Keith Urban Inducted Into the Grand Ole Opry

(L-R): Pete Fisher, Grand Ole Opry VP and General Manager; Trace Adkins; Urban; Josh Turner; Photo: Chris Hollo

Keith Urban was inducted into the Grand Ole Opry family this Saturday (4/21) by Opry members Trace Adkins and Josh Turner.

(L-R): Pete Fisher, Grand Ole Opry VP and General Manager; Urban; Steve Buchanan, President Grand Ole Opry Group; Photo: Chris Hollo

After Urban performed his hits “Days Go By” and “Without You” on the Opry stage, Adkins presented him with his Opry Member Award and made his membership official.

“Thank you very much! Yee haw! That is awesome!” Urban began. After thanking the Opry’s members, his parents, wife and daughters, and fans among others, the country artist who was born in New Zealand and raised in Australia continued, “It’s a long way from Caboolture [Queensland, Australia] to the stage here at the Grand Ole Opry. To stand in this circle is the most phenomenal thing. I just want to thank the Opry for this honor, but also the responsibility. This is a responsibility that I take deep to the heart of me. This once and for all shows the global popularity and reach of country music. I honor the history of country music, but I absolutely fully dedicate myself to the future of country music, as well. God bless you all.”

After the induction Urban added his name plaque to the Member Gallery backstage at the Opry by using a pocketknife given to him by Opry member Marty Stuart. Later during an after show reception, Urban used the same knife to cut the Fender-shaped guitar cake.  Urban quipped, “I just got this knife tonight and already I’ve used it to screw in a plaque and cut a cake.”

Urban at press conference backstage of the Opry.

Prior to his induction during the Opry show, Urban held a press conference backstage. Reflecting on the career milestone Urban said, “I get asked a lot where my musical inspiration comes from. Of course, from my family and friends, and in particular, from one line in a Waylon Jennings song called, ‘Are You Sure Hank Done It This Way.’ The song has always been the perfect summation of what I love about playing country music because it’s about the diversity, evolution and keeping it growing. For me, getting this induction is a way to dedicate myself not only to the history, but also to the future of country music. There’s a line in the song asking, ‘Where do we take it from here?’ That is the defining question that inspires me to keep trying new things and bring new things in to expand and grow it. I am passionately interested in where we go from here.”

Urban added, “I first came to town in 1989 and shopped a demo around to four or five different labels. Looking back it was just a terrible demo, no wonder nobody made it through the first two verses. But out of all the people I met, I got some good support in a letter from RCA’s Mary Martin. She talked about country music being in a particularly traditional period. But she said ‘I hope you find a home here,’ and that was all I needed to hear.”

(L-R): Steve Buchanan, President Grand Ole Opry Group; Trace Adkins; Keith Urban; Josh Turner; Pete Fisher, Grand Ole Opry VP and General Manager; Photo: Chris Hollo

Gigmark’s New Flash Drive Keeps Fans Plugged In

Interactive media company, Gigmark, has begun promoting its new product, the Interactive Flash Drive™. The idea behind the product is to help artists and organizations engage and interact with customers in new ways.

The flash drives includes downloadable versions of an album, photos, and videos. In some instances, the product offers fan club subscriptions and comes in a commemorative aluminum container. User information is requested when signing in for the first time.

So far, Cody Canada and Radney Foster have independently worked with the Knoxville-based company, which was founded in 2008 by three entrepreneurs, to create products.

Cody Canada & The Departed released This is Indian Land, with a specially designed flash drive. The 2GB ‘Boarding Pass’, named after its resemblance to a backstage pass lanyard is available with the band’s website merchandise and sells for $30.

The Boarding Pass includes a full-length digital album with bonus tracks that can be played on the device’s internal player or directly downloaded to the computer. Exclusive behind the scenes videos, photos and tour information are also included.

Foster’s flash drive was designed as an elastic strap bracelet. It promoted his 50th Birthday Revival, including music with photos and videos from the event.

