By Robert K. Oermann
Glenn Martin. Photo: Brentwood Roesch-Patton Funeral Home
Friends and family will gather on Thursday (5/16) and Friday (5/17) to honor the memory of Nashville songwriter Glenn Martin.
The Grammy-nominated tunesmith died on Sunday, May 12, at age 86.
Martin wrote top hits for such Country Music Hall of Fame members as Merle Haggard, Charley Pride, Bill Anderson and George Jones. Among his best-known songs are Pride’s “Is Anybody Goin’ to San Antone” (1970), Haggard’s “It’s Not Love (But It’s Not Bad)” (1972) and Tammy Wynette’s “I Still Believe in Fairy Tales” (1975).
During his career, Martin had more than 200 cuts. He was also a song publisher. In addition, Glenn Martin is the father of hit country writers Tony Martin (“No Place That Far,” “Third Rock From the Sun,” “Just to See You Smile,” “You Look Good in My Shirt,” etc.) and Troy Martin (“Baby’s Gotten Good at Goodbye,” “She Can’t Say I Didn’t Cry,” “Not on Your Love,” etc.).
Glenn Martin was born in Cumming, GA on June 30, 1932 and was raised in Atlanta. He joined the U.S. Air Force after his high school graduation and was stationed in Germany during the Korean War.
Following his military service, Martin worked for Bell South. Next, he opened his own furniture and music stores. Weekly jamborees at the music emporium put him in contact with Nashville musicians and songwriters. They urged him to move to Music City.
Glenn Martin’s first songwriting successes occurred in 1969 when Ray Price recorded “April’s Fool” and Bobby Bare released “Which One Will It Be.” Both songs became top-20 country hits.
He scored his first No. 1 hit with the Grammy-nominated “San Antone” in 1970, and Pride returned to Martin’s catalog for “I’m Just Me” which became a No. 1 hit in 1971.
Haggard brought the songwriter back to the top of the charts again in 1972 with “It’s Not Love.” In 1974, Red Sovine scored a hit with “It’ll Come Back.” This song was revived on the charts by Sovine in 1980.
The songwriter’s heyday was in the 1970s. Among the artists who recorded Martin’s tunes were such Hall of Fame members as Buck Owens, Jean Shepard, Charlie McCoy, Eddy Arnold, Don Gibson, Emmylou Harris, Ernest Tubb and Mel Tillis.
In the latter part of his most successful decade, Martin had hits with “Memories of Us” (George Jones, 1975), “Fairy Tales” (Wynette, 1975), “Liars One Believers Zero” (Bill Anderson, 1976), “The Pay Phone” (Bob Luman, 1977) and “Where Are You Going, Billy Boy” (Bill Anderson & Mary Lou Turner, 1977).
Haggard’s big 1977 country hit with Martin’s co-written “If We’re Not Back in Love By Monday” also became an r&b smash for Millie Jackson that year as “If You’re Not Back in Love By Monday.”
Others who recorded his tunes include Wanda Jackson, Cal Smith, Norma Jean, Neal McCoy, Donna Fargo, Keith Whitley, Jack Greene, Freddy Fender, Ed Bruce and Moe Bandy.
Glenn Martin was one of the 1970 co-founders of the NSAI (Nashville Songwriters Association International), which initially lobbied to get songwriters’ credits on recordings. The organization continues to lobby for songwriters’ interests today. He was also regarded as a mentor by many younger Music City songwriters.
Martin is survived by his wife, Teresa and his eight children. In addition to songwriters Tony and Troy, these are K. Trent Martin, J. Trace Martin, Todd C. Martin, Tiffany K. Earl, Tim C. Martin and Tiffany M, Tournaud. He is also survived by his sister Eleanor Marguerite Brown, by 34 grandchildren and by 16 great grandchildren.
The first Gathering of Friends and Family will take place on Thursday afternoon, May 16, 4-8 p.m. at Brentwood Roesch-Patton Funeral Home, 9010 Church Street, Brentwood, TN 37027.
The second Gathering of Friends and Family is scheduled for Friday, May 17, 10-11 a.m. at The Church of Jesus Christ of Latter Day Saints, 1646 Sunset Rd., Brentwood, TN 37027. The church will then host a Celebration of Life service from 11-noon.
