
Carly Pearce. Photo: Dove Shore
With Honest Woman, Carly Pearce is embracing the lessons and experiences that have shaped her.
The award winning artist released her fifth studio album today (Aug. 28) via BBR Music Group/BMG Nashville. Across the project, Pearce turns toward the parts of herself she has continued to discover, from her Kentucky bluegrass roots to the complicated emotions that come with growing older, navigating relationships and watching life unfold on its own timeline.
In fact, the album’s title came together only after Pearce had already lived through many of the songs.
“I truly did not come up with the title of the album until the very end,” she tells MusicRow. “I think I was subconsciously coming to this understanding of my life as I was living these songs.”
That realization shaped the record’s central theme. As Pearce entered a new season of life, she found herself thinking about the expectations placed on women to reach certain milestones by a certain age, and how easily those expectations can overshadow the life happening in front of you.
“We are told as women that we shouldn’t say our age and we need to have this by this time, and we’re on these timelines and the highlight reel. I just wanted to be the exception to the rule.”
That perspective comes through particularly on “Dream Come True” and “Happy For Myself,” two of the album’s most vulnerable moments. Both songs explore the less polished side of life, confronting the sacrifices, comparisons and disappointments that can exist alongside professional success and personal milestones.
For Pearce, that kind of openness begins in the writing room. Rather than relying on a conventional co-writing circle, she often writes with people she already trusts, allowing conversations with friends to become the foundation for some of her most personal songs. 
“Both of those songs came out of conversations that I was having with my friends who happened to be my co-writers. I write with my friends because I’m so honest and vulnerable that I could never write these songs with people I didn’t know.”
While the album digs into Pearce’s present, it also reaches back to where she came from. Having started singing in bluegrass bands as a child, Pearce wanted Honest Woman to reconnect listeners with the Kentucky side of her musical identity. That comes through most prominently on “What If You Loved Me,” a bluegrass collaboration with Dan Tyminski and Molly Tuttle.
The project’s other major collaboration, “If I Don’t Leave I’m Gonna Stay,” pairs Pearce with Riley Green. After deciding she wanted Green on the album, Pearce simply sent him the song. His response came almost immediately, creating the emotional ballad currently climbing country radio.
Sonically, Pearce sees the album as a departure from worrying about what might fit neatly into the commercial country landscape. She co-produced the project with longtime collaborator Ben West, incorporating bluegrass musicians and leaning further into the sounds that felt natural to her.
“I really think sonically it’s the most interesting album I’ve ever done, and my best.”
That honesty runs throughout the album, with Pearce allowing herself to show both the good and difficult parts of where she is in life.
It also extends to the lighter moments. She points to “You Don’t Like My Dogs” as the song she’s most excited to hear fans sing back to her on the road, calling it “an anthem.”
And while Pearce believes women are already ruling country music, she sees honesty as the next step in continuing that momentum.
“I challenge all the girls to be more honest because clearly women want to hear other women and they want to hear other stories.”
With Honest Woman, Pearce is doing exactly that. Looking back at where she came from, acknowledging where she is and leaving room for wherever life takes her next.
‘DOLLYFEST: The Celebration Of A Lifetime’ To Be Held In Nashville & London In 2027
/by Lauryn SinkDolly Parton.
The estate of global icon Dolly Parton have announced plans to host an official Team Dolly-produced celebration in Parton’s honor, DOLLYFEST, in 2027.
The event will take place across two consecutive weekends in Nashville, Tennessee and London, England. Ticket information and further details will be announced at a later date.
The event was originally planned as a multi-artist event for January 2026 in Nashville and intended to feature Parton as performer and host.
“What Dolly started, we will ensure is brought to life,” says Danny Nozell, Founder/CEO of CTK Enterprises. “Many people behind the scenes know that DOLLYFEST is a dream of Dolly’s that was intended to take place on her 80th birthday in Nashville. We had the venue booked and we had the announcement ready to go. And then, in August 2025, Dolly had to take a step back after her initial health challenges. A lot of people always say, WWDD (What Would Dolly Do?), and, well, at this moment, DOLLYFEST is WDWD (What Dolly Would Do!).
