
Sophia Sansone
In less than a decade, Sophia Sansone has risen from an assistant role to become one of Nashville’s most respected young executives, now serving as a Managing Partner at Make Wake Artists. Since joining the company in 2017 as assistant to founder Chris Kappy, Sansone has distinguished herself through sharp strategic instincts, deep artist advocacy and an exceptional understanding of long-term career building.
A key member of Luke Combs’ management team during a period of historic growth, Sansone has played an integral role in helping guide one of the most successful careers in modern country music. She also manages Nicole Combs, serving as a trusted advisor across brand, business and philanthropic initiatives. In 2025, Sansone expanded her roster by taking on Grammy Award–winning act The Band Perry, leading their highly anticipated return to country music while honoring the legacy that made them one of the genre’s most influential acts.
A graduate of Vanderbilt University, Sansone credits much of her leadership style to growing up as one of ten siblings, an unconventional training ground that shaped her collaborative mindset, adaptability and decisiveness. Her impact has been consistently recognized by the industry. She was named to Nashville Briefing’s 30 Under 30 in 2021 and went on to earn repeated honors including Billboard Women in Music (2023, 2024, 2025), MusicRow’s Next Big Thing (N.B.T.) (2023), Variety’s Hitmakers (2023, 2024), Billboard’s Country Power Players (2023, 2024, 2025) and Billboard’s 40 Under 40 (2024).
Sansone will be honored as part of MusicRow‘s Rising Women on the Row class of 2026 on March 3 at the JW Marriott. Read more about the event here.

Photo: Courtesy of Sansone
MusicRow: Where did you grow up?
I grew up in St. Louis, Missouri, with a big Italian and Greek family. I have nine siblings, and I was the first girl after five boys.
What were you into as a kid?
I was definitely a tomboy, so I was really into sports and I also boxed a lot with my brothers growing up, but at the same time I really cared about fashion from a young age and what I wore. I went to an all-girls Catholic school and had to wear a uniform all the way until college, but I always loved fashion and my dream was to move to Chicago and work in it. I also liked pop culture and would watch E! News and Oprah religiously after school.
I went to The Catholic University of America in DC for two years, where I played field hockey, and then I transferred to Vanderbilt. During the summers, I would work at Fox Sports Midwest in St. Louis, helping the local teams with whatever they needed. I worked on the production and marketing side of things, helping pull clips for the jumbotron, literally whatever you could think of. At one point, I was sitting in a closet going through old Cardinals baseball footage and pulling clips they wanted.
I grew up a big country music fan, but I really didn’t understand the industry at all. I didn’t know there were songwriters. So when I moved here and started going to writers’ rounds, that was when the light bulb went off.

Photo: Courtesy of Sansone
How did you get your feet wet?
I started just managing my friends and being around artists and songwriters. I remember going to a round at a bar on Demonbreun and seeing Jonathan Singleton play “Watching Airplanes,” which he wrote. I had no idea someone other than the artist wrote songs. It really opened my eyes.
I finished up at Vanderbilt and was doing a lot of hustling on the side, managing my friends. I didn’t really know what I was doing, but I knew I wanted to get into the industry somehow. I expressed that to my parents, but there were no job openings that I could find. All I had was babysitting money and a degree. I couldn’t afford to live here, so I had to move home.
My parents encouraged me to go to law school, so I started studying for the LSAT, took it, and applied to law school. But the whole time, I’d drive to Nashville every other week, stay with friends, and get coffee with whoever would take me in the industry. Everyone was so great, but no one had a job opening.

Photo: Courtesy of Sansone
One day, my girlfriend saw a Facebook post from Kappy at Make Wake. He was looking for a day-to-day position for a bunch of his baby acts at the time. I knew who Luke Combs was. He had just had a No. 1 with “Hurricane,” and “When It Rains It Pours” was at radio. I also had lots of mutual friends with his then-girlfriend, Nicole.
I met with Kappy at the then Edgehill Cafe in 2017, admitting I was under-qualified for the job but asked him to take a chance. He ended up hiring someone else for the day-to-day role, but he said, “I can’t not hire you, and I really want you to grow and learn under me,” which is all I ever wanted. So he hired me as an assistant, paid me as much as he could, and gave me my chance.
That’s awesome. Tell me about getting started.
My first day of work was CMA Awards day. Kappy had me meet him at this address around 9:00 a.m. I showed up, and Luke was in the middle of a really big interview with a huge crowd. Then we went to Bridgestone for soundcheck, and there were all of these big names in the room, like Scooter Braun and Taylor Swift. I was like, “What is happening to me?” Kappy threw me right in.
