
Courtesy: Annenberg Inclusion Initiative
In a study released by USC’s Annenberg Inclusion Initiative, data shows that significant progress has not been made for inclusion for women in music. Underrepresented racial and ethnic groups have seen an uptick in inclusion.
The report assessed gender and race/ethnicity of artists, songwriters, and producers across the 900 most popular songs from 2012 to 2020, based on the Billboard Year-End Hot 100 Chart. Grammy nominations were also evaluated by gender and race/ethnicity across five categories: Record of the Year, Album of the Year, Song of the Year, Best New Artist, and Producer of the Year.
The study was conducted by Dr. Stacy L. Smith, Dr. Katherine Pieper, Marc Choueiti, Karla Hernandez and Kevin Yao. Read the full report here.
Below are some of the key findings:
According to the study, 173 artists appeared on the Billboard Hot 100 Year-End chart in 2020. Of those, 79.8% were men and 20.2% were women, making 2020 not meaningfully different than the percentage of female artists on the Billboard Hot 100 Year-End chart in recent years. The highest percentage of women artists represented on the chart was in 2016, when 28.1% of artists were women.
Women artists were most prevalent in the pop genre (32%) over the last nine years, and least prevalent in hip-hop/rap (12.3%), where 7.1 men charted for every one woman artist.
The top-performing artist of the last nine years was Drake, with 41 songs. On the women’s list, Nicki Minaj and Rihanna prevailed with 21 songs each. Ten of the top 13 artists of the past nine years are from underrepresented racial/ethnic groups.

Courtesy: Annenberg Inclusion Initiative
Of 173 artists in 2020, 59% were underrepresented and 41% were white. 2020 was the fourth consecutive year where the percentage of underrepresented artists increased. Underrepresented artists were most likely to appear on the charts in the genres of R&B/soul (92.1%), hip-hop/rap (87.3%), and pop (36.3%).
Songwriters:
Of the total of 449 songwriters that were credited in 2020, 87.1% were men and 12.9% were women. Across all nine years, 12.6% of songwriters were women, a ratio of seven male songwriters to every one female songwriter.
According to the study, women songwriters were most likely to work on dance/electronic songs (20.5%) and pop (18.7%) music, and least likely to work in hip-hop/rap (6.3%), R&B (9.1%) or country (10.6%).

Courtesy: Annenberg Inclusion Initiative
Producers:
Of the 198 producers credited in 2020, 98% were men and 2% were women. Across a six-year sample (2012, 2015, 2017, and 2018-2020), a total of 1,291 producers were credited. Of these, 97.4% of producers were men and 2.6% were women. This is a ratio of 38 men to every one woman producer.
Out of the 33 women credited as a producer across the six years studied, nine were women of color. Only one woman of color was credited as a producer in 2020—Mariah Carey received a producing credit for “All I Want for Christmas is You,” a song first released in 1994.

Courtesy: Annenberg Inclusion Initiative
Grammy Nominations: 2013 to 2021:
Of the 1,359 individuals that were nominated for a Grammy Award between 2013 and 2021, 13.4% were women and 86.6% were men. This is a ratio of 6.5 men nominated for every one woman nominee.
Women were most likely to be nominated for the Best New Artist award, followed by Song of the Year. Across nine years, roughly 10% or less of the nominees for Record of the Year or Album of the Year have been women. Only one woman has been nominated for Producer of the Year across the entire sample.
From 2020 to 2021, the percentage of women Grammy nominees increased significantly and reached a nine-year high as 28.1% of nominees were women. There were nearly four times as many women nominated for a Grammy Award in 2021 in the five major categories evaluated as there were in 2013.

Courtesy: Annenberg Inclusion Initiative
Scott Sexton Upped To Director Of Publicity, Logan DeLoye Promoted At 2911 Media
/by Lorie HollabaughScott Sexton, Logan DeLoye
Scott Sexton and Logan DeLoye have been promoted at 2911 Media.
2911 Media represents artists including Don McLean, Crystal Gayle, Chapel Hart, Lee Greenwood, The Oak Ridge Boys, Johnny Lee and more.
Sexton has been elevated from Publicity Manager to Director of Publicity.
