A new company, www.redigi.com, is drawing fire from copyright owners as it attempts to create a marketplace to buy and sell previously owned digital files. A New York Times article, Site To Resell Music Files Has Critics notes, “The service has already drawn concern from music executives and legal scholars, who say it is operating in a gray area of the law. Last Thursday the Recording Industry Association of America, which represents the major record companies, sent ReDigi a cease-and-desist letter, accusing it of copyright infringement.” MusicRow first reported on the company on Oct. 17, 2011.
Here’s how the Cambridge, Mass. company works. ReDigi sells music downloads for 79¢ per song and users get a 20¢ coupon for each song they upload. Consumers swapping music actually pay only 59¢ per song after figuring in the coupon discount. “ReDigi is a marketplace that gives users tools to be in compliance with copyright law,” says ReDigi head John Ossenmacher. “Before I put a file up for sale ReDigi says you will need to delete them, and if not it won’t take them.” The company also has plans to resell e-books.
According to the web site, “Only tracks purchased from legal download sites such as; iTunes, etc. are eligible. But hey, don’t sweat it. If you aren’t sure where it came from, we will help you figure it out, all from the privacy of your own computer. Your ReDigi account grows with every song you sell. So your old music helps you buy the new music you want, no cash required. Once you buy songs on ReDigi, you can sell them back at any time! Store your music in our FREE cloud. When you’re done listening to them, sell them back with the click of a button.”
Also mentioned on the site are payments to artists and labels. “The musician and label get a percentage of every sale, often netting more than they get from a new music site and a lot more than they get from streaming music.” However, numbers are not mentioned. The site already has almost 77,000 Twitter followers (@ReDigiMusic) and close to 44,000 Facebook fans (http://www.facebook.com/ReDigi).
At issue is the legality of this new business model which is based mostly upon the first-sale doctrine which gives consumers the right to resell a copyrighted work. However, legal scholars are not in agreement, according to the NYT article because ReDigi’s method involves making a digital copy, something not allowed under the first-sale rules. The concept is largely untested with respect to digital goods. According to the article, Ossenmacher claims he has “a process called, ‘atomic transaction’ that can transfer files between users without copying.”
The web site addresses the question of its legality:
“We are law-abiding citizens here at ReDigi. The thing that sets ReDigi apart from any company that has attempted to do what we are doing is our revolutionary patent pending technology that facilitates the ‘verification’ and ‘hand off’ of a digital music file from the seller to the buyer, ensuring both that the file is from a legitimate source and eligible for resale on ReDigi, and that any additional copies of a sold file that may have been made by the seller (e.g., for use on multiple devices in accordance with ‘fair use’ limitations on copying for personal use), are also deleted. In this way, ReDigi brings the familiar process of selling a physical good (CD, Vinyl, Pink Cadillac, etc.) into the digital age. Let’s use the Pink Cadillac as an example. You bought that outrageous gas-guzzler, you own the title, and by all means you have the right to sell it. However, once you hand over the keys, it’s no longer yours to drive. The same concept applies to a used song sold through ReDigi. Once you sell a song, you no longer have access to it. ReDigi removes the song from your hard drive and all synced devices as soon as your legally obtained digital song is confirmed for sale. This is how ReDigi stays legit, and how you now have access to an incredible marketplace where rights long accepted in the physical world may now be applied to digital goods.”
Throat Surgery, A Growing Trend?
/by Eric T. ParkerLast Wednesday (11/9), Music Editor at the Hollywood Reporter, Shirley Halperin, ran an article titled Adele, Keith Urban, John Mayer: Why Are So Many Singers Having Surgery? Since then, the story has garnered additional media coverage including today’s (11/15) NPR: On Point.
Guests on NPR’s show included Halperin, Voice Center at Massachusetts General Hospital’s Dr. Steven Zeitels (who recently performed surgery on Adele), BU Professor of music Penelope Bitzas, and Pop culture writer Rich Juzwiak.
NPR discusses whether surgery has been an increasing trend among performers, vocal problems that result from the demands of a touring artist, and the state-of-the-art correctional procedures available to reverse damage and maintain vocal health compared to just a few years ago.
