
Neil Portnow
The Recording Academy officially announced today (May 31) that President/CEO Neil Portnow will begin preparing for a leadership transition after choosing not to seek an extension on his current contract, which expires in July 2019.
Portnow shared his plans at the Recording Academy’s semi-annual Board of Trustees meeting last week. Throughout the next year, Portnow will work with the Board to chart out an organizational succession and transition plan, while continuing his current work as active President/CEO of the Recording Academy and MusiCares, and Chair of the Board of the GRAMMY Museum.
Portnow, who has served as The Recording Academy’s President for 16 years, is the longest-serving President in the Recording Academy’s 60-year history.
“The evolution of industries, institutions, and organizations is ultimately the key to their relevance, longevity, and success,” said Portnow. “Having been a member of the Recording Academy for four decades, serving as an elected leader and our President/CEO, I have not only witnessed our evolution, but proudly contributed significantly to the Academy’s growth and stature in the world. When I had the honor of being selected to lead this great organization in 2002, I vowed that on my watch, for the first time in our history, we would have a thoughtful, well-planned, and collegial transition. With a little more than a year remaining on my current contract, I’ve decided that this is an appropriate time to deliver on that promise. Accordingly, I’ll be working with our Board to put the various elements in place that will ensure transparency, best practices, and the Academy’s ability to find the very best, brightest, and qualified leadership to take us into our seventh decade of operation. I truly look forward to continuing my role leading the Academy in the year ahead, and to continuing the pursuit of excellence and the fine missions we embrace and deliver.”
“Since taking the helm in 2002, Neil has been instrumental in evolving the Recording Academy to address the needs of our creative community in a changing music landscape,” said John Poppo, Chair of the Board. “From critically-important music advocacy initiatives and financial assistance for our music community, to the music education and preservation programs of the GRAMMY Museum and GRAMMY Music Education Coalition, Neil has not only advanced the Academy’s mission, he’s extended its reach and impact. The Board and I are indebted to Neil for his years of heartful stewardship and visionary leadership. And, as we thank him for all he’s done, we also look forward to finding the right person to build on our solid foundation as the Recording Academy continues its work to ensure that music and the recording arts remain a thriving part of our cultural heritage.”
The decision arrives as The Recording Academy has received backlash after Portnow’s comments in January after the 60th annual Grammy Awards (where Alessia Cara was the only female to be honored onstage with a Grammy, despite multiple female Grammy contenders), when Portnow stated that women artists and executives needed to “step up” to receive more recognition in the industry.
Portnow later issued an apology, and announced in February that The Recording Academy would launch a task force to address barriers for female success in the music industry.
Portnow has also been under fire with allegations of diverting funds from The Recording Academy’s MusiCares Foundation to cover deficits from the recent Grammy Awards in New York City. Those accusations came from former MusiCares VP Dana Tomarken.
Portnow also sent a letter regarding his decision to step down from his role as President/CEO of The Recording Academy. Read the full statement below:
Dear Friends,
The evolution of industries, institutions, and organizations is ultimately the key to their relevance, longevity, and success. Having been a member of the Recording Academy for four decades, serving as an elected leader and President/CEO, I have not only witnessed our evolution, but proudly contributed to the Academy’s growth and stature in the world.
Serving as President/CEO of the Recording Academy has been one of the greatest joys of my life. When I had the honor of being selected to lead this great organization in 2002, I vowed that on my watch, for the first time in our history, we would have a thoughtful, well-planned, and collegial transition. With a little more than a year remaining on my current contract, which expires July 2019, I’ve decided that this is an appropriate time to deliver on that promise.
Last week, I shared my plans with the Board of Trustees and pledged to lead a smooth transition that would allow new leadership to take the Recording Academy into its seventh decade. Today, I wanted you to hear about it from me personally. Throughout the coming year, I will work with the Board to chart out an organizational succession plan, while continuing to serve as active President/CEO.
There will be opportunities to share thoughts, comments, and dialogue with you in the months ahead, as I hope to visit or connect with many of your Chapters. But I do want to take this moment to thank you for the dedication, commitment, and effort you have given to advance the Recoding Academy’s important mission of ensuring that the recording arts remain a valued part of our cultural heritage.
