Nielsen 2014 Data: On-Demand Streams Exceeded 164 Billion Songs

nielsenWhile 2014 saw overall album sales shrink  11 percent from 289.4 million in 2013 to 257 million in 2014, and digital albums sales slip nine percent from 117.6 million in 2013 to 106.5 million in 2014, on-demand streaming has continued to rise, according to data from Nielsen.

2014 saw a 54 percent increase in on-demand (audio+video) streaming, with 164 billion streams in 2014, vs. 106 billion in 2013.

“Digital music consumption continues its robust growth, with On-Demand streaming up 54% over last year and 164 billion song streams being played in 2014 ,” says David Bakula, SVP Industry Insights, Nielsen Entertainment. “Although overall music sales are showing declines, Vinyl album sales were up 52% in 2014, shattering last year’s record-setting total by more than 3 million LPs. In 2014, Vinyl album sales accounted for more than 6% of all physical albums sales.”

Digital Songs also took a hit in 2014, with 1.1 billion digital songs sold, a 12 percent decline from 2013, when 1.26 billion digital songs were sold.

2014 YTD ALBUMS
1 Taylor Swift, 1989 (BMLG) | 3661000
2 Various Artists, Frozen (DBV) | 3527000
3 Sam Smith, In The Lonely Hour (Capitol)| 1207000
4 Pentatonix, That’s Christmas To Me (RCA) | 1139000
5 Guardians of the Galaxy (HOL) |898000
6 Beyonce, Beyonce (Columbia) |878000
7 Barbra Streisand, Partners (Columbia) | 856000
8 Lorde, Pure Heroine (R-LA) | 841000
9 One Direction, Four (Columbia) | 814000
10 Eric Church, Outsiders (EMI Nashville) | 811000

YTD Digital Songs
1 Pharrell Williams, “Happy” | 6455000
2 John Legend, “All of Me” | 4674000
3 Katy Perry Ft. Juicy J, “Dark Horse” | 4430000
4 Meghan Trainor, “All About That Bass”| 4357000
5 Iggy Azalea Ft. Charli XCX, “Fancy” | 3974000
6 Jason DeRulo Ft. 2 Chainz, “Talk Dirty” | 3959000
7 DJ Snake & Lil Jon, “Turn Down For What” | 3449000
8 Taylor Swift, “Shake It Off” | 3431000
9 Idina Menzel, “Let It Go” | 3370000
10 Sam Smith, “Stay With Me” | 3340000

YTD Digital Albums
1 Taylor Swift, 1989 (BGMA)| 1409000
2 Various Artists, Frozen (DBV) |1261000
3 Sam Smith, In The Lonely Hour (Capitol)| 573000
4 Various Artists, Guardians of the Galaxy (HOL) | 556000
5 Ed Sheeran, X (ATLG) |455000
6 Lorde, Pure Heroine (R-LA) | 437000
7 Coldplay, Ghost Stories (ATLG) | 425000
8 Beyonce, Beyonce (Columbia) |422000
9 Pentatonix, That’s Christmas To Me (RCA) | 403000
10 J Cole, 2014 Forest Hill Drive (RNCO) | 366000

For week ending: 12/28/2014

Interviewing With Tri Star’s Lou Taylor? Only The Confident Need Apply

LouTaylorStand

Lou Taylor, Owner and CEO of Tri Star Sports and Entertainment Group. Photo: Kelsey Grady

Owner and CEO of Tri Star Sports and Entertainment Group Lou Taylor sets the bar high when hiring her team members. She has constructed a recruiting process using advice from Whitney Johnson, a former Wall Street analyst, regular contributor to the Harvard Business Review, and co-founder of Clayton M. Christensen’s investment firm Rose Park Advisors. Taylor shares, “Whitney Johnson worked her way up from the secretarial pool on Wall Street. She’s a brilliant woman and one day she asked me, ‘What’s the biggest challenge facing you as a CEO?’ I said, ‘It’s freakin’ interviewing people. It kills me.'”

Johnson had a solution.

What is the recruiting process you implemented at Tri Star?

If you apply for a job here and you have all of the qualifications for that job, I send you a video request. Statistics show that people who worked and took accountability for their own wage at a very young age have a greater work ethic. So we ask candidates, “Tell me about your first job.”