I’ll never forget Mary Catherine Kenny, who was Luke’s PR at the time, coming out the door at Bridgestone to grab us. She was quick and decisive and wasn’t phased by all the people. She just radiated boss energy. I realized I had joined an environment where I was going to have to work really, really hard and use my voice. You could get eaten alive if you didn’t keep up with the pace. A lot of it looks glamorous, but there’s so much happening behind the scenes.

Photo: Courtesy of Sansone
Within six months of working at Make Wake, Kappy called me into the office and asked me to be Luke’s day-to-day. I was like, “Are you sure? I’m so new.” I was so honored. I’ve been his day-to-day ever since and have been able to grow a lot on the team, which has instilled a lot of confidence in me.
Now you are also Partner at Make Wake.
Yes, about two years ago, Kappy asked me to be a Partner. That was a huge honor for me, and I feel really grateful for it. About a year ago, I also signed The Band Perry, which was something I never expected to do because Luke is so busy and the company is busy. I also manage Nicole with her brand marketing sponsorships.
But when Kimberly Perry messaged me that she was returning to country music, I had to meet with her. I was honored. Once we talked, I knew I needed to do it. I built a team around it, and I’m really grateful.
What is a day in the life like for you, balancing all of that?
Every day is different. Before work, I try to work out and do my Bible study before I get ready for the day. I really prioritize my mornings now. It’s better for everyone that way. [Laughs]
Then, depending on the day, I’ll go to meetings, and after that it’s more meetings, calls and emails. If we’re in an album cycle, we’re going to interviews and the studio, and now touring is ramping up, so I’ll be going to stadium shows for Luke and shows for The Band Perry.

Photo: Courtesy of Sansone
Kappy still goes to every show for Luke, and I go to a lot of them. We’re so close with the touring team. We get so much done out there, and there’s so much camaraderie. It’s a grind, but it’s rewarding, and it’s a privilege to me.
Tell me about a moment in your career that you are most proud of.
When Luke and Tracy Chapman performed “Fast Car” at the Grammys, that was an incredible moment. It was such an important moment for Luke and such an honor for him. The fact that Tracy appreciated his cover of the song and wanted to perform with him was a full-circle moment. No one knew it was happening at the Grammys besides our teams.
I become the seat filler for Luke when he’s on stage at award shows, so I was sitting with Nicole when he came on stage. It was indescribable and such a proud moment, you could feel that the entire room was in awe too, which was really cool and felt like a huge step for country music.
I’m also really, really proud to be managing The Band Perry. It’s a big step for me to have something that I signed, and I’m honored.

Photo: Courtesy of Sansone
Who have been your mentors?
My Pop has always been my mentor in business. He pushes me to think bigger and gives the best advice. I also talk with my brothers about business all the time, having those conversations with both of them has shaped so much of how I approach my career.
My mom is incredible. She raised 10 kids while also building her own path as an entrepreneur. She is a fitness coach, specifically for the elderly, wrote a bestselling book titled Women First, Family Always, and was featured on Oprah and in O Magazine. She’s my role model in every sense, her work ethic, her heart, and the way she shows up for people.
My brother Jimmy has gotten me through some pretty challenging times and pushes me to work on myself mentally, emotionally and physically. Of course, Kappy is my mentor in this industry. There are a lot of other names I could mention, too. I have a lot of people I can lean on.
What’s some of the best advice you’ve ever gotten?
I’ve gotten a lot of amazing advice. I’m really close to my grandparents. My Pa, who was extremely wise, always said, “Treat the janitor the same way you treat the CEO. You’re not better than anybody, and nobody’s better than you.”
It’s simple, but it’s important. Treat everybody with kindness and respect.
Joybeth Taylor Jumps Into Top 10 On MusicRow Top Songwriter Chart
/by Madison HahnenJoybeth Taylor
Joybeth Taylor has moved into the top 10 on the MusicRow Top Songwriter Chart. Ella Langley’s “Choosin’ Texas,” “Dandelion” and “girl you’re taking home,” BigXthaPlug’s “Hell At Night,” and Gavin Adcock’s “Never Call Again” all put the songwriter at No. 7 this week.