“We are not discouraging people from celebrating Dolly in the ways they choose,” continues Nozell. “However, as far as a traditional memorial goes, that is not something Dolly wanted. So, instead, it feels more appropriate for us to take a beat, let all the tributes that immediately make sense occur naturally, and then, see through this festival-style concept that was truly dreamed up by Dolly. This is something that is authentic to her, something that feels right to me, and something that artists and fans around the world can participate in, while also giving everyone time to grieve, and giving everyone time to plan.”
Governor Lee Announces Intentions To Name Nashville Airport In Honor Of Dolly Parton
/by LB CantrellDolly Parton
Tennessee Governor Bill Lee and the Nashville International Airport (BNA) have revealed their intentions to name the airport in honor of Dolly Parton.
Following the passing of the iconic Tennessean earlier this week, Governor Lee spoke to Parton’s team about honoring her in this way. The Metro Nashville Airport Authority’s (MNAA) current Naming Policy and Gov. Lee’s proposal to rename the airport will be addressed at MNAA’s meeting on Thursday, Sept. 17. More details will be announced in the coming weeks.
“Dolly Parton’s extraordinary life is forever woven into the fabric of our state,” shares Gov. Lee. “From her rural mountain home in East Tennessee to global stages, Dolly carried the Volunteer Spirit with her. At a place where Tennessee welcomes the world, it is fitting that Nashville International Airport would bear the name of our state’s favorite daughter and greet travelers with the enduring legacy of Dolly’s music, generosity, faith, and kindness.”
“BNA® is the front door to Music City, and with that comes a responsibility to reflect the very best of who we are as a community,” says Doug Kreulen, President and CEO, Metropolitan Nashville Airport Authority. “Dolly’s remarkable legacy reminds us that what makes Nashville special is our ability to welcome people from every walk of life. She understood that dignity, kindness and opportunity should never be defined by where you come from or your socioeconomic status. At BNA, we share that commitment. Whether you are boarding a private aircraft or taking your first flight, you deserve to be welcomed, respected and served with the same level of care. That spirit is what defines BNA and it is a fitting reflection of the values Dolly shared with Tennessee and the world.”
In addition to amassing 44 top 10 country albums, 11 Grammy Awards, 10 CMA Awards, multiple hall of fame inductions and much more, Parton’s legacy includes a lifelong commitment to service and philanthropy. Through the Dollywood Foundation and Imagination Library, she has provided hundreds of millions of free books to children worldwide, promoting literacy and empowering children to reach their full potential.
MusicRow Weekly (Dolly Parton, News, Charts, More…)
/by Madison HahnenThis week’s edition of the MusicRow Weekly covers a week of major news across Nashville’s music industry, from the passing of global icon Dolly Parton and legendary manager Dale Morris to the release of the 2026 MusicRow Awards print issue, new industry leadership moves, publishing deals and several Grand Ole Opry debuts. Click here to see the full edition.
Dolly Parton died peacefully in Nashville on Tuesday (Aug. 25) at age 80 following a brief battle with cancer. Her death marked the loss of one of the most influential figures in country music history, whose career spanned music, film, television, business and philanthropy.
Nashville gathered for the annual SOURCE Hall of Fame Awards at the Musicians Hall of Fame and Museum inside the city’s historic Municipal Auditorium. The ceremony honored six more “women behind the music,” Debbie Cheek Carroll, Paige Conners, Cris Lacy, Sherry Oakley, Margie McGahey and Carla Wallace. Hosted by Grand Ole Opry star Mandy Barnett and radio and television personality Kelly Sutton, the evening celebrated the contributions of women who have helped shape Nashville’s music industry.
Nashville also mourned the loss of legendary entertainment executive and artist manager Dale Morris, who died peacefully on Aug. 21 at age 89. Morris spent nearly seven decades in the music business and guided the careers of artists including Country Music Hall of Fame members Alabama and Kenny Chesney.
