
The Cadillac Three. Photo: Dylan Rucker
Diversity is the name of the game in this edition of DisClaimer.
In a preposterously male-dominated genre, we have gender parity today—fully half of our contestants are female. With Tiera, Darius Rucker and Chapel Hart in the mix, country music made by Black artists is well represented. South American native Flo Olavarria adds a touch of Latin. Canadian country is along for the ride, too.
Because the sounds are so difficult to compare to one another, the Disc of the Day award is divided. The Male winner is Ronnie Milsap. The essential Female disc belongs to Cam. The Group award goes to The Cadillac Three.
The afore mentioned Flo Olavarria takes home the DisCovery Award.
JOEY HENDRICKS / “Yours Or Mine”
Writers: Joey Hendricks/Daniel Ross/Michael Whitworth; Producer: Daniel Ross; Label: Sony Music Nashville
— Producer Ross surrounds this earnest-sounding troubadour with an echoey swirl of yummy pop flavors. Hendricks sings with sweet sincerity.
DARIUS RUCKER / “My Masterpiece”
Writers: Darius Rucker/Ross Copperman/JT Harding/Josh Osborne; Producer: Ross Copperman; Label: Capitol Records Nashville
— Positive, sunny, upbeat and engaging, as usual. The happy-in-love theme is common, but its delivery in this finely crafted lyric is exceptional. Supremely playable. In case you missed it: earlier this week, producer and four-time BMI Country Songwriter of the Year Copperman signed a pop recording contract in New York.
CAM / “Till There’s Nothing Left”
Writers: Hillary Lindsey/Jeff Bhasker/Cameron Ochs/Tyler Johnson; Producer: Jeff Bhasker/Tyler Johnson; Label: RCA Records/Triple Tigers
— It goes beyond steamy and sensual, all the way to hot sex. I have always been captivated by this woman’s talent. This gorgeous, tempest-tossed ode to youthful passion renews my fandom. Cam rules.
LADY A / “Like a Lady”
Writers: Brandon Paddock/Dave Barnes/Hillary Scott/Martin Johnson/Michelle Buzz; Producer: Dann Huff/Martin Johnson/Brandon Paddock; Label: BMLG Records
— Hillary takes the lead in this zesty, female-proud ditty. The mood is sprightly.
CHAPEL HART / “You Can Have Him Jolene”
Writers: Chapel Hart; Producer: Chapel Hart; Label: none listed
— The trio rocks out on this feisty whiplash ride, with their flawless vocal harmonies intact. This CMT Next Women of Country act is outstandingly talented, and so far has been batting a thousand with its releases. The video is a hoot, too.
DUSTIN LYNCH & MACKENZIE PORTER / “Thinking ‘Bout You”
Writers: Dustin Lynch/Andy Albert/Hunter Phelps/Will Weatherly; Producer: none listed; Label: Broken Bow Records
— The small-town details in the lyric are groovy, and the tune bops along with verve. It originally appeared as a collaboration with Lauren Alaina. Top Canadian country star Porter is an able substitute.
JULIA COLE / “My Home Too (My Voice Too)”
Writers: Josh Berkowitz/Matt Wynn; Producer: Josh Ronen; Label: none listed
— The rhythm-happy song’s message of inclusion, empowerment and equality spans relationships, households and nations. It’s also as catchy as the dickens. Sing along.
RONNIE MILSAP / “Wild Honey”
Writers: Jim Weatherly/Nigel Wright; Producer: Ronnie Milsap/Rob Galbraith; Label: Black River
— A little bit hillbilly, a little bit soul, a little bit rock n roll, this toe tapper is pretty hard to resist. The legendary Country Music Hall of Famer still has plenty of kick in his delivery. We recently lost songwriter Weatherly, and this dandy concoction illustrates what a shame that is.
TIERA / “Not Your Girl”
Writers: Tiera/Cameron Bedell/Jack Newsome; Producer: Cameron Bedell; Label: Tiera
— Signed to Nicolle Galyon’s Songs & Daughters female-driven publishing company, this singer-songwriter is staking her claim to country authenticity with a new, five-song EP that showcases her heart warming, sweet/tart vocals and her flair for relatable lyrics. Wildly promising.
