
Jelly Roll poses with his awards during the 2024 CMT Music Awards. Photo: Matt Winkelmeyer/Getty Images for CMT
The 2024 CMT Music Awards took place Sunday night (April 7) at the Moody Center in Austin, Texas.
Jelly Roll was the night’s big winner, taking home three trophies for “Need A Favor,” including the coveted Video of the Year as well as Male Video of the Year and CMT Performance of the Year.

Kelsea Ballerini speaks onstage during the 2024 CMT Music Awards. Photo: Rick Kern/Getty Images for CMT
Other winners included Lainey Wilson (Female Video of the Year with “Watermelon Moonshine”), Dan + Shay (Duo/Group Video of the Year with “Save Me The Trouble”), Carly Pearce and Chris Stapleton (Collaborative of the Year for “We Don’t Fight Anymore”) and more.
Kelsea Ballerini served as host for the evening, her fourth time guiding the show. She kept things bright and exciting, with her bubbly personality serving as the perfect presence for the fan-voted and fan-focused award show.
The 2024 CMT Music Awards started with a blitz of performances. Cody Johnson kicked things off with a rousing performance of “That’s Texas.” Viewers were then taken outside the arena for Jason Aldean‘s performance of “Let Your Boys Be Country,” and came back inside to for Megan Moroney to sing “No Caller ID.”

Lainey Wilson performs onstage during the 2024 CMT Music Awards. Photo: Rick Kern/Getty Images for CMT
The first televised award of the night went to Pearce and Stapleton for Collaborative Video of the Year with “We Don’t Fight Anymore.” Pearce brought up the video’s director, Alexa Campbell, when accepting the honor.
For the next performance, rising star Brittney Spencer joined Parker McCollum on his fiery hit “Burn It Down.” This marked the first of many musical collaborations. Later on in the night, Moroney joined Old Dominion for their duet “Can’t Break Up Now,” and rock band NeedToBreathe collaborated with Jordan Davis for a mashup of the band’s “Brother” and Davis’ “Next Thing You Know”—CMT Crossroads-style.
The best collaboration, and perhaps the best musical moment, came when Little Big Town and Sugarland joined forces for their new rendition of Phil Collins’ “Take Me Home.” It was also revealed that the groups would be heading out on the road together during the show.

Trisha Yearwood accepts the June Carter Cash Humanitarian Award onstage during the 2024 CMT Music Awards. Photo: Rick Kern/Getty Images for CMT
Ashley Cooke gleefully took the stage to receive the Breakthrough Female Video of the Year award for “Your Place,” and Warren Zeiders accepted the male equivalent for “Pretty Little Poison.”
Trisha Yearwood was presented with the first-ever June Carter Cash Humanitarian Award during the show. The new award recognizes an artist, duo/group or industry veteran who demonstrates dedication to their community and fellow artists, embodying her spirit as a fierce advocate and initiator in paying it forward, helping others find their voice and using their platform to inspire and uplift others.
When accepting the award, Yearwood said, “My hope is that we all can learn a little big from June Carter Cash’s legacy and be a little bit more real, a little bit more vulnerable, be a little bit less about me and more about us… I look at this as a challenge and a calling to be better.”

Pictured (L-R): Ronnie Dunn, Sammy Hagar, Kix Brooks, Lainey Wilson, Riley Green, Roger Clemens, Lukas Nelson Mica Roberts and Toby Keith’s band members toast Keith onstage during the 2024 CMT Music Awards. Photo: Rick Kern/Getty Images for CMT
Wilson notched another great awards show performance with “Country’s Cool Again” and Bailey Zimmerman brought the energy for “Where It Ends.” After a performance from Keith Urban of a new song called “Straight Line,” Jelly Roll won his first trophy of the night for CMT Performance of the Year.
Sam Hunt emulated Johnny Cash’s iconic Folsom Prison concert with a performance of his new single “Locked Up,” and host Ballerini took viewers back outside to sing her reimagined 2014-hit “Love Me Like You Mean It.” Then Beyoncé collaborators Spencer, Tanner Adell, Tiera Kennedy and Reyna Roberts presented the next award to Dan + Shay for Duo/Group Video of the Year (“Save Me The Trouble.”)
Next up was a tribute to the iconic Toby Keith. With emotional commentary from his friend and baseball star Roger Clemens, some of Keith’s biggest hits were performed. Brooks & Dunn took on “Should’ve Been A Cowboy,” Sammy Hagar showed his admiration with “I Love This Bar” and Wilson perfectly embodied the spirit of “How Do You Like Me Now.”

