
Shirley and Pat Boone. Photo: Pat Boone
Former Nashville vocalist Shirley Foley Boone died on Jan. 11 at age 84.
She is usually recalled as the wife of pop star Pat Boone, the daughter of Country Music Hall of Fame member Red Foley or as the mother of Grammy-winning hit maker Debby Boone. But she was a recording artist, herself. She was also an author, philanthropist and TV personality.
Her father, Clyde Julian “Red” Foley (1910-1968), rose to fame at The National Barn Dance on WLS in Chicago. He married Eva Overstake (1918-1951) of the show’s Three Little Maids act in 1933. Their daughter Shirley Lee Foley was born in 1934.
The family moved to Nashville in 1946, where Red Foley became a Decca Records superstar and a Grand Ole Opry headliner. Shirley’s mother was billing herself as “Judy Martin” by this time. Judy/Eva’s sister, Shirley’s aunt, became Nashville Songwriters Hall of Fame member Jenny Lou Carson (Lucille Overstake, 1915-1978).
Shirley and her two younger sisters began appearing on their father’s radio and TV shows as children. In 1950, they recorded “Frosty the Snowman” and “Rudolph the Red Nosed Reindeer” with Red Foley, billed as “The Little Foleys.”
Shirley attended David Lipscomb High School, where the popular cheerleader was voted student-council secretary and Homecoming Queen. Her high-school sweetheart, Pat Boone, was a handsome boy-next-door, a student athlete and the star of the WSIX Nashville radio show “Youth on Parade.” They married in 1953, when both were 19 years old.
He won on TV’s Arthur Godfrey’s Talent Scouts the following year. This show was that era’s American Idol, so Boone launched a highly successful recording career.
Between 1957 and 1962, he had 18 top-10 pop hits, including “April Love,” “Ain’t That a Shame” and “Love Letters in the Sand.” In the early days, his popularity rivaled that of Elvis Presley. Boone starred in 15 feature films.
Shirley and Pat released their first duet LP in 1959. Titled Side By Side, it featured them harmonizing on standards such as “Let Me Call You Sweetheart” and “My Happiness.”
I Love You Truly was issued as the couple’s second duets LP in 1962. Like its predecessor, it was comprised of familiar songs such as “Have I Told You Lately That I Love You,” “Blues Stay Away From Me” and “True Love.”
Shirley taught their daughters to sing four-part harmony. Billed variously as The Boone Sisters, The Boones and/or The Boone Girls, Cherry, Lindy, Debby and Laury Boone became Grammy-nominated gospel vocalists.
Debby became a solo star with hits such as “You Light Up My Life” (1977) and “Are You On the Road to Loving Me Again” (1980). She married minister Gabriel Ferrer, who is the son of Rosemary Clooney and Jose Ferrer and the cousin of George Clooney. Sister Cherry Boone wrote the 1982 book Starving for Affection and became spokesperson for eating disorders.
Mama Shirley Boone became an author, as well. One Woman’s Liberation (1972), The Honeymoon Is Over (1980) and her other works espoused conservative religious values. Both with her husband and solo, she appeared on many Christian-oriented TV talk shows.
She helped to establish Mercy Corps, which has become an international charitable organization dedicated to addressing economic, environmental, social and political problems. She was also a major benefactor of Pepperdine University.
Shirley resumed recording with Pat Boone Family in 1971. The record was nominated for a gospel Grammy Award. This was followed by All in the Boone Family (1972), Pat Boone Family in the Holy Land (1972), the Nashville recorded The Family Who Prays (1973), The Boone Family Christmas (1975) and other titles.
She also costarred in many of her husband’s television programs, beginning with his series The Pat Boone Chevy Showroom in 1959. She performed on such specials as Pat Boone & Family (1968), Pat Boone & Family Thanksgiving Day Show (1962), The Pat Boone & Family Christmas Special (1969), The Pat Boone & Family Easter Special (1970), The Pat Boone & Family Thanksgiving Special (1978), a second Pat Boone & Family Christmas Special (1979) and Together with Shirley & Pat Boone (1983).
After living in Tennessee, Texas, New York and New Jersey, Shirley, Pat and their four daughters moved to Beverly Hills, CA in 1960. She passed away there last Friday with her daughters singing hymns at her bedside.
She and Pat were married for 65 years. She is also survived by 16 grandchildren and 10 great-grandchildren.
