Elijah Woods x Jamie Fine Set To Release Debut EP On Big Machine

New pop duo Elijah Woods x Jamie Fine, known for their work on Canadian music competition The Launch, will release their debut EP, 8:47, on March 8 via Big Machine Records.

Big Machine President/CEO/Founder Scott Borchetta served as executive producer and lead mentor on the show.

The eight-track EP features the duo’s CRIAA Platinum-certified hit “Ain’t Easy,” as well as the Gold-certified “Better Off” and a new track, “You.” The duo won the iHeartRadio Much Music Video Awards’ Best New Canadian Artist honor, and were nominated for a 2019 Juno Award for Breakthrough Group of the Year. “Ain’t Easy,” which hit the Top 40 on U.S. pop radio, was penned with producer Ryan Tedder, Camila Cabello, Zach Skelton and Tom Mann.

They are preparing to hit the road on Marianas Trench’s Suspending Gravity Tour, which launches March 6 in Windsor, Ontario.

8:47 EP TRACK LIST
1. “Humming” | Jamie Fine, Elijah Woods
2. “You” | Jamie Fine, Elijah Woods
3. “Problem” | Jamie Fine, Michael Allen Lewis
4. “Better Off” | Jamie Fine
5. “Love Strong” | Jamie Fine, Elijah Woods
6. “Mediate” | Jamie Fine, Elijah Woods
7. “Ain’t Easy” | Elijah Woods, Jamie Fine, Camila Cabello, Tom Mann, Zach Skelton, Ryan Tedder
8. “8:47 (Outro)” | Jamie Fine

Weekly Chart Report (2/15/19)

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DISClaimer: Kacey Musgraves, Ingrid Andress Bring Star Power

Country’s big guns are out for Country Radio Seminar.

Today’s stack of platters is loaded with star power, with some of today’s hottest hit makers next to living legends.

I am happy to report that — at least this week in “DisClaimer” — we have gender parity. The four finest releases are split between two female and two male acts. The women are Kree Harrison and Kacey Musgraves. The men are the newly stellar duo Dan + Shay and a trio consisting of Florida Georgia Line and Hardy.

The Disc of the Day award goes to Grammy queen Kacey Musgraves. The DisCovery Award also goes to a galentine, Ingrid Andress.

CHRIS JANSON/Good Vibes
Writers: Chris Janson/Ashley Gorley/Zach Crowell; Producers: Chris Janson & Zach Crowell; Publishers: none listed; Warner Bros.
– Not as innovative as his earlier efforts, but it is irresistibly merry and smiley. Ya gotta love this guy.

KREE HARRISON/I Love The Lie
Writers: Chris Stapleton/Morgane Stapleton/Liz Rose; Producers: Jordan Lehning/Skylar Wilson; One vision
– Everything works here — her silvery vocal delivery, the super hooky song, the steel guitar solo and the superb, rolling-rumble production. Rock on, sister.

GEORGE STRAIT/Every Little Honky Tonk Bar
Writers: George Strait/Bubba Strait/Dean Dillon; Producers: Strait/Chuck Ainlay; Publishers: none listed; MCA Nashville
-A hillbilly toe tapper with tightly-packed lyrics portraying your favorite roadhouse. I particularly like the “answering” steel and the super-close vocal harmonies.

INGRID ANDRESS/Lady Like
Writers: Derrick Southerland, Ingrid Andress, Sam Ellis; Producer: Sam Ellis; Publishers: none listed; Atlantic
– Cool, offbeat, tomboy lyrics. She sounds like a comer to me. Lend her your ears.

FLORIDA GEORGIA LINE & HARDY/Y’all Boys
Writers: Jesse Frasure/Ashley Gorley/Michael Hardy/Brett Tyler; Producers: Joey Moi/FGL; Producers: Warner-Tamerlane/Telemitry Rhythm House/Songs of Roc Nation/Songsofgroceries/Round Hill Songs II/Caleb’s College Fund/Relative/Songs of Kobalt/Extremely Combustible/Music of One77, BMI/ASCAP; BMLG
-The dense production holds audio delights around every corner. The good ol’ boy lyrics sound like retreads, but there’s no getting around the overall sonic splendor.