Amped Entertainment Signs Chris Lindsay
/by Jessica NicholsonBack row: KK Johnson, Missi Gallimore, Breanna Sill; Front Row: Bryan Simpson, Chris Lindsay, Eric Gallimore
Chris Lindsay has signed an exclusive publishing agreement with Amped Entertainment. Lindsay has written songs recorded by Taylor Swift, Kenny Chesney, Tim McGraw, Carrie Underwood, Keith Urban, Lonestar and more.
Amped Entertainment’s Missi Gallimore said, “I’ve been a fan of Chris’s as long as I’ve known him. We have had so much success together with Tim McGraw. Some of my favorite songs of all time are Chris Lindsay songs, so getting to not only be his friend but also his publisher is something I am so excited about.”
Lindsay said, “There is nothing like working with positive, talented and fearless people. I have admired Missi and the crew at Amped for a long time and I am so excited to get to work with them now.”
Lindsay joins Amped Entertainment’s growing roster of KK Johnson, lead singer of the band Track45, and Bryan Simpson.
Industry Ink: Georgia Middleman, Gary Burr, Warehouse West Entertainment, Joshua Hedley
/by Jessica NicholsonFive-Year “Nashville To New York” Anniversary Show Set For May 21
On Tuesday, May 21, Gary Burr and Georgia Middleman will host a fifth year anniversary show called “Nashville To New York” at 3rd & Lindsley, in celebration of a show Burr and Middleman hold in Manhattan every three months, to bring hit songwriters to join them for an in-the-round show. The Nashville show will feature fellow writers Pat Alger, Gretchen Peters, Dennis Matkosky, Roger Cook, Matraca Berg, J.T. Harding, Jim Photoglo, Steve Diamond, Rivers Rutherford, Liz Longly, Don Henry, Marcus Hummon, Roxie Dean, Dave Berg, Jeff Hannah, John Scott Sherril and unannounced surprise guests. The event will be held May 21 at Nashville’s 3rd & Lindsley, beginning at 7:30 p.m. (doors open at 6 p.m.).
Warehouse West Entertainment Adds Creative Coordinator
Paige Kosinski
Warehouse West Entertainment has named Paige Kosinski to the newly-created role of Creative Coordinator. In her role, Kosinski will assist in meeting the creative and digital marketing needs of the company’s growing roster of artists, including Jordan Brooker, Alana Springsteen and Willie Shaw.
“I couldn’t be more excited about the opportunity to continue to learn and grow at Warehouse West Entertainment,” said Kasinski. “I am looking forward to working with this team that is so passionate about developing unique talent and fostering creativity.”
Commenting on the move, Warehouse West’s co-owner, Luke Wooten, said, “Since we launched in June of 2018, Paige has been an important part of the team and now we’re incredibly excited to have her in an expanded role. She’s our Swiss Army knife—a utility player—and our artists are lucky to have her in their corner.”
Joshua Hedley Launches Radio Show “The Grand Tour”
Third Man recording artist Joshua Hedley has launched “The Grand Tour,” his new show on online radio platform Gimme Country. As Gimme Country’s first premiere DJ, Joshua’s first episode aired Wednesday, May 15. Gimme Country is available at gimmecountry.com and has mobile apps for both iOS and Android.
Industry Ink: Georgia Middleman, Gary Burr, Warehouse West Entertainment, Joshua Hedley
/by Jessica NicholsonFive-Year “Nashville To New York” Anniversary Show Set For May 21
On Tuesday, May 21, Gary Burr and Georgia Middleman will host a fifth year anniversary show called “Nashville To New York” at 3rd & Lindsley, in celebration of a show Burr and Middleman hold in Manhattan every three months, to bring hit songwriters to join them for an in-the-round show. The Nashville show will feature fellow writers Pat Alger, Gretchen Peters, Dennis Matkosky, Roger Cook, Matraca Berg, J.T. Harding, Jim Photoglo, Steve Diamond, Rivers Rutherford, Liz Longly, Don Henry, Marcus Hummon, Roxie Dean, Dave Berg, Jeff Hannah, John Scott Sherril and unannounced surprise guests. The event will be held May 21 at Nashville’s 3rd & Lindsley, beginning at 7:30 p.m. (doors open at 6 p.m.).
