Pictured (L-R, back row): Abbey Watson, Kari Barnhart, Derek George, Annie Ortmeier, Bobby Hamrick, Mike Sistad, Jeremy Bussey, Tom Luteran, Shannon Sanders, Brent Anderson, AJ Burton, Monty Criswell, Kevin Herring and Troy Tomlinson. (L-R, front row): Hootie & The Blowfish’s Dean Felber, Jim Sonfeld and Darius Rucker, Scotty McCreery and Frank Rogers. Photo: Larry McCormack for BMI
Scotty McCreery and Hootie & The Blowfish celebrated their No. 1 track “Bottle Rockets” on Thursday (April 16) at BMI’s Nashville headquarters.
The track marked McCreery’s seventh No. 1, and marked Hootie & The Blowfish’s first ever chart-topper. Triple Tigers Records unveiled during the party that the single had just been RIAA certified Platinum.
Hosted by BMI, ASCAP and SESAC and emceed by BMI’s Shannon Sanders, Sanders welcomed McCreery, three of the four Hootie & The Blowfish members Darius Rucker, Dean Felber, Jim Sonefeld, along with Spirit Music co-writers Monty Criswell, Derek George, Bobby Hamrick, Frank Rogers, Brent Anderson and Jeremy Bussey to the stage. SESAC’S Abbey Watson, ASCAP’s Mike Sistad, Sony Music Publishing’s Tom Luteran, Triple Tigers’ Kevin Herring and UMPG’s Troy Tomlinson each took the microphone to honor the team behind the song.
Pictured (L-R, back row): MusicRow‘s John Nix Arledge, Derek George, Bobby Hamrick, Jeremy Bussey, Brent Anderson, Monty Criswell and MusicRow‘s Sherod Robertson. (L-R, front row): Dean Felber, Jim Sonfeld, Darius Rucker, Scotty McCreery and Frank Rogers. Photo: Courtesy of BMI
Sponsored by Studio Bank, Kari Barnhart made a special donation presentation on behalf of McCreery and the songwriters in support of the Opry Trust Fund.
Rogers, who served as a publisher, producer and writer on the track, shared the story of surprising McCreery with vocals from Hootie & The Blowfish during the recording session.
Each co-writer reflected on how many people it takes to bring a song to the top of the charts, from publishers and management to radio and beyond, sharing their gratitude for everyone involved in that journey. Many also shared that they had been longtime fans of Hootie & The Blowfish, making this collaboration feel even more special.
“There is a glue in the middle of [this song] that made it work, and is it Darius [Rucker] and Frank [Rogers]. Without their direction this wouldn’t be happening,” Sonefeld shared.
“It’s very rare, especially when you’ve been in the business for 40 years like we have, to get something that is a first. It’s pretty great to have our first No. 1,” Rucker added.
“I don’t know what I did to deserve to be up here on this stage,” McCreery said, closing out the evening. “There is a lot of talented people just down the street on Broadway and a lot of talented folks writing on Music Row, so the fact that I get to be up here today–I’m humbled and grateful.”
Dylan Scott Nabs Seventh No. 1
/by Lauryn SinkDylan Scott. Photo: Eric Ryan Anderson
Dylan Scott has earned his seventh No. 1 single with “What He’ll Never Have.”
Written by Scott alongside his brother Logan Robinson, Ricky Rowton and Robbie Gatlin, the song has amassed over 400M global streams to date. The track was named by ASCAP as one of the most-performed country songs of 2025.
“Grateful to notch another No. 1 in the belt,” says Scott. “Country radio and the country music fans have been too good to me. To the kid who grew up in Bastrop, Louisiana that dreamed of having a No. 1 plaque on his wall, we got seven now buddy!”
“What He’ll Never Have” is the lead track on his latest studio album Easy Does It, an 11-track collection released in May 2025. The single joins his collection of chart toppers including “This Town’s Been Too Good To Us,” “Boys Back Home” with Dylan Marlowe, “Can’t Have Mine (Find You A Girl),” “New Truck,” “Nobody” and his first No. 1 “My Girl.”
Scott is currently amidst his “Till I Can’t I Will Tour,” which wraps May 30 in Texas. He is set to release his first new track of the year, “Slow Down Ol’ Son,” on Friday (April 24).
Tina Parol Inks With Curb | Word Music Publishing
/by Madison HahnenPictured (L-R, standing): Curb’s Trevor Mathiesen and Jonathan Mason. (L-R, sitting): Curb’s Bryan Stewart, Tina Parol and Curb’s John Nemoy.
