Agriculture Company Rantizo To Offer Drones To Help Sanitize Large-Scale Venues


Agricultural technology company Rantizo is set to use its drone spraying technology to help fight COVID-19 in large-scale venues this spring.

Rantizo, based in Iowa City, Iowa, is in discussions to use its drone spraying platform to help sanitize open areas and seating for spectator events that have been shuttered as a result of COVID-19. The company is set to roll out its SaaS (sanitization as a service) this week, to spray stadiums as a one-time service, or to spray repeatedly between games or events, depending on venue needs once restrictions lift and sports/events spectators begin again utilizing large open-air venues.

Users would be charged an initial setup fee as well as a per unit price determined by area or number of seats.

Rantizo CEO Michael Ott said, “To sanitize stadiums at this magnitude, traditionally would require dozens of workers and hours or days. That simply isn’t practical right now. With our drone sprayers, we can get into the stadiums, spray the seats quickly, efficiently, and accurately, with minimal exposure or need for human effort. Once we map out the field, it’s really easy to repeat. So many people rely on sports for an unquantifiable number of reasons. I think now, more than ever, they would represent a state of normalcy that we are all desperately searching for. When situations arise like these…unprecedented times, innovation is key to overcoming them. I’m very pleased that the Rantizo platform is a means for doing that and that we are able to help protect our communities and hopefully help facilitate some normalcy in the near future.”

“We had a MLB organization reach out to us a few weeks back looking to use our drone sprayers as a way to sanitize their stadium,” Rantizo Director of Sales, David Pieper explained. “From there, we reached out to a few local organizations who confirmed the need and interest as well. We completed some initial autonomous testing with them just last week and it went very well.”

YouTube video

DISClaimer Singles Reviews: Tim McGraw, Brett Young, The Highwomen, And More


Don’t forget Mom this weekend, because the country stars sure aren’t.

Our “mama” songs in today’s stack of tracks includes our Disc of the Day winner from Tim McGraw, as well as worthy entries by Brett Young, Martina McBride, Southern Halo and The Highwomen.

Not to mention the extraordinary “God Made a Woman” by our DisCovery Award winner, Lauren Mascitti.

THE HIGHWOMEN/Crowded Table
Writers: Natalie Hemby/Lori McKenna/Brandi Carlile; Producer: Dave Cobb; Publisher: none listed; Elektra/Low Country Sound
– Heart warming. It’s a slow, dreamy melody with an uplifting lyric about seeking community, love and reassurance. A healing song for our troubled times. This is also the centerpiece of a comforting, quarantine-themed Campbell’s soup campaign.

MANDY BARNETT/Help Me Make It Through The Night
Writer: Kris Kristofferson; Producer: Fred Molin; Publisher: none listed; MB
– One of contemporary music’s most lustrous voices meets one of the all-time great compositional masterpieces. Mandy’s takes it slow, throws in some cool key changes and soars above a sonic bed softly made with flannel sheets of gentle acoustic guitar, sighing strings and elegant piano. Exquisite.

SOUTHERN HALO/Don’t Let Another Day Go By
Writers: Natalia Morris/Cliff Downs; Producer: Cliff Downs; Publisher: Halo Baby/4 My Girls, BMI/ASCAP; Southern Halo
– One sister has left, so now the act is Nata & Tinka Morris, a duo. This breezy single still sounds like three voices to me. It’s uplifting message is to be grateful for the here and now. I could have done without the cheer-leading interjections toward the end.

WATERLOO REVIVAL/Something You Ain’t Ever Had
Writers: Brendan Cooney/Heath Warren/Rob Grimaldi; Producer: Lalo Guzman; Publisher: none listed; Show Dog
– He sez she should ditch her current guy and hook up with him instead. Country vocal and song married to screaming electric guitars. In other words, their usual schtick.

INGRID ANDRESS/The Stranger
Writers: Ingrid Andress/Ryan Lafferty; Producer: Ingrid Andress/Sam Ellis; Publisher: none listed; Warner
– Nicely done. The oomphy, echoey production gives her power ballad plenty of juice. It’s all about rekindling romance and reconnecting a relationship.