Our other questions include:
What are your philanthropic and charitable efforts?
How do you think about society?
How do you contribute back?
What is the most complicated situation you’ve ever found yourself in at work?
If you had the opportunity to do anything in the world and write your ideal job description, what would it be?

These questions tell me what they’re really thinking, not what they think I want to hear. And, it allows me to hear how they present.

What comes next in the process?

They do a written test of exactly the things they’ll be looking at if they worked at Tri Star. How do they review a financial statement? Are they picking up on the details? I’m looking to see how they review and I’m also looking at how they present. I’m looking for people who take the time to type their comments and send them back neatly rather than handwritten answers. If they didn’t think enough about the fact that the CEO of the company is going to be reviewing their work, I don’t hire them.

How does a candidate’s confidence play a role in your hiring?

I can walk into a room and in five minutes, I know if I’m going to hire someone or not. If they don’t have eye contact with me and if they don’t present confidence, I’m not going to hire them. People, when it comes to their finances, want to be presented good news and bad news, both worse and best case scenarios, with confidence. Without it, you can do the best financial presentation possible, but your client is going to leave steeped in fear.

After an employee joins the Tri Star team, how does policy and procedure shape their work habits?

I’m a freak about policy and procedure. I have everything documented down to what the shopping list is for the office. All I want to do is make sure we think about processes and procedures so that everything that we do, tangibly and positively, contributes to a client’s life. I’m a freak. I admit it. I don’t care though because I love it. If you look at our team as in football, I have a great defensive line and a great offensive line. And together, hopefully, we’re going to get in the end zone for the client. I’m 100 percent convinced that nobody gets more value out of their business management firm than what they get here. And the successes are getting to watch our clients retire with money and have peace.

To read more of our conversation with Lou Taylor, check out the 2015 Next Big Thing January print issue of MusicRow magazine.

Session Great Henry Strzelecki Passes

henry_strzelecki_photoOne of the greatest session musicians in Nashville recording history has passed away.

Henry Strzelecki, 75, died on Dec. 30. From the 1960s to the present, he played bass on records by many of music’s most famous names. Discs by Bob Dylan, Joan Baez, Ray Charles, Elvis Presley, Gordon Lightfoot, Carl Perkins and Roy Orbison all feature Strzelecki’s work. His playing can also be heard on hits by more than 25 members of the Country Music Hall of Fame.

He was a native of Birmingham, AL who began recording with singer-songwriter Baker Knight on Decca Records in the 1950s. Strzelecki toured throughout the South as a member of The Four Flickers in the late 1950s. In 1959, the group became the first to record his novelty song “Long Tall Texan,” which became a minor classic.

“Long Tall Texan” was subsequently recorded by Jerry Woodard (1960) and by Murry Kellum (1963), who was the first to make the charts with the tune. The Beach Boys recorded it in 1964, and it became a widely loved song in the group’s repertoire. The Kingsmen also recorded it that year.

The song achieved renewed attention in 1996 via versions by Lyle Lovett and by Doug Supernaw with The Beach Boys. Others who have recorded “Long Tall Texan” include Pee Wee Crayton, The Rhythmtones, Leroy VanDyke, The Gestures and Sleepy LaBeef.

As an instrumentalist, Henry Strzelecki worked with guitar legend Hank Garland in the early 1960s. Then Chet Atkins took him under his wing, using Strzelecki as both a touring sideman and a session musician.

The bass player soon moved to the front ranks of Nashville’s recording-session regulars. He worked with practically every artist who made records on Music Row.

Among the country Hall of Fame members he worked with are Eddy Arnold, Bobby Bare, Johnny Cash, Patsy Cline, Flatt & Scruggs, Lefty Frizzell, Don Gibson, Merle Haggard, Tom T. Hall, Ferlin Husky, Waylon Jennings, George Jones, Grandpa Jones, Loretta Lynn, Charlie McCoy, Ronnie Milsap, Willie Nelson, Charley Pride, Jim Reeves, Marty Robbins, Connie Smith, Hank Snow, George Strait, Ernest Tubb, Conway Twitty, Porter Wagoner, Tammy Wynette and Faron Young.

Orbison’s “Oh Pretty Woman,” Dylan’s “Blonde on Blonde” and George Jones’s “He Stopped Loving Her Today” all feature bass playing by Henry Strzelecki.