Zach Bryan remains at No. 1 for the fourth consecutive week with all solo-penned “Appetite,” “Bad News,” “Plastic Cigarette,” “Say Why” and “Skin.” Chase McGill stays at No. 2 with “20 Cigarettes,” “Brunette,” “I Got Better,” “It Won’t Be Long,” “McArthur,” “the hell you are” and “Water At A Wedding.”
Blake Pendergrass (No. 3), Ty Myers (No. 4) and Randy Montana (No. 5) round out this weeks top five.
The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.
Click here to view the full MusicRow Top Songwriter Chart.
Jason Aldean Notches 31st No. 1
/by Lauryn SinkJason Aldean. Photo: Spidey Smith
Jason Aldean has notched his 31st No. 1 track with his latest single “How Far Does A Goodbye Go,” topping both the Billboard and Country Aircheck/Mediabase charts.
“Man, I thought 30 was a milestone…now we’re sitting at 31 number one songs. That’s pretty wild. Thank you to country radio, my team, our streaming partners, the songwriters and every one of y’all who’ve listened and turned these songs into something bigger than we ever imagined,” says Aldean.
The track served as the first preview of Aldean’s new album Songs About Us, set for release April 24. The song was co-penned by John Edwards, John Morgan, Kurt Allison and Tully Kennedy, with production from Michael Knox.
On the Billboard Country Airplay chart, Aldean now ties George Strait, Alan Jackson and Luke Bryan for the fourth-most No. 1s since the chart began in 1990.
Aldean will kick off the Australia and New Zealand dates of his “Full Throttle World Tour” on Thursday (Feb. 19) in Auckland.
My Music Row Story: Make Wake Artists’ Sophia Sansone
/by LB CantrellSophia Sansone
In less than a decade, Sophia Sansone has risen from an assistant role to become one of Nashville’s most respected young executives, now serving as a Managing Partner at Make Wake Artists. Since joining the company in 2017 as assistant to founder Chris Kappy, Sansone has distinguished herself through sharp strategic instincts, deep artist advocacy and an exceptional understanding of long-term career building.
A key member of Luke Combs’ management team during a period of historic growth, Sansone has played an integral role in helping guide one of the most successful careers in modern country music. She also manages Nicole Combs, serving as a trusted advisor across brand, business and philanthropic initiatives. In 2025, Sansone expanded her roster by taking on Grammy Award–winning act The Band Perry, leading their highly anticipated return to country music while honoring the legacy that made them one of the genre’s most influential acts.
A graduate of Vanderbilt University, Sansone credits much of her leadership style to growing up as one of ten siblings, an unconventional training ground that shaped her collaborative mindset, adaptability and decisiveness. Her impact has been consistently recognized by the industry. She was named to Nashville Briefing’s 30 Under 30 in 2021 and went on to earn repeated honors including Billboard Women in Music (2023, 2024, 2025), MusicRow’s Next Big Thing (N.B.T.) (2023), Variety’s Hitmakers (2023, 2024), Billboard’s Country Power Players (2023, 2024, 2025) and Billboard’s 40 Under 40 (2024).
Sansone will be honored as part of MusicRow‘s Rising Women on the Row class of 2026 on March 3 at the JW Marriott. Read more about the event here.
Photo: Courtesy of Sansone
MusicRow: Where did you grow up?
I grew up in St. Louis, Missouri, with a big Italian and Greek family. I have nine siblings, and I was the first girl after five boys.
What were you into as a kid?
I was definitely a tomboy, so I was really into sports and I also boxed a lot with my brothers growing up, but at the same time I really cared about fashion from a young age and what I wore. I went to an all-girls Catholic school and had to wear a uniform all the way until college, but I always loved fashion and my dream was to move to Chicago and work in it. I also liked pop culture and would watch E! News and Oprah religiously after school.
I went to The Catholic University of America in DC for two years, where I played field hockey, and then I transferred to Vanderbilt. During the summers, I would work at Fox Sports Midwest in St. Louis, helping the local teams with whatever they needed. I worked on the production and marketing side of things, helping pull clips for the jumbotron, literally whatever you could think of. At one point, I was sitting in a closet going through old Cardinals baseball footage and pulling clips they wanted.
I grew up a big country music fan, but I really didn’t understand the industry at all. I didn’t know there were songwriters. So when I moved here and started going to writers’ rounds, that was when the light bulb went off.
Photo: Courtesy of Sansone
How did you get your feet wet?
I started just managing my friends and being around artists and songwriters. I remember going to a round at a bar on Demonbreun and seeing Jonathan Singleton play “Watching Airplanes,” which he wrote. I had no idea someone other than the artist wrote songs. It really opened my eyes.