Pictured (L-R): Jimi Westbrook, Kimberly Schlapman, Jennifer Nettles, Karen Fairchild, Kristian Bush and Philip Sweet perform onstage during the 2024 CMT Music Awards. Photo: Rick Kern/Getty Images for CMT
After a fun performance of her viral hit “Austin” from Dasha, Jelly Roll was back up on stage accepting Male Video of the Year. As has become custom for the star, he gave a hair-raising acceptance speech, giving a shout out to those in the juvenile detention centers in Nashville and Austin.
“It’s important I stand up here and represent those that are looking for second chances,” he said, turning his attention to the juvenile detention centers. “I’m cheering y’all boys on! You can turn it around, I promise you!”
Female Video of the Year was presented to Wilson. She made sure to share how hard she knew each of her fellow nominees work, and thank fans for supporting women in country music.
“They work their tails off and dedicate their loves to creating music and creating a vision and bring it to life,” she said. “Thank you so much from the bottom of our hearts for supporting women in country. It’s a big dang deal.”
Jelly Roll made a triumphant finish for the show, accepting his Video of the Year honor one minute and tearing the house down with a performance of “Halfway To Hell” the next, ending the show on a high note.
Parker McCollum Scores Fourth Straight Chart-Topper With ‘Burn It Down’
/by Lorie HollabaughParker McCollum. Photo: Jim Wright
Parker McCollum has racked up his fourth consecutive No. 1 with his hit, “Burn It Down,” which tops both the Billboard Country Airplay and Mediabase/Country Aircheck charts this week.
Written by McCollum, Hillary Lindsey, Lori McKenna and Liz Rose, “Burn It Down” is the smoldering track from his most recent album, Never Enough, and follows the album’s first single, the heartbreaking and vulnerable “Handle On You,” which also reached the No. 1 spot. The rising star’s other No. 1s include “Pretty Heart” and “To Be Loved By You.”
McCollum took the stage at the 2024 CMT Music Awards with special guest Brittney Spencer to perform “Burn It Down.” He recently announced 13 additional stops on his current “Burn It Down Tour,” taking him to the west coast and some of the biggest venues in the country.
Newly Added Tour Dates:
9.13.24 – Cleveland, OH – Blossom Music Center
9.14.24 – Cincinnati, OH – Riverbend Music Center
9.19.24 – Portsmouth, VA – Atlantic Union Bank Pavilion
9.20.24 – Simpsonville, SC – CCNB Ampitheatre at Hertiage Park
9.21.24 – Orlando, FL – Addition Financial Arena, University of Central Florida
9.27.24 – Evansville, IN – Ford Center
9.28.24 – Springfield, MO – Great Southern Bank Arena
10.10.24 – Washington, D.C. – Theater at MGM National Harbor
10.11.24 – Boston, MA – MGM Music Hall at Fenway
10.12.24 – Philadelphia, PA – Freedom Mortgage Pavilion
10.24.24 – Anaheim, CA – Honda Center
10.25.24 – San Diego, CA – Cal Coast Credit Union Open Air Theatre
10.26.24 – Stateline, NV – Tahoe Blue Event Center
2024 CMT Music Awards Take Over Austin, Texas [Recap]
/by LB CantrellJelly Roll poses with his awards during the 2024 CMT Music Awards. Photo: Matt Winkelmeyer/Getty Images for CMT
The 2024 CMT Music Awards took place Sunday night (April 7) at the Moody Center in Austin, Texas.
Jelly Roll was the night’s big winner, taking home three trophies for “Need A Favor,” including the coveted Video of the Year as well as Male Video of the Year and CMT Performance of the Year.
Kelsea Ballerini speaks onstage during the 2024 CMT Music Awards. Photo: Rick Kern/Getty Images for CMT
Other winners included Lainey Wilson (Female Video of the Year with “Watermelon Moonshine”), Dan + Shay (Duo/Group Video of the Year with “Save Me The Trouble”), Carly Pearce and Chris Stapleton (Collaborative of the Year for “We Don’t Fight Anymore”) and more.
Kelsea Ballerini served as host for the evening, her fourth time guiding the show. She kept things bright and exciting, with her bubbly personality serving as the perfect presence for the fan-voted and fan-focused award show.
The 2024 CMT Music Awards started with a blitz of performances. Cody Johnson kicked things off with a rousing performance of “That’s Texas.” Viewers were then taken outside the arena for Jason Aldean‘s performance of “Let Your Boys Be Country,” and came back inside to for Megan Moroney to sing “No Caller ID.”
Lainey Wilson performs onstage during the 2024 CMT Music Awards. Photo: Rick Kern/Getty Images for CMT
The first televised award of the night went to Pearce and Stapleton for Collaborative Video of the Year with “We Don’t Fight Anymore.” Pearce brought up the video’s director, Alexa Campbell, when accepting the honor.
