The Department of Commerce’s Internet Policy Task Force has planned a roundtable in Nashville on May 21 at Vanderbilt University Law School, Flynn Auditorium located at 131 21 St. S., Nashville TN, 37203.
The roundtable will gather information on the following topics in order for the Internet Policy Task Force to have a complete and thorough record upon which to make recommendations: legal framework for the creation of remixes, the relevance and scope of first sale doctrine in the digital environment, and the appropriate calibration of statutory damages in the contexts of (i) individual file sharers and (ii) secondary liability for large-scale infringement.
To register, visit signup4.net.

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The T.J. Martell Foundation celebrated the career achievements of entertainment executive Rob Beckham, Co-Head of William Morris Endeavor Entertainment, on May 12 at the inaugural 2014 Ambassador of the Year Event held in Nashville. The program recognizes an individual who has risen to the top of their field through commitment, perseverance and dedication and who also serves as a mentor to the next generation of rising young executives. The event brought in over $50,000 for cancer research.
Beckham is a partner at WME, with a client roster which includes Blake Shelton, Brad Paisley, Reba, Rascal Flatts, The Band Perry, Gary Allan, Chris Young, Easton Corbin, Jerrod Niemann and many others. He is involved in numerous Nashville community organizations and supports several non-profit associations.

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The SSM Label Group (SSM Nashville/SSM Entertainment) has signed songwriter/artist Kayla Adams to their roster, according to the label’s GM Ben Ewing. The label is currently prepping the release of Adams’ debut single, “Sober & Sorry.” Adams joins rising duo Branch & Dean and reality TV star Wes Hayden as the third act signed to the Nashville-based label.

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Dark Horse Recording and Dark Horse Institute are seeking a Part-time Full Charge Bookkeeper. Position responsible for overseeing all aspects of day-to-day accounting for recording studio and audio engineering school. 2-3 days/week; must work on-site. Please submit resumes to jobs@darkhorserecording.com

 

Miranda Lambert was belle of the ball last night (May 14) at the Country Music Hall of Fame and Museum’s opening reception for her six-month exhibit, titled Miranda Lambert: Backstage Access.
“It really does feel like [Backstage Access] to me,” Lambert said during a media gathering prior to the VIP reveal. “I think people will get a feel of what the road and business entail. There’s everything from red carpet dresses to a video outfit to a stage outfit to a tapestry from the backstage vibe room.”
Lambert’s tweets provide a narrative thread through the journey, in the same gallery space where Taylor Swift and Carrie Underwood were previously showcased with their own tour memorabilia. “Everything in there has been a part of my life for the last year and a half,” Lambert continued. “It kinda becomes a whirlwind and a blur sometimes, but seeing all the beautiful stuff brings back memories of everything that happens.”
Carolyn Tate, vice president of museum services, welcomed the reception attendees to the museum’s rotunda before inviting Lambert to the stage to offer remarks and open the exhibit.

“I’m not an organized person, so I would have to dig through the closet and find something wadded up, but then you see it on display and it looks beautiful,” confessed Lambert, who briefly considered the personal impact of an exhibit. “I’m a little bit protective of my stuff. I guess because I’m a girl and it shows your body. When I saw the exhibit, I didn’t feel that way at all, I felt really proud of it. It’s really beautiful and it looks real.”
“Artifacts” include her pink Ultimate Ears branded ear monitors alongside bedazzled microphones, shotgun mic stand, and items from Lambert’s wine brand and animal welfare foundation, MuttNation. Costumes for video and photo shoots are also displayed alongside memorable gowns including the Roberto Cavalli dress with plunging neckline worn to the 2013 CMA Awards, a Grammy red carpet gown, and the Jovani beaded cocktail from the Grammys.
Tiffany Gifford, Lambert’s stylist since 2010, plays a substantial role in outfit selections, including selecting the Grammy Cavalli dress the first time she worked with the star.
“I really struggled in finding someone who understood not only my style but my body,” Lambert said. “Tiffany brings an attitude and spirit about her that made me feel comfortable and put me in things that made me feel beautiful. She really turned that around for me at a really important time.”
Miranda Lambert: Backstage Access opens to the public starting tomorrow (May 16) and is slated to run through Nov. 9, coinciding with museum programs including film screenings and family events. Additionally, Songwriter Sessions are slated this month to feature Nicolle Galyon (“We Were Us,” “Automatic”) Jimmy Robbins (“Girls”), Natalie Hemby (“White Liar”), and Ashley Monroe (“Heart Like Mine”).

The 48th Annual CMA Awards will be held this November, and will be broadcast on ABC.
The official voting schedule for the awards has been released. Awards voting will be processed entirely online. Only CMA members in good standing are eligible to vote.
First ballot
Tues., June 17—Renewal payments must be received to vote on all ballots
Thurs., July 3— First ballot emailed at 10 AM/CT
Mon., July 14—Ballot site closes at 5 PM/CT
Second ballot
Fri., Aug. 8—Renewal payments must be received to vote on second and final ballots
Tues., Aug. 12—Second ballot emailed at 10 AM/CT
Fri., Aug. 22—Ballot site closes at 5 PM/CT
Final ballot
Thurs., Oct. 9—Final ballot emailed at 10 AM/CT
Mon., Oct. 27—Ballot site closes at 5 PM/CT
The eligibility period for the 2014 CMA Awards is July 1, 2013 to June 30, 2014.
 