Warehouse West Entertainment Adds Creative Coordinator
Paige Kosinski
Warehouse West Entertainment has named Paige Kosinski to the newly-created role of Creative Coordinator. In her role, Kosinski will assist in meeting the creative and digital marketing needs of the company’s growing roster of artists, including Jordan Brooker, Alana Springsteen and Willie Shaw.
“I couldn’t be more excited about the opportunity to continue to learn and grow at Warehouse West Entertainment,” said Kasinski. “I am looking forward to working with this team that is so passionate about developing unique talent and fostering creativity.”
Commenting on the move, Warehouse West’s co-owner, Luke Wooten, said, “Since we launched in June of 2018, Paige has been an important part of the team and now we’re incredibly excited to have her in an expanded role. She’s our Swiss Army knife—a utility player—and our artists are lucky to have her in their corner.”
Joshua Hedley Launches Radio Show “The Grand Tour”
2019 MusicRow Awards Category Profile: Female Songwriter Of The Year
/by Jessica NicholsonFollowing Monday’s (May 13) announcement of this year’s nominees for the 31st annual MusicRow Awards, we take a look at a newly-added category for this year’s awards, Female Songwriter of the Year. The MusicRow Awards will be presented at a private ceremony on June 26.
See the full list of MusicRow Awards nominees.
Winners are determined solely by MusicRow Magazine subscribed members. Voting closes on May 21 at 5 p.m. If you do not have a subscription, you may subscribe to receive a ballot and invitation.
2019 Female Songwriter of the Year nominees:
Jessie Jo Dillon
“Break Up In The End,” recorded by Cole Swindell
“Rich,” recorded by Maren Morris
Nicolle Galyon
“All To Myself,” recorded by Dan + Shay
“Coming Home,” recorded by Keith Urban
“Tequila,” recorded by Dan + Shay
Hillary Lindsey
“Buy My Own Drinks,” recorded by Runaway June
“Closer To You,” recorded by Carly Pearce
“Cry Pretty,” recorded by Carrie Underwood
“Knockin’ Boots,” recorded by Luke Bryan
“People Are Different,” recorded by Florida Georgia Line
“When Someone Stops Loving You,” recorded by Little Big Town
“What Whiskey Does,” recorded by Randy Houser
Liz Rose
“Better Boat,” recorded by Kenny Chesney
“Cry Pretty,” recorded by Carrie Underwood
Laura Veltz
“A Song For Everything,” recorded by Maren Morris
“Rich,” recorded by Maren Morris
“Keeping Score,” recorded by Dan + Shay
“Speechless,” recorded by Dan + Shay
“The Bones,” recorded by Maren Morris
“To A T,” recorded by Ryan Hurd
Parker Welling
“Every Little Thing,” recorded by Russell Dickerson
“Blue Tacoma,” recorded by Russell Dickerson
2019 MusicRow Awards Category Profile: Female Songwriter Of The Year
/by Sarah SkatesSee the full list of MusicRow Awards nominees.
Winners are determined solely by MusicRow Magazine subscribed members. Voting closes on May 21 at 5 p.m. If you do not have a subscription, you may subscribe to receive a ballot and invitation.
