ACM, Change the Conversation To Present Las Vegas Forum

The Academy of Country Music and Change the Conversation, a coalition formed in 2014 to fight gender inequality in country music, are joining forces to present Change the Conversation: ACM Edition, a special free and open-to-the-public forum to discuss women in country music. The event will feature singer/songwriter Cam, and Change the Conversation co-founders Leslie Fram, Tracy Gershon and Beverly Keel. The event is scheduled for Saturday, April 14 at the David Copperfield Theater at MGM Grand Hotel & Casino in Las Vegas.

“To be perfectly clear, the future financial stability and cultural relevancy of the music business depends on how we can fully incorporate women into ALL areas of the business – from creators to distributors,” said Cam. “The Academy recognizes their responsibility in the current climate, and is choosing to create space to discuss the solutions. Women’s voices need to be at the center of this discussion, and some of the key points we hope to address are first, identifying inhibitive attitudes, practices and people that prevent gender equality. Second, how to raise awareness about key areas of gender disparity and enforce accountability. And finally, engaging with allies and supporting initiatives that allow our business to flourish independently of gender. I’m so happy to be a part of this conversation and help our community progress.”

“We are grateful that the Academy of Country Music is taking a leadership role in addressing the issue of gender inequality in country music,” says Keel, who is also Chair of MTSU’s Department of Recording Industry. “By holding this event during ACM Awards weekend, they are providing a prominent platform that will offer female artists education and support, while creating a forum for industry leaders to work together to find solutions.”

BMG Appoints New Creative Directors For Nashville

Pictured (L-R): Courtney Allen, Rakiyah Marshall

BMG has appointed Courtney Allen and Rakiyah Marshall to Creative Director, based in Nashville. In their new roles, the two will be responsible for working with the diverse and accomplished existing songwriter roster and singing and developing more talent. Allen and Marshall will report to Kos Weaver, EVP BMG Nashville.

Marshall began her career in New York as part of Republic Records’ radio promotion team working with their artist roster including Taylor Swift, Ariana Grande, Post Malone, James Bay, The Weeknd, Florida Georgia Line and more. Previously she served as Creative Director at Cornman Music, working alongside artists/writers such as Brett James, Kip Moore, Caitlyn Smith, Steven Lee Olsen, Josh Miller and was instrumental in procuring the sessions that produced the new Bebe Rexha and Florida Georgia Line single “Meant to Be.”

Allen joins BMG from Starstruck Entertainment, management firm of Kelly Clarkson and Blake Shelton, among others, where she was the creative director of publishing, working with developing artists on the management roster. Previously, she was a membership representative at NSAI mentoring and developing unsigned songwriters.

“Courtney and Rakiyah are a perfect fit for how we champion songwriters, they have bright minds and creative hearts with the just right instincts to make things happen on behalf of the creators that trust us with their careers and music,” says Weaver.

WME Signs Chase Fouraker

Pictured (L-R): Austin Mullins (WME), Blaire Hanks, co-manager Andrew Perlowich, Jay Williams (WME), Chase Fouraker, Elise Anderson (Nashville Music Media) and co-manager Ricky Young (Photo by Lyndsey McFarlane).

Nashville newcomer Chase Fouraker has signed with William Morris Endeavor for exclusive booking representation. The Florida native released his debut single “Delirious” in March. His followup single “Where We Left Off” will release May 4.

“I’ve been so humbled by this experience so far, and I can’t think of a better agency to represent me than WME,” said Fouraker.

YouTube video

New Music Modernization Act Unanimously Approved By House Judiciary Committee

Photo courtesy NSAI. [Click photo to enlarge]

The United States House Judiciary Committee voted unanimously, 32-0, on Wednesday (April 11) to approve the new Music Modernization Act (H.R. 5447), legislation that would reform music licensing laws for the 21st century – including the CLASSICS Act.

“As this historic legislation begins to advance through Congress, we move one step closer to the finish line,” says RIAA Chairman/CEO Cary Sherman. “A unanimous vote should send unmistakable signal to lawmakers in both chambers: this package of reforms enjoys deep, bipartisan support. And for good reason – this bill is the result of thoughtful, extensive examination of the patchwork of antiquated music licensing laws that poorly serve creators. This includes the unintended and unfair quirk in the law that denies legacy artists the federal right to be compensated by digital radio services. We are grateful for the stewardship of Chairman Goodlatte and Ranking Member Nadler, as well as Representatives Issa, Johnson, Collins, Jeffries, Smith, and Deutch, who all have been tireless advocates for this important legislation. We now look to the House floor, and urge all Members of Congress to advance this bill to help make these critical reforms a reality.”

