2021 MusicRow Awards Category Profile: Song Of The Year

Following the announcement of this year’s nominees for the 33rd MusicRow Awards, we take a look at the MusicRow Song of the Year category. The nominees honor Nashville writers and publishers on the craft of songwriting, not necessarily chart performance, during the eligibility period of June 1, 2020 to May 31, 2021.

The MusicRow Awards will be announced virtually among multiple MusicRow platforms on Thursday, Aug. 19, 2021. Presenting Sponsor of the 2021 MusicRow Awards is City National Bank.

Click here to see the full list of MusicRow Awards nominees.

Winners are determined solely by MusicRow Magazine subscribed members. Voting is now open and closes on July 23 at 5 p.m.

To receive a ballot to vote in the MusicRow Awards, become a MusicRow subscribed member here.

“Black Like Me”
“If you think we live in the land of the free / you should try to be Black like me.” It is a powerful sentiment delivered by Mickey Guyton’s equally powerful voice. The song was written by Guyton in 2019 at a cross-genre writing camp with Nathan Chapman, Emma Davidson-Dillon and Fraser Churchill. She released the recording in June 2020, making an important statement in a time of social unrest, and received widespread critical acclaim. Guyton’s remarkable year included making history as the first Black female solo artist to earn a Grammy nomination in a country category, for Best Country Solo Performance for “Black Like Me,” which she performed as part of the awards ceremony. In addition, she co-hosted the ACM Awards. This is her first MusicRow Awards nomination, and she is also nominated for Breakthrough Artist of the Year.

“Give Heaven Some Hell”
Penned by Hardy with Ashley Gorley, Ben Johnson, and Hunter Phelps, “Give Heaven Some Hell” is a song full of heart, grief and ultimately, hope. On first listen it could come across as a redneck ode to the afterlife—a good ole boy’s dream of muddy fields, beer and clear, and hitting “gold streets on two-wheels.” But a few more listens reveal depth below the surface, with imagery and rhyme (“Make some thunder / make ‘em wonder how you got in”) and references to classic hymns (“Amazing Grace,” “Just As I Am”). Produced by Joey Moi with co-production by Derek Wells, it is from Hardy’s debut album A Rock and is the follow-up single to his No. 1 hit “One Beer.” Gorley is the reigning MusicRow Male Songwriter of the Year and is nominated again this year. Moi is vying for Producer of the Year and Johnson is up for Breakthrough Artist-Writer.

“Half Of My Hometown”
Written by Kelsea Ballerini, Shane McAnally, Ross Copperman, Jimmy Robbins, and Nicolle Galyon, it is a heartfelt tribute to hometowns, and the conflicting desires to stay or leave the place where you grew up. (“Stay or leave / part of me / will always be / half of my hometown”). For the recording Ballerini tapped fellow Knoxville native Kenny Chesney to add harmonies. It is from her self-titled third album Kelsea, which she co-produced with Copperman and Robbins. Copperman is nominated for MusicRow Producer of the Year and Male Songwriter, while Galyon is up for Female Songwriter. Ballerini recently attained her sixth No. 1 song with “Hole In The Bottle.”

“Hell Of A View”
Eric Church is “chasing life instead of dollar bills” in his hit song “Hell Of A View.” Co-written with longtime collaborators Casey Beathard and Monty Criswell, it’s an endearing and rebellious love story about the stellar view from life on the edge. Delivered with classic Church conviction and backing vocals by powerhouse Joanna Cotten, he sings, “This ain’t for everybody / Toes hanging off the ledge / Like we got nothin’ to lose / Ain’t always heaven, baby / This livin’ on the edge / You holdin’ me holdin’ you / It’s a hell of a view.” It is his tenth No. 1 and is on his critically acclaimed new triple album Heart & Soul. This summer the reigning CMA Entertainer of the Year returns to the road with The Gather Again Tour.