DOLLY PARTON/Red Shoes
Writers: Dolly Parton/Linda Perry; Producer: Linda Perry; Publishers: Velvet Apple/Dark Robot/Peer, BMI; RCA/Dolly
– Tucked in among her classics in the show-stopping Grammy telecast medley was this riveting gem from Dolly’s Dumplin’ soundtrack. Perry’s production builds nicely as the superstar relates her empowering lyric.

ADAM HAMBRICK/All You, All Night, All Summer
Writers: Adam Hambrick/Pete Good/AJ Babcock; Producers: Andrew DeRoberts/Paul DiGiovanni; Capitol/Buena Vista
-It’s February, so Adam thinks we need a sunshine song. It’s a catchy dandy, full of bright production touches and featuring a boyish, upbeat, tenor vocal. I remain a fan.

KACEY MUSGRAVES/Rainbow
Writers: Natlie Hemby/Shane McAnally/Kacey Musgraves; Producers: Ian Fitchuk, Daniel Tashian & Kacey Musgraves; Publishers: none listed; MCA
– Wow. As we saw on the Grammy Awards where she triumphed, it’s just Kacey’s poignant voice and Ian’s piano. But what an enchanting spell they cast. The sweet ballad of perseverance offers strength and encouragement to the oppressed and downtrodden everywhere. Country music needs this song.

DAN + SHAY/All To Myself
Writers: none listed; Producers: none listed; Publishers: none listed; Warner Bros.
-An intoxicating romantic cocktail, mixed with twirling rhythm and delicious melody. A stone smash.

JASON ALDEAN/Rearview Town
Writers: Kelley Lovelace/Bobby Pinson/Neil Thrasher; Producers: EMI Music Publishing/Sea Gayle Music Publishing/peer music; Publishers: Michael Knox; BBR
– Lots and lots of people will relate to this lyric. There’s not much to the tune or the production, so it’s left to Jason’s vocal performance to carry the day. And it does.

Chris Stapleton, Kacey Musgraves, Brad Paisley, Ryman Auditorium Win At 30th Annual Pollstar Awards

Nashville did not go unrepresented at the 30th annual Pollstar Awards on Wednesday night (Feb. 13) at the Pollstar Live! conference in Los Angeles. Wins from Chris Stapleton, Kacey Musgraves, Brad Paisley, the Ryman Auditorium and more Nashvillians brought home hardware.

Stapleton won the Best Country Tour award for his All-American Roadshow Tour. His 63-city North American tour started in May of 2017, and according to Pollstar, grossed 32.7 million in 2018. Stapleton’s All-American Roadshow Tour has featured Brothers Osborne, Lucie Silvas, Anderson East, Brent Cobb, Margo Price and Marty Stuart thus far, and its extension into 2019 is set to feature Cobb, Price, Stuart and Brothers Osborne as well as The Marcus King Band and Kendell Marvel.

Swift took home the award for Best Pop Tour for her Reputation Stadium Tour
. The tour ranked at second, just under Ed Sheeran, on Pollstar‘s Year-End Top 100 Worldwide Tours for 2018, and grossed $345.1 million. Louis Messina of Messina Touring Group accepted Swift’s award on her behalf, as well as the Bill Graham Award for Promoter of the Year that he won.

Musgraves earned the 
Best Support/Special Guest award for her support of the Harry Styles: Live tour. Musgraves, as well as Stapleton, accepted the award via pre-recorded video. Paisley
 took home Best Brand Partnership/Live Campaign for his work with Nationwide Insurance.

The Ryman Auditorium won 
Theatre of the Year for its ninth consecutive year. The Nashville gem has won the honor 11 times in total.

Stacey Vee of the AEG subsidiary Goldenvoice took home Talent Buyer of the Year after booking the massive country festival Stagecoach.

