
It’s an alpha-and-omega kinda day here at DisClaimer.
We have everything from bona fide Country Music Hall of Fame members to the newest of baby acts. Ronnie Milsap, Dolly Parton and Reba McEntire are here to remind us of what great country music sounds like. Maddie & Tae, Tenille Townes and Sam Grow are on board with strong bids for future stardom.
The Disc of the Day belongs to Tucker Beathard. It sounds like a career breakthrough to me.
Our DisCovery Award winners are The Vegabonds. I see that this is not their first record, so where has this awesome band been all my life? And will somebody please pick these guys up for a major-label shot?
SAM GROW/History
Writers: Cam Montgomery/Mike Hardy/Nick Donley; Producer: Jacob Rice; Publishers:MV2 Music (BMI), Harding Road Music/Watsky Music (admin. by Kobalt) (BMI), Big Loud Mountain, CamTrack Music, Cam I Am Music (BMI); Average Joe’s
– Very involving. He has a wonderfully strong, expressive delivery. The production soars in all the right places. The song about a troubled relationship has hooks a-plenty.
MADDIE & TAE/Tourist In This Town
Writers: Maddie Marlow/Taylor Dye/Barry Dean/Jimmy Robbins; Producers: Jimmy Robbins/Derek Wells; Publishers: Super Big Music/Seven Red Birds Publishing/Big Machine Music/Jehovah Nissi/Be Barry Quiet/Creative Pulse Music/Pulse Nation; Round Hill Songs Jimmy Robbins/Extraordinary Alien/Jammy Rabbins Music; Mercury Nashville
– Yowza. This has spunk, vocal verve and tempo, tempo, tempo to chase away those winter doldrums.
DAVE ERNST/Superstar
Writers: none listed; Producer: none listed; Publisher: none listed; Eastwood
– This Louisville alt-country fellow has a new CD titled Hickory Switch. This track finds him emoting over a garage-y rock backing track featuring organ, guitar and crashing percussion. He doesn’t have the pipes for mainstream country appeal, but brims with conviction.
STELLA PARTON/Dirty Rotten Dog
Writers: Stella Parton; Producer: Stella Parton; Publisher: none listed; SP
– The track could use a little bass. But the humorous, sarcastic ditty is catchy, her slide-guitar work is dandy and her stacked vocals in the fade are an audio delight. Worth some spins.
THE VEGABONDS/Best I Can
Writers: none listed; Producer: Tom Tapley; Publisher: none
-Love it, love it, love it. This has all the pulse-quickening snap, crackle and pop you could want of a country rocker. The band has the heat cranked up to “10,” and the blue-collar, working-musician lyric blazes like an bonfire. I turned it up and howled. Here’s to all the “poor boys doin’ the best they can.”
TENILLE TOWNES/White Horse
Writers: Tenille Townes/Daniel Tashian/Jeremy Spillman; Producer: Jay Joyce; Publishers: noen listed; Columbia
– I dig this artist. Her feisty voice sounds like no one else. This hand clapper has slammin’ beats, a chorus with big hooks and a layered track, as well as her personality-packed vocal performance.
TUCKER BEATHARD/Better Than Me
Writers: Tucker Beathard/Dan Isbell/Jonathan Singleton; Producer: Tucker Beathard; Publishers: none listed; Warner Bros.
– His best yet. Tucker is singing his face off here, especially on that airborne chorus. The track rolls with admirable forward momentum as he sings of a breakup where she’s doing better than he is. Played it twice, and can’t wait to hear it on the radio. By the way, that’s him on lead guitar and drums, as well as vocals.
REBA McENTIRE/Stronger Than The Truth
Writers: Hannah Louise Blaylock/Autumn McEntire; Producers: Buddy Cannon/Reba McEntire; Publishers:Big Deal Beats / Fouche River Publishing (BMI)/ Catch This Music / Autumn McEntire Songs (ASCAP); Big Machine
– Praise be, there’s still an artist in this format who believes in telling a story, feeling some pain and cherishing real song craftsmanship. This Hall of Famer proves she remains way out in front of the youngsters when it comes to taking a heartbreak lyric straight into your heart. Great song. Great performance.