Tape Room Music, Artist Publishing Group Sign Benjamin Johnson
/by Jessica NicholsonPictured (L-R): Ashley Gorley, Kelly Bolton (Tape Room Music), Lauren Johnson, Benjamin Johnson, Penny Gattis (Round Hill Music), Josh Saxe (Round Hill Music), Blain Rhodes (Tape Room Music)
Ashley Gorley‘s Tape Room Music, along with Artist Publishing Group, have signed a worldwide co-publishing deal with multi-genre songwriter and producer Benjamin Johnson.
Originally from Meridian, Mississippi, Johnson attended Belmont University on a cello scholarship. He is on the current Charlie Puth record and is co-producing Kylie Morgan with Shane McAnally, along with the new Hunter Phelps project. In addition, Johnson is a member of Track 45 with his sisters Jenna and KK, who are managed by Borman/Gallimore.
“We are thrilled to have Ben join the Tape Room family. It is rare to find such a triple threat as an Artist, Writer, and Producer who can work in multiple genres. We look forward to celebrating many hits with Ben and APG.” boasts Blain Rhodes, Tape Room’s VP & GM.
“Ben is a true songwriting gem. Between being the only writer to land an outside song on Charlie Puth’s last album (“Patient” from Voicenotes) and being taken under Ashley Gorley’s wing and mentorship, he is clearly destined for greatness. We’re so excited and lucky to have him as a part of our APG family,” said Miles Beard, VP of A&R for APG Music.
Gorley created Tape Room Music in 2011. Writers for Tape Room have already celebrated 15 No. 1 songs, and eight Top 10 singles by artists such as Florida Georgia Line, Charlie Puth, Keith Urban, Dustin Lynch, Jason DeRulo, Kane Brown, and Sam Hunt, including the 2018 ASCAP Country Song of the Year, “Body Like A Back Road.”
Pictured (L-R): Angie Pagano (Artist Publishing Group), Miles Beard (Artist Publishing Group), Ashley Gorley, Benjamin Johnson
MV2 Entertainment Signs Houston Phillips
/by Jessica NicholsonPictured (Back row, L-R): Mike Whelan, Senior Creative Director; Tony Harrell, General Manager; Ben Strain, Creative Director. (Front Row, L-R): Lauren Davis, Artist Management and Contract Services; Houston Phillips; Nicole Sherrill, Creative Director. Photo: Courtesy of MV2.
MV2 Entertainment has added songwriter Houston Phillips to its publishing roster. Phillips’ career has included cuts with Jerrod Niemann (“Free The Music”), Tyler Farr (“Redneck Crazy,” “Suffer In Peace”), Jason Aldean (“Rearview Town”) and Colt Ford (“Love Hope Faith”), among others.
“Houston Phillips is at the beginning of an awesome songwriting career and we are thrilled to have him join our team at MV2,” said MV2 General Manager Tony Harrell. “He is a self-starter full of drive, integrity and talent, making him a great fit for our company.”
Phillips, a Cleveland, Tennessee native, graduated from Belmont University with a degree in Music Business, after which he held many music industry jobs including four years as Tyler Farr’s tour manager. After stepping off the bus, Phillips decided to pursue songwriting full time.
MV2’s roster of writers also includes Thomas Archer, Nick Donley, Jimmie Deeghan, Eric Dodd, Clay Mills, Robert Arthur and artist Nora Collins.
Pandora Launches Voice-Enabled Smart Assistant For Mobile App
/by Lorie Hollabaugh“Pandora is the leader in personalized audio entertainment, and millions of our listeners are already loving the experience we’ve created on smart speakers and other voice-enabled connected devices,” said Chris Phillips, Chief Product Officer, Pandora. “With Voice Mode, we are introducing an even more natural and conversational way for listeners to discover new music and enhance their experience directly in the Pandora mobile app, like getting recommendations from a friend who really knows you.”
By saying the wake phrase “Hey Pandora” followed by a request, users can effortlessly control and continually refine their listening experience by just speaking naturally. Voice Mode allows listeners to seamlessly enjoy the full range of the Pandora experience hands-free and uses advanced Natural Language Understanding technology to respond to a wide array of requests with the perfect music for each user’s personal tastes via Pandora’s pioneering music recommendation technology.