He got his start in the business freelance writing for CountryMusic.About.com and wrote for several music outlets including CountryMusicReport.com and CountryStarsCentral.com. Sexton also worked with Grand Ole Opry star Jack Greene for seven years until his passing in 2013. In June 2013, Sexton created ‘Country For A Cause,’ which continues to raise money for Monroe Carell Jr. Children’s Hospital at Vanderbilt each year.
“Being Director of Publicity at 2911 Media is a role that I am honored to obtain and have dreamt about for a long time. Helping an artist be the very best they can be, at all levels, has always been my number one goal and it always will be. Seeing their dreams through makes mine possible and I couldn’t be more excited to embrace this new role with 2911 Media,” says Sexton.
DeLoye has been promoted to Publicity Manager from Media Coordinator
Logan graduated from Middle Tennessee State University in December 2019 and holds a bachelor’s degree in Journalism and Communications. She has written for musicians and venues across the globe, handled various social accounts for media outlets, and has filmed, edited, and starred in broadcast news stories throughout Tennessee. When not working, she volunteers with nonprofits such as the Leukemia and Lymphoma Society of Nashville, Harpeth River Conservatory, and the Safe Haven Family Shelter.
“I’m incredibly proud of the talent we have here,” says 2911 President/CEO Jeremy Westby. “Scott and Logan really deliver for our clients. There isn’t anything I can’t trust them with to handle capably and thoroughly. They both bring eager anticipation to the tasks at hand every day, with unlimited smiles and laughter to carry us and our clients through the week. I’m overjoyed that we could look this past year in the eyes and give it a good wink and nod. We are grateful to everyone who’s allowed us to represent them and their brands, and are anticipating another fantastic year—which is already well underway! We also just celebrated (virtually!) Logan’s one-year anniversary with the company. Cheers to all—and thanks to all for trusting and believing in 2911.”
Annenberg Inclusion Initiative Study Reveals No ‘Meaningful’ Change For Women In Recorded Music
/by LB CantrellCourtesy: Annenberg Inclusion Initiative
In a study released by USC’s Annenberg Inclusion Initiative, data shows that significant progress has not been made for inclusion for women in music. Underrepresented racial and ethnic groups have seen an uptick in inclusion.
The report assessed gender and race/ethnicity of artists, songwriters, and producers across the 900 most popular songs from 2012 to 2020, based on the Billboard Year-End Hot 100 Chart. Grammy nominations were also evaluated by gender and race/ethnicity across five categories: Record of the Year, Album of the Year, Song of the Year, Best New Artist, and Producer of the Year.
The study was conducted by Dr. Stacy L. Smith, Dr. Katherine Pieper, Marc Choueiti, Karla Hernandez and Kevin Yao. Read the full report here.
Below are some of the key findings:
According to the study, 173 artists appeared on the Billboard Hot 100 Year-End chart in 2020. Of those, 79.8% were men and 20.2% were women, making 2020 not meaningfully different than the percentage of female artists on the Billboard Hot 100 Year-End chart in recent years. The highest percentage of women artists represented on the chart was in 2016, when 28.1% of artists were women.
Women artists were most prevalent in the pop genre (32%) over the last nine years, and least prevalent in hip-hop/rap (12.3%), where 7.1 men charted for every one woman artist.
The top-performing artist of the last nine years was Drake, with 41 songs. On the women’s list, Nicki Minaj and Rihanna prevailed with 21 songs each. Ten of the top 13 artists of the past nine years are from underrepresented racial/ethnic groups.
Courtesy: Annenberg Inclusion Initiative
Of 173 artists in 2020, 59% were underrepresented and 41% were white. 2020 was the fourth consecutive year where the percentage of underrepresented artists increased. Underrepresented artists were most likely to appear on the charts in the genres of R&B/soul (92.1%), hip-hop/rap (87.3%), and pop (36.3%).
Songwriters:
Of the total of 449 songwriters that were credited in 2020, 87.1% were men and 12.9% were women. Across all nine years, 12.6% of songwriters were women, a ratio of seven male songwriters to every one female songwriter.