LAUREN MASCITTI/God Made A Woman
Writer: Lauren Mascitti; Producer: Shawn Camp; Publisher: none listed; LM
– She had the guts to premiere original material on American Idol instead of being a singing jukebox. Not only that, her “God Made a Woman” has a terrific, empowering, heart-in-throat lyric and a country-to-the-core musicality. Love it. If she has more songs like this one, this woman is really going places.

TIM MCGRAW/I Called Mama
Writers: Lance Miller/Marv Green/Jimmy Yeary; Producers: Tim McGraw/Byron Gallimore; Publishers: none listed; Big Machine
– Just in time for Mother’s Day. It is poignant and loving and tender and all of those good things. Don’t wait another minute. Call her right now.

BRETT YOUNG/Lady
Writers: Brett Young/Ross Copperman/Jon Nite; Producer: Dann Huff; Publisher: none listed; BMLG
– It’s addressed to his daughter, but it celebrates her mama. This guy has six No. 1 hits in a row, and I see no reason why this lovely outing shouldn’t continue that streak.

MARTINA MCBRIDE/Girls Like Me
Writers: Martina McBride/Halie Woodridge/Michael Tyler/Dan Swank/Lexi Lauren/Ester Dean/Shane McAnally/Stephanie Chapman/Ryan Tedder; Producer: Martina McBride/Nathan Chapman; Publisher: none listed; Vinyl
– Swirling and enchanting. It’s a toast to every gal who’s ever had a broken heart and survived. As usual, Martina sings with great empathy and heart. The multiplicity of writers is because the song was cobbled together by a committee on the TV show Songland.

MITCHELL TENPENNY/Someone You Loved
Writers: Benjamin Kohn/Pete Kelleher/Tom Barnes/Lewis Capaldi/Sam Roman; Producer: none listed; Publisher: none listed; Riser House/Columbia
– It’s a cover of a 2019 Lewis Capaldi pop hit. Even though he sings it well, I don’t hear it as “country” in the slightest.

Phil Vassar To Host Virtual Fan Club Party


Phil Vassar isn’t letting the COVID-19 pandemic get in the way of his connection with fans, and he’s decided to celebrate his annual fan club party this year virtually. Vassar is hosting his first-ever virtual fan club party using new technology from Single Music on May 9 at 7 p.m. CST, with the event benefiting the Second Harvest Food Bank of Middle Tennessee. Tickets are available with any size donation to Second Harvest, and can be purchased here.

This year marks the 20th fan club party hosted by the multi-platinum singer-songwriter and just like his fan club parties in the past, fans will have a chance to ask Vassar questions and see him perform fan favorites including “Carlene,” “Just Another Day in Paradise,” “Bye Bye” and more.

“Since we could not get together in person this year, I thought a virtual fan club party was the next best thing! I’m thrilled to still be able to connect with my fans and have some fun singing and chatting, “ said Vassar.

Single Music’s player allows fans to watch from their mobile phones, computers, and cast/share the stream to their TVs over Apple TV or Chromecast for an even better viewing and listening experience. The concert is streamed in a branded environment very similar to the look and feel of a live Phil Vassar concert. Viewers can chat with other fans, view merchandise, and buy music during the show just like they would normally do at an in-person concert.

Fans can also watch Vassar perform live on Fox Nation and streamed on Fox News Digital and all Fox News social media platforms Friday, May 8 at 8 p.m. ET for a virtual concert series.

The Sisterhood Band Among 2019 International Songwriting Competition Winners

The Sisterhood Band

The International Songwriting Competition has revealed its 2019 winners. Among this year’s honored writers are Hannah Bethel in the Americana category, Rachel Wilson, Dominic Schryvers, Laura Schryvers (The Sations) in the Christian genre, and Alyssa Bonagura and Ruby Stewart of The Sisterhood Band in the country category.

Judges in the competition included Coldplay, Tom Waits, Kevin Gates, Cam, American Authors,  Kristian Bush (Sugarland), Avery Lipman (Founder/President, Republic Records), and more. A complete list of 2019 winners and their winning songs can be found at songwritingcompetition.com/winners.