For the next performance, rising star Brittney Spencer joined Parker McCollum on his fiery hit “Burn It Down.” This marked the first of many musical collaborations. Later on in the night, Moroney joined Old Dominion for their duet “Can’t Break Up Now,” and rock band NeedToBreathe collaborated with Jordan Davis for a mashup of the band’s “Brother” and Davis’ “Next Thing You Know”—CMT Crossroads-style.
The best collaboration, and perhaps the best musical moment, came when Little Big Town and Sugarland joined forces for their new rendition of Phil Collins’ “Take Me Home.” It was also revealed that the groups would be heading out on the road together during the show.
Trisha Yearwood accepts the June Carter Cash Humanitarian Award onstage during the 2024 CMT Music Awards. Photo: Rick Kern/Getty Images for CMT
Ashley Cooke gleefully took the stage to receive the Breakthrough Female Video of the Year award for “Your Place,” and Warren Zeiders accepted the male equivalent for “Pretty Little Poison.”
Trisha Yearwood was presented with the first-ever June Carter Cash Humanitarian Award during the show. The new award recognizes an artist, duo/group or industry veteran who demonstrates dedication to their community and fellow artists, embodying her spirit as a fierce advocate and initiator in paying it forward, helping others find their voice and using their platform to inspire and uplift others.
When accepting the award, Yearwood said, “My hope is that we all can learn a little big from June Carter Cash’s legacy and be a little bit more real, a little bit more vulnerable, be a little bit less about me and more about us… I look at this as a challenge and a calling to be better.”
Pictured (L-R): Ronnie Dunn, Sammy Hagar, Kix Brooks, Lainey Wilson, Riley Green, Roger Clemens, Lukas Nelson Mica Roberts and Toby Keith’s band members toast Keith onstage during the 2024 CMT Music Awards. Photo: Rick Kern/Getty Images for CMT
Wilson notched another great awards show performance with “Country’s Cool Again” and Bailey Zimmerman brought the energy for “Where It Ends.” After a performance from Keith Urban of a new song called “Straight Line,” Jelly Roll won his first trophy of the night for CMT Performance of the Year.
Sam Hunt emulated Johnny Cash’s iconic Folsom Prison concert with a performance of his new single “Locked Up,” and host Ballerini took viewers back outside to sing her reimagined 2014-hit “Love Me Like You Mean It.” Then Beyoncé collaborators Spencer, Tanner Adell, Tiera Kennedy and Reyna Roberts presented the next award to Dan + Shay for Duo/Group Video of the Year (“Save Me The Trouble.”)
Next up was a tribute to the iconic Toby Keith. With emotional commentary from his friend and baseball star Roger Clemens, some of Keith’s biggest hits were performed. Brooks & Dunn took on “Should’ve Been A Cowboy,” Sammy Hagar showed his admiration with “I Love This Bar” and Wilson perfectly embodied the spirit of “How Do You Like Me Now.”
Pictured (L-R): Jimi Westbrook, Kimberly Schlapman, Jennifer Nettles, Karen Fairchild, Kristian Bush and Philip Sweet perform onstage during the 2024 CMT Music Awards. Photo: Rick Kern/Getty Images for CMT
After a fun performance of her viral hit “Austin” from Dasha, Jelly Roll was back up on stage accepting Male Video of the Year. As has become custom for the star, he gave a hair-raising acceptance speech, giving a shout out to those in the juvenile detention centers in Nashville and Austin.
“It’s important I stand up here and represent those that are looking for second chances,” he said, turning his attention to the juvenile detention centers. “I’m cheering y’all boys on! You can turn it around, I promise you!”
Female Video of the Year was presented to Wilson. She made sure to share how hard she knew each of her fellow nominees work, and thank fans for supporting women in country music.
“They work their tails off and dedicate their loves to creating music and creating a vision and bring it to life,” she said. “Thank you so much from the bottom of our hearts for supporting women in country. It’s a big dang deal.”
Jelly Roll made a triumphant finish for the show, accepting his Video of the Year honor one minute and tearing the house down with a performance of “Halfway To Hell” the next, ending the show on a high note.
Miranda Lambert Wraps Vegas Residency, Returns To Road This Summer
/by Lorie HollabaughMiranda Lambert. Photo: Tyler Conrad
Miranda Lambert is returning to the road following the conclusion of her “Velvet Rodeo” Las Vegas Residency for a series of one-off dates across the country this summer.
Along with headlining sets at Stagecoach, Rock the Country, Calgary Stampede and Under the Big Sky, as well as a three-night stand at Whitewater Amphitheater in her home state of Texas, and more, Lambert is adding six shows throughout July, August and September spanning from coast to coast. Tickets to the newly-added dates go on sale to the general public this Friday, April 12 via MirandaLambert.com.