According to the study, women songwriters were most likely to work on dance/electronic songs (20.5%) and pop (18.7%) music, and least likely to work in hip-hop/rap (6.3%), R&B (9.1%) or country (10.6%).
Courtesy: Annenberg Inclusion Initiative
Producers:
Of the 198 producers credited in 2020, 98% were men and 2% were women. Across a six-year sample (2012, 2015, 2017, and 2018-2020), a total of 1,291 producers were credited. Of these, 97.4% of producers were men and 2.6% were women. This is a ratio of 38 men to every one woman producer.
Out of the 33 women credited as a producer across the six years studied, nine were women of color. Only one woman of color was credited as a producer in 2020—Mariah Carey received a producing credit for “All I Want for Christmas is You,” a song first released in 1994.
Courtesy: Annenberg Inclusion Initiative
Grammy Nominations: 2013 to 2021:
Of the 1,359 individuals that were nominated for a Grammy Award between 2013 and 2021, 13.4% were women and 86.6% were men. This is a ratio of 6.5 men nominated for every one woman nominee.
Women were most likely to be nominated for the Best New Artist award, followed by Song of the Year. Across nine years, roughly 10% or less of the nominees for Record of the Year or Album of the Year have been women. Only one woman has been nominated for Producer of the Year across the entire sample.
From 2020 to 2021, the percentage of women Grammy nominees increased significantly and reached a nine-year high as 28.1% of nominees were women. There were nearly four times as many women nominated for a Grammy Award in 2021 in the five major categories evaluated as there were in 2013.
Courtesy: Annenberg Inclusion Initiative
Brett Boyett, Karen Clark Form New Independent Label, Fate Entertainment
/by Lorie HollabaughBrett Boyett and Karen Clark have launched a new independent label, Fate Entertainment.
Clark, a seasoned music publisher and intellectual property attorney, will assume business development and legal affairs for the Nashville-based label, while Boyett will fulfill A&R and production responsibilities. Distribution for the label is handled through Vydia.
Before the formation of Fate Entertainment, Clark was hailed as one of the top corporate lawyers in the country, spending over 30 years of her career with The Procter and Gamble Company, ultimately serving as Vice President of Global Legal and Global Business Services. Her late husband, Frank Larry, along with Clark, created the Nashville-based music publishing company A Million Midnights Music with Dan Truman of Diamond Rio.
Over the years, Boyett has worked as a composer, songwriter, multi-instrumentalist, and producer with hundreds of credits in film and TV. Most recently, he served as executive music producer and composer on the feature film Forever My Girl, where he worked with artists like Travis Tritt, Lauren Alaina, Phillip Sweet (Little Big Town), and Mickey Guyton. Boyett recently formed and joined the Fate Entertainment trio, Nashvillains.
“We are ready to put our stamp on the music industry with a creative approach to the typical entertainment business model by thinking outside of the box and by letting the music we create speak for itself,” says Boyett.
Fate Entertainment’s roster currently includes Nashville-based trio Nashvillains and pop artist Ariel Bellvalaire.
Miranda Lambert, Brandi Carlile, Mickey Guyton, Maren Morris To Perform At ‘Grammy Awards’
/by Steven BoeroPictured (clockwise): Brandi Carlile, Mickey Guyton, Maren Morris, Miranda Lambert
Miranda Lambert, Mickey Guyton, Brandi Carlile and Maren Morris are set to perform at the 63rd Annual Grammy Awards on Sunday (March 14).
The four performers are all nominated for awards throughout the night, with Lambert being nominated three separate times.
Both Lambert (“Bluebird”) and Guyton (“Black Like Me”) are nominated for Best Country Solo Performance.
Morris, Lambert and Carlile are all nominated Best Country Song. Lambert co-wrote “Bluebird” with Luke Dick and Natalie Hemby. Morris’ hit song “The Bones” was co-written by Morris, Jimmy Robbins and Laura Veltz. Carlile is nominated alongside writers Hemby and Lori McKenna for The Highwomen‘s “Crowded Table.”
Lambert is the only performer to be nominated for Best Country Album for her hit record Wildcard.
Taylor Swift is also performing and is nominated for five awards, including Song Of The Year, Album Of The Year, Best Pop Duo/Group Performance, Best Pop Vocal Album, and Best Song Written For Visual Media.
