwriters were born that way. We want to explain to aspiring writers that it didn’t come easy to any of the professional writers. They all struggled. Some went through rehab, or bankruptcy.
Was there a struggle you overcame in your career?
About 10 years ago the bank foreclosed on my condo. Today I say, “I’d rather sell my condo to live my dream, than sell my dream to live in my condo.”
At that point in my life, I had no other option than to go 100 percent into songwriting. I had previously been signed as an artist, and fortunately about the same time as I lost the condo, I had cuts by Demi Lovato, CeeLo Green, and Maroon 5. So I was able to get a publishing deal and move forward with my life. Warner/Chappell opened a lot of doors for me.
Through the process I went from giving my place back to the bank, to BMI Songwriter of the Year in about 8 years. I’m pretty proud of the fact that it didn’t come easy.
What is Big Deal’s involvement with the podcast?
Big Deal has been good friends of mine for a long time. They publish Joe London. Big Deal has been amazing and this is something they are doing for the songwriting and publishing community to help spread the word that songwriters are people too. In the last year they’ve had “Die A Happy Man,” “Slow Hands” and multiple No. 1s in multiple genres.
Big Deal, Mega House and Joe and I are so appreciative of people willing to help spread the word. We are doing this solely to give a voice to the people who work so hard behind the scenes. It’s not about me. It’s about the guests on the show.
Has word-of-mouth among music fans driven the popularity of the podcast?
Absolutely, yes. And a lot of schools are using it as part of their curriculum, which has been fascinating. The students are committed to learning from these writers. I always wanted to be a songwriter, so I wish this information had been available when I was in school. I think this is a really easy way to communicate what we do.
This is an opportunity for students to learn, colleagues to learn about their co-writers, record labels to understand which writers write best with what kind of artists, and so the streaming services can see these are humans.
What can we look forward to on Country music week?
We’ll have Thomas Rhett, Rhett Akins, Ashley Gorley, Nicolle Galyon, and Zach Crowell.
Thomas’s story is great and what he’s doing with his family is wonderful. And Rhett’s story of being a country star fascinating. Because ultimately, what he wanted was to be a songwriter. Ashley Gorley is setting all kinds of records, but he’s also one of the best fathers and husbands you’ll ever meet. And Nicolle is so savvy and she’s killing it at radio now. Also, on Oct. 30th we will have NMPA’s David Israelite on the podcast.
I love the genre and the music, so I’m happy to shine a light on these writers.
Listen here.
Pictured (L-R): David Silberstein, Mark Tindle (Big Deal Music Group), Ashley Alexander (Big Deal Music Group), Ross Golan, Casey Robison (Big Deal Music Group), Joe London, Amber Packer (Big Deal Music Group), Jeremy Levin (Mega House Music)
Opry Goes Pink For Ninth Year To Aid Fight Against Breast Cancer
/by Lorie HollabaughKelsea Ballerini with 10-year-old Chrissy. Photo: Chris Hollo/Grand Ole Opry
The Grand Ole Opry barn turned pink to help in the fight against breast cancer for the ninth year last night (Oct. 24), as the Opry partnered with Women Rock For The Cure for its special annual “Opry Goes Pink” show.
Kelsea Ballerini and ten-year-old cancer survivor Chrissy flipped the switch making the Opry’s signature barn Pink, and Opry member Trisha Yearwood performed and introduced Chrissy as this year’s Women Rock for the Cure “Opry Goes Pink” honorary survivor, symbolizing individual battles being won against the disease. Chrissy, who at age eight was the youngest person ever to be diagnosed with breast cancer, is now cancer-free. She was joined on stage by her older sister as well as her parents, both of whom are also cancer survivors.
Additional performances during the special evening included LANCO, who made their Opry debut, Easton Corbin, Charles Esten, Runaway June, and Connie Smith. CMT’s Cody Alan made his debut as an Opry guest announcer during the show as well.
The Opry is donating $5 from each ticket sold to Women Rock For The Cure.
Cody Alan and Sally Williams, General Manager, Grand Ole Opry/Sr. Vice President, Programming & Artist Relations, Opry Entertainment
BBR Music Group Switches Distribution To ADA
/by Jessica NicholsonADA, which launched in 1993 to focus on the independent music industry, will dedicate distribution, marketing and label service resources in Nashville and globally to promote BBR Music Group artists.