Pandora’s uniquely predictive understanding of individual listener preferences is powered by its Music Genome Project – the richest dataset of music-listening information in the world. For Voice Mode, Pandora combines this deep user knowledge, an in-house curation team, and advanced natural language search and personalized machine learning search algorithms to provide the best and most personalized listening experience available.
Weekly Register: Dan + Shay Again Hold Top Two Country Streaming Song Positions
/by Eric T. ParkerDan+Shay. Photo: Patrick Tracy
Country Streams
Dan + Shay again hold the top two slots on the Country Digital Song Sales chart and Country On-Demand Streaming Songs charts, according to Nielsen Soundscan. “Speechless” has sold an additional 14K this past week (292K RTD) and streamed an additional 9.8 million (185 million RTD). The duo’s “Tequila” hits the No. 2 spots on the sales and streaming charts, moving 8.4K (518K RTD) and streaming 8.7M (363M RTD).
Debuting this week is Chris Young‘s “Raised on Country,” at No. 48 this week after moving 5.4K units.
Falling in third on the Country Digital Song Sales chart behind Dan + Shay is Luke Combs‘ “Beautiful Crazy” with 8.4K (276K RTD). Jake Owen moves up one slot from last week to No. 4 with “Down to the Honkytonk” (6.5K, 117K RTD), and again Combs bringing it home with an additional 6.4K on “She Got the Best of Me” (329K RTD).
Following up Dan + Shay’s top two holds for Country On-Demand Streaming Songs chart is Combs’ “She Got the Best of Me” with an additional 8.4M this week (186M RTD). Coming in at No. 4 is Mitchell Tenpenny‘s “Drunk Me” with 8.4M (164M RTD) and No. 5 is Combs’ “Beautiful Crazy” with 8.2M (212M RTD).
Albums
Interesting for albums overall, A Boogie wit da Hoodie‘s Hoodie SZN moved only sold 823 albums, but was streamed 83 million times to become the No. 1 album on the Top 200 (Total Activity: 58K). This marks the lowest sales number for a No. 1 album in chart history.
Turning to country albums this week, there is no debut.
Not much changed this week with the Country Albums chart. The sales chart is the exact same as last week with Luke Combs at the top with This One’s For You (25.5K in total activity this week, 27 million song streams), Dan + Shay’s self-titled effort moving 19K at No. 2, Kane Brown’s Experiment moved 13K units at No. 3. And No. 4 is Chris Stapleton’s Traveller (12), followed again by Thomas Rhett’s Life Changes (11K).
Brian O’Connell Announces Michigan’s Faster Horses Festival Lineup
/by Eric T. ParkerPictured (L-R): Kip Moore, Dylan Scott, Live Nation’s Brian O’Connell, Cassadee Pope, Lindsay Ell
Brooklyn, Michigan’s Faster Horses Festival announced the lineup for its seventh year during a special “Faster Horses Happy Hour” live online event yesterday afternoon (Jan. 14), hosted by festival creator and President of Country Touring at Live Nation, Brian O’Connell.
Toby Keith, Keith Urban and Zac Brown Band will headline the three-day camping festival at Michigan International Speedway from July 19-21.
Additional performers include Brothers Osborne, Danielle Bradbery, Old Dominion, Lindsay Ell, Morgan Evans, Randy Houser, LANCO, Kip Moore, Maren Morris, Cassadee Pope, Michael Ray, Tyler Rich, Dylan Scott, Mitchell Tenpenny, Brett Young and Dee Jay Silver.
Pass will go on sale Friday, Jan. 25 at 10 a.m. ET at fasterhorsesfestival.com.
Yesterday’s interactive streaming announcement also saw in-person cameos from Moore, Pope, Ell and Scott as well as appearances via online from Keith and Urban available to watch here.
Tortuga Music Festival Unveils Next From Nashville Stage Lineup
/by Lorie HollabaughThe up-and-comers will join headliners Jason Aldean, Kenny Chesney and Thomas Rhett and performers Flo Rida, Joan Jett and The Blackhearts, Elle King, Dustin Lynch, Maren Morris and more at the oceanside festival, which was established in 2013 to raise funds and awareness of the issues that the world’s oceans currently face, as well as supporting marine conservation and research.