So do recordings by Johnny Paycheck, The Oak Ridge Boys, Levon Helm, John Anderson, k.d. lang, Elvis Costello, Dottie West, Hank Williams Jr., The Browns, Janie Fricke, David Allan Coe, Hank Locklin, Jerry Reed, Jerry Jeff Walker, Al Hirt, Gene Watson, Louis Armstrong, Larry Gatlin, Johnny Rodriguez and hundreds more.

Among the other artists who recorded Strzelecki’s songwriting efforts were Mundo Earwood (“I Can’t Quit Cheatin’ on You”), Charlie Rich (“Where Do We Go From Here”), Johnny Winter (“The Mistress”) and David Wills (“Happy Hour”).

Henry Strzelecki was reportedly taking a walk when he was struck by a car on Dec. 22. He went into a coma from which he never recovered.

“A Celebration of Life for Henry Strzelecki” is scheduled for 2 p.m. on Jan. 17 at Pennington United Methodist Church. The church is located at 2745 Pennington Bend Road, Nashville, TN 37214 in the Opryland area.

Henry Strzelecki memorial

Industry Mourns Jimmy Dickens

Grand Ole Opry star Little Jimmy Dickens. Photo: Chris Hollo

Grand Ole Opry star Little Jimmy Dickens. Photo: Chris Hollo

The public is invited to celebrate the life of the late, legendary Jimmy Dickens at both his visitation and his funeral service.

The visitation is scheduled for Wednesday, Jan. 7, at the Woodlawn-Roesch-Patton Funeral Home from 4-8 p.m. The building is in Woodlawn Cemetery at 660 Thompson Lane. A Celebration of Life service will be held at the Opry House on Thursday, Jan. 8, at 11 a.m. Friends, family and the public are welcome at both events.

Jimmy Dickens passed away Friday afternoon, Jan. 2, due to a cardiac arrest. A trouper to the end, Dickens turned 94 years old on Dec. 19 and performed on the Grand Ole Opry the following day,  singing his hit “Out Behind the Barn” and delivering his trademark jokes. He suffered a stroke five days after his final performance and died a week later.

The Country Music Hall of Fame inductee was the oldest member of the Opry cast. The widely loved entertainer was the show’s goodwill ambassador, as well as its elder statesman.

Last Friday’s Grand Ole Opry show was dedicated to Dickens by Opry manager Pete Fisher, who eulogized the star by saying he was, “one of the most legendary, entertaining and beloved artists in country music history.” Fisher choked back tears as he added, “We will never forget….”

Bill Anderson saluted his fellow Opry cast member on Friday’s show by performing the 1958 Dickens favorite “Family Reunion.”

Marty Stuart called Dickens, “the heart, the soul and the spirit of the Grand Ole Opry.” Brad Paisley said Dickens was, “my hero,” and added, “I think everyone who ever met him loved him instantly and forever.” Both Paisley and Vince Gill featured Dickens in their music videos and sang with him.

“I’ve always related to him and loved him as a person, as a friend and as an entertainer,” said Dolly Parton. Both Parton and Martina McBride performed the late star’s 1950 tune “I’m Little But I’m Loud” during their careers.

“He just knew how to entertain,” said Ricky Skaggs. “His country charm, sharp wit and graciousness made him a star that everyone wanted to meet.”

During the weekend, eulogies and remembrances of Dickens poured in from dozens of country entertainers. Fellow Opry cast members Mel Tillis, Larry Gatlin, Doug Green of Riders in the Sky, Carrie Underwood, Pam Tillis, Rascal Flatts, Alan Jackson, Reba McEntire and Charlie Daniels were among them.

James Cecil Dickens was born in the tiny hamlet of Bolt, West Virginia into a clan of coal miners. He was the oldest of 13 children. Everyone in his family was musical, and Dickens dreamed of a country-music career from an early age. He began performing on West Virginia radio stations in 1939-40.

He joined station WLW in Cincinnati in 1945. Opry superstar Roy Acuff recalled that Dickens stole a show from him there. He encountered Dickens again at WKNX in Saginaw, Michigan, three years later. Impressed once more, Acuff arranged for Dickens to come to the Opry and to Columbia Records.

Jimmy Dickens in 1971.

Jimmy Dickens in 1971.

