
Doug Supernaw. Photo: Courtesy Robert K. Oermann
Texas singer-songwriter Doug Supernaw, who topped the country charts in 1993-96, died Nov. 13, following a battle with cancer.
He is best known for “Reno” (1993), “I Don’t Call Him Daddy” (1993) and “Not Enough Hours in the Night” (1996). Supernaw, who was 60 when he passed, was nominated as the ACM’s New Male Artist of the Year and earned a Gold record for his Red and Rio Grande album in 1994.
Noted as a top songwriter as well as a good-time showman, Supernaw’s career was derailed by mental illness and substance abuse. But during the last few years of his life he fought to reclaim it.
He was born in 1960 and raised in middle-class circumstances in suburban Houston. He excelled as an athlete, particularly in baseball and golf. Supernaw earned a golf scholarship to the University of St. Thomas in 1978. He began writing songs and dropped out of school in 1979 to become the lead singer for the Carolina beach-party band The Occasions. Two years later, he returned to school, but flunked out of Texas Tech.
He went to work in the oil fields and continued to write songs. In 1986, he became the promoter and booker for the Arena Theater, a major venue in suburban Houston.
He took his songs to Nashville in 1987 and became a staff writer for a publisher on Music Row. But Supernaw yearned to record and to entertain. Four years later, he returned to the Lone Star State and formed his band Texas Steel. The honky-tonk group soon rose high on the lucrative East Texas music circuit.
At the urging of talent scout R.C. Bannon, RCA Records signed him and placed him on its BNA imprint. Supernaw debuted on the country charts with “Honky Tonkin’ Fool” in early 1993, but the single failed to crack the top-40. He co-wrote its follow-up, “Reno,” which hit No. 4. His third single was the divorced-fathers anthem “I Don’t Call Him Daddy,” which soared to No. 1 as 1993 drew to a close.

Doug Supernaw. Photo: Courtesy Robert K. Oermann
All three tunes appeared on Red and Rio Grande, which was certified as a Gold record in the summer of 1994. The Academy of Country Music nominated “I Don’t Call Him Daddy” as 1994’s Video of the Year and Song of the Year during the same year that Supernaw competed as the organization’s Best New Male Artist. He was also nominated for awards by TNN/Music City News, MusicRow and Billboard.
He appeared on the soundtrack of the movie comedy The Beverly Hillbillies singing the Buck Owens classic “Together Again.” During this period, he also became noted for his charity work on behalf of sick children, the handicapped, scholarship students and abused women.
His reputation as an entertainer was polished by such stunts as flying to the stage from the top of the Houston Astrodome on a guy wire and diving face-first into a mud pit at a Canadian festival without missing a note. Affectionately known as “Supe,” his witty antics at rollicking nightclub appearances drew enthusiastic crowds. His unpredictable candor made him a media favorite, as well.
In the mid-1990s, Supernaw temporarily faltered on the charts. He co-wrote 1994’s “Red and Rio Grande,” which hit No. 23. But his versions of Mickey Cates’ “State Fair” and Steve Goodman’s “You Never Even Called Me By My Name” (co-written by an uncredited John Prine) were less successful. Supernaw rebounded with Dennis Linde’s “What’ll You Do About Me” in 1995 when that single rose to No. 16.
Those last three singles appeared on his second album, Deep Thoughts From a Shallow Mind, as did six Supernaw originals and his version of Jimmy Buffett’s “He Went to Paris.” When that album failed to sell, BNA dropped him from its roster.
Supernaw broke his neck while surfing. He survived a head-on car accident and a case of food poisoning. He and his band—renamed The Possum Eatin’ Cowboys—had all of their equipment stolen, twice. He went through a divorce from his first wife, Trudy.
Supernaw’s BNA producer Richard Landis stayed with him. The team resurfaced on the Warner Bros. label Giant Records with You Still Got Me in late 1995. That collection’s “Not Enough Hours in the Night” became a smash hit when it went to No. 3.