“It’s a 24/7 business, and the expectations are more,” says 16-year Sony Music veteran Ken Komisar in the Hollywood Reporter. “So much overuse of a singer’s vocal cords can be extremely detrimental to their ability to perform. We should all be advocates of taking better care of ourselves and our artists.”
Keith Urban‘s polyp on his vocal chord, and Adele’s hemorrhaging polyp are not just coincidences, says Mike Presca for NPR’s On Point, “Singers are pushing the limits of sound, and some are paying the price.”
Earlier this summer (9/29) Rachael Ray praised Celine Dion on her show for changing her life when she recommended her voice doctor, Dr. Gwen S. Korovin, to Ray, ”I had a quick operation, in and out of the hospital in a couple hours, and haven’t lost my voice since.” According to her blog, Ray suffered from a cyst on her vocal chord.
Link here to the Hollywood Reporter and NPR’s On Point (audio at the top “listen to the show”).
Dooleys Adds Another Dining Option To The Row
/by Sarah SkatesDooleys is hosting industry events, including recent bashes for The Bigger Picture Group and Average Joe’s Entertainment.
The small chain of Irish pubs also has three establishments in Michigan.
Locally it is open 10:30 a.m. until 3 a.m., seven days a week.
For event booking, contact Shafer at unclemikemgmt@mac.com or on his cell at (586) 610-4499.
This news follows yesterday’s announcement about Lucy and Bobby Pinson’s new restaurant, Lucy’s Cafe Express.
Artist Updates (11/15/11)
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Round-Up: Katy Perry Gives Fans Ultimate Thank-You
/by Sarah Skates• Erica Farber, best known as longtime publisher/CEO of R&R, is taking a new gig as EVP for the Radio Advertising Bureau starting in January. She was most recently CEO of consulting service The Farber Connection. Once she’s in the chair at the RAB, she can be reached at efarber@rab.com .
• 30-second spots on the 2012 Oscars telecast cost about $1.6 – $1.7 million, reports Ad Age. This is basically flat from last year’s ad cost for the show on ABC, which is also home to the CMA Awards. About 37.9 million viewers tuned in to the 2011 Academy Awards, down from 41.7 million in 2010.
WMN Announces Promotions and Hires
/by FreemanIn the publicity department, Sarah Lai has been promoted to Publicity Coordinator where she will continue to report to VP Publicity Tree Paine.
Victoria Nugent has joined the Brand Management department in the newly created position of Director of Revenue and Research. Additionally, Tyler Wall will shift from the WMN Promotions department to the role of Marketing Coordinator under VP Brand Management Kelli Cashiola.
Previous Marketing Coordinator Carden Grissom has been named the label’s Manager of E-commerce, and will work under VP Strategic Partnerships Leigh Holt.
Wall’s previous position of Promotions Coordinator has been filled with Ann Jurasek, who will work under Sr. VP of Promotion Chris Stacey and the WMN Promotions team.
Following Rebekah Sterk’s recent appointment to Director of A&R, Film/TV and Special Projects, Stephanie Haymes will take over as the new A&R Coordinator.
Signing Photos: Randy Houser, LiveWire
/by MichelleStoney Creek Records has announced the addition of Randy Houser to its roster. The surprise announcement was made Nov. 8 by Broken Bow/Stoney Creek President Benny Brown and Senior VP of Operations Rick Shedd at the label group’s CMA Pre-Party at the Hard Rock Café in Nashville. Houser will begin work on new music for his new album, and his first single with Stoney Creek will be released in early 2012.
(L-R): Rick Shedd; Benny Brown; Randy Houser; Broken Bow/ Stoney Creek SVP Jon Loba; Fitzgerald Hartley's Nick Hartley; Stoney Creek GM of Operations April Rider.