Billed as “Little” Jimmy Dickens because of his 4’11” stature, he became a Grand Ole Opry member in 1948 and scored his first Columbia hit in 1949 with the humorous novelty “Take an Old Cold ‘Tater (And Wait).” His friend, Hank Williams, nicknamed him “Tater” as a result. Williams penned “Hey Good Lookin’” for Dickens, but decided to record it himself, instead.

Dickens became well known for novelty ditties such as 1950’s “A-Sleepin’ at the Foot of the Bed” and 1954’s “Out Behind the Barn.” But he was also capable of heart-tugging sentiment, as in 1949’s “My Heart’s Bouquet” and “Pennies for Papa.”

His ballad mastery was evident in “Life Turned Her That Way,” “Farewell Party,” “Take Me As I Am (Or Let Me Go)” and “We Could,” all of which he originated but later became hits for others.

During the 1950s, Jimmy Dickens had one of country music’s most fiery and exciting bands. His Country Boys group featured a loud, twin electric-guitar attack that pre-figured the rise of rockabilly music, as well as the 1970s sound of The Allman Brothers. Hot singles such as 1950’s “Hillbilly Fever,” 1953’s “You All Come,” 1954’s “Rockin’ with Red” and 1958’s “I Got a Hole in My Pocket” showcased his band’s prowess.

Dickens musicians included such future instrumental greats as Grady Martin, Buddy Emmons, Thumbs Carlille, Bob Moore and Walter Haynes. Those weren’t the star’s only lasting contributions. With 1949’s “Country Boy,” Jimmy Dickens introduced Hall of Fame songwriters Boudleaux and Felice Bryant. In 1951, Dickens discovered Marty Robbins and brought him to Columbia Records.

He was also a Nashville pioneer in costuming. Dickens was one of the first Opry artists to sport flashy, rhinestone-bedecked suits crafted by tailors such as Nudie Cohen. “Nudie” suits later became synonymous with country stardom.

Jimmy Dickens left the Opry in 1957. His hits resumed with the ballads “The Violet and the Rose” (1962) and “Another Bridge to Burn” (1963).

In 1964, he became the first country artist to circle the globe on tour. His extensive overseas activity was partly because of his commitment to entertaining at U.S. military bases. He performed several times for the troops during the Vietnam War, even in combat zones.

Dickens returned to novelty material with 1965’s “May the Bird of Paradise Fly Up Your Nose,” which became his biggest hit. The pop and country smash led to TV showcases on The Tonight Show, Hullabaloo and Where the Action Is. Dickens also appeared in the films Tennessee Jamboree (1964) and Second Fiddle to a Steel Guitar (1966).

In 1964, George Jones saluted the star with the tribute LP George Jones Sings Like the Dickens! Ricky Van Shelton, Ray Price, Mel Tillis, Charley Pride, Wanda Jackson and Gene Watson are among the other stars who have revived Dickens songs.

“When the Ship Hit the Sand” (1966) and “Country Music Lover” (1967) became his last top-40 hits, but Jimmy Dickens continued to tour relentlessly in the 1970s and 1980s. He honed his comedic skills and became renowned for his quips, jokes and wisecracks.

Nevertheless, he released his biggest tear-jerker in 1970. This was the dead-child recitation “Raggedy Ann,” which remained in his repertoire for the rest of his life.

Dickens rejoined the Opry cast in 1975. He was elected to the Country Music Hall of Fame in 1983. Another recitation, “Forgive Me Santa,” became a video hit during the 1987 Christmas season.

Jimmy Dickens in 1955

Jimmy Dickens in 1955

In 1996, Jimmy Dickens and his wife Mona celebrated their 25th anniversary by renewing their vows on the Opry stage. After more than 50 years as a travelling entertainer, he finally retired from the road in 1997.

The Academy of Country Music gave him its Pioneer Award in 2006. Brad Paisley and Trace Adkins were among those honoring Dickens in 2008 on the 60th anniversary of his Grand Ole Opry induction. Adkins, Diamond Rio, Little Big Town and Old Crow Medicine Show were among those Dickens welcomed into the Opry cast in later years.

He survived several serious health crises during the past decade. He was hospitalized in 2004, 2008, 2009 and 2013 for various ailments.

Jimmy Dickens is survived by his wife Mona, daughters Pamela Detert and Lisa King, grandchildren Amanda Detert and April Remick and great-grandchildren Keylee Remick, Tanner Remick and Tyler Remick, as well as three sisters.