THE CADILLAC THREE / “Long After Last Call”
Writers: Jaren Johnston; Producer: The Cadillac Three; Label: Big Machine Records
— Easily their finest single to date, this has a restless rhythmic energy, a brilliantly understated lead vocal and a marvelously crafted lyric about a late-night hookup. I could definitely get used to this on country radio. Absolutely play this ACM nominated Group of the Year.
DREW GREEN / “Hooch”
Writers: Drew Green, Jordan Minton, Mark Trussell; Producer: none listed; Label: none listed
— The production is over-stuffed with busy audio effects. His rapped lyric is a repetitive loop that quickly wears out its welcome.
FLO OLAVARRIA / “Talking to Myself”
Writers: Flo Olavarria/Noah Henson; Producer: Flo Olavarria/Noah Henson; Label: none listed
— Now here’s a country biography you don’t read every day. Flo is a native of Chile who migrated to Canada, went back to Chile, began performing in Singapore, moved to Miami and now resides part time in Music City. She brings a Latina flair, a sharp pop sensibility and country verve to this peppy, female-positive bopper. I dig her pert attitude.
Song Suffragettes To Celebrate Seven Years With Special Anniversary Show
/by Lorie HollabaughThe Song Suffragettes are marking their seventh anniversary with two performance rounds featuring 11 singer-songwriters, and a special presentation to Warner Music Nashville artist Ashley McBryde on March 29.
McBryde will be presented with the Song Suffragettes’ Yellow Rose of Inspiration Award for her contributions to the songwriting community, including writing many of the songs that have inspired the 308 women who have performed on the Song Suffragettes stage through the years. McBryde is only the third woman to receive that honor after esteemed songwriter/publisher Liz Rose who received it in 2019 and hitmaker Laura Veltz who received it in 2020. McBryde will also take the stage to perform a few select songs as part of the celebration.
Starting at 6 p.m. at The Listening Room Café, the first songwriter round will feature special guest Tenille Arts. Arts’ performance will be a special homecoming for Song Suffragettes since Arts played her first of many Song Suffragettes shows back in May of 2016. Her single, “Somebody Like That” was co-written by Arts and fellow Song Suffragettes Allison Veltz and Alex Kline—Kline also produced the track. Joining Arts and hosting the first round of the night will be Kalie Shorr along with fellow singer-songwriters Madeline Finn, Livy Jeanne and Brittney Spencer.
The second round of the evening will by hosted by long-time Suffragette Candi Carpenter and feature singer-songwriters Mia Mantia, Kaylin Roberson and Sophia Scott along with first-time Suffragette Allie Dunn. Both of the evening’s songwriter rounds will be supported by cajon player, multi-instrumentalist and singer-songwriter Mia Morris who will also perform. Tickets to the March 29 show are available at The Listening Room Café’s website. Like all Song Suffragettes shows, the 7th Anniversary Celebration show will also stream live on the Song Suffragettes YouTube channel at youtube.com/ songsuffragettes/live.
DISClaimer Single Reviews: The Cadillac Three, Cam, Ronnie Milsap
/by Robert K OermannThe Cadillac Three. Photo: Dylan Rucker
Diversity is the name of the game in this edition of DisClaimer.
In a preposterously male-dominated genre, we have gender parity today—fully half of our contestants are female. With Tiera, Darius Rucker and Chapel Hart in the mix, country music made by Black artists is well represented. South American native Flo Olavarria adds a touch of Latin. Canadian country is along for the ride, too.
Because the sounds are so difficult to compare to one another, the Disc of the Day award is divided. The Male winner is Ronnie Milsap. The essential Female disc belongs to Cam. The Group award goes to The Cadillac Three.
The afore mentioned Flo Olavarria takes home the DisCovery Award.
JOEY HENDRICKS / “Yours Or Mine”
Writers: Joey Hendricks/Daniel Ross/Michael Whitworth; Producer: Daniel Ross; Label: Sony Music Nashville
— Producer Ross surrounds this earnest-sounding troubadour with an echoey swirl of yummy pop flavors. Hendricks sings with sweet sincerity.