The 30th annual Pollstar Awards winners:
Major Tour of the Year: Ed Sheeran | ÷ Tour
Best Rock Tour: Foo Fighters | Concrete and Gold Tour 2018
Best Hip-Hop/R&B: Beyoncé & Jay-Z | On The Run II Tour
Best Pop Tour: Taylor Swift | Reputation Stadium Tour
Best Country Tour: Chris Stapleton | Chris Stapleton’s All-American Road Show Tour
Best Latin Tour: Shakira | El Dorado World Tour
Best Comedy Tour: Kevin Hart | The Kevin Hart Irresponsible Tour
Best Support/Special Guest: Kacey Musgraves | Harry Styles – Harry Styles: Live
Best Residency: Bruce Springsteen | Walter Kerr Theatre
Best Attraction: America
Best Non-Music Tour of the Year: Becoming: An Intimate Conversation With Michelle Obama
Best New Headliner: Greta Van Fleet
Music Festival Over 30K Capacity: Coachella | Indio, CA
Music Festival Under 30K Capacity: Newport Folk Festival | Newport, RI
Nightclub of the Year: 9:30 Club | Washington, D.C.
Theatre of the Year: Ryman Auditorium | Nashville, TN
Arena of the Year: Madison Square Garden Arena | New York, NY
Best Outdoor Concert Venue: Red Rocks Amphitheatre | Morrison, CO
Best New Concert Venue: The Rooftop at Pier 17 | New York, NY
Venue Executive of the Year: Laurie Jacoby, Madison Square Garden
Talent Buyer of the Year: Stacy Vee, Goldenvoice
Bill Graham Award-Promoter of the Year: Louis Messina, Messina Touring Group
International Promoter of the Year: Barrie Marshall, Marshal Arts Ltd
Bobby Brooks Award – Agent of the Year: Marty Diamond, Paradigm Talent Agency
International Booking Agent of the Year: Emma Banks, Creative Artists Agency
Booking Agency of the Year: Paradigm Talent Agency
Rising Star: Lesley Olenik, Live Nation
Personal Manager of the Year: Coran Capshaw, Red Light Management
Road Warrior: Gus Brandt | Foo Fighters, Pharrell Williams/NERD, Conan O’Brien
Best Production/Transportation Company: Upstaging, Inc.
Best Brand Partnership/Live Campaign: Nationwide Insurance w/ Brad Paisley
Best Touring Musician: Elton John
Marketing/PR Exec: Allison McGregor, Creative Artists Agency
Best Hang: Austin City Limits Music Festival
The Lifer: Frank Riley, High Road Touring
The Unavailable Award: Bob Roux, Live Nation
Most Frequently Name-Dropped: Michael Rapino, Live Nation
The Back In My Day: Ron Delsener, Live Nation
Most Dreaded Phone Call: Irving Azoff, Full Stop Management
Most Terrifying Agent: Marsha Vlasic, Artist Group International

Kacey Musgraves Won A Grammy For Album Of The Year, But Will Country Radio Catch On?

Kacey Musgraves. Photo: Grammys

On Sunday (Feb. 10), Kacey Musgraves stood on the Grammys stage, looking confident, even regal, offering an elegant rendition of “Rainbow,” an uplifting song from her genre-bending fourth studio album Golden Hour.

By the time she took the stage, Musgraves had earned two honors already that day, with “Space Cowboy” being named Best Country Song, and “Butterflies” earning the Best Country Solo Performance.

By the end of the night, Musgraves had earned not only Best Country Album, but the coveted, overall Album of the Year honor for Golden Hour.

It was a stunning victory for an album that, to date, hasn’t had a single reach the Top 50 on the country radio charts.

Beverly Keel—MTSU’s Recording Industry department chair, Change the Conversation co-founder, and esteemed music journalist—notes the similarities between Musgraves’ album sweep and the success of one of Musgraves’ UMG Nashville labelmates.

“It reminds me of when Chris Stapleton swept the CMA Awards a few years ago. Then he started getting some radio airplay, and then he became far more mainstream to the casual listener. I want Kacey’s music to get heard on every possible platform. This is the last and biggest platform so I am ever hopeful.”

The disparity between accolades, album sales and radio airplay has been a constant since Musgraves released her debut album Same Trailer, Different Park, which earned Musgraves her first—and so far, only—Top 10 single on the Billboard Country Airplay chart.

The album went Platinum and earned Musgraves her first Grammy for Best Country Album in 2014, as well as her first Best Country Song honor for “Merry Go ‘Round.” That year, she also earned Song of the Year at the CMAs for “Follow Your Arrow.” Though an award winner, “Arrow” peaked at No. 43 on the Country Airplay chart.

Similarly, Golden Hour had previously been named Album of the Year at the CMA Awards in November, with little support from country radio.