Amid the week’s news, MusicRow also marked an important milestone with the release of its 2026 MusicRow Awards print issue, featuring Warner Records Nashville’s Dan + Shay on the cover. The issue spotlights the nominees for the 2026 MusicRow Awards, with winners set to be revealed on MusicRow platforms on Sept. 2. The special issue also honors the winners of the Top 10 Album All-Star Musicians Award and examines the way independent labels approach awards season through a conversation with Leo33. Additional industry insights come from acclaimed producers and music makers Frank Liddell, Tofer Brown and Joey Moi, who share their perspectives on creating records that make an impact.
Elsewhere across the business, Ryan Beuschel has been promoted to Co-Head of The Neal Agency. WME has also elevated Sara Williams to Head of Music Marketing, while Riser House Entertainment has added Anna Widmer as Vice President of Promotion. On the publishing side, songwriter Phil Barton has signed a deal with BMG in partnership with Liz Rose Music, while Nashville-based songwriter Conner Moye has signed a global publishing deal with Concord Music Publishing.
Scott Borchetta is expanding his business ventures with the launch of Borchetta Spirits & Beverage Co. (BSBC), a Nashville-owned and operated parent company bringing together five Tennessee spirit brands and three destinations. As part of the launch, the downtown Nashville property formerly known as Big Machine Brewery & Distillery has been renamed The Borchetta Bourbon Experience.
The Grand Ole Opry also welcomed several debuts. Kenny Whitmire made his Opry debut on Aug. 18, followed by Troy Cartwright. Brandon Wisham made his Grand Ole Opry debut on Wednesday (Aug. 26).
In addition, the latest MusicRow CountryBreakout Radio Chart is included. Kenny Chesney takes the No. 1 spot with “Carry On.” Explore more chart data here.
The MusicRow Weekly is delivered every Friday, featuring Nashville’s top music industry news, exclusive interviews, song reviews, radio and songwriter charts and more. Sign up for free here.
Carly Pearce Embraces Her Roots & Her ‘Honest Woman’ Era [Interview]
/by Madison HahnenCarly Pearce. Photo: Dove Shore
With Honest Woman, Carly Pearce is embracing the lessons and experiences that have shaped her.
The award winning artist released her fifth studio album today (Aug. 28) via BBR Music Group/BMG Nashville. Across the project, Pearce turns toward the parts of herself she has continued to discover, from her Kentucky bluegrass roots to the complicated emotions that come with growing older, navigating relationships and watching life unfold on its own timeline.
In fact, the album’s title came together only after Pearce had already lived through many of the songs.
“I truly did not come up with the title of the album until the very end,” she tells MusicRow. “I think I was subconsciously coming to this understanding of my life as I was living these songs.”
That realization shaped the record’s central theme. As Pearce entered a new season of life, she found herself thinking about the expectations placed on women to reach certain milestones by a certain age, and how easily those expectations can overshadow the life happening in front of you.
“We are told as women that we shouldn’t say our age and we need to have this by this time, and we’re on these timelines and the highlight reel. I just wanted to be the exception to the rule.”
That perspective comes through particularly on “Dream Come True” and “Happy For Myself,” two of the album’s most vulnerable moments. Both songs explore the less polished side of life, confronting the sacrifices, comparisons and disappointments that can exist alongside professional success and personal milestones.
For Pearce, that kind of openness begins in the writing room. Rather than relying on a conventional co-writing circle, she often writes with people she already trusts, allowing conversations with friends to become the foundation for some of her most personal songs.
“Both of those songs came out of conversations that I was having with my friends who happened to be my co-writers. I write with my friends because I’m so honest and vulnerable that I could never write these songs with people I didn’t know.”
While the album digs into Pearce’s present, it also reaches back to where she came from. Having started singing in bluegrass bands as a child, Pearce wanted Honest Woman to reconnect listeners with the Kentucky side of her musical identity. That comes through most prominently on “What If You Loved Me,” a bluegrass collaboration with Dan Tyminski and Molly Tuttle.
The project’s other major collaboration, “If I Don’t Leave I’m Gonna Stay,” pairs Pearce with Riley Green. After deciding she wanted Green on the album, Pearce simply sent him the song. His response came almost immediately, creating the emotional ballad currently climbing country radio.