Previous ISC winners have included Illenium; Vance Joy; Bastille; Gotye; Lindsey Stirling; Kimbra; The Band Perry; Kehlani; Faouzia; Gregory Porter; Fantastic Negrito; Passenger; Lupe Fiasco; Gin Wigmore; Missy Higgins; for King and Country; Dean Lewis; and more.

Established in 2002, ISC is the world’s largest international songwriting competition, receiving over 18,000 entries from 140 countries in 2019. More than $150,000 in cash and merchandise is awarded to 71 winners in 23 categories covering all genres of music.

Warner Music Group Releases Second Quarter Fiscal Numbers

Warner Music Group released its earning report for the end of the second quarter and while total revenue was down compared to the same quarter last year, streaming and digital revenues were up.

“We had a tough comparison with an especially strong Q2 in 2019, so I’m pleased that we’ve matched our excellent performance in the prior-year quarter, due in large part to an 11% increase in Recorded Music streaming revenue and a 17% increase in Music Publishing digital revenue. That’s a tremendous achievement, especially coming on the heels of Q1, when we achieved the highest quarterly revenue in our sixteen-year history as a standalone company,” said Steve Cooper, Warner Music Group’s CEO. “In these unprecedented times, we’re determined to protect the livelihoods of our artists, our songwriters and our people. We’re confident that our distinctive combination of creative innovation and financial discipline will help us weather this storm and emerge stronger, better and more agile than ever.”

Points from the report included:

  • Digital revenue grew 5.7% (or 7.4% in constant currency)
  • Total revenue was down 1.7% compared to the prior year-quarter (or flat in constant currency)
  • Net loss was $74 million versus net income of $67 million in the prior-year quarter
  • OIBDA was $12 million versus $191 million in the prior-year quarter

Growth in Recorded Music digital revenue and Music Publishing digital, synchronization and mechanical revenue was more than offset by a decline in Recorded Music physical and artist services and expanded-rights revenue and in Music Publishing performance revenue.  Recorded Music licensing revenue was flat.  The revenue decline was primarily due to a lighter release schedule, some COVID-related business disruption and foreign exchange rates in the current quarter and one-time impact of a digital streaming license in the prior-year quarter.  Digital revenue grew 5.7% (or 7.4% in constant currency), and represented 65.3% of total revenue, compared to 60.6% in the prior-year quarter.

The company showed an operating loss at $49 million compared to operating income of $122 million in the prior-year quarter. Operating income before depreciation and amortization (OIBDA) was $12 million, down 93.7% from $191 million in the prior-year quarter and OIBDA margin decreased 16.4 percentage points to 1.1% from 17.5% in the prior-year quarter.  The decrease in operating income, OIBDA and OIBDA margin was primarily the result of higher variable compensation expense of $164 million related to the Company’s long-term incentive plan, as well as the margin impact of COVID-related business disruption and one-time non-cash charges of $13 million, partially offset by revenue mix.  Adjusted OIBDA decreased 78.4% to $43 million and Adjusted OIBDA margin decreased 14.3 percentage points to 4.0% from 18.3% due to higher variable compensation expense and the margin impact of COVID-related business disruption, partially offset by revenue mix.

Recorded Music revenue was down 2.8% (or 1.5% in constant currency).  The revenue decline was primarily due to a lighter release schedule, some COVID-related business disruption and foreign exchange rates in the current quarter and the one-time impact of a digital streaming license in the prior-year quarter.  Growth in digital revenue was more than offset by declines in physical and artist services and expanded-rights revenue.  Licensing revenue was flat.  Digital revenue growth reflects the continuing shift to streaming and was impacted by a one-time digital streaming license in the prior year-quarter.  The decline in artist services and expanded-rights revenue was due to the timing of tour schedules compared to the prior-year quarter, tour postponements and lower merchandise revenue resulting from COVID.  The decline in physical revenue reflects industry trends and a lighter release schedule as well as lower physical sales due to the impact of COVID.

Jordan Davis Self-Titled EP Coming May 22


Jordan Davis is set to release his self-titled EP on May 22, he announced via social media on Thursday (May 7).

His forthcoming EP toes the line between commercial relatability and intricate songwriting. From the reflective to the feel-good, both exist simultaneously in Davis and his self-titled EP, produced by Paul DiGiovanni.