“I’ve been touring since I was 19 years old, so it was nice to step away from the road for a bit and settle into Vegas,” reflects Lambert. “That gave us time to miss touring though, so I cannot wait to get back out there on Elvira, my home away from home, and visit the fans across the country that we haven’t seen in a while.”
Lambert’s “Velvet Rodeo” kicked off at Planet Hollywood’s Bakkt Theater in September 2022, spanning 48 total shows in 18 months. During that time, she also released cross-genre collaborations with both Leon Bridges and Enrique Iglesias, while taking time to write and record new music, launch her own label imprint, Big Loud Texas, and release her book, Y’all Eat Yet?
Upcoming Miranda Lambert Concert Dates:
April 19 – Ashland, Ky. || Rock the Country Festival
April 27 – Indio, Calif. || Stagecoach Festival
May 24-26 – New Braunfels, Texas || Whitewater Amphitheater
June 8 – Mashantucket, Conn. || Foxwoods Resort Casino
July 5* – Hinckley, Minn. || Grand Casino Hinckley
July 12 – Calgary, Alberta || Calgary Stampede
July 13 – Whitefish, Mont. || Under the Big Sky Festival
July 17* – Paso Robles, Calif. || California Mid-State Fair
July 20* – Lincoln, Calif. || Thunder Valley
July 27 – Anderson, S.C. || Rock the Country Festival
Aug. 17 – Springfield, Ill. || Illinois State Fair
Aug. 24 – Houston, Texas || Chris Stapleton’s All-American Road Show
Aug. 30* – Canandaigua, N.Y. || Constellation Brands Marvin Sands
Aug. 31* – Atlantic City, N.J. || Hard Rock Hotel & Casino
Sept. 27* – Gautier, Miss. || The Sound Amphitheater
*on sale April 12; all others on sale now
Industry Ink: Dylan Gossett, Zach Top, Tennessee Songwriters Week, Turnpike Troubadours
/by Madison HahnenDylan Gossett Receives RIAA Gold-Certification For ‘Coal’
Dylan Gossett. Photo: Courtesy of Big Loud.
Rising singer-songwriter Dylan Gossett received a RIAA Gold-certification for his hit single “Coal” during a visit to the Mercury Records/Republic offices in New York City. The plaque recognition came ahead of Gossett playing two sold-out shows at Mercury Lounge.
Zach Top Celebrates Debut Album Release With Sold-Out Show At Exit/In
Pictured (L-R): Chris Fabiani (Leo33), Dusty Cantrell (Leo33), Tracy Gibson (Leo33), Natalie Osborne (Leo 33), Zach Top, Katie Dean (Leo33), Meg Goggins (Leo33), Daniel Lee (Leo33). Photo: Kate Lamonondala
Rising country star Zach Top celebrated the release of his debut album Cold Beer & Country Music last week with a sold-out show at Nashville’s Exit/In. The project showcased Top’s authentic storytelling and traditional country sound. Produced by Carson Chamberlain, Top co-wrote every track on the record.
“I’ve poured my heart and soul into all of these songs” shares Top. “I hope folks love Cold Beer & Country Music as much as I do, and I hope they can look back on this project for a long time as an example of the gold standard in country music!”
Tennessee Songwriters Week Wraps Up With Finale At Bluebird Cafe
Izzy Arthurs. Photo: Hunter Berry Photography
Six songwriters were selected for the finale of the annual Tennessee Songwriters Week, including Jeremy Wise, Jack Settle, Izzy Arthurs, Ned Abernathy, Jacc Moran, Echoing Sunset and Meagan Allen. The finale event was held at the Bluebird Cafe on March 24.
Turnpike Troubadours Raise $175,000 For Texas Panhandle Wildfire Relief Fund
Photo: Ryan Vera
Country band Turnpike Troubadours raised $175,ooo during a benefit concert at Lubbock’s Cooks Garage last week. The proceeds were raised for the Texas Panhandle Wildfire Relief Fund, which supports local farmers and ranchers who were affected by the recent fires in the region. The event also featured Red Shahan.
Little Big Town & Sugarland Announce New Tour On Heels Of CMT Music Awards Appearance
/by Lorie HollabaughLittle Big Town and Sugarland. Photo: Becky Fluke
Little Big Town‘s Karen Fairchild, Kimberly Schlapman, Phillip Sweet and Jimi Westbrook and longtime friends/collaborators Sugarland joined forces on Sunday night’s CMT Music Awards to world premiere their new song “Take Me Home.”