“My Boy”
Elvie Shane proves that love and devotion transcend traditional family ties on his song “My Boy.” Written about his stepson (“He’s my son and that’s my choice / he ain’t my blood but he’s my boy”), the song became a viral hit which resonated with many blended families. This led to a record deal with BBR, which released it as a single, where it is Top 20 on country radio. It is featured on the Kentucky native’s debut EP, County Roads, which is chock full of blue-collar grit, vivid imagery and nostalgia delivered by Shane’s soulful vocals. His breakout year includes his debut on the Grand Ole Opry, and being direct support for Jason Aldean at his first live concert in more than a year. This summer he will join Brooks & Dunn’s 2021 Reboot Tour, Miranda Lambert’s amphitheater dates, and anticipate the arrival of his baby girl.

“Next Girl”
Carly Pearce wrote this song of warning with hitmakers Shane McAnally and Josh Osborne. (“If he ever talks about the ex girl / she tried like hell / it was too late to save herself / so she’s just trying to help the next girl…I know what happens next… girl”). It’s a clever song found on Pearce’s acclaimed album 29, which explores life after loss, and shows the songstress emerging from the ashes. Among her other recent successes are the hit “I Hope You’re Happy Now,” recorded with Lee Brice, and joining CCM artist Matthew West on a new version of his No. 1 “Truth Be Told.” She was recently surprised by Dolly Parton with an invitation to become a member of the Grand Ole Opry, and will spend the summer touring with Lady A. Co-writer Osborne is nominated for Male Songwriter of the Year.

Ashland Craft Shows Her Wandering Soul On Debut Album, ‘Travelin’ Kind’

Ashland Craft is embracing her gypsy spirit on her upcoming debut album, Travelin’ Kind, due out Sept. 3 on Big Loud Records.

Capturing the true heart-and-hustle of a rambling lifestyle, Travelin’ Kind is an 11-track introduction to Craft. The new project represents Craft’s one-way ticket to Nashville as well as all of the tour stops, truck stops, and broken hearts in between. Fresh off a Top 10 stint on NBC’s The Voice and signing a record deal in the middle of a pandemic, she has spent the last year counting down the days until she could return to the road.

With nine songs co-penned by Craft, the Jonathan Singleton-produced collection features tracks penned by Singleton, Jessi Alexander, Jessie Jo Dillon, Rodney Clawson, Adam Hood, and more alongside her close friends and rising talents Faren Rachels, Rob Snyder, Lee Starr, Willie Morrison, Reid Isbell, and Jenna LaMaster.

Travelin’ Kind Track List:
1. Travelin’ Kind (Ashland Craft, Erik Dylan)
2. Your Momma Still Does (Jenna LaMaster, Jonathan Singleton)
3. Leavin’ You Again (Ashland Craft, Jenna LaMaster, Faren Rachels)
4. Make It Past Georgia (Ashland Craft, Reid Isbell, Willie Morrison)
5. Last 20 Dollars (Ashland Craft, Wyatt Beasley Durrette, III, Jonathan Singleton)
6. Highway Like Me (feat. Marcus King) (Ashland Craft, Jessi Alexander, Reid Isbell)
7. Mimosas In The Morning (Ashland Craft, Jessie Jo Dillon, Jonathan Singleton)
8. Day By Day (Tori Allen, Corey Grogan)
9. Letcha Fly (Ashland Craft, Willie Morrison, Lee Starr)
10. Come Down (Ashland Craft, Adam Hood, Rob Snyder)
11. That’s The Kinda Place (Ashland Craft, Rodney Clawson, Jonathan Singleton)
All Songs Produced by Jonathan Singleton

Weekly Register: Walker Hayes Spends Another ‘Fancy Like’ Week On Top

Walker Hayes

Walker Hayes continues his stay at the top of the country streaming songs chart with “Fancy Like” topping the chart again this week. Hayes earned an impressive 10 million streams this week, adding for a total of 30 million RTD, according to Nielsen.