One idea behind the product is to drive sales towards an all-encompassing keepsake, which contains everything a fan needs. The flash drive operates similarly to how Enhanced CDs were expected to function, launching the application when being plugged in to a computer’s USB. Although a direct-to-smartphone version of the hardware does not yet exist, it would make a useful addition to the product lineup.

For more information about the company, click here.

Clay Myers Joins Big Tractor Music

Publishing veteran Clay Myers has joined Big Tractor Music as General Manager, working with a roster that includes Wade Kirby and Jason Matthews and hits like George Strait’s “I Saw God Today” and Billy Currington’s “Must Be Doing Something Right.” Myers fills the role previously held by Jason Krupek, who has exited the company.

“I couldn’t be happier about working with Clay,” says Big Tractor founder Scott Hendricks. “He’s a seasoned pro who has consistently earned the respect of writers, publishers, labels and artists over his 20 plus years in the business. Big Tractor is approaching its 20 year anniversary as a successful independent publishing company and with Clay’s leadership I look forward to the next 20 years.”

Myers most recently served as GM and VP of Still Working Music and Orbison Music publishing companies for 10 years. Congratulate him at clay@bigtractormusic.com.

MusicRow Chats With Country Legend Dolly Parton (Part 2)

MusicRow recently sat down with country legend Dolly Parton to discuss her latest project, An Evening with… Dolly, how Whitney Houston affected her life, the new Water and Snow Park venture in Nashville, her future plans and more. For Part 1 of this interview, click here.

With Whitney’s passing, could you talk through the amazing history of “I Will Always Love you?”

“I Will Always Love You” is just another one of those songs like “9 to 5.” It just keeps going and going. I’ll probably be remembered for that more than anything. As most know that have followed my career, I wrote it about leaving the Porter Wagoner Show. When I started with Porter, I already had three chart records and I said I’d stay for five years. When the five years ended, we were really hot and Porter didn’t want me to go. I said “you said I could.” He said “well, you’re not,” and I said “I am.” This went on and on and we fought a lot over it. I finally thought he’s so stubborn and he’s never going to listen to me. This is going to be nothing but heartache and we’re going to go through this every day. I went home that night and wrote out what I was feeling in my heart and took it back the next day and said, “Porter, sit down. There’s something I need you to hear.” I started singing the song and I was emotional, he got emotional and we’re both crying by the time I finished the song. He said “Okay, that’s the best thing you ever wrote and you can go if I can produce a record on that song.” “Okay, it’s a deal,” I said. So that’s how it came to be.

And then as everyone knows, the song went on to become a huge hit for you.

Yes, I had a No. 1 record on it. And again when I did the Best Little “Chickenhouse” in Texas. Vince and I had a Top 10 duet with it. But it was only when Whitney Houston took it and took it all over the world with The Bodyguard that it really became what it is today. I always think of that as our song and it just killed me when they lifted her coffin up at the funeral and they started playing that song. It was like you could have stabbed me in the heart with a dagger! And that’s when I broke down. I bet that won’t be the only coffin lifted up for that song to play. I figured when I’m dead, it’ll probably be the same thing and it was just overwhelming to me. I will always be grateful and thankful to her for making that song all the things that it is.

When you start to write a song, is it the same now compared to when you were first starting out?

Well, the process has not changed. As a songwriter, you always long for that time and that space, when you can go on what I call a writing binge. I’m addicted to my songwriting. That’s my favorite thing I do. I long for those days. I write something almost every day. Everything rhymes to me and everything is a song. There is nothing more sacred and more precious to me when I can really get into that zone where it’s just God and me. I really let those juices flow, and I still get the same feeling from it as I did when I was young, hoping I made money for it. But I never did it for the money and I would still do it if I wasn’t making money. It’s a sacred place for me.

Have you always had so much confidence on stage?