“Almost Maybes” follows Davis’ recent releases like the deeply personal “Detours,” a collaboration with popstar Julia Michaels for “Cool Anymore” and tour title-track “Trouble Town.” And as Forbes recently noted, “the hits just keep coming” with recent single “Slow Dance in a Parking Lot” hitting No. 1 on the Country radio charts after back-to-back No.1 hits “Singles You Up” and “Take It From Me.”

Jordan Davis EP Track-list:
1. “Almost Maybes”
2. “Church In A Chevy”
3. “Ruin My Weekend”
4. “Little Lime”
5. “Detours”
6. “Cool Anymore” (ft. Julia Michaels)

The project follows his 2018 full-length MCA Nashville debut Home State, which included the singles “Singles You Up,” “Take It From Me,” and “Slow Dance in a Parking Lot.” “Singles You Up” was certified 2x multi-Platinum by the RIAA, while “Take It From Me” has been certified Platinum.

Nashville To Enter Phase 1 Of Reopening Plan Beginning May 11


Nashville restaurants can begin reopening to diners on May 11, as part of Phase 1 of Nashville Mayor John Cooper‘s phased reopening plan for the city. Cooper made the announcement during his daily coronavirus task force briefing on Thursday (May 7).

“The goal is to get as gently back to work while managing the presence of the disease in our community,” Mayor Cooper said. “In setting a new policy response to a new disease, we don’t have all the answers. We are learning and adjusting. There will be difficult choices ahead. The next phase will be harder in many ways as we must continue effective and forced social distancing while restarting the economy.”

On Monday (May 11), bars that serve food and restaurants, as well as retail stores and commercial businesses can reopen at 50% capacity. This marks the first time Nashville restaurants have been open since March 20. However, live music is not allowed in restaurants and bars during Phase 1. Other businesses such as entertainment venues, bars that do not serve food, gyms and salons are to remain closed.

According to Cooper’s previously-announced “Roadmap for Reopening Nashville,” if Nashville sees a significant and sustained increase in the number of active cases during Phase 1, stricter social distancing measures and policies will be put in place again.

The Roadmap includes the following policies for Phase 1:

Retail and other commercial businesses may open with physical distancing maintained and at ½ capacity, cleaning of carts, explicit expectations for frequent hand hygiene and wearing of cloth masks by employees and patrons.

  • Screen daily all employees with temperature and respiratory symptom checks. Employees with temperatures of 100.4 degrees Fahrenheit must leave the premises immediately.
  • Post information about health precautions for patrons, employees and staff (such as maintaining an appropriate physical distance while lining up for checkout). Automate doors, reduce the number of people using elevators, provide hand sanitizer to the extent possible.
  • Advise employees with any symptoms of illness to be tested and to stay home until they receive test results. Establish policies that make it possible for employees to isolate and quarantine.
  • Restaurants and bars serving food from a menu may open at ½ capacity maintaining strict physical distancing.
  • Screen daily all employees for respiratory symptoms and with temperature checks. Employees with temperatures of 100.4 degrees Fahrenheit must leave the premises immediately.
  • Post information about health precautions for patrons, employees and staff (such as maintaining a distance while lining up for checkout). Automate doors, reduce the number of people using elevators, provide hand sanitizer to the extent possible.
  • Advise employees with any symptoms of illness to be tested and to stay home until they receive test results. Create policies that make it possible for employees to isolate and quarantine.
  • Physical distancing must be maintained in kitchens and dining rooms.
  • Bar areas must remain closed.
  • Live music shall not be permitted.
  • Self-service food and shared condiments are not permitted.
  • Require that restaurants clean all surfaces after single use by patron.
  • Recommend use of disposable menus.
  • Employees required to wear cloth masks.
  • Take-out alcohol sales will remain. Can serve alcohol at tables.

During this period, other social distancing measures should remain in place:

  • Except when performing essential services, those over age 65 and those with high risk factors should remain safer at home.
  • Work from home should continue whenever possible.
  • Cloth masks should be worn in public

MTV, CMT, VH1 Coming To YouTube TV

ViacomCBS and Google have expanded their distribution agreement, allowing YouTube TV to introduce 14 ViacomCBS channels to its lineup. CMT, MTV, VH1, BET, Comedy Central, Nickelodeon, Paramount Network and TV Land will launch on YouTube TV this summer, while BET Her, MTV2, Nick Jr., NickToons, MTV Classic and TeenNick are slated to launch on YouTube TV later this year.