Award-winning singer-songwriter and producer Tina Parol has signed with Curb | Word Music Publishing.
Originally from New Jersey, Parol began songwriting after being diagnosed with scoliosis at eight years old. When she was 16, she signed her first publishing deal, before studying at NYU’s Clive Davis Institute of Recorded Music. While in school, she signed a record deal with Universal Motown. At 21, Parol earned a top 40 Billboard pop hit with “Who’s Got Your Money.”
Parol came to Music City in 2012 after some time in Los Angeles, and has since earned cuts with Britney Spears, Celine Dion, Sabrina Carpenter, Lady A, Tenille Townes, Dallas Smith, Jerrod Niemann, Vince Gill and more. She is a back-to-back Canadian Country Music Association Songwriter of the Year award winner, and has had her tunes places in over 250 film, TV, and major ad campaigns. Her own “Live Your Story” was the official theme for Disney’s Dream Big Princess campaign and is performed globally at Disney On Ice shows. Parol was also inducted into the Buffalo Music Hall of Fame last year.
“From the first writing session I booked with Tina, it was apparent that she had a special combination of talent, drive, and dependability,” says Curb Records Sr. Director, Publishing/A&R, Trevor Mathiesen. “She has delivered with each artist I’ve put her with and can connect with writers and artists on a personal level as well as musical. Her faith and testimony are powerful and serve as a limitless source of inspiration for her song writing. We are genuinely excited and honored to partner with Tina during this season of her already impressive career.”
“Writing songs is such a blessing. I am truly grateful for the opportunity to work with the fantastic team at Curb | Word for this next chapter of my career.” adds Parol. “Being able to write songs about my faith is a dream come true. I look forward to all that is in store for us!”
In February 2022, she went through a 10-hour, 14-level spinal fusion surgery to correct her severe scoliosis, followed by complications that collapsed her lungs and required three weeks in ICU. She learned to walk, breathe and sing again while relying on her faith in Jesus. Since then, she has earned Christian cuts with Hannah Kerr, Micah Kuiper, Tedd T, Bobby Strand, Natalie Layne and Benji Cowart among others.
Benny G Makes Grand Ole Opry Debut
/by Lauryn SinkBenny G. Photo: Mitch Wallis
Benny G made his Grand Ole Opry debut on Saturday (April 18).
“When I was six years old, I wrote an essay about how music is magic. Music has been the north star in my life ever since I was a kid and picked up the guitar for the first time,” he shared with the audience. “Being asked by Mr. Vince Gill, who’s one of my heroes, to play the Grand Ole Opry and now standing here is the most full-circle moment of my life.”
In addition to his own set, he joined Gill to perform “Whenever You Come Around.”
He released his new EP, When You Know You Know, on Friday (April 17). Following support runs with Jack Wharff Band, Congress The Band, Songs of Legion, and more, he will join Ty Myers for all dates on his upcoming THE LEGAL TOUR, as well as select dates with Billy Currington, festivals, and the Whiskey Jam Bootleggers Tailgate Party ahead of Luke Combs’ stadium dates.
Photo: Mitch Wallis
Pictured (L-R): Universal Music Publishing Group’s Roxy King; United Talent Agency’s Eleni Hart and Jeffrey Hasson; Benny G; Sony Music Nashville’s Nathan Thomas, Taylor Lindsey, Meghan Reich, and Margaret Tomlin. Photo: Mitch Wallis
Riley Green Kicks Off ‘Cowboy As It Gets Tour’ With Sold-Out Stop At Bridgestone Arena
/by Lauryn SinkRiley Green. Photo: Austin Screws
Riley Green kicked off his 2026 “Cowboy As It Gets Tour” last week, wrapping the first weekend with a sold-out show at Nashville’s Bridgestone Arena on Saturday night (April 18).
Before Green took the stage, Mackenzie Carpenter, Drake White and Justin Moore set the tone for the night.
The lights dimmed down as Green made his entrance with “Different Round Here” before launching into the unapologetic “Damn Good Day To Leave” and reflective “If It Wasn’t For Trucks.”
Photo: Austin Screws
Unveiling his first surprise of the night, Green called Jamey Johnson to the stage. The pair moved into “Where Corn Don’t Grow” and “In Color.”
