Rising Women On The Row Spotlight: 5 Questions With Kelly Janson

Kelly Janson

MusicRow Magazine’s eighth annual Rising Women on the Row event will be held Tuesday, March 26, at Omni Hotel Nashville.

This year’s honorees include Sandi Spika Borchetta (Big Machine Label Group, Sr. VP Creative), Janine Ebach (Curb|Word Music Publishing, VP), Kelly Janson (Kelly Janson Management, Manager), Meredith Jones (Creative Artists Agency, Agent), Lenore Kinder (Paradigm Talent Agency, Agent), and Jennifer Turnbow (NSAI, Sr. Director of Operations).

Leading up to the event, MusicRow is spotlighting each honoree with a brief Q&A.

Kelly Janson is a powerhouse machine who does it all. She always sees the glass half full, not afraid to get her hands dirty and never afraid to be told no. She is an artist manager, publisher and songwriter. She manages Chris Janson, who is her husband, Warner Bros./Warner Music Nashville recording artist and the youngest, living member of the Grand Ole Opry. Chris has enjoyed two No. 1 hits, including the career-making debut, “Buy Me A Boat,” which they initially released independently, while in between record label contracts. Kelly’s negotiations to distribute previously unreleased Sony Music masters gave Janson product to sell on the road prior to the explosion of “Buy Me A Boat” and signing his deal with Warner Music Nashville in 2015. Kelly oversees all things career-related for Chris. With her KJM publishing company, which is a co-venture with Warner/Chappell, she signs writers and has also written songs recorded by Chris, Tim McGraw, and Clay Walker, among others. Chris, who is closing in on the release of his third studio album, has been featured in the opening and closing performance slots on the CMA Awards and the ACM Awards, and recently secured an endorsement deal with Hohner Harmonicas and is an ambassador for Bass Pro Shops/Cabelas. Kelly’s industry background includes serving as A&R consultant and television correspondent for a nationally syndicated TV show. The couple wed in 2010 and together, the Jansons have four children.

MusicRow: What is the biggest lesson on leadership you have learned in your career?

Even though it is really hard for me not to handle it all on my own, time management is so crucial in my life, and it goes hand-in-hand with the ability to delegate. I have learned that teamwork makes the dream work. It is so important to surround yourself with people who are ambitious, and who want to win. Sometimes it can be a challenge to find people who are fully invested and willing to work their way up. When you do find them, you need to take care of them. Hard work and accomplishments should be acknowledged and rewarded.

Motivating with positive energy plays a big role. For example, a little bit of healthy competition within the team can help people naturally step up their game. Also, incentives can go a long way when it comes to achieving goals. I never took vacations. I never wanted anyone else to find the next big hit. I feel like it is all happening so fast. If you ever miss out, you get left behind. I act like that now in my business. If I am ever gone, I am still working. I work 24/7.

MR: Who has been one of your biggest mentors, and what have they taught you?
In my personal life, it would be my mother, grandmother, and father. My mother and grandmother taught me to always keep my independence. They said to be strong and educate myself. My mom has always been an entrepreneur and runs her own business. I grew up watching her, and I continue to learn from her every day.

At a very young age, my father said, “Can’t never could.” He taught me to always say you can do it. If you aren’t sure how to do it, then act like you do and figure it out. Be a go-getter. He said to always show up to win. No matter what you are doing in life, give it your best shot.

Music-wise, it would be Phil Gernhard. He was very encouraging and inspiring. He would tell me to stick up for myself. As a young woman first getting into the music business, that was so impactful and important to hear. He respected my views and treated me as an equal.

MR: Describe a time that you took a big risk in your career, and how did it pay off?
“Buy Me A Boat” was originally released independently. I invested my own personal money and released it myself. I even paid for a music video. That was a big risk. It definitely paid off and changed my life in a very positive way.