Well, I haven’t always had the confidence but hopefully you build it through the years since you’re always growing. I do get those butterflies. People say, “Do you get nervous?” I don’t get scared, but I do kinda get a little nervous sometimes. I remember the first time I ever went on stage. My uncle Bill Owens, who’s my mother’s brother, had so much confidence in me and thought I was going to be star. He used to take me around to all these places and the first time I sang in front of an audience, it was on The Cas Walker Show in Knoxville. It was a radio show but it was done in a little theater and there were people in the audience. I went out to sing my song and it tore the house down. I didn’t have another song so I kept singing that same song over and over. When we were walking through the parking lot, I said to my uncle, and I was 10, “Well, they like me, didn’t they? I guess I’m gonna be a star.” It was years later that I realized I wasn’t that good. They liked me cause I was little, not ’cause I was good. That built my confidence ’cause I got that great response and I fell in love with the crowd. I always try to remember that and still do.

Dolly with former Arkansas governor and Republican presidential candidate Mike Huckabee who recently visited Nashville to interview the superstar for his show on Fox News.

What is your favorite cut that somebody else made of one your songs?

I love the way people interpret my songs. I love it. They did that tribute album a few years back, all those girls, and I was surprised at all the different ways they did my songs. I think probably one my favorite things outside of Whitney’s “I Will Always Love You” is Emmylou’s song of mine called “To Daddy.” She had a number one song on that. A lot of people don’t know that I wrote the song. I had written it in one of the biggest fights that Porter and I ever had. He had produced the song and this goes to show you how songwriters are. We had recorded it and he thought that we should put it out as a single. Well, Emmylou, being a friend was down at the studio when we were recording and said, “Dolly, I have to have that song.” Porter said, “Well, you can’t have that song ’cause we’re going to put that out with Dolly.” I said, “She can have that song!” And he said, “She can’t have that song!” Emmy said, “I don’t mean to start no trouble but I would really love to have that song ’cause you can write some more!” Anyway, I fought Porter over it and I guess you know who won! He never did forgive me when it became a number one. I was always really proud of that and it had a story to go along with it.

What can you tell us about the new Water Park and Snow Park?

We’re excited. I want to clear up a few things. I think everybody in Nashville is thinking we’re going to rebuild Opryland. It’s not going to be Opryland. It’s not going to be Dollywood. We’re actually trying to come up with a whole new concept. Our first phase is going to be the water and snow park. Hopefully we’ll have the first phase open Spring 2014. We will be announcing what’s going in the next phase at that time. We’re still working on what it’s going to be. We are providing good jobs for people that need them right now. The first phase will have at least 500 people with the construction this fall when we start breaking ground. We’re still trying to come up with the perfect name.

Any upcoming projects?

I’m not touring this year. I took time off to write. I’m writing my life story as a musical and I’m probably going to do my life story as a movie too. I have a book that’s going to come out this fall, a positive uplifting little book that I’ll be donating most of the proceeds to The Imagination Library, my literacy program. I’m also going to be writing some children’s books.

Having recently completed a media blitz that included 82 interviews in 14 hours over 2 days, along with her long list of upcoming projects, there’s no sign this country legend has any plans to slow down.

Underwood Leads CMT Noms

Carrie Underwood is the leading nominee for the 2012 CMT Music Awards, scoring nods in five categories. Miranda Lambert earned four nominations—two for her solo work and two as a member of first-time nominees Pistol Annies.

Jason Aldean, Lady Antebellum, Rascal Flatts, Blake Shelton, Taylor Swift, The Civil Wars and Thompson Square secured three nominations each.

The candidates were announced this morning (4/23) on NBC’s Today show by host Hoda Kotb, guest co-host Willie Geist, and Little Big Town, who received a nomination in the CMT Performance of the Year category for their version of Coldplay’s “Fix You” from the concert special, Music Builds: The CMT Disaster Relief Concert.