In 1996, “She Never Looks Back” and Supernaw’s self-penned “You Still Got Me” stalled outside the top-40. His label began to decline in influence and eventually closed.
Supernaw’s last appearance on the country hit parade was a 1996 collaboration with The Beach Boys on the humorous novelty “Long Tall Texan.” His final big-label Nashville CD was the BNA compilation Encore Collection in 1997.
Throughout his hit-making years, he had remained a steadfast Texas artist. He co-wrote songs with his band and prided himself on being a country traditionalist. By resisting the temptations of Nashville, Supernaw saw himself as a country-music rebel.
The independent label Tack Records issued a Doug Supernaw album sadly but aptly titled Fadin’ Renegade in 1999. The comeback attempt failed.
His career and life began to unravel. In the late 1990s and early 2000s, Doug Supernaw was charged with drunk driving, assaulting a police officer, failure to make child-support payments, marijuana possession, jumping bail, public intoxication, contempt of court and disorderly conduct. The band quit in 1998. In 2004, second wife Debbie filed for divorce.
As recounted by journalist John Nova Lomax in The Houston Press, Supernaw’s pronouncements became increasingly erratic. He claimed he was a Native American, was implanted with a chip in his head, was swindled out of racehorses and that there was an international conspiracy to silence him because he was the illegitimate son of Marilyn Monroe and John F. Kennedy. On one occasion he was found naked, rambling that his wife had been decapitated and unable to recall his own name.
He told Lomax that he had been held hostage in a “mentally retarded home for terrorists” in Paris, France. He said he had been labeled “an alchaholik” and had a “bi-polar bear” as well as “sickle cell amnesia.” A judge stated that he was mentally incompetent to stand trial and ordered a psychiatric evaluation.
By 2007, Supernaw was cleared of most of the charges against him. During the next decade, his behavior stabilized, and he resumed touring. He acquired a new management team. He also returned to recording in Nashville.
In 2016, Doug Supernaw was inducted into the Texas Country Music Hall of Fame. In April, 2017, he released an album containing new recordings of his hits, plus two new songs, including his single “The Company I Keep.” That June, he returned to the CMA Music Festival stage in Nashville. In the fall, Dierks Bentley invited him to be part of an all-star Ralph Stanley Tribute Concert at the Opry House. In November 2018, Doug Supernaw married Cissy Allen live on Facebook from Las Vegas.
In January 2019, he sought treatment for a persistent cough. His initial diagnosis was pneumonia, but subsequent tests revealed Stage IV cancer in his lungs and bladder. A bladder tumor was removed in March 2019
On Sunday, Oct. 18, Cissy Supernaw posted on Facebook that her husband had been placed in home hospice care and that the cancer had spread to his brain and spine.
He is survived by his third wife, children, and grandchildren. Funeral arrangements have not yet been announced.
CRB Reveals New Faces Of Country Music Show Nominees
/by Jessica NicholsonThis year’s nominees include: Tenille Arts (19th & Grand), Travis Denning (Mercury), HARDY (Big Loud), Ryan Hurd (RCA), Ashley McBryde (Warner/WMN), Parker McCollum (MCA), Niko Moon (RCA), Jameson Rodgers (River House/Colombia), and Matt Stell (RECORDS/Arista).
The New Faces of Country Music voter criteria has been expanded this year, to include a wider representation of the country music industry. Eligible voters must now be full-time employees primarily involved in the programming, promotion and distribution of country music, from companies including broadcast radio, satellite radio, television outlets, and digital service providers, while expressly excluding those with vested interests in individual artists or musical works such as labels, managers, agents and publishers.
Voting for the Class of 2021 will open Nov. 30 at 10 a.m. CST and will run through the end of the day (11:59 p.m. CST), Friday, Dec. 4 at countryradioseminar.com. The five acts with the most votes will make up the lineup for the show. To view the New Faces of Country Music qualification criteria, visit countryradioseminar.com.
