Dallas Smith Shares Two Tracks From Forthcoming Self-Titled Project

Photo: Courtesy of Big Loud Records

Dallas Smith has released two new tracks, “Fixer Upper” and “CRZY,” from his forthcoming self-titled album, out Oct. 27.

“Fixer Upper” was penned by Morgan Wallen, Matt Dragstrem and Brett Tyler, while “CRZY,” was written by Jaren Johnston, Travis Meadows and Stephen Wilson Jr. Other writers contributing to the new project include Ashley Gorley, Michael Hardy, Jake Owen, Cole Swindell, Rocky Block and more.

A video for “Fixer Upper,” directed by Justin Clough, was also just released and gives fans a peek inside Smith’s life off stage through heartfelt home videos of the singer with his family.

Fresh off his recent CCMA Awards win for Musical Collaboration of the Year, Smith is gearing up to participate in a “TalkShopLive” for his fans. The livestream will take place Oct. 11 at 5 p.m. CT, where signed CDs of the new album will be available exclusively.

Dallas Smith Track Listing:
1. “Use Me” (John Byron, Jared Hampton, Tate Howell)
2. “How Do You Miss Me” (Ashley Gorley, Michael Hardy, Mark Holman)
3. “Fixer Upper” (Matt Dragstrem, Brett Tyler, Morgan Wallen)
4. “Singing In A Beer” (Rocky Block, Casey Brown, Parker Welling)
5. “One Too (feat. MacKenzie Porter)” (Rocky Block, Tom Jordan, Mitch Thompson, Alysa Vanderheym)
6. “I Would” (Michael Hardy, Mark Holman, Hillary Lindsey)
7. “Bring It On” (Rodney Clawson, Mark Holman, Ernest Keith Smith)
8. “Good Time Getting There” (Jake Owen, Jimmy Robbins, Laura Veltz)
9. “CRZY” (Jaren Johnston, Travis Meadows, Stephen Wilson Jr.)
10. “Day After Day (feat. Shawn Austin)” (Preston Brust, John Byron, Chris Lucas, Blake Pendergrass)
11. “Hide From A Broken Heart” (Mark Holman, Lauren LaRue, Ernest Keith Smith, Geoff Warburton)
12. “Home Is Where The Bar Is” (Mark Holman, Jared Mullins, Ernest Keith Smith, Cole Swindell)

ACM LEVel Up Program Opens Applications & Nominations For 2024

The Academy of Country Music’s LEVel Up: Lift Every Voice professional development program is currently accepting applications and nominations for its 2024 cohort through Oct. 30.

LEVel Up: Lift Every Voice is designed to elevate and drive the next generation of rising leaders in the country industry, and candidates are encouraged to apply (or be nominated by their peers) if they have worked in the industry for more than five years and have demonstrated a commitment and passion for making country music accessible and welcoming to all.

Individuals selected for the two-year intensive program will work toward the mission of “expanding the horizons of country music to transcend demographics and geography.” Candidates should be driven and high-achieving employees who are passionate about making country accessible and welcoming to all and committed to growing within the industry, as well as innovative, creative and bold thinkers who are motivated by taking action.

“I’m proud to announce the opening of recruitment for the 2024 LEVel Up cohort,” says Shannon Sanders, member of the Academy of Country Music Board of Directors and Chair of the ACM DEI Task Force. “Since its inception two years ago, the ACM LEVel Up program has stood as a pillar of progress and unity in our industry. It’s been a game-changer for the dedicated participants who’ve given their all to their collaborative efforts, especially in the landmark partnership with the Black Music Action Coalition, resulting in the groundbreaking OnRamp program. The ACM’s DEI Task Force salutes the Academy for their unwavering commitment to pushing for more inclusivity and equity in Music City. If you’re passionate about pushing the boundaries of country music, consider joining our next cohort.”

In the first year of the LEVel Up program, participants learn more about the music business from some of the industry’s key executives, as well as participate in volunteer opportunities. The class also collaborates as a cohort to devise a proposal to expand country reach into new and underrepresented audience segments. In the second year, the cohort works together to bring the plan formulated in year one to fruition.