MR: As Nashville continues to grow and evolve, what changes in the music industry excite you the most?
I’m not sure changes excite me. Music in general excites me. I believe that no matter what changes in our industry, great songs and getting them to our fans is most important. I like how technology helps us do that. Digitally and with social media, artists can reach their audience on a more personal level, and the fans have more access. It can all help create a stronger bond.

MR: Favorite Nashville place to hold a business meeting/lunch?
For me, it all started at the Waffle House in Brentwood. That is where I met my friends Missi and Byron Gallimore, who later became my connection to A&R. I also love lunch meetings at The Palm. It is quiet, great service, and the complementary valet is very convenient.

(City National Bank, Tri Star Sports and Entertainment Group, and Loeb & Loeb are again the Presenting Sponsors for the 2019 Rising Women on the Row.)

Song Suffragettes Celebrate Five Years, Honor Supporter Liz Rose

Dual-Round Celebration on Monday Evening Featured Kalie Shorr, Candi Carpenter, Tiera, Sarah DeFors, Kasey Tyndall, Savannah Keyes, Livy Jeanne, Michelle Pereira, Stevie Woodward, Caroline Watkins and Mia Morris

The all-female singer-songwriter collective Song Suffragettes celebrated its fifth anniversary on Monday (March 11), with two songwriter rounds featuring 11 talented writers, as well as a special presentation for songwriter and publisher Liz Rose.

Rose accepted the inaugural “Yellow Rose of Inspiration Award,” for her work in supporting, writing and publishing many of the songs that inspired the more than 200 females who have performed on the Song Suffragettes stage over the years.

During a sold-out show at Nashville’s The Listening Room, NPR’s Jewly Hight moderated a Q&A with Rose, discussing her journey as a publisher and songwriter.

Additionally, songwriters including Kalie Shorr, Candi Carpenter, Tiera, Sarah DeFors, Kasey Tyndall, Savannah Keyes, Livy Jeanne, Michelle Pereira, Stevie Woodward, Caroline Watkins and 14-year-old prodigy Mia Morris on cajon.

In 2018, the group released the original track and video for “Time’s Up,” in support of the female empowerment movement by the same name. The song’s sales and streaming raised $10,000 for the Time’s Up Legal Defense Fund.

Tune In: Kacey Musgraves At The Oscars, Thomas Rhett’s ‘SNL’ Stop, Lauren Alaina On ‘Seth Meyers’

Kacey Musgraves to Present at the Oscars

Grammy darling Kacey Musgraves has been added to the list of presenters for the 2019 Oscars, joining previously announced presenters Amy Poehler, Tina Fey, Melissa McCarthy, Sarah Paulson, James McAvoy, Charlize Theron, Jennifer Lopez, Emilia Clarke, Chadwick Boseman, Whoopi Goldberg, Tessa Thompson, Maya Rudolph, Chris Evans, Javier Bardem, KiKi Layne, Brie Larson, Daniel Craig, Samuel L. Jackson, Constance Wu, Awkwafina, Keegan-Michael Key, Stephan James, Amandla Stenberg, Angela Bassett, Laura Dern and Jason Momoa. The 91st Oscars will be held on Feb. 24 at the Dolby Theatre in Los Angeles, and will be televised live on ABC at 8 p.m. ET/PT.

 

Thomas Rhett To Appear On Saturday Night Live

Thomas Rhett has been tapped to be the musical guest on Saturday Night Live on March 2. Rhett will be joining host and comedian John Mulaney. Thomas Rhett is getting ready to hit the road for his Very Hot Summer Tour along with his father Rhett Akins, as well as Dustin Lynch and Russell Dickerson.

 

Lauren Alaina To Perform “Ladies” Hit At Seth Myers

Lauren Alaina will visit NBC’s Late Night with Seth Meyers Tuesday (Feb. 19) for her debut performance, singing her ode to the ’90s, “Ladies in the ’90s.” Alaina is currently on the Blake Shelton on the Friends And Heroes 2019 Tour.