2019 Female Songwriter of the Year nominees:
Jessie Jo Dillon
“Break Up In The End,” recorded by Cole Swindell
“Rich,” recorded by Maren Morris
Nicolle Galyon
“All To Myself,” recorded by Dan + Shay
“Coming Home,” recorded by Keith Urban
“Tequila,” recorded by Dan + Shay
Hillary Lindsey
“Buy My Own Drinks,” recorded by Runaway June
“Closer To You,” recorded by Carly Pearce
“Cry Pretty,” recorded by Carrie Underwood
“Knockin’ Boots,” recorded by Luke Bryan
“People Are Different,” recorded by Florida Georgia Line
“When Someone Stops Loving You,” recorded by Little Big Town
“What Whiskey Does,” recorded by Randy Houser
Liz Rose
“Better Boat,” recorded by Kenny Chesney
“Cry Pretty,” recorded by Carrie Underwood
Laura Veltz
“A Song For Everything,” recorded by Maren Morris
“Rich,” recorded by Maren Morris
“Keeping Score,” recorded by Dan + Shay
“Speechless,” recorded by Dan + Shay
“The Bones,” recorded by Maren Morris
“To A T,” recorded by Ryan Hurd
Parker Welling
“Every Little Thing,” recorded by Russell Dickerson
“Blue Tacoma,” recorded by Russell Dickerson
Top Country Songwriter Glenn Martin Dies
/by Robert K OermannBy Robert K. Oermann
Glenn Martin. Photo: Brentwood Roesch-Patton Funeral Home
Friends and family will gather on Thursday (5/16) and Friday (5/17) to honor the memory of Nashville songwriter Glenn Martin.
The Grammy-nominated tunesmith died on Sunday, May 12, at age 86.
Martin wrote top hits for such Country Music Hall of Fame members as Merle Haggard, Charley Pride, Bill Anderson and George Jones. Among his best-known songs are Pride’s “Is Anybody Goin’ to San Antone” (1970), Haggard’s “It’s Not Love (But It’s Not Bad)” (1972) and Tammy Wynette’s “I Still Believe in Fairy Tales” (1975).
During his career, Martin had more than 200 cuts. He was also a song publisher. In addition, Glenn Martin is the father of hit country writers Tony Martin (“No Place That Far,” “Third Rock From the Sun,” “Just to See You Smile,” “You Look Good in My Shirt,” etc.) and Troy Martin (“Baby’s Gotten Good at Goodbye,” “She Can’t Say I Didn’t Cry,” “Not on Your Love,” etc.).
Glenn Martin was born in Cumming, GA on June 30, 1932 and was raised in Atlanta. He joined the U.S. Air Force after his high school graduation and was stationed in Germany during the Korean War.
Following his military service, Martin worked for Bell South. Next, he opened his own furniture and music stores. Weekly jamborees at the music emporium put him in contact with Nashville musicians and songwriters. They urged him to move to Music City.
Glenn Martin’s first songwriting successes occurred in 1969 when Ray Price recorded “April’s Fool” and Bobby Bare released “Which One Will It Be.” Both songs became top-20 country hits.
He scored his first No. 1 hit with the Grammy-nominated “San Antone” in 1970, and Pride returned to Martin’s catalog for “I’m Just Me” which became a No. 1 hit in 1971.
Haggard brought the songwriter back to the top of the charts again in 1972 with “It’s Not Love.” In 1974, Red Sovine scored a hit with “It’ll Come Back.” This song was revived on the charts by Sovine in 1980.
The songwriter’s heyday was in the 1970s. Among the artists who recorded Martin’s tunes were such Hall of Fame members as Buck Owens, Jean Shepard, Charlie McCoy, Eddy Arnold, Don Gibson, Emmylou Harris, Ernest Tubb and Mel Tillis.
In the latter part of his most successful decade, Martin had hits with “Memories of Us” (George Jones, 1975), “Fairy Tales” (Wynette, 1975), “Liars One Believers Zero” (Bill Anderson, 1976), “The Pay Phone” (Bob Luman, 1977) and “Where Are You Going, Billy Boy” (Bill Anderson & Mary Lou Turner, 1977).
Haggard’s big 1977 country hit with Martin’s co-written “If We’re Not Back in Love By Monday” also became an r&b smash for Millie Jackson that year as “If You’re Not Back in Love By Monday.”
Others who recorded his tunes include Wanda Jackson, Cal Smith, Norma Jean, Neal McCoy, Donna Fargo, Keith Whitley, Jack Greene, Freddy Fender, Ed Bruce and Moe Bandy.
Glenn Martin was one of the 1970 co-founders of the NSAI (Nashville Songwriters Association International), which initially lobbied to get songwriters’ credits on recordings. The organization continues to lobby for songwriters’ interests today. He was also regarded as a mentor by many younger Music City songwriters.