I finished up at Vanderbilt and was doing a lot of hustling on the side, managing my friends. I didn’t really know what I was doing, but I knew I wanted to get into the industry somehow. I expressed that to my parents, but there were no job openings that I could find. All I had was babysitting money and a degree. I couldn’t afford to live here, so I had to move home.
My parents encouraged me to go to law school, so I started studying for the LSAT, took it, and applied to law school. But the whole time, I’d drive to Nashville every other week, stay with friends, and get coffee with whoever would take me in the industry. Everyone was so great, but no one had a job opening.
Photo: Courtesy of Sansone
One day, my girlfriend saw a Facebook post from Kappy at Make Wake. He was looking for a day-to-day position for a bunch of his baby acts at the time. I knew who Luke Combs was. He had just had a No. 1 with “Hurricane,” and “When It Rains It Pours” was at radio. I also had lots of mutual friends with his then-girlfriend, Nicole.
I met with Kappy at the then Edgehill Cafe in 2017, admitting I was under-qualified for the job but asked him to take a chance. He ended up hiring someone else for the day-to-day role, but he said, “I can’t not hire you, and I really want you to grow and learn under me,” which is all I ever wanted. So he hired me as an assistant, paid me as much as he could, and gave me my chance.
That’s awesome. Tell me about getting started.
My first day of work was CMA Awards day. Kappy had me meet him at this address around 9:00 a.m. I showed up, and Luke was in the middle of a really big interview with a huge crowd. Then we went to Bridgestone for soundcheck, and there were all of these big names in the room, like Scooter Braun and Taylor Swift. I was like, “What is happening to me?” Kappy threw me right in.
I’ll never forget Mary Catherine Kenny, who was Luke’s PR at the time, coming out the door at Bridgestone to grab us. She was quick and decisive and wasn’t phased by all the people. She just radiated boss energy. I realized I had joined an environment where I was going to have to work really, really hard and use my voice. You could get eaten alive if you didn’t keep up with the pace. A lot of it looks glamorous, but there’s so much happening behind the scenes.
Photo: Courtesy of Sansone
Within six months of working at Make Wake, Kappy called me into the office and asked me to be Luke’s day-to-day. I was like, “Are you sure? I’m so new.” I was so honored. I’ve been his day-to-day ever since and have been able to grow a lot on the team, which has instilled a lot of confidence in me.
Now you are also Partner at Make Wake.
Yes, about two years ago, Kappy asked me to be a Partner. That was a huge honor for me, and I feel really grateful for it. About a year ago, I also signed The Band Perry, which was something I never expected to do because Luke is so busy and the company is busy. I also manage Nicole with her brand marketing sponsorships.
But when Kimberly Perry messaged me that she was returning to country music, I had to meet with her. I was honored. Once we talked, I knew I needed to do it. I built a team around it, and I’m really grateful.
What is a day in the life like for you, balancing all of that?
Every day is different. Before work, I try to work out and do my Bible study before I get ready for the day. I really prioritize my mornings now. It’s better for everyone that way. [Laughs]
Then, depending on the day, I’ll go to meetings, and after that it’s more meetings, calls and emails. If we’re in an album cycle, we’re going to interviews and the studio, and now touring is ramping up, so I’ll be going to stadium shows for Luke and shows for The Band Perry.
Photo: Courtesy of Sansone
Kappy still goes to every show for Luke, and I go to a lot of them. We’re so close with the touring team. We get so much done out there, and there’s so much camaraderie. It’s a grind, but it’s rewarding, and it’s a privilege to me.
Tell me about a moment in your career that you are most proud of.
When Luke and Tracy Chapman performed “Fast Car” at the Grammys, that was an incredible moment. It was such an important moment for Luke and such an honor for him. The fact that Tracy appreciated his cover of the song and wanted to perform with him was a full-circle moment. No one knew it was happening at the Grammys besides our teams.
I become the seat filler for Luke when he’s on stage at award shows, so I was sitting with Nicole when he came on stage. It was indescribable and such a proud moment, you could feel that the entire room was in awe too, which was really cool and felt like a huge step for country music.
I’m also really, really proud to be managing The Band Perry. It’s a big step for me to have something that I signed, and I’m honored.
Photo: Courtesy of Sansone
Who have been your mentors?
My Pop has always been my mentor in business. He pushes me to think bigger and gives the best advice. I also talk with my brothers about business all the time, having those conversations with both of them has shaped so much of how I approach my career.