CRS 2021: The Virtual Experience will be held Tuesday, Feb. 16, through Friday, Feb. 19. The New Faces of Country Music Show closes out the event on Friday, Feb. 19.
Ninth Annual Touring Career Workshop Shifts To Virtual Event
/by Jessica NicholsonThe ninth annual Touring Career Workshop (TCW) will be held as a free virtual event on Tuesday, Nov. 17, 2020 airing via Facebook Live at 6 p.m. CST.
TCW was created in 2011 by Chris Lisle, owner of Production Design firm CLLD, LLC (Alice Cooper, Jason Aldean, Miranda Lambert, Robert Plant, NFL Draft, more), and Erik Parker, also a production designer.
After more than two decades in the live entertainment and event industry, Lisle saw a lack of “human resources” for those persons working in those sectors. “I saw the need to educate road crew members coming up through the ranks on core financial (taxes, renting or purchasing a home, retirement) and personal issues (mental health, family relationships, work safety) they may face as independent contractors,” Lisle said.
The workshop, held each November, typically has more than 350 attendees. This year’s event will be approximately one hour long and themed “A Night of Connection and Reflection,” including guest speakers from a variety of fields.
In addition to the annual free workshop, Lisle and Parker also created the All Access Program which offers—at no cost—two counseling sessions from one of several pre-approved therapists and life coaches. It’s handled in a completely confidential way with individual names known only by that person’s therapist.
“We firmly believe that seeking the advice of a professional can help get you through difficult times and do not want one’s ability to pay to keep them from getting help,” said Parker, TCW co-founder and associate director.
Sponsors for this years event include 4Wall Lighting, ACT Lighting, Bandit Lites, Clair Brothers Audio, Crew One, DCR, Elation Lighting, GLP Lighting, JBL by Harman, Martin by Harman, Master Tour, MooTV, Morris Sound and Light, StageCall Trucking, and Vari-Light/Phillips.
Avenue Beat, Jessie Reyez Remix Viral Smash “F2020”
/by Lorie HollabaughAvenue Beat has teamed up with singer/songwriter Jessie Reyez on a new remix of Avenue Beat’s viral hit single “F2020.”
The track began as a viral TikTok sensation, but quickly became an anthem for 2020 after landing in the Top 30 at Top 40 Radio and amassing over 50 million global streams to date.
“Jessie was one of the first people to reach out to us about the song,” Avenue Beat’s Sam Backoff shares, “and we’ve been huge fans of hers for legit years so I literally have no idea why she agreed to record it with us but we are so grateful!”
“Her lyrics are other worldly; her tone is next level and we are so excited to get to collaborate on this with her!” AB’s Savana Santos says.
“As soon as I started listening to it, I had to run to my car to bump it as loud as humanly possible!” adds AB’s Sami Bearden.
“I was inspired,” Reyez said of the collaboration. “I reached out to Avenue Beat to show love, found out they produced it themselves, fell in love even more and the rest is history.”
Cody Weaver Reminisces About “Dad’s Old Ford,” Sets New EP For December
/by Lorie HollabaughCody Weaver
Cody Weaver is releasing a new song, “Dad’s Old Ford,” today (Nov. 13). The song is the lead-off single from Weaver’s forthcoming five-song Southern Noise EP set for release on Friday, Dec. 4.
Weaver’s upbringing growing up on an orange grove and the life lessons learned during that period became the catalyst for writing the rollicking “Dad’s Old Ford.” The new track follows 2019’s “Burn,” Weaver’s single that hit number one on KB Country Radio in Canada.
“Growing up on an orange grove in Buckingham Florida we didn’t have much but that old truck meant so much to me,” explains Weaver about his new single. “The song’s message is about taking pride in what you do have and being content when it seems everyone else just wants more.”
A proud fourth-generation Floridian, Weaver credits his musical style to being immersed in the sounds of American music throughout his life in the south, including blues, bluegrass, traditional country and rock.
