DISClaimer Single Reviews: Tiera Kennedy Shows The Steamy Side Of Country

DISClaimer salutes Black History Month this week, because country music is having a historic moment.

Since the dawn of the 2020s, more than 50 African-American country artists have staged their debuts. Inspired by the breakthroughs of Jimmie Allen, Kane Brown, Mickey Guyton, Breland and Blanco Brown, a torrent of Black talent has surged into the format, with such artists as Brittney Spencer, Chapel Hart, Charley Crockett, Miko Marks and the Black Opry acts garnering significant media attention.

The Disc of the Day in today’s Black-country survey belongs to Big Machine’s Tiera Kennedy, with indie artist Dalton Dover running a close second.

The DISCovery Award is also a two-way race, with Coffey Anderson edging out Karen McCormick for the honor.

COFFEY ANDERSON / “Good To You”
Writers: Seth Ennis/Will Weatherly/John Pierce; Producers: Coffey Anderson/Ilya Toshinsky/Jordan Omley; Label: Riser House
– This good-time banger sports a sawing fiddle and a steady, head-bobbing beat. He has a jaunty, good-buddy delivery that’s quite winning. The sing-along song has loads of cute lines: “You’re always gonna be too good for me / And I’ll always be good to you.” “I would treat you like a lady / Like a brand-new Mercedes.” A winner.

DANIELIA COTTON / “Roll On Mississippi”
Writers: Rhonda Fleming/Dennis Morgan; Producer: none listed; Label: Cottontown
– Cotton has forceful, striking delivery that brings a pop-rock edge to this 1981 Charley Pride classic. She should have lowered the key, because she screeches way off key on the high notes.

JIMMIE ALLEN, CHARLEY PRIDE & DARIUS RUCKER / “Why Things Happen”
Writers: Brandon Day/Cary Barlowe/Jimmie Allen/Tate Howell; Producer: Ash Bowers/Jimmie Allen; Label: Stoney Creek
– Jimmie Allen currently sits at No. 1 on the country charts with pal Brad Paisley on “Freedom Was a Highway.” You’ll find it on his CD Bettie James: Gold Edition, which is loaded with cool collaborations. This track contemplates the mysteries of life and fate in a swirling production that’s also a “summit meeting” of Black-country greats. Earlier this month, the shooting star took time out to participate in a program called CreatiVets, which uses songwriting to aid veterans suffering from PTSD. By the way, Jimmie Allen is also one of our finest contemporary country showmen. If you haven’t seen him live, do so.

MICKEY GUYTON / “The Star Spangled Banner”
Writer: Francis Scott Key; Producer: N/A; Label: N/A
– This woman proved she is a STAR with this performance at last week’s Super Bowl. Social media sites blew up in its aftermath, and its YouTube video already has 1,182,673 views. Make that 1,182,674 views, because I just watched it again. Wow.

DWAYNE McMILLAN / “Find a Good Woman”
Writers: Dwayne McMillan; Producer: none listed; Label: AIK
– It is soaked with steel guitar, which is a good thing. It is painfully slow and draggy, which is not. The Atlanta soulman sings with sincerity, which is cool. The song lacks hooks, which isn’t.

DALTON DOVER / “Baby I Am”
Writers: Jason Gantt/Dan Isbell/Nate Smith; Producer: Matt McVaney; Label: Droptime
– I liked his debut single quite a bit, and this follow-up is just as impressive. The power ballad is a fervent declaration of True Love, and Dover sings the fire out of it. He’s small-town Georgia man who has found himself a big-city wedding anthem. Very uplifting.

CHIYANTI / “Big Ole Wagon”
Writers: Chiyanti Aiken-Brown; Producer: Chiyanti; Label: DistroKid
– Is “country twerk” a thing? This is a catchy hip-hop loop backed by a fiddler playing “Jaunty Alouetta” and “Old McDonald.” The lyric of the daffy dance tune praises gals with big butts.

THE PAULA BOGGS BAND & DOM FLEMONS / “King Brewster”
Writers: Paula Elaine Boggs; Producer: Martine Tucker; Label: PBB
– This Seattle combo dubs its sound “soulgrass,” since it combines bluegrass and Americana idioms. This track is a story song telling of Paula’s enslaved ancestor in Alabama and his journey through the post-bellum Jim Crow South. Flemons, a veteran of the Carolina Chocolate Drops, shares lead vocals. It’s kinda wordy, but could find favor on folk playlists.