Originally written and released by Phil Collins in 1985, the fresh rendition served as a homecoming of sorts for the two country giants, as they last shared the CMTMA stage in 2008 for a rendition of “Life In A Northern Town.”
They are taking the fun on the road as well, as they’ll also embark on the new “Take Me Home Tour” together with support from The Castellows beginning Oct. 24 in Greenville, South Carolina. The trek will visit Boston, Pittsburgh, Austin, Fort Worth, Biloxi and more through mid-December, before concluding Dec. 13 at Bridgestone Arena in Nashville. The closing night is a special Nashville homecoming for the band, as it’ll be their first show in town since 2017’s iconic sold-out, 10-night residency at the Ryman Auditorium.
Various ticket pre-sales for the “Take Me Home Tour” will run throughout the week, ahead of the general sale beginning on Friday, April 12 at littlebigtown.com.
“Last night felt like a real homecoming for us and a full circle moment,” says Little Big Town. “When we toured with Sugarland last, we would all be backstage harmonizing different cover songs to try and surprise the audience every night. There’s something about this song that feels so nostalgic of that time. It really is like coming home. The ‘Take Me Home Tour’ feels like a celebration of being a band for 25 years and we’re so excited to throw this party with our great friends Sugarland. We’ll both be playing all our biggest hits and then some. Can’t wait to see everyone!”
“Take Me Home Tour” Dates:
October 24 – Bon Secours Wellness Arena – Greenville, SC
October 25 – PNC Arena – Raleigh, NC
October 26 – Nationwide Arena – Columbus, OH
October 31 – TD Garden – Boston, MA
November 1 – PPG Paints Arena – Pittsburgh, PA
November 2 – KeyBank Center – Buffalo, NY
November 7 – Target Center – Minneapolis, MN
November 8 – Fiserv Forum – Milwaukee, WI
November 9 – Van Andel Arena – Grand Rapids, MI
November 14 – T-Mobile Center – Kansas City, MO
November 15 – Denny Sanford PREMIER Center – Sioux Falls, SD
November 16 – Vibrant Arena at The MARK – Moline, IL
November 21 – Moody Center – Austin, TX
November 22 – Dickies Arena – Fort Worth, TX
November 23 – BOK Center – Tulsa, OK
December 11 – Mississippi Coast Coliseum – Biloxi, MS
December 12 – Gas South Arena – Duluth, GA
December 13 – Bridgestone Arena – Nashville, TN
CMT Music Awards 2024 Winners [Full List]
/by LB CantrellThe 2024 CMT Music Awards took over Austin, Texas’ Moody Center on Sunday night (April 7) for the fan-voted event.
Host Kelsea Ballerini, Cody Johnson, Jelly Roll, Lainey Wilson and Megan Moroney led the nominations with three nods a piece. By the beginning of the show, the night’s top honor, Video of the Year, had been whittled down to Johnson’s “The Painter,” Ballerini’s “If You Go Down (I’m Goin’ Down Too)” and Jelly Roll’s “Need A Favor.” Fans were able to vote until the end of the show.
Jelly Roll took home the coveted Video of the Year trophy for “Need A Favor.” The song also won him Male Video of the Year and CMT Performance of the Year.
Wilson won Female Video of the Year with “Watermelon Moonshine.” Dan + Shay earned the trophy for Duo/Group Video of the Year with “Save Me The Trouble,” while Carly Pearce and Chris Stapleton took home Collaborative of the Year for “We Don’t Fight Anymore.”
Ashley Cooke won Breakthrough Female Video of the Year for “Your Place,” and Warren Zeiders took home the Male trophy for “Pretty Little Poison.”
Click here to read MusicRow‘s recap of the CMT Music Awards.
Winners will be updated below (winners in RED):
2024 CMT Music Awards:
VIDEO OF THE YEAR
Best video of the year; awarded to the artist (male, female, group/duo or collaboration). Top six nominees from the first round of voting, will be announced on April 1. The final three nominees, from the second round of voting, will be announced on show day (April 7). Final voting will be determined via social media and announced as the final category during the live show.
– Ashley McBryde – “Light On In The Kitchen”
– Brandy Clark feat. Brandi Carlile – “Dear Insecurity”
– Brothers Osborne – “Nobody’s Nobody”
– Cody Johnson – “The Painter”
– Darius Rucker – “Fires Don’t Start Themselves”
– Hardy – “Truck Bed”
– Jason Aldean – “Let Your Boys Be Country”
– Jelly Roll – “Need A Favor” – WINNER
– Jordan Davis – “Next Thing You Know”
– Kacey Musgraves – “Deeper Well”
– Kelsea Ballerini – “If You Go Down (I’m Goin’ Down Too)”
– Lainey Wilson – “Watermelon Moonshine”
– Mickey Guyton feat. Kane Brown – “Nothing Compares To You”
– Parmalee – “Gonna Love You”
– Tyler Childers – “In Your Love”
– Zach Bryan – “Nine Ball”
FEMALE VIDEO OF THE YEAR
Best video by a female artist; awarded to the artist.