Kenny Chesney, David Lee Murphy, Thomas Rhett Earn Early CMA Award Wins

Two CMA Awards category wins were announced Wednesday morning (Nov. 14). Kenny Chesney and David Lee Murphy earned Musical Event of the Year for “Everything’s Gonna Be Alright.” The song marked Murphy’s first No. 1 single since 1995’s “Dust On The Bottle.”

Chesney is also nominated for Entertainer of the Year.

Meanwhile, Thomas Rhett earned Music Video of the Year for his clip “Marry Me,” which was directed by TK McKamy (the award goes to both artist and director). Thomas Rhett is nominated for two additional honors tonight including Male Vocalist of the Year and Album of the Year (Life Changes).

The 52nd Annual CMA Awards airs live from Nashville on Wednesday, Nov. 14 at 8 p.m. ET on ABC.

Academy Of Country Music Announces Officers, Board Of Directors For 2018-2019 Term

The Academy of Country Music has announced the newly-elected Officers and Board of Directors for the 2018-2019 term. Previously announced officers include Chairman Duane Clark, President Ed Warm, Vice President Lori Badgett, Treasurer Carmen Romano, Parliamentarian Paul Moore, Sergeant-at-Arms Tim DuBois and Secretary Tommy Moore.

This year, 11 of the 13 qualifying professional categories were elected by the Academy’s membership. In addition to those elected, director-at-large positions have been appointed by Chairman Duane Clark, President Ed Warm and Vice President Lori Badgett. Directors are elected from each category based on the number of members in that category. Each director serves staggered two-year terms, with half the board membership changing each year.

Newly elected members of the Board of Directors include:

Jackie Campbell, 615 Leverage
Beville Dunkerley, Pandora
Tom Forrest, Taillight
Becky Gardenhire, WME
Ali Harnell, AEG
Bob Kingsley, Bob Kingsley’s Top 40 Countdown
Frank Liddell, Carnival Music
Cindy Mabe, Universal Music Group
John Marks, Spotify
Ebie McFarland, Essential Broadcast Media
Lee Thomas Miller
Norbert Nix, Triple Tigers Records*
Sally Seitz, Apple Music
Jackie Stevens, The Big Time
Stacy Vee, Goldenvoice
Troy Vollhoffer, Premier Global Production*
Trisha Yearwood

Newly appointed director-at-large members of the Board of Directors include:

Bobby Bones, The Bobby Bones Show
Leslie Cohea, Sandbox Entertainment
Charlie Cook, Cumulus
George Couri, Triple 8 Management
Kele Currier, ASCAP
Chris Farren, Combustion Music
Leslie Fram, CMT
Nick Hartley, Fitzgerald Hartley
Jon Loba, Broken Bow Music Group
Michael McAnally Baum, SMACK Songs
Shawn McSpadden, Redlight Management
Curt Motley, UTA
Brian O’Connell, Live Nation
Rod Phillips, iHeart Media
Tim Roberts, Entercom
Clarence Spalding, MAVERICK

*Elected to fill one-year term which was previously vacated.

“Having served on the Academy’s Board for years, I’ve witnessed firsthand what an amazing group of extraordinary leaders endeavoring to build the Academy’s future, and a dedicated and passionate ACM staff, can accomplish. It’s an honor to serve alongside these amazing women and men to shape the Academy’s next chapter,” said ACM Chairman Duane Clark.