Sonically, Pearce sees the album as a departure from worrying about what might fit neatly into the commercial country landscape. She co-produced the project with longtime collaborator Ben West, incorporating bluegrass musicians and leaning further into the sounds that felt natural to her.
“I really think sonically it’s the most interesting album I’ve ever done, and my best.”
That honesty runs throughout the album, with Pearce allowing herself to show both the good and difficult parts of where she is in life.
It also extends to the lighter moments. She points to “You Don’t Like My Dogs” as the song she’s most excited to hear fans sing back to her on the road, calling it “an anthem.”
And while Pearce believes women are already ruling country music, she sees honesty as the next step in continuing that momentum.
“I challenge all the girls to be more honest because clearly women want to hear other women and they want to hear other stories.”
With Honest Woman, Pearce is doing exactly that. Looking back at where she came from, acknowledging where she is and leaving room for wherever life takes her next.
Jacob Hackworth Slates Debut EP For October
/by Lauryn SinkJacob Hackworth will release his debut EP, What Took You So Long, on Oct. 23 via MCA/Goat Island Sound.
Hackworth wrote the seven-track project alongside Jaxson Free, Josh Phillips, Jessie Jo Dillon, Daniel Ross and more. The EP is a chronological account of the breakup that unknowingly set Hackworth on the path to Nashville. Its title track is currently top 40 at country radio.
“This EP is probably the most full-circle thing I’ve ever done. I definitely didn’t set out to write a project about a breakup—it just kind of came together naturally. There is something poetic about getting to tell that story as my first project as an artist, considering it was the reason for me moving here to chase my dream of being a recording artist. I also love the message underneath it all: sometimes the hardest things in your life happen the way they do for a reason. Zero out of 10 would recommend getting dumped, BUT it put me exactly where I was supposed to be. I’m happier, healthier and living a life I dreamed about for a long time because of it,” shares Hackworth. “We wrote ‘I Wanna Quit’ at a writers camp back in May and knew instantly it was a smash. We cut it almost immediately because we didn’t want to overthink it, it was the perfect addition to this project.”
In celebration of the announcement, he has previewed the project with “I Wanna Quit,” written by Hackworth, Free, Heath Warren and Tyler Dopps.
Hackworth is currently on the road with Tucker Wetmore for their third run together before he joins Zach John King this fall.
What Took You So Long Track List:
1. “What Took You So Long” (Jacob Hackworth, Daniel Ross, Jaxson Free, Steph Jones)
2. “I Wanna Quit” (Jacob Hackworth, Jaxson Free, Heath Warren, Tyler Dopps)
3. “Bad As I Do” (Jacob Hackworth, Daniel Ross, Chris Tompkins, Jessie Jo Dillon)
4. “Last Night I Got Lonely” (Jacob Hackworth, Gabe Foust, Danny Majic)
5. “First Friday Night” (Jacob Hackworth, Jaxson Free, Daniel Ross, Matt Roy)
6. “Help Yourself” (Jacob Hackworth, Gabe Foust, Sean Wave, Travis Smith)
7. “Mess That Marlboro Made” (Jacob Hackworth, Josh Phillips, Jordan Schmidt)
SongwritingWith:Soldiers Shares Veterans’ Voices In New Album
/by Lorie HollabaughSongwritingWith:Soldiers is amplifying the voices of veterans with the release of a new album, The Power of Being Heard, due out Nov. 6 ahead of Veterans Day.
The 15-song project reflects 24 Veteran voices through music written and performed alongside songwriters including Erin Enderlin, Radney Foster, Will Kimbrough, Trent Willmon and many more. The first eight compelling tracks are available now on all streaming platforms.
“Every song on The Power of Being Heard shows that no one has to carry their story alone and that our service members’ and their families’ stories matter,” shares Kristin Starling, President, SongwritingWith:Soldiers. “These are the voices of the veterans, service members and their families who trusted us to help them tell their story. Our hope is to create connections far beyond the retreat.”
SongwritingWith:Soldiers’ mission is to transform lives by using collaborative songwriting to build creativity, connections, and strengths. The organization holds weekend retreats across the U.S. for veterans and their families from all conflicts. Since 2012, SW:S has connected with more than 7,000 veterans and military families, creating a safe and inspiring environment to share their experiences and co-create songs grounded in lived experience alongside professional songwriters.