– Ashley McBryde – “Light On In The Kitchen”
– Gabby Barrett – “Glory Days”
– Kacey Musgraves – “Deeper Well”
– Kelsea Ballerini – “Penthouse”
– Lainey Wilson – “Watermelon Moonshine” – WINNER
– Megan Moroney – “I’m Not Pretty”
– Reba McEntire – “Seven Minutes In Heaven”
MALE VIDEO OF THE YEAR
Best video by a male artist; awarded to the artist.
– Bailey Zimmerman – “Religiously”
– Cody Johnson – “The Painter”
– Hardy – “Truck Bed”
– Jelly Roll – “Need A Favor” – WINNER
– Jordan Davis – “Next Thing You Know”
– Luke Combs – “Fast Car (Official Live Video)”
– Morgan Wallen “Last Night (One Record At A Time Sessions)”
DUO/GROUP VIDEO OF THE YEAR
Best video by a duo or group; awarded to the artists.
– Brothers Osborne – “Nobody’s Nobody”
– Dan + Shay – “Save Me The Trouble” – WINNER
– Old Dominion – “Memory Lane”
– Parmalee – “Girl In Mine”
– The War And Treaty – “Have You A Heart”
– Tigirlily Gold – “Shoot Tequila”
COLLABORATIVE VIDEO OF THE YEAR
Best video from a collaboration; awarded to the artists.
– Carly Pearce feat. Chris Stapleton – “We Don’t Fight Anymore” – WINNER
– Ella Langley feat. Koe Wetzel – “That’s Why We Fight”
– Jon Pardi, Luke Bryan – “Cowboys and Plowboys”
– Justin Moore & Priscilla Block – “You, Me, And Whiskey”
– Lukas Nelson + Promise of the Real (POTR) feat. Lainey Wilson – “More Than Friends”
– Mickey Guyton feat. Kane Brown – “Nothing Compares To You”
– Old Dominion & Megan Moroney – “Can’t Break Up Now”
BREAKTHROUGH FEMALE VIDEO OF THE YEAR, presented by Walt Disney World
Best video from a female artist’s major breakthrough album; awarded to the artist.
– Anne Wilson – “Rain In The Rearview”
– Ashley Cooke – “Your Place” – WINNER
– Brittney Spencer – “Bigger Than The Song”
– Tigirlily Gold – “Shoot Tequila”
BREAKTHROUGH MALE VIDEO OF THE YEAR, presented by Walt Disney World
Best video from a male artist’s major breakthrough album; awarded to the artist.
– Chayce Beckham – “23”
– Tyler Childers – “In Your Love”
– Warren Zeiders – “Pretty Little Poison” – WINNER
– Zach Bryan – “Oklahoma Smokeshow”
CMT PERFORMANCE OF THE YEAR
Musical performance on a television show, series or variety special on CMT; awarded to the artist (individual, group or duo).
– Amber Riley – “R.E.S.P.E.C.T.” (from CMT Smashing Glass)
– Bret Michaels & Chris Janson – “Nothing But A Good Time” (from CMT Crossroads)
– Carrie Underwood – “Hate My Heart” (from 2023 CMT Music Awards)
– Cody Johnson – “Human” (from 2023 CMT Music Awards)
– Dierks Bentley – “Drunk On A Plane” (from CMT Storytellers)
– Dustin Lynch feat. MacKenzie Porter – “Thinking ‘Bout You” (from CMT Campfire Sessions)
– Hozier & Maren Morris – “Take Me To Church” (from CMT Crossroads)
– Jelly Roll – “Need A Favor” (from 2023 CMT Music Awards) – WINNER
– Kelsea Ballerini – “If You Go Down (I’m Goin’ Down Too)” (from 2023 CMT Music Awards)
– The War And Treaty – “On My Own” (from CMT Smashing Glass)
CMT DIGITAL-FIRST PERFORMANCE OF THE YEAR
Musical performance from a production, series or livestream created for CMT digital / social channels; awarded to the artist (individual, group or duo).