OFFICERS
Chairman- Duane Clark, FBMM
President – Ed Warm, Joe’s Live
Vice President- Lori Badgett, City National Bank
Treasurer – Carmen Romano, FBMM
Parliamentarian Paul Moore, PGM Connections, LLC.
Sergeant-at-Arms Tim DuBois, Artist Management Partners
Secretary Tommy Moore, Academy of Country Music

AFFILIATED
Jackie Campbell, 615 Leverage
Beville Dunkerley, Pandora
Michael Knox, Music Knox / peermusic Nashville
John Marks, Spotify
Sally Seitz, Apple Music

ARTIST/ENTERTAINER/MBI
Cam
Jake Owen
Hillary Scott
Marty Stuart
Trisha Yearwood

CLUB/CASINO/CONCERT-VENUE OPERATOR
Roger Gearhart, Graham Brothers Entertainment
Troy Vollhoffer, Premier Global Production

COMPOSER
Lee Thomas Miller

MANAGER
Kerri Edwards, KPentertainment
Fletcher Foster, Iconic Entertainment
Daniel Miller, Red Light Management / Fusion Music

MEDIA/PUBLIC RELATIONS
Ebie McFarland, Essential Broadcast Media

MUSIC PUBLISHER/PRO
Frank Liddell, Carnival Music
Rusty Gaston, THiS Music

ON-AIR PERSONALITY
Bob Kingsley, Bob Kingsley’s Country Top 40

RADIO
Jackie Stevens, The Big Time

RECORD COMPANY
Andrew Kautz, Big Machine Label Group
Gordon Kerr, Black River Entertainment
Cindy Mabe, Universal Music Group Nashville
Norbert Nix, Triple Tigers Records

TALENT AGENT
Becky Gardenhire, WME
Steve Lassiter, APA

TALENT BUYER/PROMOTER
Ali Harnell, AEG
Stacy Vee, Goldenvoice

TV/MOTION PICTURE
Tom Forrest, Taillight

DIRECTORS AT LARGE
Chuck Aly, Country Aircheck
Bobby Bones, The Bobby Bones Show
Leslie Cohea, Sandbox Entertainment
Bradley Collins, Frontman Consulting
Charlie Cook, Cumulus
George Couri, Triple 8 Management
Kele Currier, ASCAP
Enzo DeVincenzo, Red Light Management
Crystal Dishmon, Shopkeeper Management
Chris Farren, Combustion Music
Leslie Fram, CMT
Nick Hartley, Fitzgerald Hartley
Shannan Hatch, SESAC
Greg Hill, Hill Entertainment Group
Gayle Holcomb, WME
Chris Janson
Jeff Krones, CAA
Cris Lacy, Warner Music Nashville
Jon Loba, Broken Bow Music Group
Michael McAnally Baum, SMACK Songs
Shawn McSpadden, Red Light Management
Curt Motley, UTA
Brian O’Connell, Live Nation
Lynn Oliver-Cline, River House Artists
Chris Parr, MAVERICK
Rod Phillips, iHeart Media
Kelly Rich, Amazon
Tim Roberts, Entercom
Clarence Spalding, MAVERICK
Peter Strickland, Marathon Talent Agency
Neil Vance, L3 Entertainment
Brian Wright, Universal Music Group Nashville

PAST CHAIRS
Paul Barnabee, FBMM
Darin Murphy, CAA
Ken Robold, Sony Music Nashville
Ken Tucker, Wheelhouse Records
Ben Vaughn, Warner Chappell
Butch Waugh, Studio2bee

EX OFFICIO PAST CHAIRS
Rod Essig, CAA
Mark Hartley, Fitzgerald Hartley

Dustin Lynch, Thomas Rhett, Lauren Alaina Set To Perform At Crash My Playa − 5th Year Fiesta

After four consecutive sold-out years, Luke Bryan, along with CID Presents, has announced the first wave of performers for Crash My Playa − 5th Year Fiesta set for Jan. 23-26, 2019 in Riviera Maya, Mexico.

Dustin Lynch will return for the fifth year in a row, while Thomas Rhett and Lauren Alaina will both make their first appearances at the destination event.

“So excited to have Thomas Rhett and Lauren join us for the first time at Playa,” said Luke. “I can’t even imagine doing these shows without Dustin a part of it. This makes 5 for 5!”

“I’m pumped to get down to the beach in January to hang out with Luke and play at ‘Crash My Playa’,” said Thomas Rhett. “It’s going to be a blast.”