“Watching him do what he has done all these years and stay true to himself – I’ve looked up to him so much. I’m so glad to be friends with him, and even more so that we’ve gotten here tonight,” Green shared about Johnson, a fellow Alabama native.
After “Georgia Time,” Green brought White back to the stage for a duet on “Hell Of A Way To Go.” He moved through “Rather Be” and “When She Comes Home Tonight.”
With another surprise up his sleeve, Green brought Carly Pearce to stage for a rendition of their recent release, “If I Don’t Leave I’m Gonna Stay.”
Photo: Austin Screws
As the night progressed, he continued with “Make It Rain” and “Change My Mind.” The crowd roared as Green broke into covers of Toby Keith’s “Should’ve Been A Cowboy” and “Courtesy Of The Red White And Blue.”
“I’ve gotten to play a lot of great shows over the years, but I have to tell y’all, this means a lot. Thank y’all so much for a sold-out show at Bridgestone Arena. One thing I’ve never gotten tired of is playing country music for folks who love country music,” he shared.
Green made his way to the B-Stage for a stripped-back moment that included “Jesus Saves,” “My Way” and a duet with Carpenter on “Don’t Mind If I Do.”
Back on the main stage, Green quickly picked the energy back with fan-favorites “There Was This Girl,” “You Look Like You Love Me” and “Worst Way.”
After a short break, he returned for an encore of the fan-favorite “I Wish Grandpas Never Died” and brought the openers out again for a crowd-singalong of “Dixieland Delight” to wrap the night.
Green is set to appear this weekend at Stagecoach before continuing the “Cowboy As It Gets Tour” on May 7 in Charlotte, North Carolina.
Chase McGill Moves Into Top Five On MusicRow Top Songwriter Chart
/by Madison HahnenChase McGill
Chase McGill has moved into the top five on the MusicRow Top Songwriter Chart. Morgan Wallen’s “20 Cigarettes” and “I Got Better,” Tucker Wetmore’s “Brunette,” Ashley Cooke’s “the hell you are,” Greylan James’ “Water At A Wedding” and the HARDY, Eric Church, Wallen & Tim McGraw collaboration “McArthur” all put the songwriter at No. 5 this week.
Randy Montana maintains the No. 1 spot with “Change My Mind,” “Make A Liar,” “Sleepless In A Hotel Room” and “Time’s Ticking.” Blake Pendergrass takes the No. 2 spot with “20 Cigarettes,” “Ain’t A Bad Life,” “Brunette,” “Don’t We,” “I Got Better” and “Wish You Well.”
Ella Langley (No. 3) and Luke Combs (No. 4) round out this week’s top five.
The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.
Click here to view the full MusicRow Top Songwriter Chart.
New WSM Show, Heart of the Night With Nan Kelley, To Debut In May
/by Lorie HollabaughHeart of the Night with Nan Kelley, a new weekly program on WSM Radio, is set to premiere on May 4.
Hosted by TV personality Kelley with her husband, songwriter and musician Charlie Kelley, the show brings a more personal, listener-driven format to WSM’s evening lineup from 7 – 10 p.m. CT. Fans will know Kelley from her longtime work on the Great American Country network as host of The Top 20 Country Countdown and Opry Live, and she brings her signature warmth and relatability to one of radio’s most iconic platforms on the new show.
Blending timeless country music with authentic storytelling, the show will spotlight real listener experiences. Fans can call in during the live broadcast to speak directly with Kelley, with additional voicemails recorded off-air featured in future episodes. For a portion of the program, special guest artists, songwriters and notable personalities from the music community will be in studio and join the conversation.
“Nan creates the kind of connection that defines great radio,” says WSM General Manager Eric Marcum. “This show brings our listeners’ voices to the forefront while staying true to the music and storytelling at the heart of WSM.”
“Connecting with people is who I am – it’s just part of my South Mississippi DNA,” says Kelley. “I am grateful to WSM and Opry Entertainment Group for embracing this idea, and I am looking forward to returning to the Air Castle of the South. I am also excited to work alongside my husband who has guided my career for years. As a songwriter, he knows songs and emotions, and after 25 years of marriage, we can honestly share life’s ups and downs with our listeners.”
Country Thunder Arizona Wraps Talent-Packed 2026 Festival
/by Lorie HollabaughBrooks & Dunn. Photo: Dale MacMillan
Country Thunder made a triumphant return to Arizona April 9–12 with its 2026 edition, delivering four action-packed days of music and fun at Florence’s AZ Talio Ranch.