DARIUS RUCKER / “My Masterpiece”
Writers: Darius Rucker/Ross Copperman/JT Harding/Josh Osborne; Producer: Ross Copperman; Label: Capitol Records Nashville
— Positive, sunny, upbeat and engaging, as usual. The happy-in-love theme is common, but its delivery in this finely crafted lyric is exceptional. Supremely playable. In case you missed it: earlier this week, producer and four-time BMI Country Songwriter of the Year Copperman signed a pop recording contract in New York.
CAM / “Till There’s Nothing Left”
Writers: Hillary Lindsey/Jeff Bhasker/Cameron Ochs/Tyler Johnson; Producer: Jeff Bhasker/Tyler Johnson; Label: RCA Records/Triple Tigers
— It goes beyond steamy and sensual, all the way to hot sex. I have always been captivated by this woman’s talent. This gorgeous, tempest-tossed ode to youthful passion renews my fandom. Cam rules.
LADY A / “Like a Lady”
Writers: Brandon Paddock/Dave Barnes/Hillary Scott/Martin Johnson/Michelle Buzz; Producer: Dann Huff/Martin Johnson/Brandon Paddock; Label: BMLG Records
— Hillary takes the lead in this zesty, female-proud ditty. The mood is sprightly.
CHAPEL HART / “You Can Have Him Jolene”
Writers: Chapel Hart; Producer: Chapel Hart; Label: none listed
— The trio rocks out on this feisty whiplash ride, with their flawless vocal harmonies intact. This CMT Next Women of Country act is outstandingly talented, and so far has been batting a thousand with its releases. The video is a hoot, too.
DUSTIN LYNCH & MACKENZIE PORTER / “Thinking ‘Bout You”
Writers: Dustin Lynch/Andy Albert/Hunter Phelps/Will Weatherly; Producer: none listed; Label: Broken Bow Records
— The small-town details in the lyric are groovy, and the tune bops along with verve. It originally appeared as a collaboration with Lauren Alaina. Top Canadian country star Porter is an able substitute.
JULIA COLE / “My Home Too (My Voice Too)”
Writers: Josh Berkowitz/Matt Wynn; Producer: Josh Ronen; Label: none listed
— The rhythm-happy song’s message of inclusion, empowerment and equality spans relationships, households and nations. It’s also as catchy as the dickens. Sing along.
RONNIE MILSAP / “Wild Honey”
Writers: Jim Weatherly/Nigel Wright; Producer: Ronnie Milsap/Rob Galbraith; Label: Black River
— A little bit hillbilly, a little bit soul, a little bit rock n roll, this toe tapper is pretty hard to resist. The legendary Country Music Hall of Famer still has plenty of kick in his delivery. We recently lost songwriter Weatherly, and this dandy concoction illustrates what a shame that is.
TIERA / “Not Your Girl”
Writers: Tiera/Cameron Bedell/Jack Newsome; Producer: Cameron Bedell; Label: Tiera
— Signed to Nicolle Galyon’s Songs & Daughters female-driven publishing company, this singer-songwriter is staking her claim to country authenticity with a new, five-song EP that showcases her heart warming, sweet/tart vocals and her flair for relatable lyrics. Wildly promising.
THE CADILLAC THREE / “Long After Last Call”
Writers: Jaren Johnston; Producer: The Cadillac Three; Label: Big Machine Records
— Easily their finest single to date, this has a restless rhythmic energy, a brilliantly understated lead vocal and a marvelously crafted lyric about a late-night hookup. I could definitely get used to this on country radio. Absolutely play this ACM nominated Group of the Year.
DREW GREEN / “Hooch”
Writers: Drew Green, Jordan Minton, Mark Trussell; Producer: none listed; Label: none listed
— The production is over-stuffed with busy audio effects. His rapped lyric is a repetitive loop that quickly wears out its welcome.
FLO OLAVARRIA / “Talking to Myself”
Writers: Flo Olavarria/Noah Henson; Producer: Flo Olavarria/Noah Henson; Label: none listed
— Now here’s a country biography you don’t read every day. Flo is a native of Chile who migrated to Canada, went back to Chile, began performing in Singapore, moved to Miami and now resides part time in Music City. She brings a Latina flair, a sharp pop sensibility and country verve to this peppy, female-positive bopper. I dig her pert attitude.