The Grammy Awards will pay tribute to independent venues, which have been greatly impacted by the pandemic. From bartenders to box office managers, those who work day-to-day at the Station Inn (Nashville), Troubadour (Los Angeles), the Hotel Café (Los Angeles), and the Apollo Theater (New York City) will present various categories throughout the night.
Hosted by Trevor Noah, CBS and the Recording Academy will present the 63rd Annual Grammy Awards, airing live on Sunday (March 14) at 8:00 p.m. ET on CBS Television Network. The telecast will also be available to stream live and on demand on Paramount+.
For a complete list of Grammy performers click here.
Industry Ink: Carly Pearce, IBMA, Ronnie McDowell
/by Lorie HollabaughCarly Pearce Celebrated At Kentucky Music Hall of Fame & Museum Exhibit
Carly Pearce
Carly Pearce returned to her home state for an exhibit unveiling at the Kentucky Music Hall of Fame & Museum. The virtual ceremony highlighted the Taylor Mill native’s journey from fronting a local bluegrass band at 11 and performing around the region in a blue sequin outfit her mom crafted, to expressing her admiration for the area with a Kentucky tattoo and a recent CMA Award win. Pearce also performed her hits “Every Little Thing” and “I Hope You’re Happy Now,” plus cautionary tale “Next Girl.”
“Going home always brings such comfort, but today, I really feel the embrace of my Kentucky roots. When I was in fourth grade, I won my school talent show singing ‘Blue Moon of Kentucky’ in a costume my mom made for me. As I unveiled my exhibit in the Kentucky Hall of Fame & Museum, it’s such a feeling of joy to see that costume displayed. I wish I could tell that little girl what was coming,” said Pearce.
IBMA Raises Over $310,000 In Donations In 2020
The International Bluegrass Music Association (IBMA) is extending its gratitude to those who donated to the IBMA, IBMA Trust Fund, and IBMA Foundation during 2020. Due to donors’ generosity, the three organizations were able to raise $33,592 during a year-end giving campaign, bringing the total to $310,692 in donations for 2020.
The contributions are essential to helping IBMA continue its goal of building a stronger bluegrass community through programs and resources, including the IBMA Trust Fund’s COVID-19 Relief Account to provide emergency need to people affected by the pandemic; building a brighter future for bluegrass through the IBMA Foundation’s grants, scholarships, and Arnold Shultz Fund; and the first-ever IBMA Virtual World of Bluegrass, which brought the global bluegrass community together to connect.
Ronnie McDowell’s “Older Women” Remake Gets Tik Tok Attention
Ronnie McDowell is celebrating the 40th Anniversary of his hit single, “Older Women” which reached No. 1 in 1981. Now, in 2021 “Older Women ” has gone viral on Tik Tok, reaching nearly 130 million views and counting through a cover by The Sheltons.
“I was very reluctant about recording ‘Older Women’ because I thought it would be detrimental to women but was I ever wrong,” says McDowell. “It actually made ladies over 40 feel good about themselves and it lifted them up! I never knew 40 years later I would be singing the song over 15,000 times. But you know what, every time I sing it, it’s still just as fresh as the first time.”
Niko Moon’s ‘Good Time’ Climbs To No. 1
/by Steven BoeroBreakout country artist Niko Moon earns his first No. 1 single as an artist with his Platinum-selling smash “Good Time.” Moon’s debut single topped the Mediabase/Country Aircheck, Billboard Country Airplay and Billboard Hot Country Songs charts. The song also hit No. 1 on the MusicRow CountryBreakout Chart in February.
“I want to give a BIG, BIG thank you to everyone who has believed in me and believed in ‘Good Time,’” says Moon. “I also want to thank country radio and streaming platforms for allowing me to connect with all of their amazing country music fans. This has been a dream of mine for a really long time, and y’all have made it possible.”
“Good Time” is the first debut single to simultaneously peak on Billboard’s Country Airplay and Hot Country Songs charts since Sam Hunt’s “Leave The Night On” in 2014. The hit single, which has more than 197 million on-demand audio streams, is co-written by Moon, his wife Anna Moon, Jordan Minton, Joshua Murty and Mark Trussell.