MIKO MARKS / “Goodnight America”
Writers: Justin Phipps; Producer: none listed; Label: Redtone
– Miko Marks issued country albums in 2005 and 2007. After more than a decade out of the spotlight, she returned in 2021 with two new collections, Our Country and Race Records. The lyrics of this song are based on the sermon that Martin Luther King Jr. was working on when he was assassinated in 1968. Backed by rippling acoustic guitars, Marks gives it a terrific reading, shaded with deep alto notes and passionate political urgency. She remains a spectacular country voice, here with something to say.

TIERA KENNEDY / “Gentleman”
Writers: Cameron Bedell/Emily Landis/Tiera Leftwich; Producer: Cameron Bedell; Label: Big Machine
– This rhythmic slow jam is totally steamy. Tonight, she might not be ladylike, so he doesn’t have to be a gentleman when he comes over and turns out the lights. Country gets sexy.

KAREN McCORMICK / “Summer Lover”
Writers: Karen McCormick/Dana Marie Rogers; Producer: Evan Sieling; Label: KM
– Born in Brazzaville, Congo and raised in Washington State, this singer-songwriter staged her country debut with “Retro” in 2020. She has now followed it with this lovely, ultra-romantic ballad. Sung in a breathy sigh with hidden power, it’s very much in a pop-country mode, somewhat akin to Faith Hill’s work.

LATHAN WARLICK / “It’s OK to Cry”
Writers: Blake Hubbard/Jarrod Ingram/Lathan Warlick/Marc Peuschl; Producer: The720; Label: Records/Columbia
– This Tennessee native is nominally a Christian rapper, but he collaborates with Lauren Alaina, Dustin Lynch, Russell Dickerson, FGL’s Tyler Hubbard and other country acts on his My Way EP. The message to men that tears are healing is a good one. But this track is still way more hip-hop than honky-tonk. Pass.

Country Radio & Streaming Issue Profiles John Esposito, Highlights Amazon Music’s Country Team

Nashville’s leading music industry publication MusicRow Magazine has released its 2022 Country Radio & Streaming Issue, with BBR’s Dustin Lynch gracing its cover.

Inside the issue, MusicRow profiles Warner Music Nashville’s CEO John Esposito. Titled “Becoming Espo,” the feature highlights the powerful label-head’s entry into the music business and his meteoric rise to the top of one of country music’s most successful record labels.

“I had no plan other than just keep being successful at what you do so that they’ll keep paying me so I can keep getting tickets,” Espo shares in the article. “[My former boss] Lyor Cohen had a big impact on my life. One of his expressions that I use all the time is: I’ve worked my entire life for an all access backstage pass. That’s the only thing I work for.”

Elsewhere in the Country Radio & Streaming Issue, MusicRow catches up with Amazon Music’s country team to talk about the last year. Principal Programmer Emily Cohen and new Head of Country Music, Michelle Tigard Kammerer, spoke on the success of Amazon’s Country Heat brand, the Country Heat Weekly podcast, and the upcoming ACM Awards, which will livestream exclusively on Prime Video.

“My goal is to continue to build on the foundation that the Amazon Music team has already built in the country music space,” Kammerer shares with MusicRow. “For 2022, I am most excited by two new developments: The ACMs on Prime Video and the Country Heat Weekly podcast.”

UMG Nashville’s Exec. VP of Promotion, Royce Risser, and Sr. VP of Streaming Marketing, Annie Ortmeier, shared their expertise on the skill set needed in the radio and streaming spaces in 2022. The two executives spoke about TikTok, promotion philosophies, and the challenges and opportunities that arose while promoting music in a pandemic.

MusicRow also investigated the rise in country collaborations over the last two years, tapping into the knowledge of BBR Music Group’s VP of A&R, Sara Knabe, who says she cleared over 40 collaborations for her label group in the last 18 months. She shed light on the influx of country collaborations, why they’re advantageous for artists, and the ins and outs of making an all-star collab work.

Also spotlighted in the Country Radio & Streaming Issue is a look at secondary market radio with KZPK and KYCK’s Brook Stephens, and a feature on the new entertainment and cashless tipping platform, PickleJar, “the world’s biggest tip jar.” Additionally, MusicRow celebrated the 20th anniversary of the CountryBreakout Radio Chart.