Immediately following Musgraves’ Album of the Year crowning, MCA Nashville released the soothing “Rainbow” to country radio.

“We timed the release of “Rainbow” following the Grammy performance for immediate airplay because we felt the performance would be a moment for both Kacey and this amazing album, and it was,” says MCA Nashville VP, Promotion Katie Dean.

The timing is unique, as Musgraves’ Grammy wins kicked off the week leading into the annual Country Radio Seminar—the place where Musgraves first made a stir among country programmers with a debut performance of “Merry Go ‘Round” back in 2012.

According to Mediabase, the song had 37 adds in its first week as a single at country radio. A recent ad for “Rainbow” touted the song as the third most-added track at country radio this week, with 54 stations adding the song to their rotation. “Rainbow” entered at No. 58 on the Billboard Country Airplay Chart dated Feb. 16.

On the MusicRow CountryBreakout Chart, “Rainbow” is the second most-added song for the week and has the second-highest spin increase, behind George Strait’s “Every Little Honky Tonk Bar.”

Dean notes that 16 stations began playing the song early, though she says Musgraves’ Grammy sweep “absolutely” affected the number of first-week adds the single earned on country radio.

“We are very optimistic about the strong start at country radio. Many stations are playing ‘Rainbow’ in all dayparts, while other stations have additional songs from the album in rotation as well,” Dean adds. “Ultimately, listener reaction is key for any single to climb the chart, but radio definitely understands that Kacey is poised for global superstardom.”

Even after earning the Grammy’s top album honor—an achievement very few country artists have done (the short list including names like Taylor Swift, Glen Campbell and the Dixie Chicks)—Musgraves has a fight on her hands in getting “Rainbow” to become a country radio hit, given the dearth of female artists having country radio hits in recent years.

After 22 weeks on the Country Airplay chart, Carrie Underwood’s “Love Wins” is at No. 13. Other females in the Top 50 this week include Kelsea Ballerini’s “Miss Me More” (No. 18), Maren Morris’ “Girl” (No. 27), Runaway June’s “Buy My Own Drinks” (No. 31), Lindsay Ell with Brantley Gilbert on “What Happens In A Small Town” (No. 32), Maddie & Tae’s “Friends Don’t” (No. 33), Carly Pearce’s “Closer To You” (No. 39) and Lauren Alaina’s “Ladies In The ‘90s” (No. 48).

Keel is cautiously optimistic about the chances for radio success for “Rainbow,” and says, “Country needs to embrace it and promote it. Country music is at its most successful when it embraces a big-tent philosophy, like in the ‘90s when we had every sound and every look.

“This is an album that will stand the test of time,” Keel says. “It will be just as beautiful and important 10 years from now as it is now. And it had critical acclaim, national TV exposure—everything but the radio component. Kacey will bring more fans to country music so I think it’s a boost for country music, and I’m glad Kacey’s album is getting another listen at country radio.”

YouTube video

CAA Signs Willie Jones

Pictured (L-R): John Huie (CAA), Jonnie Forster (4 SOUND LA), Michael Bryan (CAA), Willie Jones, Madison Lee (CAA), Marc Dennis (CAA)

CAA has signed Willie Jones.

Jones recently signed to Black River Entertainment, with a full-length album slated to release in the fall.

Jones, who is managed by 4 SOUND LA’s Jonnie Forster, released his first single, “Runs In Our Blood,” last year. Jones has toured on the MAGcon Tour featuring artists including Cameron Dallas, Nash Grier, Shawn Mendes and more.

Jones is set to perform at Ole Red in Nashville today, Feb. 14.

Ashley Gorley, Jon Nite, Matt Jenkins, Cassadee Pope Bring ASCAP ‘I Create Music’ EXPO To Bluebird Cafe

Pictured (L-R): Michael Martin, ASCAP VP of Membership; Erika Wollam Nichols, GM, The Bluebird Café; Mike Sistad, ASCAP Senior Creative Director; Ashley Gorley, Cassadee Pope, Jon Nite, Matt Jenkins; Holly Chester, ASCAP Membership Manager. Photo: Ed Rode.

ASCAP songwriters Ashley Gorley, Jon Nite, Matt Jenkins, and Cassadee Pope brought the ASCAP “I Create Music” EXPO In The Round event to the Bluebird Cafe last night (Feb. 13) to promote the PRO’s upcoming EXPO in Los Angeles this May.