On The Row: Leah Nobel Shares Vulnerable Tracks Inspired By 100 Interviews
/by LB CantrellPictured (L-R): Leah Nobel, MusicRow owner/publisher Sherod Robertson. Photo: Haley Crow
Big Yellow Dog’s Leah Nobel dropped by the MusicRow office to give a sampling of her Running In Borrowed Shoes project. Inspired and adapted from 100 interviews she conducted during the course of about a year, Running In Borrowed Shoes is a broad look at humanity. With emotional, honest conversations with a diverse collection of people as her goal, Nobel has created a 10-track body of work with subject matter in vulnerability, love, loss, resilience and more.
Nobel interviewed 52 women and 48 men from all walks of life, ranging in age from 6 to 93. Nobel says 80 percent of them were strangers.
“Sometimes I would go somewhere with this sign that said: ‘Come Talk To Me,'” Nobel explained. “It was really easy to find people to interview with. The truth is people like talking about themselves, it’s just part of being human.”
The questions Nobel asked were specifically designed to avoid small talk. She often started off with the question, “What do you not want people to know about you?”
“I did interview some people that I knew for the project and if I could go back and do it all over again, I would just interview strangers because strangers felt safer,” Nobel said. “They were like, ‘she doesn’t have any reason to judge me. She doesn’t know me.'”
With a programmer on hand, Nobel performed three songs of the electronic project. Running In Borrowed Shoes was produced by Grammy-award winning producer Pete Stewart (Macklemore & Ryan Lewis, DC Talk, Toby Mac).
Photo: Haley Crow
The ethereal “Good Enough” discusses contagious self-doubt and how we all feel like we’re not ‘good enough,’ sometimes.
“[“Good Enough”] was inspired by the most commonly spoken phrase in my interviews, which is people confiding that they don’t feel good enough. Whether it’s body image issues or they don’t feel like a good enough parent or good enough at their job, that was a very consistent part of my interview process and I knew I had to write a song about it.”
The dreamy “Coffee, Sunday, NYT” is about breaking the cycle of business and finding pleasure in the smaller things of life.
“This was based off of two interviews that I did with older women who were both ill at the time. One woman is still with us and the other one passed away a few months after I interviewed her, which is a really strange feeling to talk to a stranger in the last months of her life,” Nobel shared. “I asked [the first woman] what her favorite simple pleasure is and she said, ‘A cup of coffee, The New York Times, and a Sunday morning.'”
“Steps,” the only song on the record translated directly from one person’s interview, tells the story of a refugee from the Rwandan genocide. The lyrics talk about betrayal and anger, and are specific enough to tell the refugee’s story, while still being vague enough for anyone to relate to.
Running In Borrowed Shoes will be released in February. “Good Enough,” “Coffee, Sunday, NYT,” “Steps,” and “Slow Burn” are available now.
Singer Shirley Foley Boone Passes
/by Robert K OermannShirley and Pat Boone. Photo: Pat Boone
Former Nashville vocalist Shirley Foley Boone died on Jan. 11 at age 84.
She is usually recalled as the wife of pop star Pat Boone, the daughter of Country Music Hall of Fame member Red Foley or as the mother of Grammy-winning hit maker Debby Boone. But she was a recording artist, herself. She was also an author, philanthropist and TV personality.
Her father, Clyde Julian “Red” Foley (1910-1968), rose to fame at The National Barn Dance on WLS in Chicago. He married Eva Overstake (1918-1951) of the show’s Three Little Maids act in 1933. Their daughter Shirley Lee Foley was born in 1934.
The family moved to Nashville in 1946, where Red Foley became a Decca Records superstar and a Grand Ole Opry headliner. Shirley’s mother was billing herself as “Judy Martin” by this time. Judy/Eva’s sister, Shirley’s aunt, became Nashville Songwriters Hall of Fame member Jenny Lou Carson (Lucille Overstake, 1915-1978).
Shirley and her two younger sisters began appearing on their father’s radio and TV shows as children. In 1950, they recorded “Frosty the Snowman” and “Rudolph the Red Nosed Reindeer” with Red Foley, billed as “The Little Foleys.”
Shirley attended David Lipscomb High School, where the popular cheerleader was voted student-council secretary and Homecoming Queen. Her high-school sweetheart, Pat Boone, was a handsome boy-next-door, a student athlete and the star of the WSIX Nashville radio show “Youth on Parade.” They married in 1953, when both were 19 years old.
He won on TV’s Arthur Godfrey’s Talent Scouts the following year. This show was that era’s American Idol, so Boone launched a highly successful recording career.