BBR Music Group includes labels Broken Bow Records, Stoney Creek Records, and Wheelhouse Records labels.
ADA’s first release with BBR Music Group is Current Mood, the third studio album by Dustin Lynch. Upcoming BBR Music Group releases include Granger Smith’s When The Good Guys Win and Chase Rice’s Lambs & Lions.
Eliah Seton, President of ADA Worldwide, commented: “Broken Bow is a powerhouse, and we are looking forward to working closely with Jon Loba and the whole BBR Music Group team to make sure country music fans have access to their special brand of music not just locally, but nationally and internationally as well. We are doubling down on ADA’s efforts in Nashville, with new staff and resources, and look forward to contributing to the rapid growth in the city.”
Jon Loba, EVP of BBR Music Group, said, “Becoming part of BMG has allowed us to scale up our ambition both in the US and internationally. We are excited to now be able to enjoy the benefits of BMG’s partnership with ADA.”
BMG EVP Rights Administration Ben Katovsky, who is responsible for the company’s supply chain worldwide, said, “Bringing BBR Music Group on board is the logical next step in the consolidation of BMG’s distribution at ADA. We look forward to ADA helping us take BBR Music Group’s extraordinary roster to the next level.”
FBMM Adds Two To Team
/by Jessica NicholsonFlood, Bumstead, McCready & McCarthy, Inc. has welcomed two new additions to its team. Millie Fisher has joined as a tax preparer and Roxanne Estacio has been hired as an account assistant.
“We are thrilled to have Millie and Roxanne join our team of dedicated professionals,” said Julie Boos, senior vice president of FBMM. “I know their experience and energy will shine as they strive to provide superior service to our clients.”
Prior to joining FBMM, Fisher worked as an assurance and tax staff member at Rödl Langford de Kock LLP, where she reviewed audit work, trained staff and performed international tax research. Fisher is a graduate of the University of Alabama, where she earned a Master of Accountancy degree and a Bachelor of Science degree in accountancy and finance.
Estacio brings over eight years of financial and HR experience to FBMM. She worked as an international benefits team leader for Schlumberger, the world’s leading oilfield services company, and as a payroll specialist for ITT Corporation. In her past positions, she conducted hiring interviews, led a team of benefit administrators and performed payroll analyses. She has a Bachelor of Science degree in management accounting from the University of St. La Salle.
[WATCH]: The Bluebird Cafe Launches Crowdfunding Campaign For Feature Film
/by Eric T. ParkerBluebird: The Movie, the official feature film documenting the 35-year history of Nashville’s iconic Bluebird Cafe, has a crowdfunding campaign to help “finish the story.”
This feature film will cover the 35-year history, unearthing never-before-told stories from those that have worked, played, been discovered and helped preserve this unassuming strip-mall haunt that is the bedrock of American songwriting.
To help fund the production for the film, tiers of financial incentives are offered, including a $20,000 level for executive producer credit, a personalized chair in the Bluebird Cafe and a private Bluebird Cafe show in Nashville, among other perks.
Nashville-based production company, Riverside Entertainment—led by partners Brian Loschiavo, Jeff Molyneaux and Pastor Alvarado—has partnered for the film and recently delivered a crowdfunding trailer, which features Garth Brooks, Kelsea Ballerini, Brothers Osborne, Shane McAnally, Victoria Shaw, Hunter Hayes, Kathy Mattea, Pam Tillis, Charlie Worsham, Josh Osborne, Matt Jenkins, Gary Burr, Georgia Middleman, Kent Blazy, Tony Arata, Fred Knobloch, and actors from the TV series Nashville.
For the film, President and GM of the Bluebird Cafe, Erica Wollam Nichols, will serve as Executive Producer. Loschiavo will serve as Producer/Director, while Molyneaux will be Director of Photography. Kathryn Schwarz, Shanna Strassberg, Retta Hatfield will fill additional production roles.
“If walls could talk, The Bluebird’s walls would be a story you’d want to hear,” says Hayes.
“Pitch in,” encourages Shaw, “‘Cuz I want to see it too!”
The film will need $150,000 to get started, and organizers are working on grants and other events to help with funding.
Visit BluebirdTheMovie.com to support.