“The House Judiciary Committee’s approval of the Music Modernization Act (MMA) is a critical step towards finally fixing the system to pay songwriters what they deserve,” said NMPA’s David Israelite. “We greatly appreciate the committee’s attention to helping music creators, specifically Chairman Goodlatte, Ranking Member Nadler, Congressman Hakeem Jeffries, and a special thanks to Congressman Doug Collins for being the driving force behind the MMA. There is unprecedented consensus and momentum behind this bill, and we look forward to seeing it soon pass the full House.”

Grand Ole Opry To Open Acuff House For Limited-Time Exhibit

Roy Acuff and Les Leverett backstage in Acuff’s dressing room.
May 7, 1988. Photo: Donnie Beauchamp

For the first time, the Grand Ole Opry is opening the doors to the Acuff House, the home built for Roy Acuff in the shadow of the Grand Ole Opry House, to showcase the limited-time exhibit Family Reunion: The Opry Family Photo Album.

The exhibit will showcase behind-the-scenes moments at the Grand Ole Opry via the work of 32-year Opry staff photographer Les Leverett, who captured onstage and offstage moments for stars including Acuff, Garth Brooks, Johnny Cash, Patsy Cline, Loretta Lynn, Dolly Parton, Minnie Pearl, and more.

The Acuff House will also share the story of Roy Acuff, through artifacts and videos highlighting his 50-plus years as the consummate showman on the Opry stage. Acuff lived in the home built for him by the Opry from 1983 until his death in 1992.

The exhibit opens April 30 and runs through Oct. 31.

Leverett’s work has also been featured on hundreds of album covers. Among his many honors are a Grammy Award for best album cover photography for Porter Wagoner’s 1966 album Confessions of a Broken Man and Billboard’s Best Country Cover for Dolly Parton’s 1973 album Bubbling Over. He received the Distinguished Achievement Award from the International Bluegrass Music Association in 2001 and from the California Bluegrass Association in 2006. In January 2015, Leverett was formally recognized and honored by the Tennessee Senate in a joint resolution for his significant and iconic work that documents the history and traditions of country music. In 2009, Leverett came out of retirement to serve as the official photographer for the weekly television program, The Marty Stuart Show.

Opry stars (L-R). Minnie Pearl, Wilma Lee Cooper, Jan Howard, Skeeter Davis, June Carter and Kitty Wells. Photo: Les Leverett, Oct. 7, 1961

The Grand Ole Opry Archives acquired thousands of slides, prints, negatives, and color transparencies from the Les Leverett collection in February 2017. The collection contains thousands of images that have never before been printed or published as well as Leverett’s handwritten notes pertaining to dates, locations, and subjects depicted; press clippings; and a homemade, typewritten index that contains additional details.

“We are delighted to be able to showcase even a small portion of the incredible work Les Leverett produced during his 32 years with the Grand Ole Opry,” said Colin Reed, Ryman Hospitality Properties Chairman and CEO. “These photographs are of paramount importance to country music history and to our company’s heritage. We take very seriously our job as caretakers of this collection and look forward to some of the collection’s truly incredible photographs being seen by fans around the world.”

Acuff House tours can be purchased as part of tour packages also including Grand Ole Opry House backstage tours. Packages will be available seven days a week based upon Opry House availability. Additional package information is available at opry.com and by calling 1-800-SEE-OPRY.

George Jones, Tammy Wynette performing at the Ryman Auditorium. Photo: Les Leverett

 

New Carrie Underwood Single ‘Cry Pretty’ Out Today

Carrie Underwood released her debut single for Capitol Nashville, “Cry Pretty,” today. The song, which she co-produced with David Garcia, is the first track from her new Capitol Nashville project, which is due out later this year.

She penned the song with “Love Junkies” Hillary Lindsey, Liz Rose, and Lori McKenna, and will debut the new song on the upcoming ACM Awards on CBS on Sunday night (April 15) in Las Vegas.

She described the song to fans on her website:

“The first single is a song I love so much and can’t wait to share with you. It’s called “Cry Pretty” and I wrote it with three incredible women: Hillary Lindsey, Liz Rose, and Lori McKenna, who also write under the name Love Junkies. I joined one of their writing sessions last year to see if we could come up with some magic…and we did! The title refers to when emotions take over and you just can’t hold them back. It really speaks to a lot of things that have happened in the past year and I hope when you hear it, you can relate those feelings to those times in your life. It’s emotional. It’s real. And it ROCKS! I’m so excited I’ll be performing it live on the ACM Awards this weekend, so I hope you’ll all tune in to see it!”

YouTube video

ACM Awards Collaborations To Honor ’90s Country Hits

Sunday night’s 53rd Academy of Country Music Awards show will feature plenty of superstar collaborations and must-see performances, and for the first time, the ACMs will also debut “ACM Flashbacks” to honor classic country hits and/or the artists whose music continues to influence musicians and fans alike.