THE HIGH PLAINS DRIFTERS/Virginia
Writers: none listed; Producers: Greg Cohen/Charles Czarnecki; Publishers: none listed; HPD
– The song is okay, in a simplistic-melody kinda way. The lounge-y lead vocal is way too pop for me.
RONNIE MILSAP & DOLLY PARTON/Smoky Mountain Rain
Writers: Kye Fleming/Dennis Morgan; Producers: Ronnie Milsap/Rob Galbraith; Publishers: none listed; G-Force
– They sound great together. Dolly rewrote the lyric to make the song come from the points of view of two lovers, instead of one lovelorn man. The beautifully melodic tune remains a timeless country treasure. A terrific listening experience.
David Fanning Inks Publishing Deal With RED Creative Group
/by Lorie HollabaughPictured (L-R): Jeremy Stover, Owner/President, RED Creative Group; David Fanning; Brooke Antonakos, VP Creative, RED Creative Group.
David Fanning has signed a global publishing deal with RED Creative Group.
The Ardmore, Alabama native celebrated early success in his career as a producer on the No. 1 singles “Are You Gonna Kiss Me Or Not” and “If I Didn’t Have You” for Thompson Square, “Carolina” for Parmalee, as well as 10 other Top 40 singles recorded by various country artists. In 2014, Fanning signed a solo deal with Broken Bow Records where he debuted at number 60 on the Country Airplay charts with a cover of Justin Timberlake’s “Drink You Away.” In 2018, Fanning decided to focus solely on writing and production.
“David has been collaborating with some of our artist/writers for a few years and his tracks have always been standouts. I’m blown away by his diversity and ability to make each track feel massive,” said Brooke Antonakos, VP of Creative, RED Creative Group.
“I’m excited to be working with a likeminded team who is so passionate about great music,” states Fanning.
“David is a multi-talented songwriter and producer. His future is bright. I look forward to watching his career continue to grow here at RED,” said Jeremy Stover, Owner/President, RED Creative Group.
Since its launch in 2014, RED Creative Group has earned over 200 cuts and 25+ singles including hits like Tim McGraw’s “How I’ll Always Be,” Justin Moore’s “Somebody Else Will,” Brett Young’s “Sleep Without You,” and Dan+Shay’s “How Not To.” RED also represents songwriters Kelly Archer, Travis Denning, LJ, Jeremy Stover, Nathan Spicer & Adam Hambrick.
‘Breakthrough’ Soundtrack To Feature Carrie Underwood, Darius Rucker, Lauren Alaina
/by Lorie HollabaughThe star-studded album Breakthrough, music from and inspired by the new motion picture, releases April 5 on Mercury Nashville. The soundtrack features songs by Adam Hambrick, Carrie Underwood, Chrissy Metz, Darius Rucker, Jukebox the Ghost, Lauren Alaina, Maddie & Tae, Mickey Guyton, Phil Wickham, Pigeon John, and Taylor Mosby plus special featured guests Kirk Franklin and Lecrae.
This soundtrack comes just ahead of Twentieth Century Fox’s April 17 release of the feature film, which stars Chrissy Metz, Josh Lucas, Topher Grace, Mike Colter Marcel Ruiz, Sam Trammell, and Dennis Haysbert and is based on the inspirational true story of one mother’s unfaltering love and faith in the face of impossible odds.
Fans who pre-order the album will immediately receive lead actor Chrissy Metz’s “I’m Standing With You,” an original song written for the film by Diane Warren. Additional tracks featured in the movie include the inspirational hit single “Love Wins,” co-written and performed by Carrie Underwood; “Hold On,” co-written and performed by Mickey Guyton; “This is Amazing Grace,” performed by Phil Wickham featuring Lecrae; and more.