Fans can vote now through June 4 to determine the winners. Voting is online at CMT.com, and available on mobile devices at CMT Mobile., and the CMT Insider app for iPhone, iPad or Android.

The five nominees for Video of the Year will be announced at the beginning of the live show and fans can then vote at CMT.com, CMT mobile, on the CMT Insider app and via text message throughout the live telecast (ET/CT only) to determine the night’s big winner.

The 2012 CMT Music Awards marks the 11th anniversary of the show and will air live from Nashville on June 6 on CMT and CMT.com.

Video of the Year
Jason Aldean — “Dirt Road Anthem”
Kenny Chesney Featuring Grace Potter — “You and Tequila”
Toby Keith — “Red Solo Cup”
Lady Antebellum — “We Owned the Night”
Miranda Lambert — “Over You”
Brad Paisley With Carrie Underwood — “Remind Me”
Rascal Flatts Featuring Natasha Bedingfield — “Easy”
Blake Shelton — “God Gave Me You”
Taylor Swift Featuring the Civil Wars — “Safe & Sound”
Carrie Underwood — “Good Girl”

Male Video of the Year
Jason Aldean — “Dirt Road Anthem”
Luke Bryan — “I Don’t Want This Night to End”
Eric Church — “Drink in My Hand”
Toby Keith — “Red Solo Cup”
Blake Shelton — “God Gave Me You”
Keith Urban — “Long Hot Summer”

Female Video of the Year
Sara Evans — “My Heart Can’t Tell You No”
Miranda Lambert — “Over You”
Martina McBride — “I’m Gonna Love You Through It”
Kellie Pickler — “Tough”
Taylor Swift — “Ours”
Carrie Underwood — “Good Girl”

Group Video of the Year
Eli Young Band — “Crazy Girl”
Lady Antebellum — “We Owned the Night”
Pistol Annies — “Hell on Heels”
Rascal Flatts — “Banjo”
The Band Perry — “All Your Life”
Zac Brown Band — “Keep Me in Mind”

Duo Video of the Year
Love and Theft — “Angel Eyes”
Montgomery Gentry — “Where I Come From”
Sugarland — “Tonight”
The Civil Wars — “Poison and Wine”
Thompson Square — “Glass”
Thompson Square — “I Got You”

USA Weekend Breakthrough Video of the Year
Lauren Alaina — “Georgia Peaches”
Brantley Gilbert — “Country Must Be Country Wide”
Hunter Hayes — “Storm Warning”
Scotty McCreery — “The Trouble With Girls”
Pistol Annies — “Hell on Heels”
Thompson Square — “I Got You”

Collaborative Video of the Year
Best video that featured a special collaborative appearance by artists; awarded to the artists (individual, group or duo)
Kenny Chesney Featuring Grace Potter — “You and Tequila”
Brad Paisley With Carrie Underwood — “Remind Me”
Rascal Flatts Featuring Natasha Bedingfield — “Easy”
Lionel Richie With Shania Twain — “Endless Love”
Taylor Swift Featuring the Civil Wars — “Safe & Sound”
Zac Brown Band Featuring Jimmy Buffett — “Knee Deep”

CMT Performance of the Year
Musical performance on a television show, series or variety special on CMT
Jason Aldean — “Tattoos on This Town” from 2011 CMT Artists of the Year
Lady Antebellum — “Dancin’ Away With My Heart” from 2011 CMT Artists of the Year
Little Big Town — “Fix You” from Music Builds: The CMT Disaster Relief Concert
Blake Shelton — “Footloose” from Invitation Only: Blake Shelton
Sting and Vince Gill — “If I Ever Lose My Faith in You” from CMT Crossroads: Sting and Vince Gill
Steven Tyler and Carrie Underwood — “Just a Dream/Dream On” from CMT Crossroads: Steven Tyler and Carrie Underwood From the Pepsi Super Bowl Fan Jam

Lee Brice Endorsed By Bud Light; “Hard 2 Love” Hits Stores Tomorrow

Lee Brice has announced a long-term endorsement deal with Bud Light as he gears up for the release of his album Hard 2 Love, which hits stores tomorrow (4/24).