With this new feature, the ACM Awards will celebrate hits from a specific year or honor an individual artist and their accomplishments through unique collaborations and one-of-a-kind renditions of their iconic songs. This year, the awards will honor three of country’s hits from 1993 with Toby Keith and Blake Shelton performing Keith’s celebrated No. 1 debut single “Should’ve Been a Cowboy,” Alan Jackson and Jon Pardi performing Jackson’s ACM Award-winning hit “Chattahoochee,” and Reba McEntire and Kelly Clarkson performing Reba’s Grammy award-winning hit “Does He Love You.”

Other star-studded collaborations include Kane Brown and Lauren Alaina performing the multi-platinum, No. 1 hit “What Ifs,” Keith Urban and Julia Michaels performing Urban’s new single “Coming Home,” and Bebe Rexha with Florida Georgia Line performing on the chart-topping smash hit “Meant to Be.”

Dan + Shay, Darius Rucker and Chris Young will also join the show’s lineup of previously announced solo performances by Lauren Alaina, Jason Aldean, Kelsea Ballerini,Dierks Bentley, Luke Bryan, Kenny Chesney, Lady Antebellum, Miranda Lambert,Little Big Town, Midland, Maren Morris, Thomas Rhett, Blake Shelton, Carrie Underwood and Brett Young. Previously announced presenters include David Boreanaz, Drew Brees, AJ Buckley, Cam, Sam Elliot, Eve, Ashton Kutcher, Dustin Lynch, Nancy O’Dell, Rebecca Romijn, Max Thieriot and Lindsey Vonn.

 The 53rd ACM Awards, hosted by Reba McEntire, will broadcast live from the MGM Grand Garden Arena in Las Vegas on Sunday night (April 15) at 8 p.m. ET on CBS Television.

BREAKING NEWS: Nominees Announced For 2018 Innovation In Music Awards

Nominees have been announced for the 2018 Innovation in Music Awards (IMA), which recognize music industry professionals and companies who are innovating and distinguishing themselves in music creation, music discovery and developing innovative strategies in music marketing.

The second annual ceremony will be held June 3 at the Westin Hotel in Nashville and will be hosted by Bill Werde, Director of the Bandier Music Industry Program in the S.I. Newhouse School of Public Communications at Syracuse University.

Nominees and executives will gather in Las Vegas this Saturday evening, April 14, at the IMA nominee reception at the MGM Grand. Sponsored by Tito’s Vodka and the C-Grams charity app, the event will celebrate the 32 artists, producers, executives, broadcasters, and programmers up for awards.

SiriusXM Senior Vice President of Programming Steve Blatter is joined by Red Light Management founder and CEO Coran Capshaw and UMG Nashville Chairman and CEO Mike Dungan as the nominees for Innovator of the Year. Winners of this award, along with five others, will be announced prior to the awards.

“Challenges in the music industry call for creative strategies and risk taking at the highest levels to be successful and shape the future of the business,” said Pete O’Heeron, Chairman of the Innovation in Music Awards. “These nominees represent that progressive mindset.”

A committee of music professionals determines the honorees. The categories include:

1) INNOVATOR OF THE YEAR
For the music professional who has demonstrated an overall commitment to new music, new music discovery and innovative programs to break new artists.

Nominees
Steve Blatter, SiriusXM
Coran Capshaw, Red Light Management
Mike Dungan, Universal Music Group Nashville

2) IMPACT in INNOVATION AWARD
For a music professional who has committed an entire career to innovative initiatives and music creation, advocacy and discovery.

To be announced at a later date.

3) INNOVATION in MUSIC, EXECUTIVE
For the executive who has shown exemplary fortitude and/or marketing savvy in bringing a new artist or artists to the market and has demonstrated unique ideas and/or programs which pioneer new music and empower the creators.

Nominees
Tatum Allsep, Music Health Alliance
Cindy Mabe, Universal Music Group Nashville
Shane Tarleton, Warner Music Nashville
Sally Williams, Opry Entertainment Group
John Zarling, Sony Music Nashville

4) INNOVATION in MUSIC, BROADCAST
An on-air individual or off-air programmer who provides a diligent voice for new and innovative music.

Nominees
Buzz Brainard, SiriusXM’s Music Row Happy Hour
Monica Escobedo, Good Morning America
Julie Gurovitsch, The Tonight Show Starring Jimmy Fallon
Chris Thile, Live From Here

5) INNOVATION in MUSIC, RADIO PROGRAMMING
Airplay equations help the committee decide the programmer/radio station showing the strongest diligence in exposing new and ultimately successful music.