The remainder of this week’s top five songs also remain the same with “Lil Bit” (Nelly & FGL) receiving 7.5 million streams, “Forever After All” (Luke Combs) getting 7.4 million, “Famous Friends” (Chris Young & Kane Brown) gaining 6.9 million, and “Glad You Exist” (Dan + Shay) adding 6.3 million.

Once again, Morgan Wallen takes the top country streaming album with Dangerous: The Double Album earning another 44,000 streams this week, totaling 53 million RTD, according to Nielsen. Wallen also maintains No. 4 with If I Know Me gaining another 14,000 streams. Combs keeps the No. 2 and No. 3 spots with What You See Is What You Get and This One’s For You receiving 24,000 and 17,000 streams this week, respectively. Rounding out this week’s top albums, Chris Stapleton‘s Traveller re-enters the top five after gaining 13,000 streams this week.

Sony Music Publishing Unveils Songwriters Forward Initiative

Today (July 20), Chairman/CEO of Sony Music Publishing (SMP) Jon Platt announced that the company has launched Songwriters Forward.

Under Songwriters Forward, SMP is introducing the Legacy Unrecouped Balance Program to qualifying Sony songwriters. With this new program, SMP will no longer apply existing unrecouped balances to earnings for eligible songwriters signed prior to the year 2000 who have not received advances since. This applies retroactively to January 1, 2021.

“With historic policy changes across our business, we are taking important steps toward creating a more equitable, transparent music industry for songwriters and all creators. On behalf of our teams around the world, it is our privilege to represent you as we begin this next chapter with Songwriters Forward,” writes Platt in an internal letter to Sony Music Publishing songwriters obtained by MusicRow.

These efforts accompany the company’s ongoing investment in administration modernization, including new SCORE data and analytics upgrades, Cash Out payment options, and real-time foreign royalty processing.

This new initiative is designed to expand Sony’s support of careers at every stage and compliments the recently announced Artist Forward initiative, which similarly finds Sony Music Entertainment longer applying existing unrecouped balances to earnings generated on or after Jan. 1, 2021 for eligible artists who signed to SME prior to the year 2000 and have not received an advance since then.

Qualifying songwriters for the Legacy Unrecouped Balance Program will be notified separately in the coming weeks.

Maurisa Pasick, Gwen Foster Join Brown Sellers Brown Management Staff

Maurisa Pasick and Gwen Foster

Brown Sellers Brown Management, the full-service management company helmed by industry veterans Benny Brown, Jason Sellers and Paul Brown, has added two new faces to its in-house staff.

Promotion veteran Gwen Foster has been named West Coast Director of Promotion & Marketing, while industry executive Maurisa Pasick will serve as East Coast Director of Promotion & Marketing. They will support BSM’s roster that includes multi-Platinum country star Joe Nichols, as well as singer-songwriter Ben Gallaher and up-and-coming country artist Nate Barnes.

A 25+ year music industry veteran, Foster has worked with the likes of Luke Combs, Aaron Watson, Montgomery Gentry, Colt Ford, Don Henley, and more. She previously served as the Director of West/Southwest Promotion for Big Label Records, the Director of Midwest Promotion for Thirty Tigers, and in West Coast Promotion for I.R.S./Capitol Records, Average Joe Records, and Treehouse Records.

“I couldn’t be more excited about working with Benny Brown, Jason Sellers, and Paul Brown and the outstanding artists at BSB Management! Opportunities like this don’t come along every day and I feel very blessed to be collaborating with the on-fire Quartz Hill Records promotion team,” shares Foster.

Pasick joins BSB Management with over 15 years of promotion experience, spending more than a decade as the Northeast Director of Promotion for New Revolution Entertainment. Pasick most recently served as the National Director of Promotion for Riser House Records, overseeing a staff of five and working with Dillon Carmichael, Meghan Patrick, Ronnie Milsap, and more.

“I’m incredibly honored and humbled to join a company with the reputation these guys have and, the music–oh my God–the music is good! So excited to jump right in,” says Pasick.