Breakthrough [Music From & Inspired By The Motion Picture] Track Listing:
“I’m Standing With You” – Chrissy Metz
Written by Diane Warren
“Hold On” – Mickey Guyton
Written by Mickey Guyton, Karen Kosowski, Victoria Banks
“Love Wins” – Carrie Underwood
Written by Carrie Underwood, David Garcia, Brett James
“Breathe Again” – Lauren Alaina
Written by Felicia Barton, David Hodges, Jason Weiss
“Big Old Shoulders” – Darius Rucker
Written by Allen Shamblin, Tom Douglas
“Colorful” – Jukebox the Ghost
Written by Ben Thornewill, Tommy Siegel, Jesse Kristin, Chris Wallace
“Play it Again” – Pigeon John
Written by Shane Eli Abrahams, Jonathan Pakfar, John Dust
“Looking Out For Me” – Adam Hambrick
Written by Adam Hambrick
“People Need People” – Maddie & Tae
Written by Maddie Marlow, Taylor Dye, Jimmy Robbins
“This is Amazing Grace” – Phil Wickham feat. Lecrae
Written by Phil Wickham, Josh Farro, Jeremy Riddle, Lecrae Moore
“Oceans (Where Feet May Fail)” – Taylor Mosby feat. Kirk Franklin
Written by Matt Crocker, Joel Houston, Salomon Ligthelm
Spotify Deepens Samsung Partnership
/by Jessica NicholsonSpotify Technology S.A. continued its strategic relationship with Samsung Electronics, by providing users with access to Spotify on Samsung mobile devices. Additionally, new Spotify consumers in the United States with select Samsung Galaxy mobile devices (including Galaxy S10) can qualify for six months of free Spotify Premium usage.
Beginning today (March 8), Spotify also comes pre-installed on millions of Samsung mobile devices.
Spotify has been deeply integrated with Bixby, Samsung’s intelligence platform, designed to work across Samsung’s ecosystem of devices, Spotify also enhances the Bixby Home screen by providing Spotify content and recommendations tailored for each listener.
“We were very excited to be named Samsung’s go-to music streaming service several months ago and today’s news will only ensure a more seamless Spotify listening experience across devices for listeners around the world,” said Sten Garmark, VP of Consumer Products, Spotify. “This partnership makes it easy for Samsung mobile users to access their favorite music and podcasts on Spotify, wherever they are and however they choose to listen.”
“Our goal is to deliver the best possible mobile experience to our consumers, and Spotify is the ideal music partner to help us make that vision a reality,” said Patricio Paucar, VP of Marketing, Samsung Electronics America. “Whether they’re listening to the latest hit albums or checking out their favorite playlist, we’re giving eligible Galaxy S10 users access to an amazing six month Spotify Premium offer.”
In August 2018, it was announce that Spotify had become Samsung’s go-to music service provider.
Fans Can Now Order Concert Tickets From Ticketmaster Via Amazon’s Alexa
/by Jessica NicholsonTicketmaster has teamed with Amazon for a new Alexa skill that allows music fans to discover new concert events and buy event tickets from Ticketmaster.
Fans can order tickets from Ticketmaster’s inventory of live events with Alexa-enabled devices, including Amazon Echo and Echo Dot, using their voice. The service is currently only available to U.S. users, though it will soon expand to other countries.
To start, fans can say “Alexa, open Ticketmaster” or “Alexa, ask Ticketmaster to find events this weekend.” Fans can then search for an artist or team name, city, and date range such as, “find concerts in Los Angeles” or “find Miami Heat tickets”. From there, fans finalize their order details and purchase tickets by linking their Ticketmaster account to Alexa.