My mom is incredible. She raised 10 kids while also building her own path as an entrepreneur. She is a fitness coach, specifically for the elderly, wrote a bestselling book titled Women First, Family Always, and was featured on Oprah and in O Magazine. She’s my role model in every sense, her work ethic, her heart, and the way she shows up for people.
My brother Jimmy has gotten me through some pretty challenging times and pushes me to work on myself mentally, emotionally and physically. Of course, Kappy is my mentor in this industry. There are a lot of other names I could mention, too. I have a lot of people I can lean on.
What’s some of the best advice you’ve ever gotten?
I’ve gotten a lot of amazing advice. I’m really close to my grandparents. My Pa, who was extremely wise, always said, “Treat the janitor the same way you treat the CEO. You’re not better than anybody, and nobody’s better than you.”
It’s simple, but it’s important. Treat everybody with kindness and respect.
Adrien Nunez Drops New Six-Track EP ‘Don’t Wanna Go Home’
/by Lorie HollabaughAdrien Nunez. Photo: Josh Erb
Basketball star and budding country singer-songwriter Adrien Nunez has released his new EP, Don’t Wanna Go Home, via Warner Records.
The six-song project includes tracks like “Cry For You,” where he looks back in the rearview mirror at a fractured relationship, “Lights Back On,” and “Over Again,” which has already racked up over 1.2 million streams on Spotify. In advance of its release, tracks from the EP have already generated nearly 30 million streams and counting.
Originally hailing from Brooklyn, Nunez made his name as an NCAA basketball star for the University of Michigan before turning back to his original passion, music. He took the internet by storm last year by giving country artists a unique platform to showcase their songs via his various channels, while also offering fans an avenue to discover their new favorite artists. The social media launch of his own project accumulated over 50 million views across platforms in the first weekend and over five million streams in the two weeks, bringing in over 250,000 new TikTok fans.
Nunez’s recent “Don’t Wanna Go Home Tour” played to sold-out crowds from coast-to-coast. Along with the release of his new album last week, he participated in the prestigious annual NBA All-Star Celebrity Game live from Los Angeles.
Dont Wanna Go Home EP Track List:
1. “808’s & 6 Strings”
2. “Cry for You”
3. “Don’t Wanna Go Home”
4. “Lights Back On”
5. “Over Again”
6. “Wild”
Ticketek Entertainment Group Taps Brad Turcotte As Senior Vice President of Country
/by Lauryn SinkBrad Turcotte.
Ticketek Entertainment Group has tapped Brad Turcotte as Senior Vice President of Country at TEG Live.
Based at the company’s new Nashville office, Turcotte will lead TEG Live’s Country strategy across North America, working closely with the teams in Australia and New Zealand.
Turcotte most recently served as an Artist Manager at Vector Management in Nashville, representing a select roster of country and entertainment talent. He previously held senior leadership roles at Universal Music Group Nashville and Big Machine Label Group, leading international strategy and global campaigns for artists including Carrie Underwood, Chris Stapleton, Luke Bryan and Keith Urban. He also oversaw international efforts for Taylor Swift’s multi-platinum albums 1989, Red and Speak Now, and began his career as a label founder and executive.
Turcotte will lead TEG Live’s Country division alongside Alex Kelsey, Head of Touring, Country Music and Clay Doughty, Head of Strategy, Country Music. The team will be supported by Vanessa Picken, Global Director, Music Strategy.
“I’ve always considered myself a global ambassador for country music, working to build bridges between Nashville and audiences around the world,” shares Turcotte. “I’m incredibly excited to now focus my efforts on delivering country music to fans across the Asia-Pacific region – especially Australia, a dynamic but historically underserved international market. I’m grateful to join Tim and his team, and we plan to be bold and aggressive in expanding the reach and impact of this genre we love.”
“Brad’s appointment is a major milestone for TEG Live,” adds Tim McGregor, Global Head of Touring at TEG. “Nashville sits at the centre of the global Country music ecosystem, and by deepening our presence in Nashville, we’re strengthening the bridge between North America and our home markets. This creates more opportunities for artists to tour, for fans to connect, and for new talent to emerge.”
Flatland Cavalry To Launch ‘Work Of Heart’ Tour In March
/by Lorie HollabaughFlatland Cavalry. Photo: Louie Nice
Flatland Cavalry will head into spring on their new headlining “Work of Heart Tour,” which will kick off March 19 in Mobile, Alabama.