The songwriters were happy to talk about their experiences with ASCAP and at the EXPO, and honored to play their hits at the intimate venue. ASCAP’s Mike Sistad was on hand to introduce the writers and give some information about the conference.

“Fourteen years ago we launched our first ASCAP ‘I Create Music’ EXPO in Los Angeles,” Sistad said. “We felt there was a need for a music conference dedicated to the art-craft and business of songwriting, and boy were we right. That first year we had Tom Petty as our keynote, and we were off and running.

“From the start we presented panel discussions on everything from music publishing, music marketing, music placements,” he continued. “Everything a songwriter would need to know to move his or her career forward. We also have song feedback panels and one on one sessions.”

Ashley Gorley. Photo: Ed Rode

Six-time ASCAP Country Songwriter of the Year, Ashley Gorley, played some of his numerous hits, including Blake Shelton’s “I Lived It,” Thomas Rhett’s “Marry Me,” Jon Pardi’s “Dirt On My Boots” and Trace Adkins’ “You’re Gonna Miss This.”

“ASCAP does lots of things,” Gorley said. “It’s tricky to explain what they do. They have EXPO, they have panels, they have writers’ nights, they listen to new writers’ songs. One of the things they do is figure out ways to pay us for songs that are on the radio, which is a great job. We love it. But there’s a lot that goes into that and they’re trying to fight battles for us and figure out how we can get what our songs are truly worth.

“I wrote this next song with a guy named Dallas Davidson,” he continued. “We sat down and said we want to write someone’s favorite song today. We want to pinpoint somebody finding their favorite song on the radio and that’s it.” He then started into Luke Bryan’s No. 1, “Play It Again.”

“I don’t know what to play after your super smashes,” Nite joked after Gorley played one of his 38 No. 1 hits.

“Well, you can play some of yours!” Gorley jested with a smile.

“What do I do? I’ll just play a medley of mine,” Jenkins teased Nite.

Nite, who will be a panelist at the EXPO this year, had just gotten back in town after attending the Grammys, where he had been nominated for Best Country Song. He played that Cole Swindell hit, “Break Up In The End,” as well as Keith Urban and Miranda Lambert’s “We Were Us,” Urban’s “Break On Me,” David Nail’s “Whatever She’s Got” and Lee Brice’s “Boy.”

“I’m excited to go out and talk to young songwriters,” Nite said. “I remember sitting in these seats right here and watching Jeffrey Steele just shred and sing higher than I could ever dream of singing; and Bob DiPiero and all these guys who were the class before us. Just trying to figure out how terrible my songs were in comparison to how good theirs were. They’d play songs like ‘What Hurts The Most’ and I’d go back home and be like ‘Woah, there’s another level you’ve got to get to, big man!'”

Pictured (L-R): Ashley Gorley, Cassadee Pope, Matt Jenkins, Jon Nite. Photo: Ed Rode

Matt Jenkins played a sampling of his No. 1’s, like his clever Old Dominion hit “Song For Another Time,” Sam Hunt and Keith Urban’s “Cop Car,” Dustin Lynch’s “Where It’s At” and a pretty, mild version of Florida Georgia Line’s “Confession.” Jenkins also performed a song called “Fade Into You” that felt appropriate to play at the Bluebird because it had been featured on the TV show Nashville. Pope provided the female harmonies reminiscent from the duet on the show.

“This was a song I wrote with Shane McAnally and Trevor Rosen that I really loved,” he said. “We write tons of songs, aiming for radio a lot of the time, but sometimes you write songs that you love hoping that they maybe could find a home. This had been around for a minute and the show Nashville was getting rolling and they found this song. I think they sang this at the Bluebird [on the show.] I never play this song out but it feels decently appropriate in the house.”

With the reverence of the Bluebird in mind, Pope played both songs she’d written and songs she wished she’d written, a couple of which show up on her recently released album, Stages.

“I love to write songs and it’s very therapeutic, but I also love to take advantage of living here and being exposed to these amazing, amazing songs,” she said before she went into her wistful “Take You Home” penned by Paul DiGiovanni, Ben Hayslip and Emily Weisband.