Dustin shared, “Getting to kick off the last four years at ‘Crash My Playa’ has been amazing. I’ve made so many friends and memories and look forward to going 5 for 5 with my big bro Luke!”

“I love the beach, Luke Bryan, Thomas Rhett, and Dustin Lynch,” said Lauren. “I have a feeling this will be a trip to remember, or at least try really hard to remember. Ha! Those boys are crazy. I’m so excited and honored to be a part of it.”

The event’s host resort, the Barceló Maya, is sold-out with limited packages remaining at one of four other carefully selected tropical resorts. At all locations fans will enjoy royal treatment all weekend long including all-inclusive food and drink, 24-hour concierge service, convenient nightly shuttle transportation to the main stage performances, daily onsite activities, offsite adventures and excursions, official Crash My Playa − 5th Year Fiesta merchandise packages, and more. To see highlights from last year’s event click here.

For more information about Crash My Playa − 5th Year Fiesta 2019, visit crashmyplaya.com.

Warehouse West Entertainment Signs Publishing, Development Deals With Jordan Brooker

Jordan Brooker

Singer-songwriter Jordan Brooker has signed a publishing and artist development deal with recently launched Warehouse West Entertainment in Nashville.

Brooker, a native of Spencerville, Indiana, has been focused on his songwriting and working in the studio with Warehouse West’s Luke Wooten for his first project, which is scheduled for release later this Fall. Brooker is releasing his debut song “You Are” off of his first project on Sept. 21.

He was recently named one of AIMP’s Songwriter Class of 2018 and will be performing his final show in a series of club dates at Whiskey Row in Nashville on Sept. 20.

“I couldn’t be prouder of an artist’s music and vision than that of Jordan’s,” Wooten says. “His signing being our first as a company is a dream come true. I can’t wait to share his music and for all that will follow.”

“I could not be more ecstatic about working with Warehouse West,” Brooker adds. “Working with people and for people that you love is a blessing and I definitely have that here. I am looking forward to what the future has in store for this company and its writers/artists.”

Taylor Swift, Florida Georgia Line, Kane Brown Earn Multiple American Music Awards Nominations

The nominations for the American Music Awards were revealed Wednesday morning (Sept. 12), with several artists with Nashville ties competing in top categories.

Taylor Swift earned nods in several categories, including Artist of the Year, Tour of the Year, Album of the Year, Pop/Rock (reputation), and Favorite Female Artist, Pop/Rock.

Florida Georgia Line earned three nominations, including Favorite Duo or Group (Country), while their hit “Meant To Be” earned them nominations in the all-genre Collaboration of the Year category as well as the Favorite Song (Country) category.

Kane Brown also earned three nominations, for Favorite Male Artist (Country) and Favorite Album (Country) for his self-titled project, and Favorite Song (Country) for “Heaven.”

Maren Morris earned a nomination in the Favorite Female Artist (Country) category, alongside Kelsea Ballerini and Carrie Underwood. Morris’ hit “The Middle,” with Zedd and Grey, also earned a nom in the all-genre Collaboration of the Year category.

Thomas Rhett earned two country nominations for Favorite Male Artist (Country) and Favorite Album (Country), for Life Changes. Dan+Shay earned nods in the Favorite Duo or Group (Country) category, while their hit “Tequila” landed a spot in the Favorite Song category.

Fans can vote once per day at VoteAMAs.com and on Twitter.

The show will take place Tuesday, Oct. 9 beginning at 8 p.m. ET on ABC.