Martin is survived by his wife, Teresa and his eight children. In addition to songwriters Tony and Troy, these are K. Trent Martin, J. Trace Martin, Todd C. Martin, Tiffany K. Earl, Tim C. Martin and Tiffany M, Tournaud. He is also survived by his sister Eleanor Marguerite Brown, by 34 grandchildren and by 16 great grandchildren.
The first Gathering of Friends and Family will take place on Thursday afternoon, May 16, 4-8 p.m. at Brentwood Roesch-Patton Funeral Home, 9010 Church Street, Brentwood, TN 37027.
The second Gathering of Friends and Family is scheduled for Friday, May 17, 10-11 a.m. at The Church of Jesus Christ of Latter Day Saints, 1646 Sunset Rd., Brentwood, TN 37027. The church will then host a Celebration of Life service from 11-noon.
Top Country Songwriter Glenn Martin Dies
/by Robert K OermannBy Robert K. Oermann
Glenn Martin. Photo: Brentwood Roesch-Patton Funeral Home
Friends and family will gather on Thursday (5/16) and Friday (5/17) to honor the memory of Nashville songwriter Glenn Martin.
The Grammy-nominated tunesmith died on Sunday, May 12, at age 86.
Martin wrote top hits for such Country Music Hall of Fame members as Merle Haggard, Charley Pride, Bill Anderson and George Jones. Among his best-known songs are Pride’s “Is Anybody Goin’ to San Antone” (1970), Haggard’s “It’s Not Love (But It’s Not Bad)” (1972) and Tammy Wynette’s “I Still Believe in Fairy Tales” (1975).
During his career, Martin had more than 200 cuts. He was also a song publisher. In addition, Glenn Martin is the father of hit country writers Tony Martin (“No Place That Far,” “Third Rock From the Sun,” “Just to See You Smile,” “You Look Good in My Shirt,” etc.) and Troy Martin (“Baby’s Gotten Good at Goodbye,” “She Can’t Say I Didn’t Cry,” “Not on Your Love,” etc.).
Glenn Martin was born in Cumming, GA on June 30, 1932 and was raised in Atlanta. He joined the U.S. Air Force after his high school graduation and was stationed in Germany during the Korean War.
Following his military service, Martin worked for Bell South. Next, he opened his own furniture and music stores. Weekly jamborees at the music emporium put him in contact with Nashville musicians and songwriters. They urged him to move to Music City.
Glenn Martin’s first songwriting successes occurred in 1969 when Ray Price recorded “April’s Fool” and Bobby Bare released “Which One Will It Be.” Both songs became top-20 country hits.
He scored his first No. 1 hit with the Grammy-nominated “San Antone” in 1970, and Pride returned to Martin’s catalog for “I’m Just Me” which became a No. 1 hit in 1971.
Haggard brought the songwriter back to the top of the charts again in 1972 with “It’s Not Love.” In 1974, Red Sovine scored a hit with “It’ll Come Back.” This song was revived on the charts by Sovine in 1980.
The songwriter’s heyday was in the 1970s. Among the artists who recorded Martin’s tunes were such Hall of Fame members as Buck Owens, Jean Shepard, Charlie McCoy, Eddy Arnold, Don Gibson, Emmylou Harris, Ernest Tubb and Mel Tillis.
In the latter part of his most successful decade, Martin had hits with “Memories of Us” (George Jones, 1975), “Fairy Tales” (Wynette, 1975), “Liars One Believers Zero” (Bill Anderson, 1976), “The Pay Phone” (Bob Luman, 1977) and “Where Are You Going, Billy Boy” (Bill Anderson & Mary Lou Turner, 1977).
Haggard’s big 1977 country hit with Martin’s co-written “If We’re Not Back in Love By Monday” also became an r&b smash for Millie Jackson that year as “If You’re Not Back in Love By Monday.”
Others who recorded his tunes include Wanda Jackson, Cal Smith, Norma Jean, Neal McCoy, Donna Fargo, Keith Whitley, Jack Greene, Freddy Fender, Ed Bruce and Moe Bandy.
Glenn Martin was one of the 1970 co-founders of the NSAI (Nashville Songwriters Association International), which initially lobbied to get songwriters’ credits on recordings. The organization continues to lobby for songwriters’ interests today. He was also regarded as a mentor by many younger Music City songwriters.