Rhett Akins To Celebrate 25 Years Of Hits With Virtual Concert
/by Jessica NicholsonWarner Chappell Music Nashville will celebrate Rhett Akins‘ 25 years of hits with a special virtual concert on Dec. 13, with Akins sharing stories behind many of the biggest hits he’s penned for artists including Blake Shelton, Jason Aldean, Luke Bryan, and more. Akins has penned 31 No. 1 hits, and earned 40 BMI awards for his hit songs.
Ben Vaughn, President & CEO, WCM Nashville said, “We’re thrilled to celebrate Rhett’s incredible career as a songwriter with his fans across the globe through an intimate night full of stories and songs. Anyone who’s been to Nashville knows how special the songwriting round is and we can’t wait to bring that magic to a wider audience thanks to our friends at Stabal.”
Fans can purchase tickets to Celebrating 25 Years of Legend: Rhett Akins’for $13.50. A 30-day Unlimited Access Pass will also be available to unlock exclusive bonus content including, a Stabal Talk with Rhett Akins for an in-depth look at his legendary career, an encore performance, and free access to a Warner Chappell Songwriting Round episode with Akins, Jessi Alexander, and Randy Montana.
For tickets, visit stabal.com.
Jason Isbell Criticizes CMA For Not Honoring John Prine, Jerry Jeff Walker, Billy Joe Shaver
/by Jessica NicholsonJason Isbell. Photo: Alysse Gafkjen
Jason Isbell spoke out against the Country Music Association on Thursday (Nov. 12) for not including the late singer-songwriters John Prine, Jerry Jeff Walker, and Billy Joe Shaver during its CMA Awards telecast on Wednesday, Nov. 11. Writing on Twitter, the four-time Grammy winner Isbell said he, along with Jason Isbell & The 400 Unit band-member and wife Amanda Shires, would be returning their CMA membership cards.
Isbell, a four-time Grammy winner, wrote Nov. 12 on Twitter, “Due to CMAs failure to mention John Prine, Jerry Jeff Walker, and Billy Joe Shaver at the CMA’s last night, @amandashires and I have decided to return our membership cards. I doubt anybody will care, but we cared a lot about our heroes.”
While this year’s CMA Awards opened with a tribute to the late Charlie Daniels, and paid homage to Mac Davis, Kenny Rogers and Joe Diffie, the show did not include mentions of the recent deaths of Prine, Walker or Shaver.
The Country Music Association released the following statement to MusicRow Magazine:
“The CMA Awards broadcast historically does not include an In Memoriam segment. An In Memoriam did air in 2017 to honor the victims of the tragic shooting at Route 91 Harvest festival in Las Vegas. In order to recognize those we have lost each year, the CMA does include an In Memoriam tribute on our website and in our annual CMA Awards Program Guide, which was mailed to CMA members ahead of this year’s broadcast. To note, this year’s In Memoriam includes those lives lost prior to the program guide’s printing deadline of Oct. 14, 2020.”
Americana icon Prine died April 7 at age 73, following a battle with coronavirus. Prine’s career has been honored by the Songwriters Hall of Fame, Grammys, Americana Association, and more. Prine, known for penning songs including “Sam Stone,” “Angel From Montgomery,” and “Hello In There,” also penned George Strait’s 1998 hit “I Just Wanna Dance With You,” which earned Prine a CMA nomination for Song of the Year.
Texas native Walker is known for penning “Mr. Bojangles,” and died Oct. 23 at 78, following a battle with cancer. Shaver’s songs have been recorded by Waylon Jennings (whose 1973 album Honky Tonk Heroes was comprised of nearly all Shaver songs), Elvis Presley and more; Shaver died Oct. 28, at age 81.
Jason Isbell & The 400 Unit’s album The Nashville Sound was nominated for Album of the Year at the 2017 CMA Awards.