Nominations can be submitted here, or those interested in joining the program can submit their own application here. The program is funded wholly by the Academy of Country Music at no cost to participants.

Mark Your Calendar—October 2023

Single/Track Release Dates: 

October 1 
Lindsey Hinkle/Sense of Reality

October 2 
Lefroy/Ready To Go/Stallion Records
Glen Shelton/Before You/Jordash Records

October 4
Fancy Hagood/Southern Sound

October 6 
Zandi Holup/Gas Station Flowers/Big Loud Records
Jenna DeVries/Back to Me/Heart Songs Music Group
Lori Rayne/Woo Girls
Jade Holland/Home, Town

October 9 
Hailey Whitters/I’m In Love/Pigasus/Songs & Daughters/Big Loud Records

October 16 
Shenandoah & Luke Combs/Two Dozen Roses/8 Track Entertainment/ADA
Flat River Band/God Bless the Radio/Early Bird Records
Bowman/Small Town Famous/Reviver Records
Caleb Orr/Can’t Break You

October 20 
Lillian Hepler/Call Me Yours/The Hard Working Record Company
Matt Jordan/Don’t Mean/ONErpm
Adam Warner/First Face/ONErpm

October 23
Ian Munsick/Long Live Cowgirls/Warner Music Nashville
HunterGirl/Ain’t About You/Wheelhouse Records
Ken Domash/Drink About That/Thunder Mountain Records
Lewis Brice/Product Of
Savannah Dexter & Brabo Gator/Sinner Like Me

October 27
Sam Grow/Loretta/Average Joes Entertainment

October 30 
Clayton Smalley/Always Barely Getting By/YN Records
Dianña/You Don’t Know Me/Billieegee Productions

 

 

Album/EP Release Dates: 

Photo: Courtesy of UMG Nashville

October 6
Reba McEntire
/Not That Fancy/MCA Nashville
Darius Rucker/Carolyn’s Boy/Capitol Records Nashville
Old Dominion/Memory Lane/Columbia Nashville
Amy Grant/Lead Me On Live 1989
Drake White/The Bridge
John Morgan/Remember Us?/BBR/Night Train Records
Natalie Grant/Seasons/Curb Records
Colbie Caillat/Along The Way/Blue Jean Baby Records
Lanco/Run, Run, Baby/Riser House Records
The Steel Woods
/On Your Time/Woods Music/Thirty Tigers
Colt Ford & Krizz Kaliko/Hoodbillies/Average Joes Entertainment
Alex Miller/Country/Billy Jam Records
EmiSunshine and The Rain/Sideshow/Little Blackbird Records
Harper O’Neill/Dark Bar Daisy

October 13 
Charlie Worsham/Compadres/Warner Music Nashville
Riley Green/Ain’t My Last Rodeo/BMLG Records
Kylie Morgan/Making It Up As I Go/EMI Records Nashville
Margo Price/Strays II/Loma Vista Recordings

October 20 
Craig Morgan/Enlisted/Broken Bow Records
Restless Road/Last Rodeo/Sony Music Nashville
Luke Grimes/Pain Pills Or Pews/Mercury Nashville/Range Music
Sophia Scott/Barstool Confessions/Empire Nashville
Mason Ramsey/Falls Into Place/Atlantic Records
James Barker Band/Ahead Of Our Time/Records Nashville
Liddy Clark/Made Me (Unplugged)/Crimson Rose Records
Colin Stough/Promiseland/19 Recordings/BBR Music Group

October 26 
Alexandra Kay/All I’ve Ever Known

October 27 
Various Artists/A Tribute To The Judds/BMG
Jon Pardi/Merry Christmas From Jon Pardi/Capitol Records Nashville
Dallas Smith/Dallas Smith/Big Loud Records
Jessi Colter/Edge of Forever/Appalachia Record Co.
The Cadillac Three/The Years Go Fast/Big Machine Records
Caleb Lee Hutchinson/Southern Galactic 
Bryan Ruby/Diamonds Are Forever

 

 

Industry Events: 

 

October 8 – 10
IEBA (International Entertainment Buyers Association)

October 11
Nashville Songwriters Hall of Fame Gala

BFD / Audium Nashville Acquires Rights To Release Louisiana Hayride Series

Bob Frank Distribution (BFD) / Audium Nashville has acquired the rights to release a series of historic live recordings by some of the most legendary artists in country music from the iconic Louisiana Hayride.