“Paul, Jason, and I are so excited to add Gwen and Maurisa to the Brown Sellers Brown Management family. Both their passion and experience are great additions to our team, and a great support for our artists and our other brands,” says BSB Co-Founder Benny Brown.

Pasick will be based in Nashville and can be reached at Maurisa@bsbmgmt.com. Foster will be based in Phoenix and can be reached at Gwen@bsbmgmt.com.

2021 MusicRow Awards Category Profile: Female Songwriter Of The Year

Following the announcement of this year’s nominees for the 33rd MusicRow Awards, we take a look at the MusicRow Female Songwriter of the Year category. Female Songwriter of the Year nominees are based on data from MusicRow’s Top Songwriter Chart. Eligible projects were active between June 1, 2020 to May 31, 2021.

The MusicRow Awards will be announced virtually among multiple MusicRow platforms on Thursday, Aug. 19, 2021. Presenting Sponsor of the 2021 MusicRow Awards is City National Bank.

Click here to see the full list of MusicRow Awards nominees.

Winners are determined solely by MusicRow Magazine subscribed members. Voting is now open and closes on July 23 at 5 p.m.

To receive a ballot to vote in the MusicRow Awards, become a MusicRow subscribed member here.

Allison Veltz Cruz
Hipgnosis Songs, SESAC
“Somebody Like That” recorded by Tenille Arts

Nicolle Galyon
Warner Chappell Nashville, BMI
“We Were Rich” recorded by Runaway June
“Gone” recorded by Dierks Bentley
“Minimum Wage” recorded by Blake Shelton
“Half Of My Hometown” recorded by Kelsea Ballerini ft. Kenny Chesney

Natalie Hemby
UMPG Nashville, BMI
“Bluebird” recorded by Miranda Lambert
“Settling Down” recorded by Miranda Lambert
“I’m Not For Everyone” recorded by Brothers Osborne

Alex Kline
Reviver Music, SESAC
“Somebody Like That” recorded by Tenille Arts

Emily Landis
BMG, BMI
“The Good Ones” recorded by Gabby Barrett

Hillary Lindsey
Concord Music Publishing, ASCAP
“One Beer” recorded by Hardy ft. Lauren Alaina and Devin Dawson
“Hole In The Bottle” recorded by Kelsea Ballerini
“Almost Maybes” recorded by Jordan Davis
“Fearless (Taylor’s Version)” recorded by Taylor Swift

Parker Welling
Home Team/Warner Chappell Nashville, BMI
“Love You Like I Used To” recorded by Russell Dickerson
“What’s Your Country Song” recorded by Thomas Rhett

Blake Shelton, Little Big Town, Toby Keith, More Set For 2021 iHeartCountry Festival

 

Pictured (clockwise): Blake Shelton, Toby Keith, Little Big Town

The iHeartCountry Festival will make its return on Saturday, Oct. 30 at the Frank Erwin Center in Austin, Texas.

Now in its eighth year, the 2021 lineup will feature Blake Shelton, Toby Keith, Little Big Town, Jake Owen, Lee Brice, Carly Pearce, Cole Swindell, and Chase Rice. The show, presented by Capital One, will once again be hosted by iHeartMedia’s nationally-syndicated top on-air country personality, Bobby Bones.

“The iHeartCountry Festival is one of country music’s most-anticipated nights, and this year is especially exciting,” says Rod Phillips, Executive Vice President of Programming for iHeartCountry. “Live music is back, and we can’t wait to return to the Frank Erwin Center with this iconic lineup.”

Tickets go on sale to the general public on Friday, July 30 at 12 p.m. CST. LiveXLive Media will also be exclusively streaming the main stage for fans globally and iHeartMedia’s country music radio stations will broadcast the event live in their local markets and on iHeartRadio.com.

BMI Ups Two In Distribution, Publisher Relations & Administration Services Department

Shouvik Das and Misha Hunke. Photo: Erika Goldring

BMI has named two promotions within the company’s Distribution, Publisher Relations & Administration Services department. Both based in Nashville, Shouvik Das has been elevated to Senior Vice President, Distribution, Publisher Relations & Administration Services, and Misha Hunke was promoted to Vice President, Administration & Publisher Relations.