“Ticketmaster has the largest ticket inventory in the world, and our team is always looking to leverage it along with our open platform to reach new fans,” said Dan Armstrong, SVP and GM of Distributed Commerce at Ticketmaster. “This new integration with Alexa will offer yet another avenue for fans to access the best live events, allowing them to discover and buy tickets using only their voice. We’re excited to be working with Amazon Alexa and look forward to seeing fans utilizing it to see the artists, teams and events they love the most.”
The move expands on Ticketmaster’s focus on expanding where tickets can be discovered and purchased, by integrating with streaming services, e-commerce sites and global social platforms, including Facebook, Spotify, Groupon, BandsinTown, Samsung, and YouTube.
Weekly Chart Report (3/8/19)
/by Alex ParryClick here or above to access MusicRow’s weekly CountryBreakout Report.
Google, Spotify, Pandora, Amazon Appeal CRB Royalty Ruling; NMPA, NSAI Respond
/by Jessica NicholsonIn February, the U.S. Copyright Royalty Board formally issued the final rates and terms for songwriter mechanical royalties, determining the amount labels and digital services are to pay music publishers. The rates represent a rise of 44 percent to be issued to songwriters. As reported today by Variety, digital service providers Spotify, Google, Pandora and Amazon have each filed a notice of appeal for the ruling.
A joint statement issued from Spotify, Google and Pandora says:
NMPA President & CEO David Israelite and Nashville Songwriters Association International (NSAI) Executive Director Bart Herbison have issued their own response to the actions of the digital service providers. The NMPA is set to file its own notice of appeal.
Herbison stated:
DISClaimer: Tucker Beathard, The Vegabonds Issue Career-Making Music
/by Robert K OermannIt’s an alpha-and-omega kinda day here at DisClaimer.
We have everything from bona fide Country Music Hall of Fame members to the newest of baby acts. Ronnie Milsap, Dolly Parton and Reba McEntire are here to remind us of what great country music sounds like. Maddie & Tae, Tenille Townes and Sam Grow are on board with strong bids for future stardom.
The Disc of the Day belongs to Tucker Beathard. It sounds like a career breakthrough to me.
Our DisCovery Award winners are The Vegabonds. I see that this is not their first record, so where has this awesome band been all my life? And will somebody please pick these guys up for a major-label shot?
SAM GROW/History
Writers: Cam Montgomery/Mike Hardy/Nick Donley; Producer: Jacob Rice; Publishers:MV2 Music (BMI), Harding Road Music/Watsky Music (admin. by Kobalt) (BMI), Big Loud Mountain, CamTrack Music, Cam I Am Music (BMI); Average Joe’s
– Very involving. He has a wonderfully strong, expressive delivery. The production soars in all the right places. The song about a troubled relationship has hooks a-plenty.
MADDIE & TAE/Tourist In This Town
Writers: Maddie Marlow/Taylor Dye/Barry Dean/Jimmy Robbins; Producers: Jimmy Robbins/Derek Wells; Publishers: Super Big Music/Seven Red Birds Publishing/Big Machine Music/Jehovah Nissi/Be Barry Quiet/Creative Pulse Music/Pulse Nation; Round Hill Songs Jimmy Robbins/Extraordinary Alien/Jammy Rabbins Music; Mercury Nashville
– Yowza. This has spunk, vocal verve and tempo, tempo, tempo to chase away those winter doldrums.
DAVE ERNST/Superstar
Writers: none listed; Producer: none listed; Publisher: none listed; Eastwood
– This Louisville alt-country fellow has a new CD titled Hickory Switch. This track finds him emoting over a garage-y rock backing track featuring organ, guitar and crashing percussion. He doesn’t have the pipes for mainstream country appeal, but brims with conviction.
STELLA PARTON/Dirty Rotten Dog
Writers: Stella Parton; Producer: Stella Parton; Publisher: none listed; SP
– The track could use a little bass. But the humorous, sarcastic ditty is catchy, her slide-guitar work is dandy and her stacked vocals in the fade are an audio delight. Worth some spins.