– Chase Rice – “Goodnight Nancy” (from CMT Studio Sessions)
– Dylan Scott – “Don’t Close Your Eyes (Keith Whitley Cover)” (from “CMT Digital Campfire Sessions”)
– Megan Moroney – “I’m Not Pretty” (from “CMT Digital Campfire Sessions”)
– Nate Smith – “Whiskey On You” (from CMT Studio Sessions)
– Scotty McCreery – “It Matters To Her” (from CMT Stages) – WINNER
– Stephen Wilson Jr. – “Year to Be Young 1994” (from CMT Studio Sessions)
– The Castellows – “I Know It Will Never End” (from CMT Studio Sessions)
Chayce Beckham Candidly Cultivates Connection With Debut Album [Interview]
/by Liza AndersonPhoto: Robby Klein
Since becoming the first contestant to win American Idol with original music in 2021, country artist Chayce Beckham has proved that staying true yourself as well as writing about and recording what’s real to you will always resonate with others and cultivate connection in various ways. Today (April 5), he released his debut album, Bad For Me, which is a testament to just that—exploring personal themes of substance abuse, guilt and remorse. Prior to its release, Beckham took some time to speak with MusicRow about how Bad For Me came to be.
Beckham is credited as a writer on nine of the candid collection’s 13 tracks, three of which he penned solo. The self-written trio includes “23,” the hit he performed on the singing competition that recently became his first No. 1 at country radio. The Platinum-certified tune’s accompanying visual is nominated for Breakthrough Male Video of the Year at the 2024 CMT Music Awards, taking place this Sunday (April 7). The singer-songwriter notes that the vision he had for the “23” video really came to life throughout its creation process.
“I didn’t want it represent just me in particular. The kid in the video is a younger version of me, but he’s also a version of so many other young men out there that are in similar situations. I’m really proud of it,” he says. “I try to make everything as authentic as possible, and I hope that by making that character [ambiguous], it makes more people feel something.”
Apart from “23,” the album was produced by Bart Butler, and includes lead track “Devil I’ve Been,” redolent number “Everything I Need” and smooth-sounding “Whiskey Country,” all of which Beckham co-wrote with John Pierce and Lindsay Rimes. The other two solo-writes, “Mama” and “Drink You Off My Mind,” were inked before Beckham entered the spotlight. Inspired by a wide range of influences across genres, the Apple Valley, California native always wanted to pursue music and taught himself how to play guitar. He started a band and began writing at the age of 19. He feels it’s easier to take risks when he writes alone, but has learned so much through collaborating with others. “You have to be open to writing different ways with other people in order to get some really cool songs.”
While Beckham genuinely loves every song on the album, one of his favorites is a co-write with Scooter Carusoe, “If I Had A Week,” which closes the project. “It’s a really special and true song about me being out here in Tennessee and missing my family,” he says. When came to crafting Bad For Me, Beckham had a lot of creative control and was able curate a soundtrack for “everyday people who are dealing with a lot.”
“I want to talk about stuff that’s relatable. I think a lot of people have this [idea] that their favorite artists or public figures have it all figured out, but everyone is human. We all hit bumps in the road, and for me, it’s those parts of life that make the good times stand out more.”
After he heard single “Waylon In ‘75,” written by Jon Randall, Brett James, Parker McCollum and Lee Thomas Miller, he knew he wanted to cut it due to its boldness. “It’s a little reckless and it’s high-energy, but it’s also real and raw. The first line definitely caught my attention, and I think the audacity of the song is something to be admired.”
One eye-catching title on the track listing is “Glitter,” inked by Joey Hendricks, Mark Trussell and Natalie Hemby, which Beckham says embodies everything he loves about country music with its steel guitar and melody while still being unique and interesting. The title track is another outside cut written by Joe Fox, Randy Montana and Tyler Chambers. The song’s honest, human elements about having the wherewithal to know what’s bad for you really spoke to Beckham and made him want to record it. In the end, he felt like “Bad For Me” summed up the relatability the record radiates.
“I hope that people relate to this album, and it gives them a little bit of comfort along with some rowdiness and fun,” he shares. “The whole message for me is don’t beat yourself up too bad, we’re all just people and we all have our faults.”
Beckham is currently on his “Bad For Me Tour,” and will join Luke Bryan for the “Mind Of A Country Boy Tour” this summer as well as McCollum for the “Burn It Down Tour” this fall.
CMT & mtheory Select New Equal Access Cohort Members
/by LB CantrellPictured (L-R, back row): Justin Tomlinson, Carmen Dianne, Brittney Boston, Chris Housman and Julie Williams; (L-R, front row): CMT’s Leslie Fram, Becky Parsons and mtheory’s Cameo Carlson. Photo: @samwisemanphoto & Blk Creative Studio
CMT and management services company mtheory has selected six new candidates to participate in the Equal Access Development Program, an intensive artist and management training initiative designed to support underrepresented voices in country music.
The six participants chosen for this year’s Equal Access program include artists Carmen Dianne, Chris Housman and Julie Williams, as well as management professionals Brittney Boston, Justin Tomlinson and Becky Parsons.