Finally, the Country Radio & Streaming Issue includes the winners of MusicRow’s 20th Annual CountryBreakout Awards, which honors the artists who earned the most spins on the MusicRow CountryBreakout Radio Chart in 2021. The 2022 winners include Male Artist of the Year Luke Combs, Female Artist of the Year Miranda Lambert, Group/Duo of the Year Dan + Shay, Breakout Artist of the Year Priscilla Block, and Independent Artist of the Year James Robert Webb. Capitol Records Nashville was honored with Label of the Year for the 18th time, while SMACK Songs/Sony Music Publishing’s Josh Osborne was named Songwriter of the Year for the third time. This year’s Reporter of the Year is WDHR’s Jeff Meek.

Single copies of MusicRow’s 2022 Country Radio & Streaming Issue are available for purchase at musicrow.com for $20, and are included with yearly MusicRow memberships.

Artist Action: Eli Young Band, Priscilla Block, Jon Langston, Dustin Collins

Eli Young Band Join The Pandora Billionaires Club

Pictured: (L-R:) Ashley Sidoti (Vice President Promotion & Digital, The Valory Music Co.); George Briner (President, The Valory Music Co.); Jen Danielson (Head of Country Programming, Pandora); Alina Thompson (Senior Manager, Artist Marketing & Industry Relations, Pandora); James Young; Mike Eli; Chris Thompson; Jon Jones; Beville Dunkerley (Head of Country Music, Pandora); Bekah Digby (Streaming Manager; Big Machine Label Group); George Couri (Owner, Triple 8 Management). Photo: Chris Hollo

Following their Grand Ole Opry performance on Feb. 22, Eli Young Band were surprised with a Pandora Billionaire Plaque, commemorating over 2 billion streams on the platform.

With this milestone, the band has been added to Pandora’s Country Billionaires Radio.

“Sometimes these moments sneak up on you and refill the gas tank,” reflected lead singer Mike Eli. “We love to play music and when something like this comes along and reminds you that people are listening, it just feels so good. The first and last time someone will call us billionaires!”

Last week, the band delivered their new single “Love Talking” to country radio. The band will return to the road for their 51-city “Love Talking Tour.” For a full list of upcoming dates, click here.

Priscilla Block Celebrates First RIAA Certification For “Just About Over You”

Pictured (L-R): David Friedman, VP Promotion UMG Nashville; Buzz Brainard, Host Music Row Happy Hour on SiriusXM’s The Highway; Priscilla Block; J.R. Schumann, Sr. Director Music Programming SiriusXM; Jackie Jones, VP Artist & Industry Relations RIAA. Photo: Courtesy of Mercury Nashville

Priscilla Block was surprised with some happy news on Friday (Feb. 18) while joining SiriusXM’s Buzz Brainard for The Highway’s Music Row Happy Hour.

While in the studio, RIAA’s Jackie Jones popped in to the live broadcast, saying, “I am here to do one of my favorite things–to give an artist their very first certification. I’d like to congratulate you on your first Gold record!”

Jones presented Priscilla with Gold plaque for Block’s hit debut single “Just About Over You.”

“I’m at a loss for words!” shared a stunned Block. “This is because of [my family, friends, supporters, and fans]. [This is] my first certified gold single! Thank y’all for keeping music alive and continuing to buy and stream my music and letting me have a dang career doing what I love!”

Earlier this week, Block was also awarded the Breakout Artist of the Year award at MusicRow‘s 20th annual CountryBreakout Awards. Block earned the most spins on the MusicRow CountryBreakout Radio Chart than any other debut artist last year.

 

Jon Langston Makes Opry Debut, Earns Gold Treatment

Pictured (L-R): Jon Langston with UMG Nashville EVP & COO Mike Harris. Photo: Chris Hollo

32 Bridge Entertainment/EMI Records Nashville artist Jon Langston made his Grand Ole Opry debut on Feb. 22. Along the way, he delivered an array of performances, including his upcoming single, “Back Words,” and fan favorite “Forever Girl.”

During the show, Langston was surprised backstage with a plaque commemorating “Forever Girl” being certified Gold by the RIAA.

The song was the first song Langston ever wrote, kicking off a career that has seen the Georgia native sell out shows across the country and tally more than 500 million total streams.

Langston will release “Back Words” this Friday (Feb. 25).

Dustin Collins Inks With New Vision, New Revolution

Pictured (L-R:) Mike Kraski, Dustin Collins, Jeff Solima. Photo: Adkins Publicity

Dustin Collins has signed with New Vision Artist Management’s Mike Kraski and New Revolution Entertainment’s Jeff Solima.