From our successes in music advocacy, to the growth of MusiCares, the establishment of the first GRAMMY Museum, the launch of the GRAMMY Music Education Coalition, and the continued celebration of our community’s most inspiring creators, it has been an extraordinary journey.
We can all be proud of what we’ve collectively done for the betterment of the creative community we love so dearly. And I continue to look forward to our mutual pursuit of excellence—in all that we are and all that we do.
Mark Your Calendar—June 2018
/by Eric T. ParkerSingle Add Date
Clare Dunn/More/MCA Nashville
Abby Anderson/Make Him Wait/Black River
Ben Cesare Band/Damn Yankee/Go Long Entertainment
Ryan Montgomery/Drop A Tailgate/Ryan Montgomery
June 11
Carlton Anderson/Drop Everything/Arista Nashville
Mags/Strong Enough/Emerald Fields Productions
Ned Ledoux/Brother Highway/Powder River
June 18
Shenandoah/That’s Where I Grew Up/BMG
Everette/Slow Roll/Broken Bow Records
Brandon Lay/Yada Yada Yada/EMI Nashville
Blair Mathews/Summer Heartbeat/StoneyHill Records Nashville
Rebel Hearts/Hero’s/Rebel Hearts Records
June 25
Casey Donahew/That Got The Girl/Almost Country Entertainment
Album Release Dates
Luke Combs/This One’s For You Too/River House-Columbia
Michael Ray/Amos/Atlantic Records-Warner Music Nashville
Thompson Square/MASTERPIECE
June 8
Dierks Bentley/The Mountain/Capitol
Sugarland/Bigger/UMG-BMLG
Craig Campbell/See You Try/Red Bow Records
The Sisterhood Band/Summer Setlist/Sony Music Nashville
Sylvia/Second Bloom: The Hits Re-Imagined/Red Pony Records
June 15
Gene Clark/Sings For You/Omnivore
June 22
Dan+Shay/Dan+Shay/Warner Bros.-Warner Music
Adam Wright/Dust
Ben Rector/Magic/OK Kid Recordings-AWAL Recordings
Industry Events
June 3
2018 Innovation in Music Awards (IMA) at the Westin Hotel in Nashville
June 6
CMT Music Awards
June 7
2018 Concert for Love and Acceptance at the Wildhorse Saloon in Nashville
June 7-10
June 12
AIMP Indie Music Publishing Summit in New York City
June 14
New York Songwriters Hall of Fame’s Annual Induction & Awards Gala
June 23-24
30th Annual Nashville Pride Festival at Public Square Park in Downtown Nashville
June 27
MusicRow Awards (invitation-only)
June 28-30
Summer NAMM at Nashville’s Music City Center
June 30
CMA broadcast ballots due at 6:00 p.m. CT.
Richard H. Frank, Jr., Counsel Emeritus For The CMA, Dies
/by Lorie HollabaughRichard “Dick” H. Frank, Jr. (center) with Ed Benson (left) and Jo Walker-Meador (right), both former CMA Executive Directors, at Frank’s retirement party in 2002. Photo credit: CMA Archives
Richard “Dick” H. Frank, Jr., Counsel Emeritus for the Country Music Association and the man who prepared and filed the corporate charter for the CMA as well as the Country Music Hall of Fame, died on May 31, which was also his 90th birthday.
Born in Columbia, Tennessee, Frank earned a BA degree and a law degree from Vanderbilt University, and after graduation served in the United States Navy. While stationed at Great Lakes Naval Air Station, he met and married Katherine “Kitty” Barbehenn. After leaving active duty, he attended New York University and earned a Master of Law degree in Taxation in 1956. He returned to Nashville and began a private law practice that he ran for almost fifty years. He was a member of the Tennessee Bar and was also admitted to the Bars of the United States District Court for the Middle District of Tennessee; the United States Court of Appeals for the Sixth Circuit and the United States Supreme Court.
After filing the corporate charter for the Country Music Association in 1958, Frank began serving as volunteer legal counsel for the newly formed association and continued to serve for almost 40 years. He began his private practice specializing in taxation and estate planning, but soon developed a copyright and entertainment law practice. By the 1970s and 1980s he was representing some of the leading writers, artists and publishers in country music and was recognized as a pre-eminent copyright and entertainment counselor. He mentored other lawyers in his firm and taught Entertainment Law at Vanderbilt Law School and Copyright Law at the Nashville School of Law. He has been active in the leadership of the Copyright Society of the United States and helped found and lead the Copyright Society of the South. Frank also served as a trustee and trustee emeritus of the Country Music Foundation.