Brice will join a current lineup of country stars currently endorsed by the Anheuser- Busch subsidiary including Tim McGraw, George Strait and Dierks Bentley.

Over the next few weeks, Brice has a full schedule of national TV appearances including The Tonight Show with Jay Leno, The Late Late Show with Craig Ferguson, Fox & Friends, Huckabee, IMUS in the Morning, The Better Show, and CNN’s Showbiz Tonight.

Brice’s upcoming tour stops:

04/23 – New York, NY – Joe’s Pub
04/26 – Louisville, KY – 4th Street Live
04/27 – Savannah, GA – Desperado’s
04/28 – Charlotte, NC – Coyote Joe’s
04/29 – Biloxi, MS – Mississippi Coast Coliseum
05/04 – Murray, KY – CFSB Center
05/10 – Ruston, LA – Rabb’s Steak and Spirits
05/11 – Jasper, TX – Jasper Lions Club Rodeo Ground
05/12 – Mission, TX – Las Palmas Race Park
05/18 – Topeka, KS – Landon Arena
05/19 – Batesville, MS – Springfest
05/23 – Ship Bottom, NJ – Joe Pop’s Shore Bar
05/24 – Foxborough, MA – Toby Keith’s I Love this Bar & Grill
05/25 – Uncasville, CT – Mohegan Sun – Wolf Den
05/26 – Roanoke, VA – Elmwood Park
06/01 – Bloomington, IN – Bluebird Nightclub
06/02 – Harlan, KY – Harlan Poke Sallat Festival
06/08 – Sparta, IL – World Shooting & Recreation Complex
06/09 – Lincoln, NE – Celebrate Lincoln Festival
06/16 – N. Lawrence, OH – Clay’s Park Amphitheater
06/17 – Big Flats, NY – Tag’s Summer Sound Stage
06/22 – Oshkosh, WI – Country USA
06/24 – Cardott, WI – Chippewa Valley – Country Fest
06/29 – Bluefield WV – Mitchell Stadium
06/30 – Huntington, WV – Harris Riverfront Park

Brian Grilli – Damn Good Day

For rising star Brian Grilli, recording and producing an album of songs to showcase his songwriting and musicianship is a dream come true. Brian’s song “Letters from An Outlaw” is to be featured on Season 7 of “Sons of Anarchy” and is on Brian’s solo debut album, “Damn Good Day.” Brian, who was formerly in the Regional Act, “The Trailerhood,” is venturing out into virgin territory as a solo act.

“I think of all my influences first trying to make it as new artists and how they were willing to take risks and try anything, and I admire that.” The risks that Brian is willing to take are reflected in the album’s eclectic offering. Taking country music even further into the rock arena, his tracks have busted genres. The album was recorded at Clay Garden Studio in Norfolk, VA, with Brad Rosenberg at the helm of the console, and it was mastered by Richard Dodd. It features 11 tracks that have Brian playing all guitars, mandolin, banjo and lap steel. In Brian’s words, these are “some of the best songs I’ve ever written.”

Brian describes his own music as fun and youthful while at the same time signifying deep meaning.  “Music is about stories. Some of those stories can be meaningful and still be fun. I never write a song that I think I or other folks can’t relate to in some way, shape, or form. My music will always reflect who I am.”

A former Navy Explosive Ordnance Disposal Technician and an Operation Enduring/Iraqi Freedom Veteran, Brian hopes that his music will provide a new means for him to give back to his community.  “I would like to give back to Wounded Warriors and Veterans for protecting this country and our freedoms.”

Brian has had the opportunity to perform across the US, from his hometown in Virginia Beach, VA to The Viper Room in Los Angeles.  Brian has shared bigger stages with Cheap Trick, Sarah Darling, Smithereens, Lucero and Iggy Pop among others.