As part of the Equal Access cohort, these new members will participate in the year-long program that offers rising artists and management professionals with funding, training and unprecedented access to industry leaders, helping to ensure a multi-faceted pipeline of diverse, creative talent in country music.
“It’s no secret that despite some marginal progress, the music industry, particularly the country genre, continues to struggle to support artists of color, LGBTQIA+ artists, and women across all aspects of the business,” shares Cameo Carlson, CEO, mtheory. “Equal Access is committed to continuing to raise the profiles of underrepresented artists within the country space, and to ensure that the infrastructure to assist those artists exists as well. The best way to help those whose stories have not been reflected in the genre is through a long-term commitment, one that Equal Access is able to make thanks to our incredible partners at CMT and their parent company, Paramount.”
Launched in April 2022, Equal Access is spearheaded by an all-female team, including mtheory’s Carlson, Tiffany Provenzano and Chantrel Reynolds alongside CMT’s Leslie Fram. Last year’s Equal Access participants included artists Angie K, Camille Parker and Denitia, and music management professionals Ahsaki-LaFrance Chachere, Alex Evelyn and Roberto Martinez. The inaugural 2022-23 Equal Access cohort included artists Madeline Edwards, Miko Marks and Valerie Ponzio, and music management professionals Charlene Bryant, Kadeem Phillips and Marques Vance. Over the past two years, Equal Access was instrumental in creating hundreds of country music industry connections for its members.
The newest cohort will make their debut on the red carpet at this year’s CMT Music Awards this Sunday (April 7) in Austin, Texas.
Fram, Sr. VP of Music & Talent at CMT, shares, “CMT, along with Paramount Global and its Content for Change initiative, is once again proud to partner with mtheory on one of the most dedicated, in depth programs committed to systemic change in country music. As with our equity initiatives CMT Equal Play and CMT Next Women of Country, it’s been extremely gratifying to watch the success of Equal Access and that of its participants, as they carve out their own signature paths as artists and managers in the country space. We look forward to welcoming this dynamic new group and supporting them across CMT and Paramount brands.”
Sturgill Simpson To Celebrate 10th Anniversary Of 2014 Album With Reissue
/by Lorie HollabaughSturgill Simpson is reissuing his album, Metamodern Sounds In Country Music, in celebration of its 10th anniversary on May 10.
Originally released on May 13, 2014, the album marked a career breakthrough for Simpson personally and proved to be a shift-maker within the larger country music genre. The new edition features a reimagined album cover and vinyl package, pressed on 180g black vinyl with an “old-style” tip-on jacket. For more information, click here.
The album was recorded live-to-tape in four dates and features Simpson alongside his original band—bassist Kevin Black, guitarist Laur Joamets and drummer Miles Miller. In 2014, he shared, “Myriad worldly offerings—religion, drugs and more—all claim to be the omnipotent universal truth, but in my experience, love is the only certainty. That’s what this record is about.”
Metamodern Sounds In Country Music has been included on best-of-the-year lists by publications such as The New York Times, Rolling Stone, The Village Voice’s Pazz & Jop, NPR Music, American Songwriter, Stereogum, Los Angeles Times, Pitchfork, Paste, KCRW, The Washington Post, Nashville Scene and more.
Bobby Bones Hosts Star-Studded Seventh Annual ‘Million Dollar Show’
/by Madison HahnenBobby Bones & The Raging Idiots. Photo: Libby Carper.
Bobby Bones & The Raging Idiots celebrated a sold-out seventh annual Million Dollar Show at the Ryman Auditorium Wednesday night (April 3), raising over $215,000 for St. Jude Children’s Research Hospital.
Sam Hunt. Photo: Libby Carper.
In addition to performances from Bones & The Raging Idiots, the show featured Sam Hunt, Jon Pardi, Megan Moroney, Ben Rector, Ian Munsick, Nate Smith, Mat Kearney, Edwin McCain, Grace Bowers and Lauren Watkins.
Fans were also treated to surprise appearances throughout the night. Rock band Lit performed their hits “My Own Worst Enemy” and “Miserable.” Country band Turnpike Troubadours hit the stage with “Diamonds & Gasoline” and “Good Lord Lorie.”
The last performance of the night was Bones bringing pop superstar Post Malone onto the stage for his unofficial Ryman debut. Post Malone treated the crowd to a cover of Hank William’s “Honky Tonk Blues” and his current single “Stay.”
Since 2014, Bones and The Bobby Bones Show have raised over $24.8 million to help kids fight cancer and life-threatening diseases.
Lit and Bobby Bones. Photo: Libby Carper.
Post Malone and Bobby Bones. Photo: Libby Carper.