Frank was also an avid gardener and grew daffodils, camellias, and roses and showed them throughout the United States and in Europe. He was active in the leadership of the National Daffodil Society and the National Camellia Society.
“Richard was a beloved member of our CMA family,” said Sarah Trahern, CMA Chief Executive Officer. “He passionately dedicated his time and experience to serving our association and the Country Music community. Our thoughts are with his family at this time.”
“Dick brought a wealth of knowledge and experience to CMA as the organization was defining its path,” said Joe Galante, CMA Foundation Chair and former CMA Chairman of the Board. “But what I’ll always remember was his smirk. It was never a full smile, just enough to make you wonder if he was just joking or if he was serious.”
Weekly Chart Report (6/1/18)
/by Alex ParryClick here or above to access MusicRow’s weekly CountryBreakout Report.
Industry Pics: International Country Music Conference, Jules Wortman
/by Jessica NicholsonInternational Country Music Conference Begins In Nashville
Pictured (L-R): Milly Olykan, Karen Stump, Belmont University’s Don Cusic (co-host of the conference), and Trahern.
Sarah Trahern, Executive Director of the Country Music Association, spoke to the International Country Music Conference on Thursday, May 31 on “The State of Country.” She was joined on the presentation, which opened the conference, with Karen Stump, head of research for the CMA, and Milly Olykan, head of “International” for the CMA.
Jules Wortman Launches New Podcast
Jules Wortman with The Warren Brothers.
Industry member Jules Wortman has launched a new podcast, Hi, How Ya Doin’, which features interviews with individuals to discover moments that changed their lives. Previous guests have included songwriters The Warren Brothers, producer Paul Worley, and more. Upcoming guests will include Hall Emery CEO, Pat Emery.
“As a storyteller, I often frame a client’s brand to engage a variety of demographics. Through this process and my appetite to always learn about what makes someone tick or land where they have, I decided to delve into this new podcast venture recently to generate a platform for anyone that wants to listen,” says Wortman, host and creator of Hi, How Ya Doin’. “I have had the privilege to meet so many interesting people throughout my life that have intrigued me to hear their story. This podcast offers a wide array of individuals capturing and sharing their moment of clarity and what might have led to it. We hope you enjoy.”
To sign up for the podcast, please visit HERE. To listen to past interviews, click on the following links: HHYD on Soundcloud andiTunes.
Pandora Named Music Partner For College News Network CheddarU
/by Jessica NicholsonCheddarU reaches an estimated 9 million college students, and is a result of Cheddar’s acquisition of Viacom’s MTV Networks on Campus, the distribution platform for Viacom’s campus-based service MTVU. MTVU will remain in the MTV portfolio of networks, and will continue to be available through linear distributors.
“Music is part of the fiber of the college experience,” said Pandora CEO Roger Lynch, “Playing a role in CheddarU’s launch as the official music partner is a great opportunity to reach millions of students with updates and insights on what’s trending, who’s touring and just the right playlist for Friday night.”
CheddarU screens are currently available for viewing in campus cafeterias, gyms, and other public spaces, as well as campus cable television systems. The CheddarU service is available free of charge, including hardware and installation, to all qualifying campuses in the U.S. From Harvard University to the California State University system, students across the country will be able to watch and access Cheddar from their dorm rooms and public spaces 24 hours a day, 7 days a week.
Lauren Alaina, Luke Combs To Perform For ‘A Capitol Fourth’
/by Jessica NicholsonLauren Alaina and Luke Combs will perform as part of PBS’ annual broadcast of A Capitol Fourth, which airs on PBS on Wednesday, July 4 beginning at 8 p.m. ET. The show will air live from the West Lawn of the U.S. Capitol.
Other performers will include Jimmy Buffett, The Beach Boys, Pentatonix, The Temptations, CeCe Winans, Joshua Bell, and the National Symphony Orchestra. Actor John Stamos will host the event.