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Way Out West Records has signed rising country band LiveWire to an exclusive recording contract. The label will assume U.S. and European promotion of the single “Tater Fed” which is climbing MusicRow’s CountryBreakout Chart and currently sits at No. 2 on the Hotdisc chart in Europe. Last week, Way Out West released a video for “Tater Fed,” from LiveWire’s self-titled debut EP. The group also recently signed for management representation with the Clif Doyal Agency. LiveWire is currently touring regionally in the Midwest and working on a full-length album slated for release in the second quarter of 2012.
Seated (L-R): LiveWire’s Bobby DeGonia; Way Out West Managing Partner/Clif Doyal Agency owner Clif Doyal. Standing (L-R): LiveWire’s Cory Shultz; Danny Bell; Adam Hagerman; Andy Eutsler; Way Out West artist/co-owner Shawna Russell; LiveWire’s Landon Rolfe, and Way Out West VP Artist Development, Promotion & Marketing Mike Severson
Apple Launches iTunes Match
/by FreemanFor an annual fee of $24.99, iTunes Match will scan a user’s library and reserve a 256 kbps DRM-free AAC music file through its new iCloud service for any corresponding titles. These files will be playable/downloadable to any iTunes and web-enabled device, such as the iPad, Touch, iPhone, Apple TV and more. This applies not only to songs originally purchased through iTunes but to songs ripped from CDs or acquired by other means. Any songs not matched through iTunes can also be manually uploaded to iCloud.
The reveal of iTunes Match takes place just as Google is preparing to launch its Google Music service, which may be debuting without the approval of all the majors. Amazon has also been heavily pushing its new Kindle Fire for the holiday season, a tablet device that can play and/or purchase media from its large selection of products.
In short, the iTunes Match service is attempting to combine the future of access-based cloud music consumption with consumers’ history of file-sharing and hoarding. As more and more media-friendly devices hit the market, neatly managing libraries and files between them will be a growing concern.
Summer Signs of Success
/by adminHere’s a few banners that were waving ’round the Row around the beginning of Oct. (Photos: BossRoss)
“Used” Digital Tracks 4 Sale
/by adminHere’s how the Cambridge, Mass. company works. ReDigi sells music downloads for 79¢ per song and users get a 20¢ coupon for each song they upload. Consumers swapping music actually pay only 59¢ per song after figuring in the coupon discount. “ReDigi is a marketplace that gives users tools to be in compliance with copyright law,” says ReDigi head John Ossenmacher. “Before I put a file up for sale ReDigi says you will need to delete them, and if not it won’t take them.” The company also has plans to resell e-books.
Also mentioned on the site are payments to artists and labels. “The musician and label get a percentage of every sale, often netting more than they get from a new music site and a lot more than they get from streaming music.” However, numbers are not mentioned. The site already has almost 77,000 Twitter followers (@ReDigiMusic) and close to 44,000 Facebook fans (http://www.facebook.com/ReDigi).
At issue is the legality of this new business model which is based mostly upon the first-sale doctrine which gives consumers the right to resell a copyrighted work. However, legal scholars are not in agreement, according to the NYT article because ReDigi’s method involves making a digital copy, something not allowed under the first-sale rules. The concept is largely untested with respect to digital goods. According to the article, Ossenmacher claims he has “a process called, ‘atomic transaction’ that can transfer files between users without copying.”
The web site addresses the question of its legality:
Musicians Union Re-Elects Pomeroy and Krampf
/by FreemanDave Pomeroy
The Nashville Musicians Union re-elected Dave Pomeroy as President and Craig Krampf as Secretary-Treasurer by acclimation yesterday (Nov. 14) at the organization’s quarterly membership meeting. Pomeroy and Krampf were unopposed and will begin their new terms in January 2012.
Pomeroy took his current leadership role three years ago and was also elected to the AFM’s governing board at the union’s convention in June 2010.
“I am very humbled and gratified to be re-elected as president of the Nashville Musicians Association, AFM Local 257. Nashville is truly Music City and an amazing place to live and work. While I am proud of our history and what we have accomplished, I am more excited about the prospects ahead of us, as Secretary-Treasurer Krampf and I look forward to continuing to represent the finest musicians in the world,” Pomeroy said.