Judah & The Lion Share Uplifting New Track “Spirit”
/by Lorie HollabaughJudah & The Lion are releasing a brand new single, “Spirit,” today (Nov. 13). The new song delivers a message of hope and positivity going forward in spite of what has been a difficult year. The band also announced a limited-edition vinyl compilation by the same name that includes all of the Judah & the Lion songs released throughout 2020.
Spirit will feature new original songs “Spirit,” “Beautiful Anyway,” and “Never Give Up On You,” which was written as the official anthem for the Nashville MLS team, Nashville SC, alongside an unplugged version of 2017 hit “Suit and Jacket” and a cover of Sheryl Crow’s feel-good single “Soak Up the Sun.” Pre-orders for the vinyl are available now exclusively on the band’s official site.
“2020. A season of pain, heartache, and unrest. Our hope is that ‘Spirit’ will help those listening to move forward and push through this season, TOGETHER,” said Judah Akers. “Most iconic stories and songs don’t start with everything being perfect, but rather the story comes from the pain and the tension between moving forward and allowing the pain to become your super power in life.”
Eric Church, Lee Brice Earn Most-Added New Singles On ‘MusicRow’ CountryBreakout Radio Chart
/by Jessica NicholsonEric Church, Lee Brice.
Reigning CMA Entertainer of the Year Eric Church has this week’s most-added song on MusicRow‘s CountryBreakout Radio Chart, with “Hell of a View” earning 15 adds and gaining 207 spins. The song is currently at No. 43 on the chart. Church penned the song with Casey Beathard and Monty Criswell.
“We were in North Carolina in the mountains, and when I came back in from a jog Casey immediately started playing the first part of the song he’d been working on with Monty,” Church said via a statement. “He had the line ‘caught your wings on fire when I smoked my Bronco tires out of that town,’ and I just thought that was such a great line. I was smitten with it, so we finished it and then recorded it that night. I knew it was pretty special when it went down, because it felt like a big hit but at the same time it has that timeless quality to it.”
Lee Brice‘s “Memory I Don’t Mess With” earns the two-week most-added distinction, with 25 MusicRow panel station adds and 153 spin gains. The track is currently at No. 54. Brice recently picked up Musical Event of the Year at this week’s CMA Awards, for “I Hope You’re Happy Now,” his collaboration with Carly Pearce. Brice wrote “Memory I Won’t Mess With” alongside Brian Davis and Billy Montana, and the track is featured on Brice’s upcoming album Hey World, out Nov. 20.
1990s Country Hitmaker Doug Supernaw Dies
/by Robert K OermannDoug Supernaw. Photo: Courtesy Robert K. Oermann
Texas singer-songwriter Doug Supernaw, who topped the country charts in 1993-96, died Nov. 13, following a battle with cancer.
He is best known for “Reno” (1993), “I Don’t Call Him Daddy” (1993) and “Not Enough Hours in the Night” (1996). Supernaw, who was 60 when he passed, was nominated as the ACM’s New Male Artist of the Year and earned a Gold record for his Red and Rio Grande album in 1994.
Noted as a top songwriter as well as a good-time showman, Supernaw’s career was derailed by mental illness and substance abuse. But during the last few years of his life he fought to reclaim it.
He was born in 1960 and raised in middle-class circumstances in suburban Houston. He excelled as an athlete, particularly in baseball and golf. Supernaw earned a golf scholarship to the University of St. Thomas in 1978. He began writing songs and dropped out of school in 1979 to become the lead singer for the Carolina beach-party band The Occasions. Two years later, he returned to school, but flunked out of Texas Tech.
He went to work in the oil fields and continued to write songs. In 1986, he became the promoter and booker for the Arena Theater, a major venue in suburban Houston.
He took his songs to Nashville in 1987 and became a staff writer for a publisher on Music Row. But Supernaw yearned to record and to entertain. Four years later, he returned to the Lone Star State and formed his band Texas Steel. The honky-tonk group soon rose high on the lucrative East Texas music circuit.