The 37-date tour will visit Corpus Christi, Richmond, Lexington, Detroit, Little Rock, Kansas City and more through Aug. 22. The “Work of Heart Tour” adds on to their “Spring Tour 2026” which is currently underway now overseas supporting Lainey Wilson throughout February in cities across Australia and New Zealand. The country-roots band also tacks on some support dates for Dwight Yoakam and Morgan Wallen, alongside festival stops at Troubadour Festival, Tortuga Music Festival, Telluride Bluegrass Fest and more.
Last week the band announced their fifth studio album, Work of Heart, will drop March 27 via Lost Highway. They recently released their debut single “Never Comin’ Back” from the upcoming project, which was the No. 2 most-added single of the week upon impact, and continue their album preview with new track “On and On,” out now.
Flatland Cavalry already boasts a resume that includes seven No. 1 singles at Texas Country Radio, back-to-back nominations for ACM Group of the Year, syncs across TV and film including Twisters, The Hunger Games: The Ballad of Songbirds & Snakes, Paramount’s Yellowstone and Landman and Netflix’s The Ranch, and well over a billion streams worldwide.
“Work of Heart Tour” Dates:
5/8: Detroit, MI – The Fillmore Detroit
6/4: Greensboro, NC – Piedmont Hall
6/5: Myrtle Beach, SC – Carolina Country Music Fest
6/6: Asheville, NC – Asheville Yards
6/11: Ashland, KY – Paramount Arts Center
6/12: Evansville, IN – Old National Events Plaza
6/13: Columbus, OH – Buckeye Country Superfest
6/18: Telluride, CO – Telluride Bluegrass Festival
6/26: Lubbock, TX – Cotton Festival
7/10: Wichita, KS – WAVE
7/18: The Woodlands, TX – The Cynthia Woods Mitchell Pavilion
7/23: Little Rock, AR – The Hall
7/24: Hochatown, OK – Choctaw Landing Hochatown Hotel & Resort
8/6: Detroit Lakes, MN – WE Fest
8/7: Oshkosh, WI – XRoads41
8/20: Chesterfield, MO – The Factory
8/21: Kansas City, MO – Starlight Theatre
8/22: Lincoln, NE – Memorial Stadium
Jaron Boyer Inks With Young Guns Publishing
/by Madison HahnenPictured (L-R, front row): Jason Turner (Keller Turner Andrews & Gahnem, PLLC), Laura Alexander (SVP Creative, Young Guns Publishing), Jaron Boyer, and Sarah Smith (Keller Turner Andrews & Gahnem, PLLC). Pictured (L-R, back row): Laurie Gore (Creative/Admin Assistant, Young Guns Publishing), Matthew Jafari (Keller Turner Andrews & Ghanem, PLLC) and Will Hamrick (CEO, Young Guns Publishing). Photo: Matt Craven Dawkins/Mary Craven Photography
2024 SESAC Songwriter of the Year Jaron Boyer has signed a global exclusive publishing deal with Young Guns Publishing.
“For the past few years, I’ve watched Young Guns become a powerful publishing company in Nashville under the leadership of CEO Will Hamrick and Head of Creative Laura Alexander,” says Boyer. “When considering where I wanted to spend the next portion of my career, I wanted a company who could not only take my career to the next level, but one that felt like home. The strong friendships I already have with their current writers, combined with the company’s outstanding reputation on Music Row, made Young Guns the perfect fit for my next move.”
“I have been a fan of Jaron’s work for well over a decade and am fortunate to call him a friend,” adds Hamrick. “His continued ability to write hit songs is truly impressive. On behalf of the entire team at Young Guns, Laura and I couldn’t be more excited to have him join the family. We are thrilled to begin this partnership and look forward to everything we will achieve together.”
Throughout his career, Boyer has notched five No. 1 hits, including “Somewhere On A Beach” (Dierks Bentley), “Hell Of A Night” (Dustin Lynch), “Flatliner” (Cole Swindell feat. Dierks Bentley), “Girl Like You” (Jason Aldean) and “Mind On You” (George Birge). His accolades also include nine additional top 20 hits, SESAC Song of the Year, and ASCAP Country Song of the Year.
MusicRow Weekly (News, Charts, More…)
/by Madison HahnenThis week’s edition of The MusicRow Weekly captures a season of transition, celebration and forward momentum across the country music industry, with major leadership changes, Hall of Fame honors, publishing deals and career milestones shaping the headlines. Click here to see the full edition.