Between 1957 and 1962, he had 18 top-10 pop hits, including “April Love,” “Ain’t That a Shame” and “Love Letters in the Sand.” In the early days, his popularity rivaled that of Elvis Presley. Boone starred in 15 feature films.
Shirley and Pat released their first duet LP in 1959. Titled Side By Side, it featured them harmonizing on standards such as “Let Me Call You Sweetheart” and “My Happiness.”
I Love You Truly was issued as the couple’s second duets LP in 1962. Like its predecessor, it was comprised of familiar songs such as “Have I Told You Lately That I Love You,” “Blues Stay Away From Me” and “True Love.”
Shirley taught their daughters to sing four-part harmony. Billed variously as The Boone Sisters, The Boones and/or The Boone Girls, Cherry, Lindy, Debby and Laury Boone became Grammy-nominated gospel vocalists.
Debby became a solo star with hits such as “You Light Up My Life” (1977) and “Are You On the Road to Loving Me Again” (1980). She married minister Gabriel Ferrer, who is the son of Rosemary Clooney and Jose Ferrer and the cousin of George Clooney. Sister Cherry Boone wrote the 1982 book Starving for Affection and became spokesperson for eating disorders.
Mama Shirley Boone became an author, as well. One Woman’s Liberation (1972), The Honeymoon Is Over (1980) and her other works espoused conservative religious values. Both with her husband and solo, she appeared on many Christian-oriented TV talk shows.
She helped to establish Mercy Corps, which has become an international charitable organization dedicated to addressing economic, environmental, social and political problems. She was also a major benefactor of Pepperdine University.
Shirley resumed recording with Pat Boone Family in 1971. The record was nominated for a gospel Grammy Award. This was followed by All in the Boone Family (1972), Pat Boone Family in the Holy Land (1972), the Nashville recorded The Family Who Prays (1973), The Boone Family Christmas (1975) and other titles.
She also costarred in many of her husband’s television programs, beginning with his series The Pat Boone Chevy Showroom in 1959. She performed on such specials as Pat Boone & Family (1968), Pat Boone & Family Thanksgiving Day Show (1962), The Pat Boone & Family Christmas Special (1969), The Pat Boone & Family Easter Special (1970), The Pat Boone & Family Thanksgiving Special (1978), a second Pat Boone & Family Christmas Special (1979) and Together with Shirley & Pat Boone (1983).
After living in Tennessee, Texas, New York and New Jersey, Shirley, Pat and their four daughters moved to Beverly Hills, CA in 1960. She passed away there last Friday with her daughters singing hymns at her bedside.
She and Pat were married for 65 years. She is also survived by 16 grandchildren and 10 great-grandchildren.
Country-Pop Star Bonnie Guitar Dies At 95
/by Robert K OermannWest Coast country personality Bonnie Guitar passed away on Sunday, Jan. 13, at age 95.
Regarded as a groundbreaking woman in the music business, she sang hits such as “Dark Moon,” was a session guitarist, co-founded Dolton Records, wrote successful songs and produced various pop and country artists.
Born Bonnie Buckingham in 1923, she acquired the pseudonym “Guitar” thanks to her instrumental proficiency in the recording studios of L.A. Her older brothers played guitar, which she also took up as a teenager in the Seattle, Washington area. After high school, she went on the road with a country band and hosted her own radio show.
Her homemade recordings came to the attention of Fabor Robinson in 1955. He was the owner of the 4-Star and Abbott record labels in Los Angeles. Robinson brought her to his home in Malibu and hired her as a session guitarist for his label’s Dorsey Burnette, Jim Reeves, Tom Tall, Ferlin Husky, Ned Miller and other artists. Robinson also changed her name and began recording her as a singer-guitarist. He brought her Miller’s song “Dark Moon.” She recorded it for his Fabor label in 1957. Picked up by Nashville’s Dot Records, the song became a major pop and country hit. This led to appearances on TV’s Ed Sullivan Show and American Bandstand, as well as concerts alongside Sam Cooke, The Everly Brothers, Gene Vincent, The Del-Vikings and Jerry Lee Lewis.
She and Miller co-wrote her follow-up, “Mister Fire Eyes,” which became a much bigger country hit. She made just the pop charts with her self-composed “Candy Apple Red” in 1959.