YouTube TV and broader YouTube platforms will continue to distribute ViacomCBS’ premium services, such as SHOWTIME. YouTubeTV will continue to carry CBS broadcast stations, CBS Sports Network, Pop TV, Smithsonian Channel and The CW.

This marks the fourth major distribution agreement ViacomCBS has inked in recent months, following the merger of Viacom and CBS in December 2019. In March the company finalized its affiliate renewals with Meredith and Nexstar. Last month, it announced a carriage deal with Verizon, to include its full portfolio.

“We are thrilled to have reached an expanded agreement with YouTube TV that recognizes the full power of our newly combined portfolio as ViacomCBS,” said Ray Hopkins, president of ViacomCBS’ U.S. networks distribution. “Google has been an excellent partner, and we look forward to bringing even more of our entertainment networks to YouTube TV subscribers for the first time.”
YouTube TV, which costs $49.99 per month, includes live and on-demand content from more than 70 networks.

Sony/ATV Music Publishing Announces Two New Executive Hires

Caldwell, Pender

Sony/ATV has added two new executives to its Nashville office. Cam Caldwell joins as VP, Business Affairs, while Courtney Pender joins as VP, Human Resources.

As VP of Business Affairs, Caldwell reports directly to Sony/ATV Nashville CEO Rusty Gaston and is responsible for negotiating all publishing and administration agreements, joint-ventures, and catalog acquisitions for the Nashville office, as well as overseeing litigation. Prior to joining Sony/ATV, Caldwell spent 10 years in private practice law and most recently worked as an attorney at Loeb & Loeb, LLP. Caldwell completed his undergraduate degree from Georgia Southern University and received his law degree from Florida Coastal School of Law.

“Cam is sure to be a unique and valuable addition to the company’s legal team, and we are grateful to have him join the Sony/ATV family,” said Gaston.

Pender will provide HR leadership and support to employees based in the US, Canada and Latin America. In this role, she is responsible for creating and implementing strategic initiatives and best practices that will encourage a healthy, diverse, and productive work environment for Sony/ATV’s employees. Pender previously worked as the Senior HR Business Partner at PopHealthcare, LLC, where she managed people operations for various teams within the company and supported growth initiatives which increased workforce capability, created organizational design and structure, and facilitated on-going process improvements. She has also worked at Fresinus Medical Care North America and at Bridgestone, where she focused on organizational design and development, change management, recruitment and selection, performance management, employee and managerial development, and company alignment across teams. Pender earned her degree from Middle Tennessee State University, received her MBA from Western Governors University and has two HR certifications.

“Courtney has extensive experience in driving and achieving successful business results, and we are excited to work with her on creating a brighter future for Sony/ATV and its staff,” said Elicia Felix-Hughey, SVP, Global Human Resources

Cox Media CEO Kim Guthrie Exits After 22+ Years

Kim Guthrie. Photo: Cox Media Group

Kim Guthrie, President and Chief Executive Officer of Cox Media Group (CMG), has decided to exit her position after a 22-plus year career with the company.

Steve Pruett, Executive Chairman of Cox Media Group, will serve as the Interim Chief Executive Officer until a permanent CEO is appointed soon. Pruett stated, “On behalf of the Board of Directors, we would like to thank Kim for her decades of service to Cox Media Group and her leadership during the company’s transition to new ownership. She has been instrumental in positioning CMG for future success as an industry-leading media company.” Guthrie will work with Pruett through the transition.

Guthrie said, “We have built a strong foundation for future growth, including an exceptional senior management team, a successful carveout from Cox Enterprises, and deep, long-term relationships with our communities, customers and partners. I have full confidence in this great team at CMG and I look forward to watching CMG’s future achievements.”

The company’s operations include 33 market-leading television stations in 20 markets, 54 award-winning radio stations in 10 markets and numerous multi-platform streaming video and digital platforms. Cox Media Group’s portfolio includes affiliates of ABC, CBS, FOX, NBC, and MyNetworkTV, as well as several valuable independent stations.