Moon is currently self-producing his debut full-length project alongside Murty, a longtime collaborator and friend.
Sony Music Publishing Promotes Tom Foley
/by LB CantrellTom Foley
Sony Music Publishing has announced the promotion of Tom Foley to Senior Vice President, Worldwide Portfolio Management and Analysis. Based in the company’s Nashville office, Foley reports to Sony Music Publishing Global Chief Financial Officer, Tom Kelly.
In his new role, Foley is responsible for providing analysis on the performance of the company’s investments around the world and working with regional and local management teams to maximize investment returns.
Sony Music Publishing’s Kelly says “Tom has been a vital and dedicated member of our team since he began at EMI Music Publishing in 1998—his knowledge and expertise have helped us adapt to the industry’s ever-changing landscape and I’m confident he will create more growth opportunities for our roster in this new role.”
“I am very excited to continue working with Tom and Jon [Platt], who have guided and mentored me throughout my career. I look forward to helping them deliver for Sony Music Publishing and its songwriters the greatest value for their catalogues in an ever growing and evolving music marketplace,” says Foley.
Previously, Foley held the position of Vice President, North American Royalty Administration in Nashville, where he helped his team implement several new technologies, such as Real-Time Foreign accounting and Cash Out. He first joined Sony from EMI in 2013 as Vice President of Financial Planning and Analysis, where he led the department during period of rapid expansion after the EMI Music Publishing acquisition. He originally began working at EMI Music Publishing in 1998, holding various roles in royalties and finance. Tom is a graduate of Georgetown University with a degree in business administration.
Reba’s ‘All The Women I Am’ Concert Special To Premiere On YouTube
/by Lorie HollabaughReba McEntire is premiering her All The Women I Am concert special exclusively on YouTube this Friday, March 12, marking the first time the concert has been available digitally and in its entirety.
The concert was filmed in 2011 at the Cajundome in Layfayette, Louisiana and features the country legend performing some of her greatest hits including “Is There Life Out There,” “Turn On The Radio” and more. The special will premiere at 7:30 p.m. CT and Reba will celebrate with fans through a chat on her YouTube channel. Last year, Reba released two additional concert specials with YouTube, 1990’s Reba In Concert and 1994’s Reba: Live, which were a huge success with over 100,000 fans viewing in just the first three days. The Country Music Hall of Fame member also re-released her legendary album, Rumor Has It, last year in celebration of the 30th Anniversary.
“2011 was the last time we got to go out and play a big arena tour, and I’m so glad we captured this show on film. I know it’s not the same as being there in person, but I hope this gives my fans something to enjoy until we can get back out there on the road safely,” says Reba.
Reba recently reprised her guest starring role on CBS’ hit comedy Young Sheldon as the fiery character June, Dale’s ex-wife. She’ll make her third appearance on the sitcom this Thursday, March 11 at 7 p.m. CT.
Sony Music Publishing Extends Global Deal With Luke Bryan
/by LB CantrellLuke Bryan. Photo: Eric Ryan Anderson
Sony Music Publishing has announced it has renewed a global deal with Luke Bryan.
The four-time Entertainer of the Year and American Idol judge has earned 26 career No. 1 singles, including 13 he co-wrote—among them “I Don’t Want This Night To End,” “Huntin’, Fishin’, And Lovin’ Every Day,” “Move,” “Fast,” “What Makes You Country” and more.
“I’ve enjoyed many years with Sony Music Publishing and I’m happy to continue our partnership. Songwriters are the backbone of country music and being included in this category with arguably the biggest company in the business is unreal. I’m so thankful,” Bryan says.
Sony Music Publishing Nashville CEO Rusty Gaston says, “I am personally so excited for Luke to extend his long-standing relationship with Sony Music Publishing Nashville. His songs are genuine enough to touch the heart of the individual listener and engaging enough to bring an entire stadium to its feet.”
Bryan launched his music career as a songwriter. He first gained prominence after co-writing Billy Currington’s No. 1 single “Good Directions.” Soon to follow was Bryan’s success as an artist with his breakthrough single “All My Friends Say,” from his debut album I’ll Stay Me.