Lainey Wilson. Photo: Dale MacMillan
Drawing tens of thousands of fans per day, the festival’s headliners brought major firepower to the Main Stage. On opening night, Gavin Adcock tore through a high-octane performance, then spent nearly an hour signing autographs for fans in an impromptu post-show gathering near the stage. Reaffirming her status as a can’t-miss headliner, Lainey Wilson capped off Friday’s lineup and continued her tradition of naming a young audience member the “Cowgirl of the Night” – this time with a little girl named Amelia. Saturday’s headliner Zach Top brought classic country charm to a singalong-heavy set, while the legendary Brooks & Dunn closed out Country Thunder Arizona’s final night by doubling down on their legacy as an unstoppable live force.
Zach Top. Photo: Dale MacMillan
Country Thunder Arizona’s Main Stage also boasted performances from Waylon Wyatt, Ian Munsick, Lonestar, Scotty McCreery, Dasha, Jay Webb, Jackson Dean, George Birge, Logan Layman, Billy Dean & Collin Raye, Austin Snell, Lauren Watkins, Lanie Gardner, The Wilder Blue, and Annie Bosko. In addition, rising local artists lit up the Copperhead Stage, while the Songwriter Showcase featured rounds with songwriters like Johnny Clawson, Benjy Davis, Brinley Addington, Jimi Bell, Chase McDaniel, and Trent Wayne.
Gavin Adcock. Photo: Dale MacMillan
In an exciting first for Country Thunder Arizona, this year’s festival marked the launch of Buckin’ Thunder Pro Bull Riding – a crowd-thrilling addition to the massive desert gathering. Produced in collaboration with RS Rodeo (an official partner of the National Senior Pro Rodeo Association), the sanctioned National Senior Pro Bull Riding event brought together veteran riders vying for buckles and points toward their standings. With all competitors over the age of 40 (and several continuing to ride well into their sixties), the event offered a close-range view of bull riding by lifelong cowboys with a deep-rooted connection to the sport.
Fans also flocked to the Electric Thunder tent for late-night dance parties that kept the energy blazing long after the final encore. Along with presenting lessons, Electric Thunder hosted a dance contest whose winner took to the Main Stage for a crowd-commanding victory lap in front of the entire festival audience.
Now Open: Applications For MusicRow’s 2026 Artist Roster Company Directory
/by MusicRow StaffApplications for MusicRow‘s upcoming Artist Roster print issue are now being accepted through Friday, May 1, 2026 with the official form below. Previously included companies will also be solicited separately.
This ultimate artist resource edition includes the Artist Roster company directory, featuring contact information and artist rosters for Nashville record labels, managers, publicists, lawyers, talent agents, publicity, artist services companies (business managers, digital music, legal, marketing, radio promotion and organizations), media and banking.
Click here for the application.
For advertising opportunities in the Artist Roster print issue, email Sherod Robertson at srobertson@musicrow.com. Rate card information is available here. For questions regarding directory, please email directory@musicrow.com.
Capitol Christian Music Group Signs Jonathan Gamble & Jordan Sapp
/by Madison HahnenPictured (L-R): Garrett Davis (sr. vice president A&R), Jonathan Gamble (writer), Katie Barolak (sr. director, creative publishing), Terryl Padilla (sr. director, creative publishing), Jordan Sapp (writer), and David Gutekunst (executive vice president, publishing)
Hit songwriter Jonathan Gamble and Dove Award winning-producer and songwriter Jordan Sapp have extended their publishing deals with Capitol Christian Music Group.
Hailing from Alabama and now in Music City, Gamble has amassed No. 1 hits with Jamie MacDonald (“Desperate”), Leanna Crawford (“Still Waters (Psalm 23)”), and Seph Schlueter (“Counting My Blessings”). His additional cuts also include Lauren Daigle, Danny Gokey, Jesus Culture, Tauren Wells, Josiah Queen, Ben Fuller and MaRynn Taylor.
Sapp started his career in Los Angeles where he worked with Pitbull, Austin Mahone, Jason Derulo, Nicki Minaj, and Jennifer Lopez as part of RedOne’s production team. Since moving to Nashville, he has garnered 16 No. 1 radio singles, multiple Dove Awards, and more than 2.4 billion streams through Christian and pop music.