THE VEGABONDS/Best I Can
Writers: none listed; Producer: Tom Tapley; Publisher: none
-Love it, love it, love it. This has all the pulse-quickening snap, crackle and pop you could want of a country rocker. The band has the heat cranked up to “10,” and the blue-collar, working-musician lyric blazes like an bonfire. I turned it up and howled. Here’s to all the “poor boys doin’ the best they can.”
TENILLE TOWNES/White Horse
Writers: Tenille Townes/Daniel Tashian/Jeremy Spillman; Producer: Jay Joyce; Publishers: noen listed; Columbia
– I dig this artist. Her feisty voice sounds like no one else. This hand clapper has slammin’ beats, a chorus with big hooks and a layered track, as well as her personality-packed vocal performance.
TUCKER BEATHARD/Better Than Me
Writers: Tucker Beathard/Dan Isbell/Jonathan Singleton; Producer: Tucker Beathard; Publishers: none listed; Warner Bros.
– His best yet. Tucker is singing his face off here, especially on that airborne chorus. The track rolls with admirable forward momentum as he sings of a breakup where she’s doing better than he is. Played it twice, and can’t wait to hear it on the radio. By the way, that’s him on lead guitar and drums, as well as vocals.
REBA McENTIRE/Stronger Than The Truth
Writers: Hannah Louise Blaylock/Autumn McEntire; Producers: Buddy Cannon/Reba McEntire; Publishers:Big Deal Beats / Fouche River Publishing (BMI)/ Catch This Music / Autumn McEntire Songs (ASCAP); Big Machine
– Praise be, there’s still an artist in this format who believes in telling a story, feeling some pain and cherishing real song craftsmanship. This Hall of Famer proves she remains way out in front of the youngsters when it comes to taking a heartbreak lyric straight into your heart. Great song. Great performance.
THE HIGH PLAINS DRIFTERS/Virginia
Writers: none listed; Producers: Greg Cohen/Charles Czarnecki; Publishers: none listed; HPD
– The song is okay, in a simplistic-melody kinda way. The lounge-y lead vocal is way too pop for me.
RONNIE MILSAP & DOLLY PARTON/Smoky Mountain Rain
Writers: Kye Fleming/Dennis Morgan; Producers: Ronnie Milsap/Rob Galbraith; Publishers: none listed; G-Force
– They sound great together. Dolly rewrote the lyric to make the song come from the points of view of two lovers, instead of one lovelorn man. The beautifully melodic tune remains a timeless country treasure. A terrific listening experience.
Big Yellow Dog Music Signs Christy McDonald
/by Jessica NicholsonPictured (L-R): Austen Adams (Dickinson Wright); Shannan Hatch (SESAC); Carla Wallace (Big Yellow Dog Music); Christy McDonald; Lauren Funk (Big Yellow Dog Music); Alex Stefano (Big Yellow Dog Music); Jacee Badeaux (Big Yellow Dog Music)
Big Yellow Dog Music has signed Christy McDonald to a publishing deal.
One of the writers and the featured vocalist behind Grammy winner Robin Schulz’ “Ha Leh Lou Ya,” McDonald’s music has been featured on iTunes’ World Chart, Billboard, Nivea’s global campaign, and more. She is an active participant in the Country Music Hall Of Fame’s “Words & Music” program, working with children to help develop songwriting skills. To start off her new deal, McDonald is currently on a two-week writing trip in Amsterdam and Stockholm collaborating with European EDM/dance DJs, producers, and artists.
“I was blown away when Christy showed me what she had been working on,” said Big Yellow Dog Music’s co-owner and CEO Carla Wallace. “She has an incredible voice!”