This 38 year-tradition is the country’s longest-running live national July 4 TV tradition and it puts viewers front and center for America’s biggest birthday party with the greatest display of fireworks anywhere in the nation lighting up the iconic D.C. skyline. The concert also pays tribute to troops serving around the world, their families, and all those who have made the ultimate sacrifice, fighting for our freedom.
Bonnaroo Launches New Festival Podcast
/by Lorie HollabaughEpisode 1 is now available for streaming on Apple Music, Google Play and Bonnaroo.com/podcast.
“I am so stoked to bring you the sights and sounds of the 2018 edition of the Bonnaroo Music and Arts Festival,” says Norris. “It is quite possibly the most special music festival on the planet.”
Multiple new episodes of The Official Bonnaroo Podcast will be shared each day for the duration of the four-day festival. Fans will not only have access to exclusive interviews with their favorite performers, but will be the first to receive festival updates and have the opportunity to learn more about Bonnaroo’s unique features, including its ongoing commitment to sustainability with Planet Roo.
The Recording Academy’s Neil Portnow To Step Down
/by Jessica NicholsonNeil Portnow
The Recording Academy officially announced today (May 31) that President/CEO Neil Portnow will begin preparing for a leadership transition after choosing not to seek an extension on his current contract, which expires in July 2019.
Portnow shared his plans at the Recording Academy’s semi-annual Board of Trustees meeting last week. Throughout the next year, Portnow will work with the Board to chart out an organizational succession and transition plan, while continuing his current work as active President/CEO of the Recording Academy and MusiCares, and Chair of the Board of the GRAMMY Museum.
Portnow, who has served as The Recording Academy’s President for 16 years, is the longest-serving President in the Recording Academy’s 60-year history.
“The evolution of industries, institutions, and organizations is ultimately the key to their relevance, longevity, and success,” said Portnow. “Having been a member of the Recording Academy for four decades, serving as an elected leader and our President/CEO, I have not only witnessed our evolution, but proudly contributed significantly to the Academy’s growth and stature in the world. When I had the honor of being selected to lead this great organization in 2002, I vowed that on my watch, for the first time in our history, we would have a thoughtful, well-planned, and collegial transition. With a little more than a year remaining on my current contract, I’ve decided that this is an appropriate time to deliver on that promise. Accordingly, I’ll be working with our Board to put the various elements in place that will ensure transparency, best practices, and the Academy’s ability to find the very best, brightest, and qualified leadership to take us into our seventh decade of operation. I truly look forward to continuing my role leading the Academy in the year ahead, and to continuing the pursuit of excellence and the fine missions we embrace and deliver.”
“Since taking the helm in 2002, Neil has been instrumental in evolving the Recording Academy to address the needs of our creative community in a changing music landscape,” said John Poppo, Chair of the Board. “From critically-important music advocacy initiatives and financial assistance for our music community, to the music education and preservation programs of the GRAMMY Museum and GRAMMY Music Education Coalition, Neil has not only advanced the Academy’s mission, he’s extended its reach and impact. The Board and I are indebted to Neil for his years of heartful stewardship and visionary leadership. And, as we thank him for all he’s done, we also look forward to finding the right person to build on our solid foundation as the Recording Academy continues its work to ensure that music and the recording arts remain a thriving part of our cultural heritage.”
The decision arrives as The Recording Academy has received backlash after Portnow’s comments in January after the 60th annual Grammy Awards (where Alessia Cara was the only female to be honored onstage with a Grammy, despite multiple female Grammy contenders), when Portnow stated that women artists and executives needed to “step up” to receive more recognition in the industry.
Portnow later issued an apology, and announced in February that The Recording Academy would launch a task force to address barriers for female success in the music industry.
Portnow has also been under fire with allegations of diverting funds from The Recording Academy’s MusiCares Foundation to cover deficits from the recent Grammy Awards in New York City. Those accusations came from former MusiCares VP Dana Tomarken.
Portnow also sent a letter regarding his decision to step down from his role as President/CEO of The Recording Academy. Read the full statement below:
Mickey Raphael Featured In Country Music Hall Of Fame’s Nashville Cats Series
/by Lorie HollabaughHarmonica virtuoso/Willie Nelson band member Mickey Raphael is the latest musician whose career will be celebrated during the next edition of the Country Music Hall of Fame and Museum’s signature series Nashville Cats: A Celebration of Music City Musicians. The program will include an interview with Raphael and a performance, and is set for Saturday, June 16, at 2 p.m. in the museum’s Ford Theater.