Pope also played “One More Red Light,” “Alien” and the tender “If My Heart Had A Heart”—written by CMT’s Next Women of Country tourmate Hannah Ellis with Josh Kerr and Matt McGinn—as well as her hit “Wasting All These Tears.”

The ASCAP “I Create Music” EXPO will take place May 2-4. Tickets are available now. Purchasers can receive a discount with the code: BLUEBIRD.

Country Radio Seminar Attendees Get Early Look At Ken Burns’ ‘Country Music’ Doc

Dayton Duncan discusses the upcoming ‘Country Music’ series on PBS

On Wednesday (Feb. 13), the first day of the 50th annual Country Radio Seminar, attendees got an early look at the upcoming Ken Burns PBS documentary Country Music.

The 16-hour, eight-part series includes discussions from more than 100 interviews, 3,500 photos and film snippets, and spotlights 570 of country music’s most important songs. The documentary traces country music’s early roots, including its many offshoots and influences, from bluegrass, early rock ‘n’ roll, Americana, and more.

Dayton Duncan, writer and co-producer of the documentary, introduced seven clips from various episodes of the film to CRS attendees.

In one clip, Willie Nelson recalled driving to Patsy Cline’s home in North Nashville with her husband Charlie Dick during the early morning hours, to play her a song he had just finished. The early wakeup call was worth it—Cline later recorded Nelson’s composition, which would become her signature song “Crazy.”

Kathy Mattea recalled her time as a tour guide at the Country Music Hall of Fame (a position Trisha Yearwood also held as a newcomer to Nashville), and talked about the “only in country music” kind of event Fan Fair (now CMA Music Festival) was and is, as a unique way for fans to meet their favorite artists. She discussed some of the powerful fan interactions she has had at the event.

Another segment featured the career of Vince Gill, from his early work playing in groups alongside artists including Ricky Skaggs and the late Keith Whitley, to taking the lead role in Pure Prairie League and spending time as a session musician for other country artists, before ultimately breaking through with his own hits such as “When I Call Your Name.” The segment also focused on the writing of “Go Rest High On That Mountain,” a song Gill began following the passing of his former bandmate Whitley, and finished after the death of his own brother. The song would become a classic in the country music cannon. Gill recorded the song with Patty Loveless and Ricky Skaggs performing sublime harmonies. Gill and Loveless would be called upon to perform the song at George Jones’ memorial in 2013.

Heartbreaking footage from that memorial performance, held at the Grand Ole Opry, was shown, as Gill struggled through the song, ultimately stepping away from the mic, overcome by emotion, as Loveless’ powerful harmony held the lead. When the footage concluded, there was not a dry eye in the room at the Omni.

The series ends in the mid-‘90s, as Garth Brooks rises to an unprecedented level of stardom, and lifting country music with him. One clip recalled “That Summer” in 1996, when the music supernova Brooks drove up to Fan Fair in his truck, unannounced, and began signing autographs for fans. As word spread that he was at Fan Fair, the line for autographs grew…and grew…and grew. Brooks famously signed autographs for 23 hours straight, with no breaks.

Duncan noted that 18 of the people interviewed over the past few years for inclusion in the project have now passed. Late publicist and journalist Hazel Smith was featured in one of the clips shown during the CRS session, as was late guitarist Harold Bradley.

Other clips included artists such as Dolly Parton and Trisha Yearwood.

“We tell the story of what we consider a deeply American art form; what came to be known as country music, acknowledging its incredible diverse roots,” Duncan said, “and we follow that through the 20th century when it first began being recorded and, more importantly, when it first began to be broadcast on the brand new medium of radio.”

Country Music will premiere on PBS on Sept. 15.

Bobby Karl Works The Room: 17th Annual MusicRow Meet & Greet And CountryBreakout Awards

Pictured (L-R): Alex Kobrick, MusicRow Chart Director; Kelsea Ballerini; Sherod Robertson, MusicRow Publisher/Owner. Photo: Haley Crow/MusicRow

Chapter 612

Most of the winners at this year’s MusicRow CountryBreakout Awards were repeat honorees, but the party celebrating them was fresher and fizzier than ever. This year’s event was sponsored by The Vaden Group/Elliott Davis.