Since his debut in 2009, Bryan has earned more RIAA certified digital singles than any other country act with 54.5 million, tallied 14.6 billion streams, sold 12.5 million albums, and earned seven RIAA album certifications, 22 Platinum singles and 12 multi-Platinum singles.
Recently, Bryan announced that he plans to release a deluxe version of his seventh studio album Born Here Live Here Die Here on April 9, adding six new songs to the original 10 tracks.
CMA Announces Donation Drive, Sarah Trahern Talks Ongoing COVID Support [Interview]
/by LB CantrellThrough its Music Industry COVID Support (MICS) initiative, the Country Music Association has helped aid music industry professionals affected by the COVID-19 pandemic.
Today (March 9) the organization announced a support donation drive benefiting Musically Fed and will be accepting goods at the CMA office (35 Music Square East, Nashville, TN 37203) Monday, March 15 through Friday, March 19 from 10 a.m. to 2 p.m. each day. Among the items needed are basic food items such as pasta and rice, as well as toiletries.
Food Items Needed:
Dried Pasta & Sauce
Oatmeal, Cereal
Canned Fish/Meat
Canned Fruits/Veggies
Soup, Crackers
Rice, Quinoa, Dry Beans
Peanut Butter
Nuts
Toiletries Needed:
Toothpaste
Laundry Detergent
Dish Soap
Hand Soap
Body Wash
Shaving Cream
Toilet Paper
Paper Towels
Musically Fed also has an Amazon Wish List, from which donations can be purchased before March 19. To direct your purchase to the food drive, select “Country Music Association, c/o FOOD DRIVE’s Gift registry” as the shipping address.
Sarah Trahern. Photo: Courtesy CMA
CMA CEO Sarah Trahern spoke to MusicRow about the donation drive, and about CMA’s continued efforts to help support music industry professionals who are struggling during this health crisis.
In the state of Tennessee alone, more than 50,000 music jobs have been impacted by the pandemic, and that number is estimated to be hundreds of thousands more nationwide.
“One of the people on our board drew a diagram for us one day and around this person’s artist, there were about 140 people directly on the road food chain—not to mention the manager in the office, a publicist, and a freelance staff,” Trahern says.
“We started working on ‘What can we do over the course of the year?’ Some of it is hard investment dollars.”
At the onset of the pandemic, CMA donated $1 million to The Recording Academy’s MusiCares COVID-19 Relief Fund in addition to a $100,000 donation to Music Health Alliance.
CMA has since outlined additional funding to six nonprofit partners—Music Health Alliance, Musically Fed, Notes for Notes, Porter’s Call, The Store and Touring Professionals Alliance Kitchen —which, along with previous nonprofit investments, are funded through CMA’s $3 million long-term COVID-19 commitment that began in early 2020.
The organization has continued to analyze and assess the specific needs of music professionals to determine the most vital resources and services to provide. Established as a portal for key resources in the categories of food supply, health and wellness, and career services, MICS helps to connect industry professionals with appropriate nonprofit partners offering critical support.
“One of the things that I was most proud of during this time was a small program that we worked on to help people with their resumes and to find temporary jobs for people who don’t have work right now. We don’t want them to leave our business, but they might need access to a job for six months.
“[The donation drive] is something easy for us to engage the people in the Nashville community and the people in the music community, the ones who are doing okay right now to say, ‘Hey, come lean in and help us. Help us help our brethren get back on their feet.”
While Trahern is hopeful that touring is on the horizon with vaccines beginning to roll out, programs like the resume workshop and the upcoming donation drive are put in place to help get touring professionals to the other side. “They’re not a population that is used to asking for help,” she says. “They’re the people in black, they’re the ones who crawl up in the rafters. Our business was one of the first businesses to close and we’ll probably be the last one to open back up in a lot of ways.”
CMA will march on to support the music industry during this hardship. “We’re going to continue to support programs around the country. We’re doing another nationwide program that will be announced in the next few weeks with six to eight markets that are music cities outside of Nashville, but that have a high density of people in the music business who are hurting right now. We’ll continue our support with groups like the Music Health Alliance, and Porter’s Call to work on creating access to mental health resources during this time.”