“Jonathan is a true student of the craft of songwriting and has taught me so much about what it looks like to come alongside and advocate for writers in today’s music economy,” says David Gutekunst, Executive Vice President of publishing for CCMG. “Jordan is one of the most kind and humble people I have met in this business. He champions and cheers others on in such a special way. We are happy not only to be extending our publishing relationship with Jonathan and Jordan, but as a part of those new deals – finding new and creative ways to incentivize them to lean in and partner with CCMG artists going forward. It’s a meaningful move in the right direction that underscores CCMG’s mission of serving artists and writers.”
“I’m thrilled to continue this partnership with Jonathan Gamble and Jordan Sapp,” shares Sr. Director Creative Publishing Katie Barolak. “Their songwriting speaks for itself, but it’s their character and drive that make them truly special. They have an incredible ability to push boundaries and elevate everyone in their orbit. What they’re doing is shaping the future of music, and it’s an honor to stand alongside them.”
“Jordan Sapp is an exceptional songwriter and creative force whose talent, vision, and work ethic consistently distinguish him in our market,” adds Sr. Director Creative Publishing Terryl Padilla. “He has a unique ability to understand the sound and direction of the artists he collaborates with and bring their vision to life in a way that feels authentic to each of them. We’re proud to support him as his creative publisher and excited to see his continued evolution build on what is already an impressive and influential career.”
Scotty McCreery & Hootie & The Blowfish Celebrate ‘Bottle Rockets’
/by Lauryn SinkPictured (L-R, back row): Abbey Watson, Kari Barnhart, Derek George, Annie Ortmeier, Bobby Hamrick, Mike Sistad, Jeremy Bussey, Tom Luteran, Shannon Sanders, Brent Anderson, AJ Burton, Monty Criswell, Kevin Herring and Troy Tomlinson. (L-R, front row): Hootie & The Blowfish’s Dean Felber, Jim Sonfeld and Darius Rucker, Scotty McCreery and Frank Rogers. Photo: Larry McCormack for BMI
Scotty McCreery and Hootie & The Blowfish celebrated their No. 1 track “Bottle Rockets” on Thursday (April 16) at BMI’s Nashville headquarters.
The track marked McCreery’s seventh No. 1, and marked Hootie & The Blowfish’s first ever chart-topper. Triple Tigers Records unveiled during the party that the single had just been RIAA certified Platinum.
Hosted by BMI, ASCAP and SESAC and emceed by BMI’s Shannon Sanders, Sanders welcomed McCreery, three of the four Hootie & The Blowfish members Darius Rucker, Dean Felber, Jim Sonefeld, along with Spirit Music co-writers Monty Criswell, Derek George, Bobby Hamrick, Frank Rogers, Brent Anderson and Jeremy Bussey to the stage. SESAC’S Abbey Watson, ASCAP’s Mike Sistad, Sony Music Publishing’s Tom Luteran, Triple Tigers’ Kevin Herring and UMPG’s Troy Tomlinson each took the microphone to honor the team behind the song.
Pictured (L-R, back row): MusicRow‘s John Nix Arledge, Derek George, Bobby Hamrick, Jeremy Bussey, Brent Anderson, Monty Criswell and MusicRow‘s Sherod Robertson. (L-R, front row): Dean Felber, Jim Sonfeld, Darius Rucker, Scotty McCreery and Frank Rogers. Photo: Courtesy of BMI
Sponsored by Studio Bank, Kari Barnhart made a special donation presentation on behalf of McCreery and the songwriters in support of the Opry Trust Fund.
Rogers, who served as a publisher, producer and writer on the track, shared the story of surprising McCreery with vocals from Hootie & The Blowfish during the recording session.
Each co-writer reflected on how many people it takes to bring a song to the top of the charts, from publishers and management to radio and beyond, sharing their gratitude for everyone involved in that journey. Many also shared that they had been longtime fans of Hootie & The Blowfish, making this collaboration feel even more special.
“There is a glue in the middle of [this song] that made it work, and is it Darius [Rucker] and Frank [Rogers]. Without their direction this wouldn’t be happening,” Sonefeld shared.
“It’s very rare, especially when you’ve been in the business for 40 years like we have, to get something that is a first. It’s pretty great to have our first No. 1,” Rucker added.
“I don’t know what I did to deserve to be up here on this stage,” McCreery said, closing out the evening. “There is a lot of talented people just down the street on Broadway and a lot of talented folks writing on Music Row, so the fact that I get to be up here today–I’m humbled and grateful.”