At the urging of talent scout R.C. Bannon, RCA Records signed him and placed him on its BNA imprint. Supernaw debuted on the country charts with “Honky Tonkin’ Fool” in early 1993, but the single failed to crack the top-40. He co-wrote its follow-up, “Reno,” which hit No. 4. His third single was the divorced-fathers anthem “I Don’t Call Him Daddy,” which soared to No. 1 as 1993 drew to a close.
Doug Supernaw. Photo: Courtesy Robert K. Oermann
All three tunes appeared on Red and Rio Grande, which was certified as a Gold record in the summer of 1994. The Academy of Country Music nominated “I Don’t Call Him Daddy” as 1994’s Video of the Year and Song of the Year during the same year that Supernaw competed as the organization’s Best New Male Artist. He was also nominated for awards by TNN/Music City News, MusicRow and Billboard.
He appeared on the soundtrack of the movie comedy The Beverly Hillbillies singing the Buck Owens classic “Together Again.” During this period, he also became noted for his charity work on behalf of sick children, the handicapped, scholarship students and abused women.
His reputation as an entertainer was polished by such stunts as flying to the stage from the top of the Houston Astrodome on a guy wire and diving face-first into a mud pit at a Canadian festival without missing a note. Affectionately known as “Supe,” his witty antics at rollicking nightclub appearances drew enthusiastic crowds. His unpredictable candor made him a media favorite, as well.
In the mid-1990s, Supernaw temporarily faltered on the charts. He co-wrote 1994’s “Red and Rio Grande,” which hit No. 23. But his versions of Mickey Cates’ “State Fair” and Steve Goodman’s “You Never Even Called Me By My Name” (co-written by an uncredited John Prine) were less successful. Supernaw rebounded with Dennis Linde’s “What’ll You Do About Me” in 1995 when that single rose to No. 16.
Those last three singles appeared on his second album, Deep Thoughts From a Shallow Mind, as did six Supernaw originals and his version of Jimmy Buffett’s “He Went to Paris.” When that album failed to sell, BNA dropped him from its roster.
Supernaw broke his neck while surfing. He survived a head-on car accident and a case of food poisoning. He and his band—renamed The Possum Eatin’ Cowboys—had all of their equipment stolen, twice. He went through a divorce from his first wife, Trudy.
Supernaw’s BNA producer Richard Landis stayed with him. The team resurfaced on the Warner Bros. label Giant Records with You Still Got Me in late 1995. That collection’s “Not Enough Hours in the Night” became a smash hit when it went to No. 3.
In 1996, “She Never Looks Back” and Supernaw’s self-penned “You Still Got Me” stalled outside the top-40. His label began to decline in influence and eventually closed.
Supernaw’s last appearance on the country hit parade was a 1996 collaboration with The Beach Boys on the humorous novelty “Long Tall Texan.” His final big-label Nashville CD was the BNA compilation Encore Collection in 1997.
Throughout his hit-making years, he had remained a steadfast Texas artist. He co-wrote songs with his band and prided himself on being a country traditionalist. By resisting the temptations of Nashville, Supernaw saw himself as a country-music rebel.
The independent label Tack Records issued a Doug Supernaw album sadly but aptly titled Fadin’ Renegade in 1999. The comeback attempt failed.
His career and life began to unravel. In the late 1990s and early 2000s, Doug Supernaw was charged with drunk driving, assaulting a police officer, failure to make child-support payments, marijuana possession, jumping bail, public intoxication, contempt of court and disorderly conduct. The band quit in 1998. In 2004, second wife Debbie filed for divorce.
As recounted by journalist John Nova Lomax in The Houston Press, Supernaw’s pronouncements became increasingly erratic. He claimed he was a Native American, was implanted with a chip in his head, was swindled out of racehorses and that there was an international conspiracy to silence him because he was the illegitimate son of Marilyn Monroe and John F. Kennedy. On one occasion he was found naked, rambling that his wife had been decapitated and unable to recall his own name.