His Thursday entombment in the Woodlawn Cross Mausoleum will be private for the family.

 

Grand Ole Opry Member Little Jimmy Dickens Dies

Grand Ole Opry star Little Jimmy Dickens. Photo: Chris Hollo

Grand Ole Opry star Little Jimmy Dickens. Photo: Chris Hollo

Grand Ole Opry star Little Jimmy Dickens passed away this afternoon, Friday, January 2, 2015 at a Nashville area hospital at the age of 94.  Dickens initially suffered a stroke on Christmas Day, and although he had shown some improvements since being admitted, he died today from cardiac arrest.

He is survived by his wife Mona Dickens, married since 1971, and two daughters, Pamela Detert and Lisa King.

“The Grand Ole Opry did not have a better friend than Little Jimmy Dickens,” shared Pete Fisher, Opry Vice President & General Manager.  “He loved the audience and his Opry family, and all of us loved him back. He was a one-of-kind entertainer and a great soul whose spirit will live on for years to come.”

Dickens was the longest running member of the Opry and last performed at the Opry on Dec. 20, 2014. He has been a member of the Grand Ole Opry since 1948, and became a member of the Country Music Hall of Fame in 1983. His hits include “Country Boy,” “Out Behind The Barn,” “May The Bird of Paradise Fly Up Your Nose” and others.

In a recent quote, Jimmy expressed his love for the Opry. “I look forward from one weekend to another to get back out on the stage of the Grand Ole Opry and try to entertain people who have come from miles and miles and state to state to be entertained with country music.  We do our very, very best to give them a good presentation and hope that they enjoy themselves.”

A public visitation has been set for Jan. 7 in Nashville, followed by a celebration of life event at the Grand Ole Opry House in Nashville on Jan. 8.

Jack White’s ‘Lazaretto’ Tops Vinyl Sales for 2014

lazaretto1

Jack White

While overall music sales continued to decline in 2014, one bright spot was been the continuing resurgence in vinyl sales, led by Nashville’s own Jack White. In 2014, 9.2 million vinyl albums were sold, marking a 52 percent increase from 2013. The sales numbers also mark the first time vinyl albums surpassed 9 million units in more than 20 years. Vinyl sales accounted for nearly four percent of all album sales in 2014.

White’s Lazaretto album was the best-selling vinyl album in 2014, moving nearly 87,000 units in United States, and garnering worldwide sales of more than 150,000. Those sales numbers also notch Lazaretto as the top-selling vinyl album in any year since Nielsen SoundScan began tracking vinyl sales in 1991.

The multi-talented musician will make a tour stop at Nashville’s Bridgestone Arena on Jan. 28. Country legend Loretta Lynn is also on the bill.

Nashville-based Documentary Highlights Reality of Working Musicians

Band on the Brink

The Tennessean will premiere a documentary film focusing on the reality of Nashville’s working musicians on Jan. 27 at the Belcourt Theatre. The premiere will begin at 6 p.m.

The project features the folk-rock band New Dylans and a take on the reality of working musicians in Nashville today. The Tennessean launched a blog series titled Band on the Brink in December 2014 that chronicled the day-to-day working life of the band. The band New Dylans were lauded by various media outlets and radio in the 1980s and 1990s, only to wind up broke and broken up by 1996. After an 18-year hiatus, the band reunited to begin making music in Nashville.

The Belcourt Theatre premiere will be followed by a live performance from the New Dylans, as well as a panel discussion with industry experts Chris Keaton, owner of Keaton Music Ventures; Bart Herbison, executive director of Nashville Songwriters Association International; Mark Montgomery, music and tech entrepreneur; and Charles Alexander, songwriter and entrepreneur. The panel will be moderated by The Tennessean reporter Nate Rau.

“A lot of people come to Nashville expecting to become royalty and then they end up becoming working class musicians. It’s a very ugly business, yet we’re kind of stuck in it, but if you want to do it, you have to play the game. It’s Music City, but it’s Music ‘business’ City,” says Jim Reilley of New Dylans.

Tickets for the event are now on sale on the Belcourt’s website which you can access directly from the project’s official website at tennessean.com/newdylans. Tickets are $15 online and $18 at the door, plus the Belcourt’s preservation fee. Ticket include 2 drink tickets courtesy of Mayday Brewery.