Five titles—featuring Elvis Presley, Hank Williams, Johnny Cash, George Jones and Jim Reeves—all part of the Louisiana Hayride Icon Series, are set to release on Black Friday, Nov. 24. Physical releases will come at a to-be-determined date in 2024.

“We are thrilled to partner with this iconic brand and catalog,” says BFE Founder/CEO Bob Frank. “We look forward to bringing out many releases physically and digitally from the legends of country music.”

75 years ago, as television was in its infancy, a weekly country music radio program out of Shreveport, Louisiana set out to replicate the success of other “barn dance” radio shows of the era, such as the Grand Ole Opry, the Old Dominion Barn Dance, the Wheeling Jamboree, the Midwestern Hayride and the Ozark Mountain Jubilee.

The Louisiana Hayride premiered on April 3, 1948, and got off to a rocky start as the program director and musical talent worked to figure out the mechanics of the ambitious radio and stage show.

All that changed the first week of August that year when a lanky troubadour hit town from Alabama and the world was introduced to Hank Williams, Sr. From the exposure parent station KWKH could offer with its coverage area of 38 states and a showcase on Armed Forces Radio heard from Japan to Ireland, Williams became the first of dozens to perform on the Hayride stage on the way to superstardom.

The historic recordings of Louisiana Hayride are owned by Global Media Archives.

Headliners Set For ‘New Year’s Eve Live: Nashville’s Big Bash’

Thomas Rhett, Lynyrd Skynyrd and Lainey Wilson are set to ring in the new year at CBS’ New Year’s Eve Live: Nashville’s Big Bash on Dec. 31, live from Nashville.

The rest of the lineup of star-studded performers and hosts for the five-hour celebration will be announced at a later date.

The annual event features nearly 50 performances from locations across the city, including the main stage in Nashville’s Bicentennial Capitol Mall State Park. The broadcast will cross multiple time zones, with the traditional countdown at midnight ET, culminating with the renowned Nashville music note drop and fireworks at midnight CT. Past performers include Kelsea Ballerini, Dierks Bentley, Brooks & Dunn, Luke Bryan, Sheryl Crow and Miranda Lambert, among others.

“Building on what we have established over the last two years by focusing on our artists, the fans and the vibrancy of downtown Nashville, this year’s lineup is shaping up to be our most exciting yet. We will celebrate 50 years of the iconic southern rock band Lynyrd Skynyrd, the skyrocketing Lainey Wilson and country music superstar Thomas Rhett, with over a dozen artists and special guests still to be announced,” says executive producer Robert Deaton. “Nashville is quickly becoming the destination for New Year’s Eve, and we are honored that CBS wants to help us continue to show off our music and incredible city with a new multi-year deal!”

The live, high-energy performances return to CBS in a multi-year deal for 2023 and 2024. New Year’s Eve Live: Nashville’s Big Bash, on the CBS Television Network and available to stream on Paramount+, is executive produced by Deaton and Mary Hilliard Harrington in partnership with the Nashville Convention and Visitors Corp. The special will be directed by Sandra Restrepo.

Jon Pardi Announces Christmas Album, Special New York Holiday Show

Jon Pardi is making spirits bright with the announcement of his first-ever Christmas album, Merry Christmas From Jon Pardi, releasing Oct. 27. The new 12-track holiday album, produced by Pardi, Bart Butler and Ryan Gore, releases the same week that Pardi is set to become the first California native inducted into the Grand Ole Opry.