These new roles will streamline the reporting structure of the Distribution & Administration departments, which previously reported as separate entities to Alison Smith, Executive Vice President, Distribution, Publisher Relations, and Administration Services. Both departments will now function under Das, who will continue to report to Smith. Hunke will now report directly to Das.

“Shouvik and Misha consistently go above and beyond to serve our songwriters, composers and music publishers,” shares Smith. “In the past year alone, they’ve overseen multiple initiatives including processing nearly two trillion performances, launching phase one of Songview and the early distribution of royalty payments to BMI’s affiliates during the first two quarters of the pandemic.” Smith adds, “This new reporting structure will help the department function even more seamlessly, and I look forward to working with Shouvik and Misha in their new roles and seeing the team thrive under their leadership.”

Das previously served as Vice President, Distribution & Administration Services. He joined BMI in 2003 as an Executive Director of Finance and Business Control Solutions before moving to Distributions and Administration Services, where he was Assistant Vice President of Performing Rights.

Das will continue to work closely with Smith to manage the relationships with BMI’s publishers, while overseeing the company’s domestic and international royalty distributions and administration services to affiliated songwriters, composers, and publishers.

Hunke was previously the Assistant Vice President of Distribution and Administration Services. She oversaw the teams’ daily functions and strategic direction, including collaborating with major publisher clients and industry-wide administration professionals regarding digital initiatives, royalties, licensing, data quality and administration. She also spearheaded strategic development projects designed to increase efficiencies, create quality controls, and improve customer service to affiliates. Hunke joined BMI in 1987 in the Writer/Publisher Relations department and has been a member of the Distribution and Administration Services department’s client service team since 1995.

Hunke will take on a more expansive role in leading business areas of the department, including affiliation, agreements, royalty assignments, research, publisher customer services, and online services. She will also continue to supervise the business team responsible for Songview, the searchable data platform developed with ASCAP that currently features copyright ownership information on over 20 million works.

Jason Aldean Earns 25th Career No. 1 With ‘Blame It On You’

Jason Aldean has reached another career milestone this week as he charts his 25th career No. 1 with his latest hit, “Blame It On You.” The single currently holds the top spot on both the Mediabase/Country Aircheck Singles chart and Billboard‘s Country Airplay this week. The single also went No. 1 on MusicRow‘s CountryBreakout chart on May 21, 2021.

The track marks back-to-back chart-toppers off his sixth consecutive No. 1-selling album, 9. “Blame It On You” gives Aldean his 34th Top 10 song on Billboard‘s Hot Country Songs chart since making his chart debut in 2005, which is more than any other artist to date.

“25 No. 1 songs is bigger than I could have dreamed while I was driving that delivery truck back in Macon, GA,” Aldean shares. “This one is for the fans, country radio, and my team for taking this crazy ride with us.”

Aldean is returning to the road Aug. 5 for his Back In The Saddle Tour in Virginia Beach with special guests Hardy and Lainey Wilson. For more tour and ticket information, click here.

Ashley Gorley Tops MusicRow Top Songwriter Chart

Ashley Gorley hits the top of the MusicRow Top Songwriter Chart this week. He is a co-writer on the following charting songs: “Country Again” by Thomas Rhett, “Give Heaven Some Hell” by Hardy, “Sand In My Boots” by Morgan Wallen, “Single Saturday Night” by Cole Swindell, and “You Should Probably Leave” by Chris Stapleton.

Corey Crowder, who spent seven weeks atop the MusicRow Top Songwriter Chart, shifts down one to No. 2, with credit on “Drinkin’ Beer. Talkin’ God. Amen.” by Chase Rice and Florida Georgia Line, “Famous Friends” by Chris Young and Kane Brown, and “Minimum Wage” by Blake Shelton.

Nicolle Galyon moves up one to round out the top three.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.