Following his upcoming hometown performances to perform songs from his new album, Brian will be promoting “Damn Good Day” nationwide with his band The Southern Prophets. Brian also knows that, with the support of family and friends on his side, anything is possible for him to achieve his goals. “Everyone has dreams…” he states. “I am just going for mine now and giving it my best shot!”

www.briangrillimusic.com

 

Belmont University’s School of Music to Honor CeCe Winans

Belmont University’s School of Music will honor gospel singer CeCe Winans with the Applause Award at Saturday night’s (4/21) annual President’s Concert. The Applause Award is given each year to a person or organization that has greatly benefited the arts community in Nashville. The President’s Concert honors the leadership of Belmont President Bob Fisher and celebrates the talent and diversity of the School of Music at Belmont.

Previous Applause Award honorees include Eddy Arnold, Chet Atkins, Vince Gill and Amy Grant, Donna Hilley, Martha Ingram, Kenneth Schermerhorn, and others.

Tickets to the concert, which starts at 8 p.m., will be available for purchase for $15 at the doors of the Massey Performing Arts Center. Seating is general admission.

Nashville Leaders Applaud CMT For High School Initiative

Nashville leaders put the spotlight on CMT recently in a ribbon cutting for the newly named CMT Academy of Digital Design and Communications at McGavock High School. Nashville Mayor Karl Dean, school board representative Anna Shepherd, and Director of Schools Dr. Jesse Register joined Principal Robbin Wall in recognizing CMT’s commitment to McGavock High School at a ceremony in the school’s broadcast journalism studio.

CMT’s Senior Vice President of Strategy and Operations, Suzanne Norman, was on-hand for the ribbon cutting, as well as Lucia Folk, Senior Director of Public Affairs and Sarah Gaffney, Manager of Public Affairs, who have spearheaded this initiative. Many CMT employees remained at McGavock as part of Viacommunity Day, a company-wide day of giving by all Viacom entities. CMT has made a significant investment of time, talent and in-kind donations to the Academy including providing tours and job shadowing opportunities for Academy students.

(L-R) (back row): Gaffney, Wall, Register and Dean. (front row): Shepherd, Norman and Folk

MTSU Adds Distinguished Alumni, Faculty To Wall of Fame

Middle Tennessee State University is adding three alumni and a pair of Friends of the College to the Wall of Fame at the College of Mass Communications.

Dean Roy Moore announced today (4/20) that alumni Carrie Dierks, Luke Laird, and Mikki Rose will be honored with plaques and photos on the northwest interior wall of the Bragg Mass Communication Building. Also being recognized are Friends of the College Dale and Lucinda Cockrell of the University’s Center for Popular Music.

The Wall started in 2000 as a way to honor successful graduates and inspire current students. Honorees are chosen by faculty members.

Dierks graduated from MTSU’s School of Journalism and has worked in sports publishing, marketing, and media design. She is now VP of B2B Operations for True North Custom Media.

Laird finished MTSU’s Recording Industry curriculum and is one of Nashville’s hottest songwriters, penning hits for Carrie Underwood (“Last Name,” “So Small”), Blake Shelton (“Hillbilly Bone”), Sara Evans (“A Little Bit Stronger”), Eric Church (“Drink In My Hand”) and more.

Rose earned dual degrees in mass comm. and computer science, and worked in technical animation on films including Alvin & the Chipmunks, and the Academy Award-winning The Golden Compass before joining Sony Pictures Imageworks to work on Alice in Wonderland and more.

The Cockrells have loved and shared music for decades via Dale’s doctorate in musicology and Lucinda’s degree in historic preservation. In additional to directing MTSU’s Center for Popular Music, the pair founded, own and operate Pa’s Fiddle Recordings, an educational project built around the music from Little House on the Prairie.