To make things more joyful, Pardi has also announced holiday show at New York City’s Beacon Theatre on Dec. 16. Tickets will be available for purchase starting tomorrow (Oct. 3) via Citi Presale and through the Pardi Animals Fan Club, with general on-sale beginning Oct. 6.

In addition to his holiday show in New York, Pardi will kick off the season performing live at Nashville’s favorite holiday tradition, the Opry Country Christmas shows, on Nov. 26. Returning to the Grand Ole Opry House for the third year, Opry Country Christmas will be Pardi’s first major activity as an Opry member. Tickets for Opry Country Christmas shows are on sale now at opry.com.

The announcement comes on the heels of opening weekend of Pardi’s “Mr. Saturday Night Tour,” which kicked off its North American leg last week and heads to Hollywood, Florida on Oct. 5.

Merry Christmas From Jon Pardi Track Listing:
1. Beer For Santa
2. 400 Horsepower Sleigh
3. All I Want For Christmas Is You
4. Let It Snow, Let It Snow, Let It Snow
5. Merry Christmas From The Keys
6. Please Come Home For Christmas
7. Santa Looked A Lot Like Daddy
8. I’ve Been Bad, Santa (And Pillbox Patti)
9. Reindeer
10. Swing On Down To Texas
11. Winter Wonderland
12. A Long December

Brad Paisley Releases ‘Son Of The Mountains: The First Four Tracks’

Brad Paisley has released a sample of songs from his upcoming album, Son Of The Mountains, with Son Of The Mountains: The First Four Tracks.

He released the songs in this specific sequencing to help highlight the journey involved in writing the music for the album. Son Of The Mountains: The First Four Tracks includes the previously released tracks “Same Here” featuring Ukrainian President Volodymyr Zelensky and “So Many Summers,” plus the newly-released title track and “The Medicine Will.” The full album is slated for release in early 2024.

“Son Of The Mountains” and “The Medicine Will,” are inspired by the Appalachian region including Paisley’s home state of West Virginia, and reflect both the beautiful and the painful. Paisley has created and edited videos, directed by Jim Shea, to encapsulate the sentiment of each song. The “Son Of The Mountains” single and video both feature Dan Tyminski and Jerry Douglas and include colorful scenery of the state, while “The Medicine Will” focuses on the opioid epidemic and was shot in the depths of a coal mine featuring real life-stories of addicts, survivors and first responders.

“This album doesn’t shy away from reflecting real life and real situations going on in America and in our world today,” says Paisley about the new project. “This is what I think country music is about, which is truth.”

New IRS Rule Affects Concert Ticket Resellers

Zach Bryan. Photo: Courtesy of Shore Fire Media

A new ruling issued by the Internal Revenue Services (IRS) will now require ticketing companies to report if customers sold more than $600 in resale tickets in 2023. Previously, ticketing sites had to send a 1099-K form to sellers who made over $20,000 through 200 or more transactions.

The threshold was lowered to $600 by the American Rescue Plan Act of 2021 and made the change effective with the 2023 tax year. The Act did not make any changes to what is considered income nor how the tax is calculated.

This ruling includes proceeds from payment apps, online marketplaces, and third party settlement companies.

This law that comes on the heels of the American Rescue Plan Act, states that sellers pay taxes on the profits they made over the year, and follows popular tours such as Taylor Swift’s “The Eras Tour,” Beyonce’s “Renaissance Tour” and Zach Bryan‘s “The Burn, Burn, Burn Tour,” all of which had resale tickets listed for thousands of dollars on third-party resale sites.

Neil Medley Shares His Stories On Debut Project, ‘South End Kid’

Singer-songwriter Neil Medley has released his debut album, South End Kid.

The album features 12 tracks, 11 co-written by Medley and songwriters including the late Keith Gattis as well as Tony Lane, Randy Montana, Josh Thompson, Jessie Jo Dillon and others. Medley also included an organic take on the Bruce Springsteen classic, “Dancing In The Dark” on the project, which is his first as an artist after spending the last decade penning songs for acts such as Luke Bryan, Jason Aldean, Cody Johnson, Josh Abbott Band, Cody Johnson and Brent Cobb.