Collins recently announced his forthcoming album, Working Man, which was produced by Buddy Cannon and Bill McDermott. The project is slated for release this summer from DCDL Entertainment. A portion of proceeds from the project will benefit GUMI (Glad You Made It) Camp USA, which provides veterans with the tools they need to help them heal after deployment and enables them to re-enter society.

Kraski began his career in sales and distribution at CBS Records, eventually making his way to Sony Music Nashville where he worked with Dolly Parton, Johnny Cash, Montgomery Gentry, and more. He was eventually elevated to executive VP and General Manager for the Nashville division. In 2003, Kraski left Sony to open Equity Records. Since 2007, he has worked in artist management, consulting and music publishing at Tenacity Management and at M-Pact Music Group, recently partnering with artist manager John Dorris to launch New Vision Artist Management.

Solima, whose career started at Music Matters, managed Tracy Lawrence and Clay Walker, as well as opened the multi-award-winning Hitsquad Promotions in 1993. In 2006, he co-founded New Revolution, and in 2008, he co-founded Bigger Picture Promotions, which became the No. 5 record label in 18 months. Clients that have included Tim McGraw, Brantley Gilbert, Martina McBride, Lee Brice, Gloriana, Uncle Kracker, Jesse James Decker, and more.

“It’s truly amazing to get to work with some of the best that Nashville has to offer. Management wise, Mike has helped me achieve everything I’ve wanted to on my new project and going forward to radio, you can’t help but to be impressed with Jeff’s track record of success and professionalism,” shares Collins.

Cody Johnson Tops ‘Billboard’ Hot Country Songs Chart

Cody Johnson. Photo: Chris Douglas

Cody Johnson has topped Billboard’s Hot Country Songs with his current radio single “’Til You Can’t.”

The fast-moving track also continues its climb at country radio, currently sitting at No. 8 on Billboard and No. 5 on the Mediabase airplay charts. The RIAA Gold-certified hit is the debut single from Johnson’s sophomore project, Human The Double Albumand has garnered 160 million global streams.

The song, penned by Ben Stennis and Matt Rogers, has also reached No. 1 spot on SiriusXM’s Hot 30 Weekend, Shazam’s Country Chart, and hit the top of the MusicRow CountryBreakout Radio Chart on Feb. 4.

In the last year, Johnson has released an award-winning feature-length documentary, Dear Rodeo: The Cody Johnson Story; delivered two albums, Human The Double Album and A Cody Johnson Christmas; sent his most successful single to country radio with “’Til You Can’t;” added RIAA Platinum and Gold singles and albums, bringing his career total to 12; played sold-out concerts; and more.

Industry Toasts To Lainey Wilson’s Success At Her First No. 1 Party

Pictured (L-R): Jonathan Singleton, Lainey Wilson with her MusicRow No. 1 Challenge Coin, Jason Nix. Photo: CeCe Dawson

Industry members and artists gathered for an emotional No. 1 party earlier this week when Broken Bow Records star Lainey Wilson celebrated her first chart-topper, “Things A Man Oughta Know.”

The crowd filled the Melrose Billiards hall, and a slew of Wilson’s artist friends—including Ian Munsick, Ashland Craft, Meghan Patrick, Mitchell Tenpenny, and more—were there to support the young artist.

The party, hosted by BMI’s MaryAnn Keen, honored the song’s co-writers Wilson, Jason Nix and Jonathan Singleton. “Things A Man Oughta Know” is Wilson and Nix’s first No. 1 hit, and Singleton’s fourteenth. “I feel very lucky and honored to talk about all three of these writers,” Keen said.

Keen started what was an array of high praise for Wilson throughout the event. “You’re such a force to be reckoned with,” she said. “You deserve all the good things that come your way, and I know there’s going to be a lot of them.”

Keen also recognized Pinnacle bank for their support of No. 1 parties. Pinnacle’s David DeVaul hopped on the mic to congratulate everyone.

Representatives from Spirit Music Group, Big Machine Music, and Sony Music Publishing were on hand to gush about their songwriters.

Pictured (L-R): Big Machine Music’s Mike Molinar, Spirit Music Group’s Frank Rogers, Jonathan Singleton, Lainey Wilson, Jason Nix, Sony Music Publishing’s Rusty Gaston, BMI’s MaryAnn Keen, BBR’s Jon Loba. Photo: CeCe Dawson

Spirit’s Frank Rogers spoke about hit writer Singleton. “It’s a joy to work with you. You’re one of the hardest working writers in town,” he said. Rogers also mentioned Wilson’s importance to the country music genre, saying, “As a fan, we need Lainey Wilson. As a publisher, we need Lainey Wilson. As a music community, we need Lainey Wilson.”