This program is being presented in conjunction with the museum exhibit Outlaws & Armadillos: Country’s Roaring ʼ70s, in which Raphael’s gold ring with diamonds, signifying his membership in the band Willie Nelson and Family, is on display. Admission to the program is included with museum admission and free to museum members. Seating is limited and program passes are required for admittance. Museum members can reserve passes in advance by phone, 615-416-2050, or by emailing reservations@countrymusichallo ffame.org. The program will be streamed live at countrymusichalloffame.org/str eaming.
Texas native Raphael was 20 years old when he met Willie Nelson in 1973. Raphael was a harmonica player on tour with singer-songwriter B.W. Stevenson, but meeting marked the start of a lifelong musical partnership between Raphael and Nelson, and the harmonica player’s signature sound helped Nelson cross radio formats and find a new generation of fans. In addition to his featured role in Nelson’s band for more than 40 years, Raphael has contributed his master harmonica skills to recordings by Johnny Cash, Guy Clark, Vince Gill, Emmylou Harris, Elton John, Alison Krauss, Margo Price, Snoop Dogg, Chris Stapleton and U2.
Following the program, Raphael will sign commemorative Hatch Show Print posters available for purchase in the Museum Store.
Ricky Skaggs & Kentucky Thunder, The Earls of Leicester Set For Wide Open Bluegrass
/by Jessica NicholsonRicky Skaggs
The first round of performers have been announced for this year’s Wide Open Bluegrass, as part of the International Bluegrass Music Association’s World of Bluegrass, slated for Sept. 25-29 in Raleigh, North Carolina.
Ricky Skaggs & Kentucky Thunder will hold a special set with a guest appearance by Patty Loveless.
The event will also feature a special collaboration including Alison Brown, Becky Buller, Sierra Hull, Missy Raines and Molly Tuttle, who are the first women to earn IBMA Awards on their respective instruments. Brown became the first woman instrumentalist to receive an IBMA Player of the Year Award, and was only the second ever Banjo Player of the Year to be awarded. Raines has taken home seven IBMA instrumentalist awards on bass, while Buller, Hull, and Tuttle all earned their honors on fiddle, mandolin, and guitar (respectively) in Raleigh in the last two years. Buller took home the 2016 Female Vocalist of the Year Award, as well.
The IBMA’s reigning Entertainers of the Year, The Earls of Leicester, led by 14-time GRAMMY winner Jerry Douglas, will return to the Main Stage. As previously announced, The Earls are releasing a live two-CD set, The Earls of Leicester Live from The CMA Theatre at the Country Music Hall of Fame, available to Wide Open Bluegrass ticket buyers at a deeply discounted price, and the Earls are donating a portion of all their pre-sale proceeds to the IBMA Trust Fund.
In this spirit, another unique collaboration in the Main Stage lineup will be “The TRUST” set, an all-star performance featuring Doyle Lawson & Quicksilver, Balsam Range, Lonesome River Band, Donna Ulisse, Chris Jones & The Night Drivers, Sideline, and LoveCanon. These artists will highlight their benefit album, The TRUST, whose proceeds benefit the Trust Fund. The TRUST features all new, original music written by the bands involved in the project. The songs are about themes of hope, courage, and perseverance and reflect the artists’ commitment to the bluegrass community.
“We are excited to offer an incredible lineup of award winning artists and special collaborations this year for the Main Stage, with a couple of important themes added to make it even more unique,” said Paul Schiminger, Executive Director of IBMA.“We all get to celebrate the ground-breaking accomplishments and amazing skills of the five first-time women instrumentalists of the year performing together on stage. We are also shining an extra bright spotlight on a vital resource, the IBMA Trust Fund with special performances and recordings that will entertain everyone and help so many people in need!”
Wide Open Bluegrass is the weekend festival that takes place at Raleigh’s Red Hat Amphitheater on the ticketed Wide Open Main Stage and on seven additional stages in downtown Raleigh Sept. 28-29.