Favorite Male Artist (Country):
Thomas Rhett
Luke Bryan
Kane Brown

Favorite Duo or Group (Country):
Florida Georgia Line
Dan + Shay
LANCO

Favorite Album (Country):
Thomas Rhett, Life Changes
Luke Combs, This One’s For You
Kane Brown, Kane Brown

Favorite Song (Country)
“Tequila,” Dan + Shay
“Heaven,” Kane Brown
“Meant To Be,” Bebe Rexha and Florida Georgia Line

Favorite Female Artist (Country):
Kelsea Ballerini
Maren Morris
Carrie Underwood

Collaboration Of The Year
“Meant To Be,” Bebe Rexha and Florida Georgia Line
“The Middle,” Maren Morris, Zedd and Grey
“Havana,” Camila Cabello and Young Thug
“Rockstar,” Post Malone and Saint Laurent Don
“Finesse,” Bruno Mars and Cardi B

Favorite Female Artist (Pop/Rock):
Taylor Swift
Camila Cabello
Cardi B

Favorite Album (Pop/Rock):
Taylor Swift, reputation
Ed Sheeran, Divide
Drake, Scorpion

Favorite Artist (Contemporary Inspirational):
Lauren Daigle
MercyMe
Zach Williams

‘American Music Awards’ Partners With YouTube Music

dick clark productions has announced a multi-year partnership between the American Music Awards and YouTube Music, marking the first-ever presenting partnership of the show. Through this partnership, music enthusiasts can watch their favorite artists and pop culture icons come together to honor idols, newcomers and record-breakers in the contemporary music scene.

“YouTube Music’s partnership with The American Music Awards is a natural extension of the intimate artist-fan connection that is made possible on YouTube’s global platform,” said Angela Courtin, Director, Global Head of YouTube Music, TV and Originals Marketing. “The American Music Awards are the world’s largest fan-voted awards show and YouTube is the world’s largest platform for discovering music with more than 1 billion fans each month coming to be a part of music culture and engage with over 2 million artists who share their voices and art with the world.”

“YouTube brings global reach, awareness and engagement to the ‘American Music Awards’ unlike ever before,” said Mike Mahan, CEO, dick clark productions. “We look forward to enhancing the AMAs in a unique, innovative and immersive way.”

The 2018 American Music Awards will broadcast live from the Microsoft Theater in Los Angeles on Tuesday, Oct. 9, 2018 at 8:00 p.m. ET on ABC.

Q&A: Dierks Bentley Fearlessly Turns A Seed Into A ‘Mountain’

This is part two of a two-part series with MusicRow Magazine’s Sherod Robertson and multi-platinum selling singer/songwriter Dierks Bentley. Read part one here.

Dierks Bentley releases his highly anticipated ninth studio album, The Mountain, on Capitol Records Nashville today, Friday, June 8. Bentley, his co-writers and producers ventured to Telluride, Colorado to write and record the project, where the Rocky Mountains provided peace and inspiration. That vibe merged with his longtime themes of devotion to his family and fans to create The Mountain.

MusicRow Publisher/Owner Sherod Robertson recently caught up with Bentley at his writing room at Nashville’s Hutton Hotel to discuss planting creative seeds, fearlessly nurturing them, and growing them into a mountain.

Are there parallels between your new album and 2010’s Up on the Ridge?

There are, but I didn’t realize that going into it. Just like there were similarities between “Somewhere on a Beach” and “Drunk on a Plane.” But I didn’t realize it until I was doing the video for “Somewhere on a Beach” so I changed the whole video and made it a sequel video.

I never even thought about the ridge and mountain connection between those two until after I’d made the record. It’s like taking the Ridge record I made with Jon Randall and mixing that with my newer music with Ross Copperman. These two sounds are kind of like mixing together the albums Black and Up on the Ridge.

Jon Randall and Ross Copperman both produced this album. What did they each bring to the table?

It’s like putting together a hockey team. You’re bringing people with different strengths, different positions, and putting it all together. I feel like I had a really good team.

Ross brings so much youth, modernism, creativity and a great vibe. He’s just the happiest, most positive person I’ve ever been around. Nothing’s impossible and he’s always game for anything.