The Power of Being Heard Track List:
1. “At Ease” – Will Kimbrough
2. “The Man You Used To Know” – Trent Willmon
3. “Footprints in my Mind” – Stevenson Everett
4. “Strumming Hand” – Maia Sharp
5. “The One They Call” – Radney Foster and Kelly Willis
6. “Hey Brother” – Mark Nesler
7. “He Ain’t Through With Me Yet” – JD Martin
8. “Something Ain’t Right” – Gary Burr
9. “Grace” – Dylan Altman
10. “Army of One” – Terry Radigan
11. “Let Go of the Pain” – Danny Myrick
12. “Daddy’s Son” – Jay Clementi ft. Brody Clementi
13. “Parents & Soldiers” – Georgia Middleman
14. “When You Look At Me” – Erin Enderlin
15. “Funeral Detail” – Gary Nicholson
Nashville’s ‘Live On The Green’ Series Marks 2027 Return With Lawnwarming Party
/by Lorie HollabaughLightning 100 and Opry Entertainment Group are bringing back Nashville’s beloved “Live on The Green” concert series, and in celebration of the series return, a “Live on The Green” Lawnwarming Party will take place on Oct. 18 at Ascend Federal Credit Union Amphitheater.
The special launch party event will feature performances from alum ni “Live on The Green” headlin ers Guster and Grace Potter, along with additional artists to be announced.
“With the help of our friends at Opry Entertainment Group, we’re thrilled to celebrate the return of ‘Live on The Green’ in 2027 with a special Lawnwarming Party this October,” says Lester Turner Jr., President of Tuned In Broadcasting, Inc. parent company of Lightning 100. “Since its inception in 2009, the series has always focused on bringing Nashville together through great music. We are making good on that promise and providing over 1,000 free tickets to the community and other affordable ticket options. We can’t wait to see you there, Nashville!”
Opry Entertainment Group’s Vice President of Amphitheaters and Festivals, Shawn Krauel adds, “We’re excited to welcome ‘Live on The Green’ to Ascend Federal Credit Union Amphitheater and give fans a preview of what they can expect when the series returns next year. Our goal is to build on the community and festival atmosphere that have made this concert series so special while creating a new and elevated experience for all. With its purpose-built design and state-of-the-art production capabilities, Ascend Amphitheater is the ideal setting to bring that vision to life.”
Reserved tickets to the “Live on The Green” Lawnwarming Party are on sale now at ascendamphitheater.com. Opportunities to receive free tickets will be available through Lightning 100’s on-air contests, their online ticket window and various on-site promotions leading up to the party.
Anna Rae Inks With Joan Of Arc Music For Management
/by Lauryn SinkCindy Mabe and Anna Rae. Photo: Adrienne Kelley
Anna Rae has signed with Joan Of Arc Music for management.
The Charlotte, North Carolina native began her music career starring as Young Elsa in Disney’s Frozen on Broadway at 12 years old. She released her debut single, “Run Cinderella,” today (Aug. 28), which she co-wrote with Stephanie Chapman and Emily Landis. Rae recently made her Bluebird Café debut and hosted a Tin Pan South writer’s round at the Station Inn alongside award-winning songwriters Matraca Berg, Landis and Chapman.
“Anna is one of the purest and most timeless vocalists of her generation,” shares Cindy Mabe, Founder and CEO of Joan of Arc Music. “She’s a storyteller and songwriter with depth beyond her age, and she’s instantly relatable. We are so proud to help grow her career and introduce her to wider audiences.”
“Cindy Mabe and the Joan of Arc Music team are true advocates of country music,” says Rae. “They are entirely dedicated to the heart and stories of artists and believe in building careers with intention and longevity – caring for both the art and the soul behind it. I feel incredibly grateful to be supported in a way that gives me the freedom to evolve and take risks. I couldn’t be more excited about everything we’re building together!”