New U.S. DOT Ruling a Welcome Change for Traveling Musicians

U.S. DOT logoTraveling by plane just got a little easier for some musicians, thanks to the U.S. Department of Transportation.

The DOT issued a final rule to implement section 403 of the FAA Modernization and Reform Act of 2012. The rule requires airline carriers to allow passengers to carry on small musical instruments, including violins and guitars. The instruments must be stowed in the overhead bin, under the seat or in a baggage compartment. Airlines cannot charge a fee above a usual carry-on fee for bringing instruments into the cabin.

The new ruling will go into effect at the end of February 2015.

“During the past year, the department has been engaged in dialogue with musicians, as well as representatives of airlines and industry associations, to address the difficulties musicians face when traveling by air with musical instruments,” the Department of Transportation stated. “Several members of various musician organizations described problems that musicians encounter when traveling by air with their musical instruments.”

“At DOT, we know how important instruments are to musicians and are committed to doing everything we can to ensure that they are not damaged while being transported on airlines,” said U.S. Transportation Secretary Anthony Foxx.  “This final rule implements the statute, and it will go a long way towards keeping instruments safe when they fly – from allowing them in the cabin if there’s space for safe stowage, to letting passengers buy a seat for certain large instruments.”

Travel tips were also offered for musicians, including paying for priority boarding to ensure they board the plane before storage space for instruments runs out. “Because the rule does not require that musical instruments be given priority over other carry-on baggage, we encourage passengers traveling with musical instruments to take steps to board before as many other passengers as possible to ensure that space will be available for them,” the DOT said.

Mark Your Calendar – January 2015

Austin-WebbSingle Add Dates

January 5
Austin Webb/All Country On You/Streamsound
Downday/Stuck On 17/Render

January 6
Reba/Going Out Like That/Nash Icon

January 12
Mickey Guyton/Better Than You Left Me/Capitol Nashville
Frankie Ballard/Young & Crazy/Warner Bros.-WAR
Corey Cox/Wake Up Drunk/Markle Music Group
The Vic Harris Band/Rowdy Ass Cowboy/Airwave
New Black Seven/Fine Wine/SMG Records-Nashville

January 19
Big & Rich/Run Away With You/New Revolution
Davisson Brothers Band/Jesse James/Star Farm Nashville
Chase Likens/Playing It Safe/HMG
Rachele Lynae/Whole Lotta Nothin’/Momentum-in2une
A Thousand Horses/Smoke/Republic Nashville
Chris Dags/Misery/SMG Records-Nashville

January 26
Mo Pitney/Country/Curb Records
Brooklyhn Woods/(When You Love A) Wild Thing/PCG Nashville-Nine North Records
Iron Cowboy/I’m Just A Truck/SMG Records-Nashville

unnamedAlbum Release Dates

January 19
Dr. Ralph Stanley/Ralph Stanley & Friends: Man of Constant Sorrow/Cracker Barrel

January 13
Nate Green/Road Map [EP]/Conway Records-GMV Nashville

January 27
T. Graham Brown/Forever Changed/Mansion-Sony Red


Industry Events

Scott-Borchetta-American-IdolJanuary 7

  • 2015 People’s Choice Awards on CBS
  • American Idol Season 14 Premiere

January 16-18
6th Annual 30A Songwriters Festival in South Walton County, Fla.

January 20
ACM Second Round Ballot Closes

January 26
Nashville Chapter’s Grammy Nominee party at Loews Vanderbilt Hotel (invitation-only)

Sunset Grill Closes After Nearly 25 Years in Nashville

Sunset Grill Staff. Photo: Facebook

Sunset Grill Staff. Photo: Facebook

Sunset Grill, a mainstay kitchen in Nashville’s Hillsboro Village, will close its doors today (January 1, 2015) just after celebrating its final New Years Dinner from 6-10pm last night. Just prior to celebrating Sunset Grill’s silver anniversary, Randy Rayburn, who additionally helms Midtown Cafe and Cabana, has decided to shutter his dining facility after seeing declining revenue since 2007, reports the Tennessean.

Previous executive chef and partner Chris Cunningham has moved to helm the kitchen of FLIP Burger after spending nine years with Sunset Grill.

Additional eateries, Boscos and Boca Loca Cantina, have also shuttered in the morphing neighborhood recently.

For property lease or sales, contact Robbins Properties at 615-301-6571.