BOBBY KARL WORKS THE ROOM
Chapter 455
The entire music community rejoiced on Wednesday (May 14). Any event celebrating the christening of a new record-label office—rather than a closing or a consolidation—is cause for celebration. So the open-house party for the new Rounder Records headquarters was packed with people from throughout Music Row.
From the publishing world came Ree Guyer-Buchanan, Woody Bomar, Walter Campbell, Leslie DiPiero, Dale Bobo, Judy Harris, Daniel Hill and John Ozier.
Management folks in attendance included Ken Levitan, Don Light, Tamara Saviano, Al Bunetta, Kathi Whitley and John Ingrassia. Producers Steve Fishell, Ben Fowler and Gary Paczosa were there, too.
Artists and songwriters adding spice to the party recipe included Carlene Carter, Paul Burch, J.D. Crowe, Tammy Rogers of The SteelDrivers, Carl Jackson, Larry Nager, Mandy Barnett, Jett Williams, Tommy Sims, Jerry Salley and Jon Randall Stewart, plus Kenny Sears and Ranger Doug Green of The Time Jumpers.
Hacks and flacks working the room included Jon Freeman, Steve Betts, Chuck Aly, John Weisberger, Jules Wortman and Jeff Walker.
You kinda have to be looking for it to find the new Rounder office. You know that little parking lot behind Two Old Hippies and across the street from the Turnip Truck in the Gulch? Well, if you park there and walk a little eastward, you get to a nifty, semi-hidden office building (called, I think, “Pine Street Flats”).

The Rounder door there opens into a very nice suite of about 10 offices plus a small conference room. Everyone has already decorated their spaces with posters, photos, awards and memorabilia. Rounder dug into its archives to mount photos of artists and events illustrating the label’s nearly 45-year history. These hang in the complex’s public spaces.
A&R VP Tracy Gershon has spruced up her space with photos of herself with Miranda Lambert, Van Zant, Carlene and others, plus the cool, moderne, deluxe rust-gold colored chairs she bought from the prop guy of Nashville Star for 50 bucks apiece.
Among the A-listers touring and talking were Nashville Mayor Karl Dean, self-proclaimed Music Row “mayor” Charlie Monk, Pete Fisher, Terry Hemming, Lori Badgett and Hank Adam Locklin.
It really was a fabulous party. So much so, that it was a crowded, tough room to work. And since it was raining outside, many didn’t want to leave.
Not only that, the food was fantastic. The buffet included lobster mac & cheese bites, hummus, spinach con queso, flatbreads, pita crisps, cheeses, seasonal fruits and over-the-top delicious bahn mi sliders (carmelized beef pate, Vietnamese dikon and carrot slaw on a mini-bun).
Schmoozers and chompers included Leslie Fram, John Beiter, Jim Zumwalt, Tracy Thomas, Paul Lohr, Katharine Richardson, Bobby Rymer, Lynn Morrrow, Sherrill Blackman, Preston Sullivan, George Marinelli, the IBMA’s Nancy Cardwell, NARAS’s Susan Stewart, IEBA’s Pam Matthews and the AMA’s Jed Hilly. Rounder VP Scott Billington says he will be commuting back and forth between home with his new bride in New Orleans and his office in Music City.

Rounder founders Bill Nowlin, Marian Levy and Ken Irwin were all there. They continue to contribute as consultants. The catalog they have built is awesome. Rounder’s vaults contain records by Willie Nelson, The Del McCoury Band, Riders in the Sky, Maura O’Connell, David Olney, Marshall Chapman, Deanna Carter, Jo-El Sonnier, New Grass Revival, Joe Diffie, Aaron Neville, John Hartford, Joe Ely, George Thorogood, Los Straightjackets, Rhonda Vincent, Tim O’Brien and The Nashville Bluegrass Band.
The current roster includes Alison Krauss, Dailey & Vincent, Bela Fleck, Mary Chapin Carpenter, Nanci Griffith, Gregg Allman, Alecia Nugent, The Time Jumpers, The SteelDrivers, NewFound Road, Tony Trischka, Della Mae and Son Volt.
The party favors were Rounder tote bags containing the new Carlene Carter CD, a Rounder T-shirt, the Steve Martin/Steep Canyon Rangers DVD, a Rounder drink coaster, a card offering free Rounder music downloads and the Gregg Allman all-star tribute concert DVD with its commemorative button.
The label’s parent company is the L.A.-based Concord Music Group. All of its music is distributed by UMG. Its other imprints are home to Nashville’s Steve Cropper and Felix Cavaliere, not to mention Paul McCartney, James Taylor, Carole King, Kenny G, George Benson, and Esperanza Spalding. Those other imprints include Fantasy, Stax, Specialty, Milestone/Prestige/Riverside, Hear Music, Telarc and Concord Jazz, as well as Rounder’s subsidiaries Philo and Zoe.
The Concord Music Group is said to be the fifth largest record-label group in the world, with annual sales of $90 million and annual publishing income of $3 million.
So-o-o-o…..Party On!