Medley grew up in Louisville and gravitated towards storytellers like John Prine, Guy Clark and Bob McDill. He began writing songs as a teenager, and after graduating from the University of Kentucky, packed his bags and moved to Nashville to pursue a career a as songwriter. In 2021, Medley landed his first career No.1 with Jake Owen’s “Made For You,” which he co-wrote with Benjy Davis and Joey Hyde.

“For the past 12 years, I have made a living writing songs for other artists,” he shares. “I’ve sat in writing rooms tailoring stories and melodies to fit someone else’s voice and brand, while always keeping one eye on current trends and the other on the past. South End Kid is a project void of all such compromises. It’s a wide-open highway of personal stories, told in my voice exactly how I wanted to tell them. South End Kid is an album that I would want to go out and buy.” 

South End Kid Track Listing:
1. “Two Bar Town” – (Neil Medley, Randy Montana, Dave Kennedy)
2. “Us That I Miss” (feat. Ryan Beaver) – (Neil Medley, Aaron Eshuis, Ryan Beaver, Brinley Addington)
3. “South End Kid” – (Neil Medley, Caroline Watkins)
4. “Hello, Goodbye” – (Neil Medley, Tony Lane, John Pierce)
5. “Just A Simple Man” – (Neil Medley, Steve Moakler, Andrew DeRoberts)
6. “Maliblue” – (Neil Medley, Jessie Jo Dillon, Aaron Eshuis)
7. “Hangovers & Broken Hearts” – (Neil Medley, Randy Montana, Josh Thompson)
8. “It’s Been Real” (feat. Jessie Jo Dillon) – (Neil Medley, Jessie Jo Dillon, Aaron Eshuis)
9. “Dancing In The Dark” – (Bruce Springsteen)
10. “Tucson” – (Neil Medley, Joey Hyde)
11. “Closer All The Time (feat. Keith Gattis)” – (Neil Medley, Keith Gattis) 
12. “Like Him These Days” – (Neil Medley, Neal Carpenter)

Worldwide Stages Announces Investment Opportunity In Its Production Campus

Rendering of Worldwide Stages Expansion.

Worldwide Stages, the 320,000 square foot entertainment production campus in Spring Hill, has launched its Regulation A stock offering to raise $75 million to build new soundstages and facilities to support the growing demand for music, TV, film and virtual production in the Nashville area.

The Worldwide Stages campus features four soundstages ranging from 3,000 to 21,000 square feet, thousands of square feet of green rooms and production suites, a private 70-seat theater, lobbies and atriums for industry events, on-site food and beverage service, on-site industry vendors and over 1,000 parking spaces on 38 acres.

The company plans to use the proceeds from the Reg A offering to construct additional soundstages and amenities, as well as to acquire state-of-the-art equipment and technology to enhance its services.

“We are excited to share this opportunity with our community and invite them to join us in our vision of transforming the entertainment production landscape in Nashville and beyond,” says Kelly Frey, CEO of Worldwide Stages. “We believe that our campus provides an unparalleled value proposition for our clients, who can enjoy the convenience, comfort, security, and quality of our facilities without compromising on their creative vision.”

Regulation A, or Reg A, is a type of exemption from registration with the SEC that applies to public offerings of securities. Worldwide Stages has chosen to proceed under Tier 2 of Reg A, which allows the company to offer its securities to both accredited and non-accredited investors around the world. The company’s offering circular can be accessed on the SEC’s website. Individuals interested in investing in Worldwide Stages can visit the company’s investor portal.

Worldwide Stages was founded in 2019 by entertainment industry veterans and since its inception, the company has hosted numerous feature film and TV production companies and music artists on its campus. The new Amazon Studios/Nicole Kidman feature film Holland, Michigan was recently shot at Worldwide Stages.