The Black Keys Return After Five-Year Hiatus With “Lo/Hi”
/by Lorie HollabaughPhoto: Alysse Gafkjen
The Black Keys are back with their first new music since 2014 with their new song, “Lo/Hi” (Nonesuch Records). The single was written and produced by Dan Auerbach and Patrick Carney, and recorded at Nashville’s Easy Eye Sound studio. It’s the first new single from the duo since their album Turn Blue was released five years ago.
The Black Keys have released eight studio albums throughout their career including their debut The Big Come Up (2002), Thickfreakness (2003), Rubber Factory (2004), and their releases on Nonesuch Records, Magic Potion (2006), Attack & Release (2008), Brothers (2010), El Camino (2011), and Turn Blue (2014). The band has won six Grammy Awards and headlined festivals including Coachella, Lollapalooza, and Governors Ball.
The two have been plenty busy since releasing their last album in 2014. Dan Auerbach formed his Easy Eye Sound label, named after his Nashville studio, in 2017, with the release of his second solo album, Waiting on a Song. Since its launch, Easy Eye Sound has become home to a wide range of artists including Yola, Shannon & The Clams, Dee White, Shannon Shaw, Sonny Smith, Robert Finley, and The Gibson Brothers. It also has released the posthumous album by Leo Bud Welch as well as previously unreleased material by Link Wray.
Patrick Carney produced and recorded new music with artists such as Calvin Johnson, Michelle Branch, Damns of the West, Tobias Jesso, Jr., Jessy Wilson, Tennis, Repeat Repeat, Wild Belle, Sad Planets, Turbo Fruits, and more. He also created the theme music for the Netflix TV show BoJack Horseman with his late uncle, Ralph Carney.
BMI And Ultra Music Partner For 2019 Global Songwriting Camps
/by Lorie HollabaughBMI has partnered with Ultra Music for a series of global songwriting camps, providing its songwriters, composers and producers an opportunity to collaborate on an international scale.
Currently through March 8 Ultra and BMI are hosting a week of sessions at TEN Music Group’s six newly-renovated studios in Stockholm with a playback party to close out the camp. Some of the BMI affiliated songwriters, artists and producers participating include Neil Ormandy, Mack, Karra, Lostboy and Kris Eriksson of Violet Days, as well as songwriters from our partner societies, such as Lily McKenzie, Sondr, Kelli Leigh, Karen Harding, Cassandra Stroberg, Shy Martin, Shy Nodi, Robert Habolin, Louise Lindberg, Philip Holmgen, Sam Crow, Jonathan Blom, Life of Elephants and more.
The first camp of the year, the UltraViolet Trailer Camp, recently took place in Palm Springs, California with BMI songwriters Neil Ormandy, Koda, Grabbitz, and Martin Wave. The next one will be in Copenhagen on March 11-March 14, with additional camps to take place throughout the year in Los Angeles surrounding Coachella (April), Atlanta (April), and in Amsterdam during ADE (October), with more to be announced.
Previous BMI songwriting camps and initiatives have produced chart-toppers such as Panic! At The Disco’s “High Hopes,” Nick Jonas’ smash “Chains,” Prince Royce’s “Stuck on a Feeling,” Zedd’s “Daisy,” and most recently “Perras Como Tu” by Farina featuring Tokischa from the Miss Bala soundtrack.
“BMI prides itself on the unique and specialized creative services that we provide for our affiliates,” said Samantha Cox, BMI’s Vice President of Creative, NY. “As a result of our songwriting camps and other networking initiatives, we’ve fostered numerous successful collaborations which have generated chart-topping singles and commercial favorites. We’re thrilled to partner with Ultra to expand this initiative and build on our previous successes here in the US.”
“Ultra has been building a network of powerful writing camps, specializing in combining writers from different cultures and musical backgrounds for amazing results,” said Patrick Moxey, Founder and President of Ultra Music. “We welcome the involvement of BMI and their excellent writers. The song placement results have been extraordinary across camps in the US, UK, and Internationally and we look forward to the next level of growth for Ultra’s writers at the Ultra and BMI 2019 camps.”