Martin is survived by his wife, Teresa and his eight children. In addition to songwriters Tony and Troy, these are K. Trent Martin, J. Trace Martin, Todd C. Martin, Tiffany K. Earl, Tim C. Martin and Tiffany M, Tournaud. He is also survived by his sister Eleanor Marguerite Brown, by 34 grandchildren and by 16 great grandchildren.
The first Gathering of Friends and Family will take place on Thursday afternoon, May 16, 4-8 p.m. at Brentwood Roesch-Patton Funeral Home, 9010 Church Street, Brentwood, TN 37027.
The second Gathering of Friends and Family is scheduled for Friday, May 17, 10-11 a.m. at The Church of Jesus Christ of Latter Day Saints, 1646 Sunset Rd., Brentwood, TN 37027. The church will then host a Celebration of Life service from 11-noon.
Luke Bryan Announces Crash My Playa 2020
/by LB CantrellLuke Bryan photo by Jim Wright; Jason Aldean photo by Miller Mobley
After five consecutive sold-out years, Platinum selling artist and American Idol judge Luke Bryan, along with CID Presents, announces the Crash My Playa 2020 destination event is taking place January 22-25, 2020 in the Riviera Cancun region of Mexico. The Caribbean beach vacation will feature Bryan headlining two nights. Jason Aldean will be making his debut Crash My Playa appearance headlining one of the four nightly concerts. An additional headliner and all special guests will be announced soon.
“I’m so appreciative that the fans have shown up and supported this destination concert weekend,” shared Bryan. “To have one of my best friends Jason join us this year means it’s about to be epic!”
“We are so excited to introduce you to our new home, the Moon Palace,” said CID CEO, Dan Berkowitz. “We are so grateful to the Crash My Playa community for the five years of magic we’ve created together, and with our new home comes new opportunities to take it to the next level for year six. We will see you on the beach at the Moon Palace!
Luke Bryan Announces Crash My Playa 2020
/by LB CantrellLuke Bryan photo by Jim Wright; Jason Aldean photo by Miller Mobley
After five consecutive sold-out years, Platinum selling artist and American Idol judge Luke Bryan, along with CID Presents, announces the Crash My Playa 2020 destination event is taking place January 22-25, 2020 in the Riviera Cancun region of Mexico. The Caribbean beach vacation will feature Bryan headlining two nights. Jason Aldean will be making his debut Crash My Playa appearance headlining one of the four nightly concerts. An additional headliner and all special guests will be announced soon.
“I’m so appreciative that the fans have shown up and supported this destination concert weekend,” shared Bryan. “To have one of my best friends Jason join us this year means it’s about to be epic!”
“We are so excited to introduce you to our new home, the Moon Palace,” said CID CEO, Dan Berkowitz. “We are so grateful to the Crash My Playa community for the five years of magic we’ve created together, and with our new home comes new opportunities to take it to the next level for year six. We will see you on the beach at the Moon Palace!
Play MPE Releases Digital Music Promo App
/by Lorie HollabaughPlay MPE has launched the latest version of its full-service mobile app. The app, available now for iOS and Android, gives promotional professionals and other tastemakers access to releases from the industry’s largest major labels as well as countless independent labels and artists.
“Play MPE has become synonymous with providing tastemakers with the means to discover new, interesting music from around the world,” explains Play MPE’s Fred Vandenberg. “Our position in our industry is unique, in that we have remained focused on furthering our product, adding new features that improve efficiencies. We are shaping how our customers think of digital distribution.”
Extending its successful web-based service, Play MPE’s app will bring all the functionality radio and other music professions need to do their jobs, right to their smartphones. Features include:
• Google Chromecast / Airplay capabilities: Play MPE can stream tracks onto large screens during meetings or other group discussions of content
• Fast streaming: Play MPE has optimized streaming speeds for a frictionless listening experience
• Format-based search: Search customized for the way radio programmers and station managers think about music
• Collections: Flag favorites, create custom playlists, and create custom libraries of tracks in the app
• Easy access to promo-material links: Artist information, from tour dates to album art, linked directly in the app