Jason Aldean won his second consecutive Male Vocalist prize. Winner Kelsea Ballerini previously earned the Female Vocalist MusicRow honor in 2018 and 2016. Florida Georgia Line won the Duo/Group prize for the fifth year in a row. Shane McAnally won his second award in the Songwriter category. Most impressive of all was Capitol Nashville Records. It was named Label of the Year for the 15th time, and 14 of those wins have been consecutive.

“This is amazing,” said Kelsea. “This means you supported a mid-tempo love song (“Legends”) and a ballad (“I Hate Love Songs”). And now you’re playing a song about fighting for my self worth (“Miss Me More”). It’s really empowering….It means the world.”

Host Sherod Robertson responded by saying, “We’ve been fans from Day One, and we’ll always be fans of Kelsea Ballerini.”

Brent Jones accepted on behalf of Capitol. “Thank you, MusicRow!,” he exclaimed. “It’s been awesome every year. I’ve been here for all of the wins. So I’m really f****g old!”

MusicRow publisher Robertson began the event by greeting a capacity crowd at The Listening Room on Wednesday (Feb. 13) by saying, “Welcome to MusicRow’s 17th annual Country Radio ‘Meet & Greet’ and Country Breakout Awards. We’re here to celebrate radio airplay.

“Thanks to The Vaden Group/Elliott Davis, our presenting sponsors. Mike Vaden and I go way back. If you see him or Heather Campbell or Jennifer Love, be sure and give them a big MusicRow ‘Thanks.’”

Guests were given guitar-shaped mouse pads bearing the Vaden logo, as well as the magazine’s glossy, radio-convention print edition.

Pictured: Sea Gayle’s CJ Solar performs at the 17th Annual MusicRow CountryBreakout Awards. Photo: Bev Moser/Moments By Moser Photography

The entertainment began with a spirited set by CJ Solar. This Sea Gayle Records artist applied the verve and youthful elan of his voice to the rumbling, throbbing “American Girls,” then let fly with the wailing, plaintive “Airplane.”

“It’s great to see so many familiar faces out there, and thank-you for playing those first two tunes,” he told the assembled radio programmers. “It’s also great to write songs for others.”

That was his intro to a punchy treatment of “Up Down,” which featured Solar’s fleet-fingered, “Freebird” guitar ride. His song was a big 2018 hit for Morgan Wallen with Florida Georgia Line.

“I’d like to kick off our awards,” said MusicRow chart director Alex Kobrick. “It’s a full house, and we love it.” She surprised Solar by presenting him with MusicRow’s Independent Artist of the Year Award.

“Wasn’t expecting that,” stammered Solar. “I’m not good at speeches. I just want to thank Sea Gayle, Craig Campbell, Dreamcatcher Management and all the promotion guys. I don’t know how I won this, but thank you so much.”

Alex continued her presentations by announcing Derek Beck of KRGI (Grand Island, Nebraska) as this year’s MusicRow Reporter of the Year. “Beck exemplifies the spirit of our chart,” she said.

“Thank you so much, MusicRow,” said Beck. “You artists are amazing. It’s great to make a difference, especially for the independent artists.”

Smack Songs exec Robert Carlton accepted McAnally’s songwriting award from Alex. Mcanally is in L.A. working on a new NBC songwriting-competition TV show, Songland.

Broken Bow Records execs Lee Adams and Shelley Hargis accepted Aldean’s award from Robertson. “We’d like to thank you for delivering ‘A Girl Like You’ [to No. 1] on the same day as his baby girl,” said Adams. “Thank you for everything you’ve done for him and his career.” She and Hargis introduced the crowd to Matt Holmberg, who is their new secondary radio promo man.

Big Machine exec Matthew Hargis accepted on behalf of FGL. The duo was en route to New York to appear on Jimmy Fallon tonight (Feb. 14) to launch its fourth album. Titled Can’t Say I Ain’t Country, it drops on Friday, Feb. 15.

“This is like Old Home Week,” said Diane Richey of the event. “It feels like one big family, and that means the world. Maybe we don’t say it enough, but, ‘Thank you.’” She heads the most awarded radio-promotion company in Nashville.