Las Vegas Songwriters Festival Wraps Second Annual Event
/by Lauryn SinkPictured (L-R): Rob Hatch, Jerrod Niemann, Craig Campbell, Matt Warren, David Lee Murphy and Storme Warren. Photo: Chelsa Christensen
The Las Vegas Songwriters Festival returned to Mandalay Bay Resort and Casino in Las Vegas last weekend for the second annual event.
Hosted by chart-topping songwriter Matt Warren, the festival was founded by Entersong’s Rob Hatch and Mike Every in partnership with MGM Resorts.
Kicking off the event Thursday (Aug. 20) at House of Blues Las Vegas, David Lee Murphy, Craig Campbell and Jerrod Niemann took the stage to perform some of their own chart-topping hits, alongside songs they’ve written that have been recorded by the likes of Kenny Chesney, Jason Aldean, Luke Bryan, Garth Brooks, Blake Shelton and more.
Throughout the weekend, fans were treated to performances from Anthony L. Smith, Anthony Smith, Billy Montana, Bob DiPiero, Bobby Pinson, Brian Davis, Brian White, Brice Long, Bridgette Tatum, Brinley Addington, Carolyn Dawn Johnson, Clint Daniels, D. Vincent Williams, Dave Pahanish, Dean Dillon, Dylan Altman, Earl Bud Lee, Elisha Hoffman, Eric Paslay, Jamie Floyd, Jared Mullins, Jim McCormick, Jimmy Yeary, Justin Ebach, Justin Wilson, Marla Cannon-Goodman, Marti Frederiksen, Matt McGinn, Matt Warren, Mitch Oglesby, Paul Jenkins, Phil Barton, Rachel Thibodeau, Ray Fulcher, Rebecca Lynn Howard, Rob Hatch, Steve Bogard, Tyler Reeve and Wynn Varble across four stages.
Details for the 2027 Las Vegas Songwriters Festival will be announced at a later date.
Pictured (L-R): Rebecca Lynn Howard, Storme Warren, Rachel Thibodeau and Carolyn Dawn Johnson. Photo: Courtesy of Las Vegas Songwriters Festival
Pictured (L-R): Justin Wilson, Steve Bogard and Rob Hatch. Photo: Courtesy of Las Vegas Songwriters Festival
Luke Bryan Unveils ‘SIGNS’ Track List
/by Lauryn SinkLuke Bryan has revealed the track list for his upcoming ninth studio album, SIGNS, set for release on Sept. 18 via MCA.
Bryan has previewed the project with his current single, “Country And She Knows It,” as well as “Word On The Street,” “Signs,” “Fish Hunt Golf Drink” and “Made It A Memory.” Bryan co-wrote two songs on the 11-track project alongside Matt Dragstrem, Chase McGill and Josh Thompson. Additional writing credits include Parker Welling, Kyle Sturrock, Jimmy Robbins, Matt Alderman, Payton Smith and more.
Bryan is his currently on the “Word On The Street Tour” through September, including a show at Nashville’s Bridgestone Arena. He also has four upcoming Farm Tour 2026 dates, and the finale of the “Double Down Tour” with Jason Aldean, which takes place in Las Vegas at Allegiant Stadium on Dec. 11.
SIGNS Track List:
1. “Country And She Knows It” (Josh Miller, Parker Welling, Matt Dragstrem)
2. “Word On The Street” (Payton Smith, Josh Thompson, Justin Ebach)
3. “Signs” Jody Stevens, (Patrick Murphy, Jason Duke, Tommy Cecil, Jon Mills)
4. “Fish Hunt Golf Drink” (Luke Bryan, Matt Dragstrem, Chase McGill)
5. “Made It A Memory” (Matt Alderman)
6. “Woods” (Jameson Rodgers, Josh Thompson)
7. “Down Goes The Whiskey” (Jeb Gipson, Whitney Duncan, Jonathan Singleton)
8. “Crooked Rows Of Corn” (Luke Bryan, Josh Thompson, Chase McGill, Matt Dragstrem)
9. “I Like Loving You” (Jimi Bell, Kyle Sturrock, Jimmy Robbins)
10. “Killer” (Davis Corley, Mark Addison Chandler, Nate Kenyon)
11. “Praying By The Rules” (Blake Bollinger, Chris Lucas, Nate Kenyon, Preston Brust)