Big Machine’s Mike Molinar, Singleton’s former publisher, spoke about the song and Wilson’s impact. He made sure to mention the song’s ACM nomination for Song of the Year. “I think you know what to do,” he said. “All five songs are great, all of those writers are great, but a song like this is going to keep connecting with people so much longer than we’re even going to know what an Applebee’s is.”

Rusty Gaston from Sony Music Publishing seconded Molinar on ACM voting. He also highlighted co-writer Nix’s work ethic, pointing out that he commutes two hours to write in Nashville. “That is somebody that is determined to make his dreams come true,” he said.

Gaston piled on the praise for Wilson. “What’s unique about Lainey is she isn’t someone who just has a dream. She has a vision to make that dream happen,” Gaston said. “You’re going to be using Lainey Wilson’s name in the future when we have conversations about artists that have defined a decade, that defined our genre…Lainey, everyone in this building loves you to death. You are the future of country music.”

Pictured (L-R): BBR/BMG’s Chris Poole and Sara Knabe; Jonathan Singleton; BBR/BMG’s Shelley Hargis Gaines; Lainey Wilson; BBR/BMG’s Lee Adams; Jason Nix; BBR/BMG’s Dawn Ferris, Layna Bunt, JoJamie Hahr, Jon Loba, Renee Leymon, and Jay Jones. Photo: CeCe Dawson

With the crowd fired up after Gaston’s speech, BBR head Jon Loba got up to speak. He first recognized the BBR promotion staff, marketing and digital team, and A&R staff. “They will always carry a torch for Lainey,” he said.

“We were at the Ryman opening for Ashley McBryde. 50% of the audience knew her at the beginning, the entire audience was on their feet at the end,” Loba recalled. “I mean this from the bottom of my heart, I sat there watching Lainey on that hallowed stage and said, ‘We’re not going to see you on that stage for the next two, five, or ten years. We’re going to see you on that stage for decades.’ And I believe it.”

When it came time to hear from the songwriters, Nix started things off. “I know your mom and daddy are here,” Nix said to Wilson. “I want to thank y’all for raising someone who knows what she wants to say and how she wants to say it. I’m thankful to work with you and to know you.”

Singleton added, “I’m super excited about this song. I’m most excited that it’s Lainey and Jason’s first No. 1.”

Wilson held herself together as she began to speak. “I’m looking around the room right now and see my best friends,” she said. “I’m going to try not to cry.

“This is a moment I’ve been dreaming about since I was knee-high,” she added. “This is all I know how to do. Country music is my life.”

Wilson talked about her drive to become a country music artist, her family’s support, and her journey trying to make it in Nashville. “I knew absolutely nobody, but I knew this was what I was going to do. I have been bound and determined to do this thing. There’s been no plan B for me.”

She closed with some words on the song. “This song is not about whether or not you can change a tire, you can YouTube all that stuff. This song is about having good character, treating people right, and having the courage and discernment to do the right thing,” she said. “I’m so thankful that this song was my first No. 1 because, to my core, it tells who I am and what I stand for.”

Caitlyn Smith Soars On Upcoming, Self-Produced Project ‘High’

Caitlyn Smith. Photo: Courtesy of Monument Records

On a rainy Tuesday night in Nashville, Caitlyn Smith brought a small group of Nashville’s music industry professionals together to give a special preview of her upcoming album, High.

Taking over the Blue Room at Third Man Records, the room dimmed to display a stunning black and white, one-take video of Smith singing a vulnerable track from the record entitled “Maybe In Another Life.” Eventually fading to color, the video displayed intense emotions, signaling some of what is to be expected from her third album, all behind Smith’s signature shining vocals.

The video then went on to share a montage of clips from the recording of High, fit with footage of Smith in the studio and writing up a storm for the project. Over the video, Smith shared her heart behind the record, saying: “My whole life of music has been mystified, like it was a special language that only a few could truly speak. But the truth about music is that it’s a playground. It’s meant to be fun. Mistakes are meant to be made because from mistakes, we learn, and from mistakes, we discover who we are, what works, and what doesn’t.

“In this process I gave myself the space to be messy, to not know what I was doing, to make the mistakes, to be unsure, and just feel my way through it. Through this process, I’ve grown,” she explained. “It felt like I was jumping off a mountain and I didn’t know if I was going to crash and burn, pull a parachute, or if I was going to grow wings and actually fly. I made a record that I’m really, really proud of. This record is all mine. I took the jump and I’m flying… High.”