Nominees
Johnny Chiang, KKBQ/Houston
Nate Deaton, KRTY/San Jose
Shelly Easton, WXTU/Philadelphia
Lance Houston, WEBG/Chicago
Rod Phillips, iHeart Country

6) INNOVATION in MUSIC, CREATIVE/ARTIST
Individual who best displays a unique and successful creative initiative. Their music will depart from the norm and attract new fans.

Nominees
Dan Auerbach, Artist/Producer
Kenny Chesney, Artist/Producer
Dave Cobb, Producer
Midland, Artist
Kacey Musgraves, Artist

7) INNOVATION in MUSIC, DIGITAL MEDIA/MARKETING
Individual or team that best utilizes technology innovatively in programming, marketing or selling music.

Nominees
Jay Frank, Universal Music Group
John Marks, Spotify
Jennie Smythe, Girlilla Marketing

8) INNOVATION in MUSIC, LIVE PERFORMANCE
For the concert promoter, artist booker, venue, artist or touring entity who has distinguished themselves for profound innovation in the concert experience.

Nominees
Amy Howe, Ticketmaster
Louis Messina, AEG
Ed Warm, Joe’s on Weed Street & Smokeout Fest, Chicago

The Second Annual Innovation In Music Awards features award presentations, musical performances and moments honoring the nominees. For information, visit www.innovationinmusic.net.

Industry Ink: Edison Research, Vintage TV, SSM Music

Edison Research Adds Ivey

Laura Ivey

Longtime radio research executive Laura Ivey has joined Edison Research, where she will be directing various aspects of Edison’s growing practice in audio and social media. She will also take a role in Edison’s election research.

Ivey, who has had a variety of roles at Arbitron and Nielsen dating back to 1996, most recently was Account Director for the Southeast region for Nielsen’s radio ratings. Says Ivey, “Social science of the kind Edison produces is a particular passion of mine. I’m really excited to join the team there and help Edison’s efforts to serve its clients with quality data and analysis.”

 

British Music TV Producer/Broadcaster Vintage TV Comes To Nashville

British music television producer and broadcaster Vintage TV has expanded its production base to Nashville, Tennessee, and has already begun to film U.S.-based musicians in the city. With original shows that include “Needle Time,” “Live With…,” “My Vintage” and “The Friday Night Rock Show,” Vintage TV is the U.K.’s most prolific original music content producer.

Producing 25-30 hours of new music television shows per month, Vintage TV has become one of the largest music TV providers. Attracting a monthly following of more than 10 million viewers in the U.K. alone, Vintage TV has established itself as the music-lover’s TV channel of choice – a destination for music content highlighting established and emerging artists from around the globe.

“Vintage TV has been a long-time partner for our overseas label colleagues and we are thrilled to have them in the U.S. market,” said Brad Turcotte, VP of Marketing for Universal Music Group. “They have a very keen eye on top-tier production value and quality of content, and they are passionate about country music.  We’re delighted to welcome their type of passion into our fold.”

The organization plans to create regular content featuring U.S.-based musicians of all genres.

Vintage TV’s first U.S.-produced content spotlights Grammy-winning talent and emerging artists including Brothers Osborne, Southern Halo and Frontmen of Country. Vintage TV currently broadcasts in the U.K., Canada and China with plans to enter the US, Latin American and Korean markets by end of year.

 

SSM Entertainment Signs Debbie Anthony

Pictured (L-R): Label President Patti Olsen-Garafola, Debbie Anthony and Label CEO Dean Scallan

Debbie Anthony has signed with SSM Entertainment, located on Music Row. She joins a growing roster of artists at SSM Entertainment/SSM Nashville Records including; Branch and Dean, Alexandra Demetree, AC Jones, Wes Hayden and Ashley Barron.

 

 

 

 

AIMP Discusses A&R During Nashville Panel

From left: Brad Peterson (Regions Bank); Chris Van Belkom (Combustion Music); John Ozier (AIMP Nashville Executive Director, ole); Tim Hunze (Parallel Music); Cris Lacy (SVP, A&R at Warner Music Nashville); Stephanie Wright (VP, A&R at Universal Music Group Nashville); Taylor Lindsey (VP, A&R at Sony Music Nashville); Ree Guyer (Wrensong), Dale Bobo (Big Deal Music), Michael Martin (ASCAP), and John Barker (ClearBox Rights).

The Association of Independent Music Publishers Nashville welcomed a trio of top A&R execs for a discussion on the strategies and challenges in the current artist development landscape and today’s A&R process.

The event, held at ASCAP’s Nashville offices, included comments from Cris Lacy (Warner), Taylor Lindsey (Sony), and Stephanie Wright (Universal). The event was moderated by AIMP Board member Tim Hunze.