ASCAP Unveils GPS Project Class Of 2021
/by Lorie HollabaughThe songwriters participating in ASCAP’s 10th Annual GPS (Guidance from Publishers for Songwriters) Project have been announced. This year’s class includes Brooke Alexx, Shawn Chambliss, Bree Doster, Daniel Ethridge, Joe Hanson, Brooke Hatala, Emily Kroll, Autumn Marie, Nicole Miller, Kaylin Roberson, Anna Rose and Elysse Yulo.
Curated by ASCAP Creative Director Evyn Mustoe Johnston, the 12 writers in this year’s class will be paired with publishers who will listen and critique their songs and host virtual follow-up meetings over the next several months to help develop their craft. By the end of the program, each songwriter will have met with representatives from at least five different publishers. The program has helped numerous songwriters earn publishing agreements as a result of their participation, and well-known ASCAP GPS alumni include Hannah Dasher, Jacob Davis, Ben Goldsmith, Caylee Hammack, Ryan Hurd, Lainey Wilson and more.
Participating 2021 publishers include Carnival Music’s Courtney Gregg, Concord Music Publishing’s Brad Kennard, Creative Nation’s Emily Furman, Endurance Music Group’s Courtney Kruckeberg, Hang Your Hat Music’s Jake Gear, King Pen Music’s Kelly King, Kobalt Music’s Mark Abramowitz, Milk and Honey’s Shelby Yoder, MV2 Entertainment’s Nicole Sherrill, Red Door Music Group’s Abbey Adams, Sea Gayle Music’s Kim Wiggins and Spirit Music Nashville’s Kara Jackson.
Bre Kennedy Signs With Kobalt Publishing
/by Steven BoeroBre Kennedy. Photo: Jason Lee Denton, Aliegh Shields
Nashville singer-songwriter Bre Kennedy has signed a global publishing deal with Kobalt Publishing.
Kennedy has written songs for pop acts including Nina Nesbitt, Echosmith, Joy Oladokun and GAYLE. As an artist she has toured with Sheryl Crow, Gary Clark Jr., Philip Philips and Rhys Lewis.
“I couldn’t be more excited and honored to start this next chapter of music and songwriting with Kobalt,” says Kennedy. “Everyone at the company inspires me to push my writing boundaries and continue to help me grow as a songwriter… They feel like family and have been like home for me here in Nashville. I’m proud to continue to call Kobalt home!”
“We’re thrilled to continue our relationship with Bre,” says Mark Abramowitz, senior creative director at Kobalt Music. “Bre has become one of the new leading voices in the growing non-country music community with her storytelling as an artist and collaborator. I’m honored to be part of her team and excited for people to hear Bre’s stories.”
Kennedy gained attention with her independent debut EP “Jealous of Birds” in 2019 and then her second EP “Twenty Something” in 2020. She is working on a new album which will be announced later this year.
Jimmie Allen Renews Publishing Deal With Endurance Music Group
/by LB CantrellJimmie Allen. Photo: John Shearer
Endurance Music Group has announced the renewal of its worldwide publishing agreement with multi-Platinum hit songwriter and recording artist Jimmie Allen.
Allen’s chart-topping singles include his debut, “Best Shot,” as well as his follow-up, “Make Me Want To,” which he co-wrote with EMG’s Paul Sikes along with Jennifer Denmark. His current single, “Freedom Was a Highway” with Brad Paisley, is climbing the country charts. Allen is nominated for New Male Artist of the Year at the upcoming 56th ACM Awards.
The BBR Music Group / Stoney Creek Records artist made history as the first Black artist to launch a career with two consecutive No. 1 hits on country radio.
“We couldn’t be happier to renew our deal with Jimmie,” says Endurance Music Group President Michael Martin. “His growth as a writer and artist has been inspiring to watch and we’re proud to have been a part of it. He truly embodies the evolution of modern country music songwriting. We’re so excited to be on this journey with him.”