Scott Borchetta is exiting HYBE AMERICA. Borchetta will continue to use the Big Machine Records brand for his future ventures. HYBE AMERICA will retain assets, the distribution deal, the publishing company Big Machine Music and a number of talent currently on the label’s roster including Thomas Rhett, Brett Young, Midland, Justin Moore, Carly Pearce, Preston Cooper, Jackson Dean and Mae Estes. The HYBE-run company will operate under a new label name, and an announcement on the label’s new leadership will be made in the upcoming days.
George Briner has announced his retirement from The Valory Music Co. after more than 18 years with the company and more than four decades in country music.
Celebrating the women who have helped build that landscape, SOURCE Nashville has revealed the six inductees for this year’s SOURCE Hall of Fame. Debbie Cheek Carroll, Paige Conners, Cris Lacy, Margie McGahey, Sherry Oakley and Carla Wallace will be honored for their lasting contributions to the industry.
The spirit of recognition continues with the Musicians Hall of Fame & Museum’s 2026 Class of Inductees. This year’s honorees represent an expansive cross-section of musical excellence: Dann Huff, Dolly Parton, George Thorogood & The Destroyers, John Boylan, Keith Urban, Leland Sklar, Michael McDonald and Nicky Hopkins (posthumously).
Publishing and creative partnerships are also front and center this week. Liz Rose has renewed her global partnership with Warner Chappell Music, reaffirming a relationship that has supported one of Nashville’s most respected songwriting careers. Riley Green’s Duckman Publishing has partnered with Lady Luck Publishing to sign hit songwriter Bobby Pinson to a global deal. Songwriter and producer Cole Phillips has signed a worldwide publishing deal with Eclipse Music Publishing, while Julia Keefe joins Edgehill Music Publishing, part of Big Plan Holdings, as Partner. Group Projects Publishing has added Josh Kerr as Partner, and Jonas Group Publishing has tapped Amanda Hruska as Global Head of Administration. Kirby Mathews has also joined Back Blocks Music as VP of Publishing.
ONErpm has appointed Mike Easterlin as Managing Director of its Nashville division, strengthening its presence in the market. ERN’s Cadillac Music has expanded its team with the addition of Dane Schmidt as Senior Director of A&R, Jordan Marcus as Creative Coordinator/Executive Assistant, and Jude Warren as A&R/Executive Assistant. Freedom Music Group is also marking a milestone, establishing its Nashville headquarters after just two years in business and now representing a roster of more than 100 producers, songwriters and artists.
Management and agency moves are shaping artist trajectories as well. Chase Matthew has signed with CAA, positioning the rising artist for expanded touring and career opportunities. Singer/songwriter Tyler Booth has entered into a joint venture agreement with Jamey Johnson’s Big Gassed Records and Average Joes Entertainment, while also signing with The Erv Woolsey Company for management.
The week also brings important developments within the nonprofit sector. Music Health Alliance has appointed Lindsay Hayes as Vice President of Development and announced several key promotions: Britton Barnette to Senior Advocate Coordinator; Erin Lancaster to Director of Group Health; Sophie Badgett to Senior Manager of Advocacy & Insurance, Dental Coordination; Steven Crowder to Director of Advocacy & Insurance, Business Management Relations; Suzanne Berg to Director of Advocacy & Insurance, Artist Management Relations; and Zacquia McKinley to Director of Advocacy & Insurance.
Finally, The Jack Wharff Band made their Grand Ole Opry debut on Tuesday night (Feb. 10).
This week’s edition also features a conversation with UTA’s Elisa Vazzana.
In addition, the latest MusicRow CountryBreakout Radio Chart is included. Thomas Rhett and Jordan Davis take the No. 1 spot with “Ain’t A Bad Life.” Explore more chart data here.
The MusicRow Weekly is delivered every Friday, featuring Nashville’s top music industry news, exclusive interviews, song reviews, radio and songwriter charts and more. Sign up for free here.
Luke Grimes Explores Some Universal Themes Of Life On Sophomore LP ‘Redbird’
/by Lorie HollabaughLuke Grimes
Luke Grimes is gearing up for the release of his sophomore album, Redbird, on April 3 via Range Music/MCA. The first song from the new project, “Love You Now,” is available everywhere today (Feb. 13).