Taking the stage with Tiffany Kearns, Executive Director, CMA Foundation and CMA Vice President, Community Outreach, the pair caught up on the last year, Smith’s her first jab at self-producing, her journey thus far as an artist, and more.

“I got this little earworm that said, ‘What if you tried to produce a record?’ I started writing songs [when I was a kid] and have been in the studio since I was 15 so I’m not a stranger to it, but I was so scared of it. It wouldn’t leave my brain and I started telling people and they said I should try it, so I did. I was like, ‘This is disgustingly terrifying, I love it!’ It was a beautiful process,” Smith gushed.

Tiffany Kearns & Caitlyn Smith. Photo: Courtesy of Monument Records

Smith originally came to Nashville as a songwriter, finding a pocket of success with cuts by Kenny Rogers and Dolly Parton (“You Can’t Make Old Friends”), Garth Brooks (“Tacoma”), Meghan Trainor and John Legend (“Like I’m Gonna Lose You”), and more. When it came to becoming an artist, Smith says that her first record, Starfire, was very discovery-oriented as she tried to figure out what to say and sing. With the release of her sophomore album, Supernova, she leaned further into what she thought people would want to hear from her, rather than what she wanted.

“This new record is [getting back to me]. When I listen to this record, I hear all of my favorite albums smushed together into one. The songs feel like me. I don’t feel like I’m trying to do anything except put another chapter of my heart out there,” Smith shared. “On the other records I played songs for every other person in town [to see if they liked them]. I feel like there was so much of a need for other people to be involved in the process. Collaboration is fun, but on this record I wanted to know what the hell would happen if I just asked, ‘Do I like this? Do I think this sounds good?'”

The Monument Recording artist, who recently earned her first ACM nomination for New Female Artist of the Year, gave solo acoustic performances of a handful of the tracks to come on High, including the record’s awe-inspiring title track. Written alongside Jennifer Erin Decilveo and Miley Cyrus, who cut the song for her 2020 album Plastic Hearts, Smith knew from the moment she heard the song that she wanted to sing it.

Smith also shared a pitch perfect performance of her smoldering “Nothing Against You,” which dons the sexy hook: “Don’t wanna be mad at you, baby / Don’t wanna be acting all crazy / Just want your loving / Don’t wanna hold nothing against you but me.”

“My journey as an artist has been long and winding,” Smith recalled. “I remember when I first signed with Monument and I was looking at the radio charts and there were only two girls–Carrie Underwood and Miranda Lambert. I didn’t think there was a place for me in country music. Even though that’s what I wanted, I didn’t feel like there was a space.”

Pictured (L-R): Steve Pleshe (Monument Records), Luke Jensen (Monument Records), Hoss Michaels (KXKT), Katie McCartney (Monument Records), Caitlyn Smith, Paul Williams (WKDF), Marci Braun (WUSN), Katelyn Lester (Monument Records), Cameron Moore (WSOC). Photo: Courtesy of Monument Records

She continued, “I feel very grateful, now five years later, that there’s been this beautiful wave of females at country radio. Maren Morris has flung the door open for incredible artists like Ingrid Andress, Gabby Barrett, and more who are taking over the airwaves. I feel very grateful because I’ve just been over here making music, and I had the chance to finally send a song to country radio last year with my friends Old Dominion… I feel like I have a place in country music. I feel like all the work that the ladies before me have done has allowed it. It’s been a long and winding road but I finally feel like I’m at home and where I’ve always wanted to be.”

Smith capped the night with the announcement that she’ll be shipping her new single, “Downtown Baby,” to country radio on March 4. The up-beat, breezy track will lead up to High‘s release on April 8.

The 8-track project is just the beginning of new music for Smith who teased the release of a full album later this year.

Runaway June’s Naomi Cooke To Pursue Solo Career

Pictured: Natalie Stovall, Naomi Cooke, Jennifer Wayne. Photo: CeCe Dawson

Naomi Cooke, lead singer of country trio Runaway June, has announced her exit from the group after seven years. She will pursue a solo career.

Cooke shared the news via Instagram, saying: “I am incredibly excited to officially be able to announce that I am taking a new musical journey as a solo artist, and I am beyond excited to share new stories and music with you. It has been 7 wonderful years as the lead singer of Runaway June, and I am so grateful for the memories and time well spent with my bandmates, Hannah [Mulholland], Jennifer [Wayne] and Natalie [Stovall].” She continues, “It has been extremely hard to keep quiet about what I’ve been up to, and I cannot wait to share everything with you all very soon!! I miss you guys so much, and can’t wait to see y’all out on the road. I love you guys so much I could burst.”