Guitar and some business associates discovered the Washington State pop trio The Fleetwoods and formed Dolton Records to distribute the group’s records. She co-produced the act, which had its first hit with 1959’s “Come Softly to Me.”
Later that year, she brought The Fleetwoods “Mr. Blue.” It launched the career of future Nashville Songwriters Hall of Fame member Dewayne Blackwell. She wrote the group’s 1960 single “Magic Star.” With Guitar producing and backing the trio on guitar, its other hits on Dolton included “Tragedy” (1961), “The Great Imposter” (1961), “Outside My Window” (1960) and “Lovers By Night Strangers By Day” (1962). Next on the Dolton roster was the instrumental rock group The Ventures. This act scored with “Walk Don’t Run” (1960), “Perfidia” (1960) and “Slaughter on Tenth Avenue” (1964).
Guitar, herself, joined the Dolton roster. She and songwriter Don Robertson recorded as The Echoes and issued “Born to Be With You” on the label in 1960. She and her partners sold Dolton to Liberty Records in 1963.
Following a brief stint at RCA in 1961-62, she re-signed with Dot in 1965. This resulted in her longest string of country hits, beginning with “I’m Living in Two Worlds” in 1966. Other successful country tunes for her included “Get Your Lie the Way You Want It” (1966), “The Tallest Tree” (1967) and “You Can Steal Me” (1967). She was named the ACM Female Vocalist of the Year in 1966.
Bonnie Guitar had her biggest country hit with 1967’s “A Woman in Love” and followed it with “Stop the Rain” (1968), “Leaves Are the Tears of Autumn” (1968), “That See Me Later Look” (1969) and “Allegheny” (1970). She and publisher/songwriter Buddy Killen were duet partners on Dot with 1969’s “A Truer Love You’ll Never Find.”
Guitar was also Dot’s country talent coordinator. She commuted between Seattle and Nashville for several years. Among the country acts she produced for the label was Mac Wiseman.
Her own Dot LPs included Two Worlds (1966), Miss Bonnie Guitar (1966), Award Winner (1967), A Woman in Love (1968) and Affair (1969). She co-produced all of these in Nashville.
She subsequently recorded country discs for Columbia, MCA, 4-Star, MAC, Tumbleweed and Playback. Her songwriting came back into the spotlight when Susan Raye scored a 1973 hit “The Cheating Game.” It was co-written by Guitar and Dennis Knudson.
Bonnie Guitar retired to a ranch where she and her husband raised cattle and quarter horses. After his death in 1983, she resumed her entertainment career. She became the “house band” at the Notaras Lodge in Soap Lake, Washington. With just her own guitar accompaniment and a drummer, she headlined there for more than a decade.
In 1985, she returned to Nashville to record two albums, Yesterday and Today. The latter contained five new Guitar compositions alongside a number of pop tunes. Her LP You’re Still the Same was issued in 1989. She made a number of media appearances in Nashville the following year, including some on CMT. In 1991, Germany’s Bear Family label reissued her early Dot sides.
She retired from the Notaras Lodge in 1997. Guitar occasionally performed at a resort in Idaho and at cowboy-poetry gatherings thereafter. She was profiled extensively in No Depression magazine in 2007. At age 93, she began performing every weekend at a Soap Lake nightclub.
Warner Music Nashville Announces Lineup For CRS Opening Day Luncheon
/by LB CantrellAn advance lineup has been released for Country Radio Seminar’s 50th Anniversary opening day luncheon, hosted by Warner Music Nashville, and includes Devin Dawson, Morgan Evans, Chris Janson, Cody Johnson, Ashley McBryde, Cole Swindell along with the previously announced headliner, Blake Shelton. To be held Feb. 13, the Warner Music Nashville luncheon will take place in the Broadway Ballroom (CRS Performance Hall) at Omni Nashville beginning at noon.
“I can’t think of a better way to celebrate the 50th anniversary of CRS than by kicking it off with the inaugural Warner Wednesday lunch,” said Warner Music Nashville Chairman & CEO John Esposito. “We will be showcasing an impressive and diverse lineup of artists from our roster, headlined by superstar Blake Shelton. We’re ready to make some history!”
More Warner Music Nashville performances to be announced soon.
The $699 final registration rate for Country Radio Seminar’s 50th Anniversary Event (CRS 2019) is available at CountryRadioSeminar.com. Single-day passes are also being made available for $200 per pass and are limited to two day passes per person.