And I’ve never met anybody who can speak to musicians like Jon Randall. We worked together on Black. He just has a crazy vocabulary and a real calmness in the studio– a real pro and loves to geek out on stuff.

I used to read about people having executive producers, and thought that was kind of odd. But Arturo Buenahora is involved in everything about the album. He’s your biggest champion, and he’s digging around Music Row for great songs. He’s helped me put together great bands and there to say “no” to any idea or song that’s not right. He’s completely unbiased and if it’s a song is part of his publishing company, he’ll let you know.

When deciding which songs to put on an album, do you test them on the live audience to see the reaction?

I do, but it can be tricky. I played “Drunk on a Plane” one time in a theater and the reaction was terrible. They were really quiet, and they didn’t get it. And I was like, “See, that’s not a hit.” Maybe it was hard to hear the words or I didn’t set it up very well. And it threw me off the song for a little bit. Playing a song live is definitely not the most trusted barometer of whether or not it’s a hit.

It’s your gut and you can ask people around you. It’s like the stock market, where if everyone knew the answer, everyone would be a millionaire. But a song is probably harder, because nobody—even your record label or professional consultants—no one knows. That’s what makes it great. It’s like there’s an intangible thing about a hit song that you cannot use math to discover.

You’ve taken a few stylistic detours during your career. Where do you fall on the pendulum of being completely fearless versus taking calculated creative risks?

That’s a great question. I’m definitely totally fearless but there can be a fault with that too. When I quit everything to make a bluegrass record I wasn’t thinking about the business or touring. Behind my back, people were saying I was crazy and would never headline a tour again. I didn’t know any of it at the time, because luckily, people I count on like my manager Mary Hilliard Harrington, kind of shielded me from that.

I have a flip phone, so I don’t read Twitter or Instagram because it interferes with creating songs and albums. I want to put all my focus into this one thing I’ve been given a chance to do. How many people get to go to Mike Dungan’s office and try to get a record deal? I’m one of the few that’s got this great platform, and so to water down my work with my brain being filled with negativity, or thoughts about the business, or what other people are doing, or how radio’s going to react to it, it is not beneficial to making the best music. And it’s not being totally grateful for the platform I’ve been given. I just feel like I’m cheating everybody if I’m doing that.

I make pretty fearless decisions. When you’re planting a seed, which is what making an album is, you can’t let too many people have access to it or they’re going to crush it. You need to let it get some roots, and then you can bring people over to see what you’re growing. And still be protective of it, but you can allow other voices to be added. But at the end, it’s mine and so I guess I can live and die by my decisions.

And that’s something I’ve learned over time. The bluegrass record was the ultimate fearless decision. If I had been smart I would have made one song on it for radio. But I think since Up on the Ridge, I’ve really tried to make great albums and not focus on anything about a tour or writing a song that has a title that would sound good as a tour title.

So this is your ninth studio album with Capitol Records. I used to work for Mike Dungan back in the ‘90s at Arista. What’s your favorite thing about UMG Chairman and CEO Mike Dungan?

I am so sheltered from some of the drama at record labels on Music Row. I hear stories from other artists that are going through creative control issues—where they can’t even pick out the font on their album cover. And even big artists being told what songs to record.

With Dungan, it’s been nothing but a joy. He’s a record label president who loves music and the lifestyle. He’s fun. He loves his people. He’s like the Herb Kelleher of country music—the guy who started Southwest Airlines. He empowers the people around him. He does an annual event where the artists get together and play just for the staff. I’m not even allowed to bring my wife. It’s just to make it about the music one night a year, so that people remember why we’re doing what we do.

And he’s let me pick all my own singles. Over the years, I’ve learned the hard way that it’s better to listen to him and everyone at Capitol sometimes, than to just power your way through something. The biggest blessing I’ve had is that I side with him and I’ve had the support of that whole label, who have all been great people.

One other thing about Dungan, at some point he needs to start buying t-shirts that cover up his belly.

But that’s something else we can get into.