“Michael, Mark [Ahlberg], Josh [Saxe], and the Endurance team have become like family. They’re super supportive of my creative vision, they take the time to check on me and see how I’m doing as a person outside of music, and that really means a lot to me. Re-signing with them was a no brainer for me—Endurance is a home I’m thankful to have. I’m looking forward to continuing to work with these amazing people as I create new music,” says Allen.
Allen has recently been in writing sessions with artists like legendary R&B singer, songwriter, and producer Babyface, multi-Platinum Latin hip-hop artist Pitbull, Grammy Award-winning rocker Rob Thomas, and southern rapper Yelawolf, a testament to his versatility and range as a songwriter.
His latest project, Bettie James, is a star-studded collaboration EP that features Paisley alongside Charley Pride, Darius Rucker, Mickey Guyton, Nelly, Noah Cyrus, The Oak Ridge Boys, Rita Wilson, Tauren Wells, and Tim McGraw. In July, he will release his first ever book, a children’s book titled My Voice Is A Trumpet on Flamingo Books, an imprint of Penguin Young Readers.
Larry Gatlin Is ‘Feeling Great’ After Recovering From COVID-19
/by LB CantrellLarry Gatlin recovering at home. Photo: Courtesy Larry Gatlin
After testing positive for COVID-19 just days after getting his second dose of the Moderna vaccination, Larry Gatlin has recovered and is feeling great.
Gatlin received his vaccine on March 4, four days later on March 8, he tested positive with both a rapid test and a polymerase chain reaction (PCR) test.
“My symptoms were a cough and feeling a little funky. I never registered more that 9/10ths of a degree of fever. I had some slight body aches, but at 72 I have slight body aches every day. I had no headache. At the worst it felt like a very slight chest cold and it was gone in three days,” Gatlin tells MusicRow of his experience.
Fortunately, Gatlin is feeling better. “I’m now 100% good to go and feeling great. Thanks be to God,” he says.
While Gatlin is feeling healthy again, he is mourning the loss of his father, William Wayne “Curley” Gatlin, who died in November of 2020 after being diagnosed with COVID-19.
“My heart, my sympathy and my prayers go out to those who have suffered and are continuing to suffer from COVID, and to those who have lost friends and loved ones,” Gatlin says. “My 93-year-old marine daddy died of COVID or with COVID. I’m not sure. His body had begun to shut down long before he contacted COVID, so our family is not sure exactly what happened. What we are sure of is that the old marine is with Mama and Jesus and he does not have COVID now.”
Gatlin encourages fans and industry members to stay vigilant in avoiding COVID. “Dear friends, stay vigilant. Be careful and above all else, pray for your race: the human race.”
CCM News: Sarah Reeves, The Erwins, Brian Free & Assurance
/by Lorie HollabaughSarah Reeves Celebrates Two Weeks At The Top With “Just Want You”
The Erwins’ New Project ‘This Is Love’ Slated For April
Jake Anglin Joins Brian Free & Assurance
The Oak Ridge Boys Celebrate 40 Years Of ‘Elvira’
/by Lorie HollabaughThe Oak Ridge Boys. Photo: Brandon Wood / Indie Bling Studio
The Oak Ridge Boys are celebrating the 40th anniversary of their signature, Grammy-winning song “Elvira,” originally released in 1981.
The country classic was written in 1966 by Dallas Frazier, and the group recorded it for MCA Records as part of their album, Fancy Free. The song went on to reach No. 1 on Billboard‘s Hot Country Songs chart and reached No. 5 on the Billboard Hot 100. “Elvira” has continued to be a universal favorite that has been played in over 100 countries, added to over 109 editorial playlists, and has reached five million plays on Apple Music.
“The first time we performed ‘Elvira’ in front of an audience was at an afternoon rehearsal for The Tonight Show. We were not set to perform it on the show that night, but we had just recorded it and decided to sing it for a soundcheck,” shares Oak Ridge Boy Duane Allen. “By the time we got halfway through the song, the producer, assistants, secretaries, sound and light crew, and all of the people who could hear us, came running over and freaking out. The Tonight Show gave us the first ‘reading’ of how ‘Elvira’ was going to be received.”