Produced by Dave Cobb, the album was recorded primarily at Georgia May Studio in Savannah and Nashville’s historic RCA Studio A. Across the project’s 10 tracks, Grimes explores love, faith, regret and resilience with a stripped-down clarity that favors storytelling over spectacle.
Grimes co-wrote much of the album and contributed acoustic guitar, percussion and drums throughout the sessions, working alongside collaborators including Jessie Jo Dillon, Natalie Hemby and others. Songs like “Drink Drink Drink” and “Haunted” wrestle with self-doubt and reckoning, while “Without You,” “A Little More Time” and “Love You Now” reflect on commitment, loss and the quiet strength found in staying present.
“Making Redbird was a cathartic experience in many ways,” says Grimes. “Sometimes the highs and lows of life are too much to express with words, so song becomes necessary. As deeply personal as it is, the themes are simple and universal: love, loss, and learning along the way.”
Known to audiences for his role as Kayce Dutton on Yellowstone, Grimes continues to expand his creative footprint. He’s set to star as the lead in the upcoming CBS series Marshals, premiering on March 1. In music, he has quickly established himself as a respected voice in country, with his self-titled debut album and breakout track “No Horse to Ride” helping push his catalog past 200 million global streams.
Redbird Track List:
1. “High Rise Jeans” (Luke Grimes, Dave Cobb, Jessie Jo Dillon
2. “Come Home” (Luke Grimes, Dave Cobb, Jessie Jo Dillon)
3. “Love You Now” (Luke Grimes, Dave Cobb, Jessie Jo Dillon)
4. “Hummingbird” (Luke Grimes, Dave Cobb, Jessie Jo Dillon)
5. “Drink Drink Drink” (Luke Grimes, Dave Cobb, Jessie Jo Dillon)
6. “Love Me That Way” (Luke Grimes, Nick Walsh, Wolf Mahler)
7. “I’m Not Gonna Leave You” (Luke Grimes, Dave Cobb, Jessie Jo Dillon)
8. “Without You” (Luke Grimes, Dave Cobb, Jessie Jo Dillon)
9. “Haunted” (Luke Grimes, Dave Cobb, Jessie Jo Dillon)
10. “A Little More Time” (Luke Grimes, Natalie Hemby)
Owen Riegling ‘In The Feeling’ On New Album
/by Madison HahnenOwen Riegling will release his sophomore album, In The Feeling, on April 17 via Universal Music Canada and Big Loud Records.
Oscar Charles served as sole producer on the 12 track project, with mixing by Jordan Rigby. Riegling co-wrote all 12 tracks, with “Mailbox” penned as a solo-write. Co-writers across the album include Luke Laird, Jonathan Singleton, Jimi Bell, Connie Harrington, and more. In The Feeling reflects on numerous major life changes for Riegling.
Alongside the announcement, Riegling has released his new single, “Love Hate Love,” with an official visualizer.
“The day we wrote ‘Love Hate Love’ back in May of 2025, we knew it felt special, I still feel that way,” shares Riegling. “It has an infectious energy that sticks with you. It’s definitely an animated version of my relationship but there is a lot of truth to it.
“In The Feeling is a coming-of-age record and my first concept album,” continues Riegling on the album. “It’s a song-driven road trip with no end in sight. I’ve spent most of the past two years on the road, and these songs came from writing what I see and how I feel. This album is the soundtrack to life as it feels for me right now.”
On April 18, Riegling will perform at Toronto’s Massey Hall for a sold-out One Night Only “Live In Concert.”
In The Feeling Track List:
1. “Phone Call From Home” (Owen Riegling, Ryan Kennedy)
2. “Rest Of My” (Owen Riegling, Oscar Charles, Luke Preston, Jonathan Sherwood)
3. “Taillight This Town” (Owen Riegling, Kyle Sturrock, Jimi Bell)
4. “Miles Away” (Owen Riegling, Mark Holman, Jonathan Singelton)
5. “Same Blood” (Owen Riegling, Oscar Charles, Luke Preston)
6. “Born Again” (Owen Riegling, Jesse Slack)
7. “Going Missing” (Owen Riegling, Oscar Charles, Jimi Bell, Jacob Davis)
8. “Love Hate Love” (Owen Riegling, Oscar Charles, Luke Preston, Luke Laird )
9. “Mailbox” (Owen Riegling)
10. “Last Thing On My Mind” (Owen Riegling, Brad Rempel, Joe Fox)
11. “In The Feeling” (Owen Riegling, Ryan Kennedy)
12. “Anything But Me” (Owen Riegling, Connie Harrington)