Pictured (L-R): Alex Kobrick, MusicRow Chart Director; Jordan Davis; Sherod Robertson, MusicRow Publisher/Owner. Photo: Haley Crow/MusicRow

Because of “Singles You Up” and “Take It From Me,” handsome, full-bearded Jordan Davis was announced as this year’s Breakthrough Artist award winner.

“This is crazy,” said Jordan. “I woke up this morning thinking about how I moved here in 2012. Music Row wrapped their arms around me in just five years. From the bottom of my heart – to be accepting an award like this – thank y’all very, very much.”

Chance McKinney added to the event’s entertainment value with a catchy set. “Tomorrow morning you’re going to be singing this song,” he promised when introducing the jaunty, sing-along “We Good.” His toe-tapping tune from last summer, “Take It Back” was next, followed by the breezy “Backyard.” His promotion staff handed out Miller Lite longnecks to the whole crowd.

Pictured: Chance McKinney performs at the 17th Annual MusicRow CountryBreakout Awards. Photo: Bev Moser/Moments By Moser Photography

A bevy of indie artists worked the room and sampled the breakfast buffet. Not the least of these was TV superstar John Schneider. I congratulated him on his ambitious, simultaneous, four-CD release, Beginnings, Vagabond, Crossroads and Wanderlust, collectively billed as The Odyssey. They contain 41 songs, but John said that’s only the beginning. He’s actually recorded 72 new sides.

Marty Brown told of writing the smash “I’m From the Country” for Tracy Byrd and of how singing Dylan’s “To Make You Feel My Love” for America’s Got Talent led to his new Plowboy Records contract. Wife Shellie Brown is now his manager. BMI will host his new CD party on May 16.

Katlyn Lowe, Young Fables, Ricky Cook (who wrote a song based on a phrase in his last “DisClaimer” review), J.D. Shelburne, Jesse LaBelle, Shane Owens (last year’s Indie Breakthrough winner), Cherie Brennan, Southern Halo and Christian Davis were among the other artists schmoozing.

Fabulons sharing their space included Mark Logsdon, Susan Niles, Terri Brown, Woody Bomar, Dennis Banka, Traci Peel, Jim Della Croce and Martha Moore. Not to mention the mono-named Toad, of Stoney’s Rockin’ Country in Vegas, which is an exalted, ACM-nominated country nightspot.

Pictured (L-R): MusicRow‘s Sherod Robertson, John Schneider, and Robert Oermann. Photo: Haley Crow/MusicRow

Pictured (L-R): Shellie Brown, Marty Brown, and Robert Oermann. Photo: Haley Crow/MusicRow

Pictured (L-R): J.D. Shelburne, Katlyn Lowe, and Jim Della Croce. Photo: Haley Crow/MusicRow

Pictured (L-R): Southern Halo’s Hannah, Christina and Natalia Morris. Photo: Haley Crow/MusicRow

ACM Announces 7th Annual Party For A Cause Events

The Academy of Country Music has announced the marquee events slated for the upcoming 7th Annual ACM Party for a Cause, which will take place at select venues across the Las Vegas Strip on April 5-7. Back by popular demand, ACM Stories, Songs & Stars, ACM Lifting Lives Topgolf Tee-Off and the ACM Awards Official After Party will return, and new to the lineup on Saturday night is ACM Decades.

Artists set to participate in the 7th Annual ACM Party for a Cause include Lauren Alaina, Rhett Akins, Rodney Atkins, Ross Copperman, Easton Corbin, Morgan Evans, Walker Hayes, Chris Lane, Maddie & Tae, Shane McAnally, Ashley McBryde, Scotty McCreery, Lori McKenna, Michael Ray, Runaway June, Darius Rucker, Dylan Scott, Mitchell Tenpenny and Brett Young.

Tickets for “The Week Vegas Goes Country” will be available for pre-sale starting today (Feb. 14) and on sale tomorrow (Feb. 15) and portions of all event proceeds will benefit ACM Lifting Lives, the philanthropic arm of the Academy of Country Music, which works to lift lives through the power of music.

This year’s ACM Party for a Cause will consist of fan events and private parties leading up to and immediately following the 54th Academy of Country Music Awards, Country Music’s Party of the Year, which will be hosted by Reba McEntire and broadcast LIVE from the MGM Grand Garden Arena in Las Vegas on Sunday, April 7, 2019 at 8 p.m. ET on CBS.