The Oak Ridge Boys have recorded and performed “Elvira” with several artists including Little Big Town at the Grand Ole Opry’s 90th Birthday Bash as well as recording an a cappella version with Home Free. In 2017, The Oaks teamed up with Blake Shelton, joining him on a live-in-the-studio version for an exclusive Spotify recording. In 2018, in collaboration with the Tennessee Titans, The Oaks recorded a variation of “Elvira” (entitled ‘Titans Code of Conduct’) and filmed a corresponding music video that was showcased at all Titans home games.
“It’s been said that it’s difficult, if not impossible, to fully appreciate or understand the magnitude of something as it’s happening,” says the Oaks’ Richard Sterban. “While that might be true in some circumstances, I can honestly say that I—and we—could not have been any more aware of what was happening to us, as we rode the crest of the ‘Elvira’ wave.”
“When the Oaks first cut ‘Elvira’, the phenomenal success it created for them blessed my quest for success as well,” added songwriter Dallas Frazier. “Every songwriter dreams of getting cuts like that one. They did an extraordinary job!! These guys sound just as good as they did 40 years ago. There is no doubt that standing ovations are going to follow them as long as they perform. God bless the Oaks! I’m proud that they count me as one of their friends.”
‘CRS 2021 Research Presentation: A Closer Look’ Slated For March CRS360 Web Series
/by Lorie HollabaughCountry Radio Broadcasters is offering a deep dive into some of the research presented during CRS 2021 in its March CRS360 Webinar series, “CRS 2021 Research Presentation: A Closer Look,” on Wednesday, March 24 at 1 p.m. CT. Big Machine Records GM Clay Hunnicutt, who also chairs the CRB Research Committee, will moderate the episode of CRS360.
The Annual CRS Research Project was conducted by NuVoodoo and presented by the company’s Carolyn Gilbert and Leigh Jacobs during last month’s CRS 2021: The Virtual Experience. The project focused on how country listening habits may have changed during the COVID-19 pandemic, and what the “new normal” for the country industry means. The full video presentation, plus all materials that accompanied it, are available to all CRS 2021 attendees at the On-Demand page of crsvirtual2021.com.
“Carolyn, Leigh, and the team at NuVoodoo have delivered a comprehensive look at the status of country listening habits, a project which included a massive sample size of more than 3,000 respondents,” said CRB Executive Director RJ Curtis. “There is a ton of useful, actionable data here which warrants another, deeper look. CRB appreciates the work NuVoodoo has done, and their willingness to provide more analysis for radio.”
Those wanting to attend the March edition of the CRS360 webinar series can sign up here. Only a limited number of slots are available and are based on a first-come, first-served basis. Upcoming CRS360 webinars will continue to offer more recaps and deeper analysis of sessions from CRS 2021: The Virtual Experience, including Talk Data To Me, Talent Loving Coaching, Reinventing Yourself, and others to be announced soon. Past CRS360 webinars are also available for playback at countryradioseminar.com/crs360 .
Nashville Music Equality To Host Panel On Equity In Journalism
/by LB CantrellNashville Music Equality (NME) will host “On the Record: The Experiences of Black Journalists and the Responsibilities of White Journalists in Nashville” on March 30.
The panel discussion will be hosted by NME board members Gina Miller and Beverly Keel as they talk with thought-provoking and powerful journalists in Nashville.
Panelists will include entertainment reporter for the Nashville Business Journal, Marq Burnett; staff writer for CMT.com, Marcus Dowling; host of Apple Music Country’s PROUD Radio, Hunter Kelly; independent country music journalist, Marissa Moss; independent culture, music and sports journalist, Andrea Williams; and sports and entertainment editor of the Tennessee Tribune, Ron Wynn. More panelists are expected to be added.
The panel is sponsored by mtheory, CMT, Quinton Digital and the ACM. It will begin at 5:30 p.m. CST on March 30. Register to attend here.
NME has also made their ‘The Black Country Music Association: Who, When, How, & Why’ panel available to view on YouTube. This conversation featured Frankie Staton, Dr. Cleve Francis, and Valierie Ellis Hawkins discussing Nashville and the country music industry through their eyes.