 

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Cooke, alongside original members Jennifer Wayne and Hannah Mulholland, who left the group in May of 2020, formed Runaway June in 2015 and signed with BBR Music Group’s Wheelhouse Records. Their debut project, Blue Roses, included their hit single “Buy My Own Drinks,” marking them as the first all-female trio to earn a Top 5 hit at country radio in over 16 years. The trio spent much of 2019 on the road opening for Carrie Underwood’s “Cry Pretty Tour 360” and were part of CRS’ New Faces of Country Music Class of 2020.

After Mulholland’s exit in 2020, it was announced that vocalist, fiddle player and songwriter Natalie Stovall would join the group. She previously fronted Natalie Stovall and the Drive, known for the 2014 single “Baby Come On With it.” Since then, the Cooke, Stovall and Wayne released the single “We Were Rich,” a five-track Christmas EP, another three-song EP Backstory, and joined Luke Bryan on his “Proud To Be Right Here Tour.”

CRS Day One: Streaming Summit, Warner Luncheon, CRS Honors, Amazon Country Heat

Country Radio Seminar kicked off Wednesday (Feb. 23) at the Omni Nashville Hotel. Below are some of the highlights from yesterday’s programming.

CRS Streaming Summit

Jordan Davis, Kacie Lehman, Lauren Black, Kimsey Kerr, and Allison Laughter speak at CRS. Photo: Courtesy of CRB/CRS | Kayla Schoen

The 2nd Annual CRS Streaming Summit kicked off CRS week with targeted, informative sessions, combined with star-studded afternoon and evening music events. The day started with the Streaming Summit Networking Breakfast, and included several insightful panels such as sessions called Twitch/Live Streaming for Music, Music Discovery Through Streaming: Spotify Fan Study, Talk Data To Me: 2021 In Review, and Road To The Next Big Thing: The Connected Car.

Esteemed panelists included Timothy Babbitt (General Motors), Lauren Black (Country Now), Sung Cho (ChartMetric), Emily Cohen (Amazon Music), Patch Culbertson (Big Loud), Tim Foisset (Warner Music Nashville), Margaret Hart (YouTube Music), Claire Heinichen (Spotify), Brandon Jarrett (MRC Entertainment), Haley Jones (MRC Entertainment), Alison Junker (Spotify), Soy Kim (Spotify for Artists), Allison Laughter (Red Light), Kacie Lehman (Twitch), Ali Matkosky (Big Loud), Annie Ortmeier (UMG Nashville), Ashton Pierre (AT&T), Vipin Reddy (UMG Nashville), Steve Stewart (Cox Media Group), Jonathan Tarlton (Spotify), Alina Thompson (Pandora), and Taylor Viegut (UMG Nashville).

Warner Music Nashville Luncheon

Pictured (L-R, back row): John Driskell Hopkins (Zac Brown Band), Matt Mangano (Zac Brown Band), Clay Cook (Zac Brown Band), Jimmy De Martini (Zac Brown Band), Ben Kline (WMN GM/Exec. VP); (L-R, middle row): Kristen Williams (WMN SVP, Radio), Chris Janson, Cody Johnson, Drew Parker, Randall King, Morgan Evans; (L-R, front row): Zac Brown, Ingrid Andress, John Esposito (WMN Chairman & CEO), Breland, Jessie James Decker, Michael Ray, Cris Lacy (Exec. VP, A&R). Photo: Courtesy of CRB/CRS | Kayla Schoen

A full lineup of talented artists showed out for the the 4th annual Warner Music Nashville Luncheon. Zac Brown Band headlined the event. CRS attendees were also treated to performances from Jessie James Decker, Morgan Evans, Cody Johnson, Chris Janson, Ingrid Andress, Breland, Randall King, Drew Parker, and Michael Ray.

CRS Honors

Pictured (L-R): CRS/CRB Board President Kurt Johnson; Jason Aldean; CRS Executive Director, RJ Curtis. Photo: Courtesy of CRB/CRS | Kayla Schoen

Jason Aldean was honored with the Country Radio Broadcasters (CRB) 2022 Artist Humanitarian Award at CRS Honors. The CRB Artist Humanitarian Award was created in 1990 by the organization’s board to honor those country music artists who have exhibited exceptional humanitarian efforts during their career.