He told Lomax that he had been held hostage in a “mentally retarded home for terrorists” in Paris, France. He said he had been labeled “an alchaholik” and had a “bi-polar bear” as well as “sickle cell amnesia.” A judge stated that he was mentally incompetent to stand trial and ordered a psychiatric evaluation.
By 2007, Supernaw was cleared of most of the charges against him. During the next decade, his behavior stabilized, and he resumed touring. He acquired a new management team. He also returned to recording in Nashville.
In 2016, Doug Supernaw was inducted into the Texas Country Music Hall of Fame. In April, 2017, he released an album containing new recordings of his hits, plus two new songs, including his single “The Company I Keep.” That June, he returned to the CMA Music Festival stage in Nashville. In the fall, Dierks Bentley invited him to be part of an all-star Ralph Stanley Tribute Concert at the Opry House. In November 2018, Doug Supernaw married Cissy Allen live on Facebook from Las Vegas.
In January 2019, he sought treatment for a persistent cough. His initial diagnosis was pneumonia, but subsequent tests revealed Stage IV cancer in his lungs and bladder. A bladder tumor was removed in March 2019
On Sunday, Oct. 18, Cissy Supernaw posted on Facebook that her husband had been placed in home hospice care and that the cancer had spread to his brain and spine.
He is survived by his third wife, children, and grandchildren. Funeral arrangements have not yet been announced.
Tim McGraw Announces ‘McGraw Machine Hits’ Collection Out Nov. 20
/by Lorie HollabaughTim McGraw is releasing a collection of his biggest hits, via a new project from Big Machine and Spirit Music Group, McGraw Machine Hits: 2013-2019, due out Nov. 20.
The 14-track project features a look back at McGraw’s legacy through some of his most sentimental smash hits like the Triple Platinum “Humble & Kind,” the Platinum-certified “Shotgun Rider,” the double Platinum “Highway Don’t Care” featuring Taylor Swift and Keith Urban, the double Platinum collab with Florida Georgia Line, “May We All,” and a never-before heard cover of the Bellamy Brothers hit “Redneck Girl” featuring Midland, that is available now.
“Every now and then you want to go back and hear a collection of songs exactly like you remember them,” shared McGraw. “Even to go re-record doesn’t feel right because there’s something magical about what happened there when it happened.”
Special fan packages will be featured with the purchase of the album that include a vintage style McGraw t-shirt and new shirts from McGraw’s website.
McGraw Machine Hits: 2013-2019 Track List:
1. “How I’ll Always Be” | Chris Janson, Jamie Paulin, Jeremy Stover
2. “Humble And Kind” | Lori McKenna
3. “Top Of The World” | Jon Nite, Josh Osborne, Jimmy Robbins
4. “Diamond Rings and Old Barstools” with Catherine Dunn | Barry Dean, Luke Laird, Jonathan Singleton
5. “Shotgun Rider” | Marv Green, Hillary Lindsey, Troy Verges
6. “Nashville Without You” | Kyle Jacobs, Joe Leathers, Ruston Kelly
7. “Meanwhile Back At Mama’s” featuring Faith Hill | Tom Douglas, Jaren Johnston, Jeffrey Steele
8. “Southern Girl” | Rodney Clawson, Jaren Johnston, Lee Thomas Miller
9. “Highway Don’t Care” featuring Taylor Swift and Keith Urban | Mark Irwin, Josh Kear, Brad Warren, Brett Warren
10. “One of Those Nights” | Rodney Clawson, Luke Laird, Chris Tompkins
11. “Truck Yeah” | Preston Brust, Chris Janson, Chris Lucas, Danny Myrick*
*Digital only version.
Bonus Tracks:
12. “Drive” | Ric Ocasek
13. “May We All” (Florida Georgia Line featuring Tim McGraw) | Rodney Clawson, Jamie Moore
14. “Redneck Girl” featuring Midland | David Bellamy