Aldean also announced the Class of 2022 Country Radio Hall of Fame honorees during CRS Honors. This year’s list includes off-air honorees Becky Brenner and Barry Mardit, and on-air honorees Whitney Allen, Debbie Conner, Cathy Martindale, and Rachael & Grunwald. Read more about each inductee here.

Amazon Music Presents: Country Heat at CRS

Pictured (L-R): CRS Executive Director, RJ Curtis; Thomas Rhett; Conner Smith; Frank Ray; Morgan Wade; Amazon Music Head of Country Music, Michelle Tigard Kammerer. Photo: Courtesy of CRB/CRS | Kayla Schoen

Thomas Rhett headlined the 5th annual Amazon Music Presents: Country Heat at CRS. The evening show also featured performances from Frank Ray, Lily Rose, Conner Smith, and Morgan Wade. The evening was hosted by Kelly Sutton and Amber Anderson of Amazon Music’s original podcast, Country Heat Weekly.

CMHOF To Feature Rodney Crowell In Upcoming Installment Of Poets And Prophets

The Country Music Hall of Fame and Museum will feature Rodney Crowell in its ongoing, in-depth interview series Poets and Prophets. The program is presented in support of the museum’s exhibit Outlaws & Armadillos: Country’s Roaring ’70s.

Taking place on Saturday, March 19 from 2:30-4 p.m. CT at the Museum’s Ford Theater, the program will include a performance and interview with Crowell, and will be illustrated with photos, film and recordings from the museum’s Frist Library and Archive.

Crowell started his career in Texas, playing drums in his father’s honky-tonk band at age 11. He has written more than a dozen No. 1 songs and a collection of hit songs, including “’Til I Gain Control Again” (Emmylou Harris, Crystal Gayle), “I Ain’t Living Long Like This” (Waylon Jennings), “Leaving Louisiana in the Broad Daylight” (Oak Ridge Boys), “I Don’t Know Why You Don’t Want Me” (Rosanne Cash), “Shame on the Moon” (Bob Seger), “Ashes by Now” (Lee Ann Womack), “Please Remember Me” (Tim McGraw), “Song for the Life” (Alan Jackson) and “Making Memories of Us” (Keith Urban).

As a recording artist, Crowell’s 1988 album Diamonds & Dirt yielded five No. 1 singles, including “After All This Time.” The song, which he also wrote, took home a Grammy for Best Country Song.

Admission to Poets and Prophets is included with museum admission and free to museum members. For more information, click here.

The Poets and Prophets series features a variety of songwriters who have made significant contributions to country music. Previous songwriters featured include Bill Anderson, Gary Burr, Wayne Carson, Buzz Cason, Roger Cook, Sonny Curtis, Bob DiPiero, Tom Douglas, Dallas Frazier, Shane McAnally, Lori McKenna, Roger Murrah, Paul Overstreet, Liz Rose, Mark D. Sanders, Jim Weatherly, Jimmy Webb, Craig Wiseman, and more.

Verge Records, ONErpm Team With 16camino For Radio Promotion Support

Verge Records and parent company ONErpm have formed a new venture with indie artist development company 16camino. The partnership will provide country radio support exclusively for all Verge and select ONErpm artists.

The new partnership pairs Verge President/COO Mickey Jack Cones, ONErpm Founder/CEO Emmanuel Zunz and their staffs with 16camino co-founders and industry veterans John Ettinger and Ryan Barnstead.

The combined team will roll out songs from various Verge acts this year, including new music from Trace Adkins and newcomers Jay Allen and Scott Stevens.

Ettinger and Barnstead have both notched more than 30 No. 1 singles. Ettinger helped Bon Jovi secure a No. 1 on the country charts with “Who Says You Can’t Go Home,” guided three of Shania Twain’s albums to No. 1, and was instrumental in launching Sugarland, Billy Currington and Love & Theft, among others.

Barnstead has worked with numerous artists ranging from Miranda Lambert and Gretchen Wilson, where he earned the fastest-rising debut single for Wilson in chart history, to rock icons John Mellencamp and Bruce Springsteen.

“John and I have worked together for almost two decades. Having him and Ryan aboard to activate our all-in push with country radio is the perfect partnership,” shares Cones. “They work smart and effectively, always bringing the positive energy, are highly respected in the business and deliver results—all attributes we strive for at Verge and ONErpm.”

“I immediately contacted Mickey Jack when he and Emmanuel relaunched Verge,” adds Ettinger. “I saw they were after quality before anything else, quality music and quality relationships. We’re so happy and proud to join in that effort.”