Jody Williams Songs Elevates Tenasie Courtright, Adds Jonah Gordon

Tenasie Courtright & Jonah Gordon. Photo: Gina Di Maio

Jody Williams Songs has elevated Tenasie Courtright to Director, Creative & A&R.

Formerly serving as Creative Director at the company, Courtright took on added duties by performing hands-on A&R for JWS writer-artists Emily Ann Roberts, Ashley McBryde, Harper O’Neill and Peytan Porter.

“When we discovered Tenasie’s natural abilities for A&R we encouraged her in this area and were extremely pleased with the results,” shares Nina Fisher, VP/GM of JWS. “She is a key member of our creative team, and we are lucky to have her.”

Additionally, Jonah Gordon has joined Jody Williams Songs as Manager, Sync & A&R.

Gordon comes to JWS from the sync department of Big Yellow Dog Music, which was recently acquired by Sony Music Publishing.

“Jonah is the right person at the right time to ramp up our sync business and enhance creative services for our writers,” Fisher adds. “He brings a skill set to our company that will help us to evolve and broaden the reach of our songs.”

Reach Courtright here and Gordon here.

CRS 2027 Agenda Committee Applications Open

Country Radio Broadcasters, Inc. is currently accepting applications for the CRS 2027 Agenda Committee.

The Agenda Committee plays a vital role in shaping and developing the educational programming for next year’s Country Radio Seminar, set to take place March 17–19, 2027. The CRS 2027 Agenda Committee will be led by Brittani Johnson as Chair, alongside Krista Hayes (BMG/Broken Bow Records) and Kevin Callahan (Pamal Broadcasting) as Vice Chairs.

The committee is comprised of volunteers from across all sectors of the country radio, streaming and music industry. Members collaborate to develop compelling panels, discussions and workshops that reflect the evolving landscape of country music and radio.

To be considered, applicants must be available to attend the mandatory in-person planning sessions in Nashville, scheduled for August 3–5, 2026, and must also be available to attend CRS 2027. Committee members will receive complimentary registration for CRS 2027. All travel and lodging expenses remain the individual’s responsibility.

Applications must be submitted by May 1 and can be completed here.

Jesse Stoll Named Executive VP/Global Touring For Icon Concerts & LiveCo

Jesse Stoll

Jesse Stoll has been named Executive Vice President, Global Touring for Icon Concerts and its parent company LiveCo.

Previously at Concerts West as vice president of touring, Stoll produced major tours for Sabrina Carpenter, Hans Zimmer, Theo Von, Tom Segura, Martin Lawrence and Ado. He began his career at Sony BMG leading national campaigns for  priority projects from Matisyahu, The Fray, Flyleaf, Maroon 5 and Sara Bareilles, among others. Recognized as one of Billboard’s 30 under 30, he moved on to AEG Southeast as a talent buyer, creating and producing several original music and entertainment festivals from Dubfest to the Village of Horrors. In 2022, he joined Concerts West focusing on securing national and global tour opportunities.

“We are thrilled to welcome Jesse to the Icon team,” says Paul Meloche, CEO of Icon. “As a proven winner I’ve known for years, he brings a rare dual expertise: The high-level experience of touring with major acts and the strategic vision for developing talent from the ground up.”

“Jesse is a great hire for Icon, not only to help add to the stable of great touring comedians but to bring artists from multiple genres to Icon and LiveCo,” says Chuck Steedman, LiveCo president and CEO. “Our company is the leading independent promoter and producer of live entertainment in the world, and a talent like Jesse will help us keep that incredible trajectory. He is exactly the kind of innovative thinker and deal maker that this company thrives on.”

“Icon Concerts has built a premier reputation through a tenacious, hands-on approach to promotion and production,” says Stoll. “I’ve long respected what Paul created as an independent in a fiercely competitive space. We share the same mindset of fighting for every dollar for both promoter and artist. The artists I work with are family, and supporting their vision will always lead. I’m proud to join Icon and excited to build with the scale of LiveCo behind us.”

Russell Dickerson & Crew Celebrate No. 1 Hit ‘Happen To Me’

Photo (L-R, back row): Big Machine Music’s Mike Molinar, UMPG’s Cyndi Forman, Triple Tigers’ Kevin Herring and Annie Ortmeier, BMI’s Mason Hunter, Studio Bank’s Ron Cox, Concord’s Courtney Allen and Hang Your Hat’s Hillary Lindsey; (L-R, front row): Chase McGill, Josh Kerr, Russell Dickerson and Chris LaCorte; Photo: Larry McCormack for BMI

BMI’s lobby was packed Tuesday afternoon (April 15) as the industry gathered to celebrate Russell Dickerson and the songwriters behind his sixth career No. 1, “Happen To Me.”

BMI’s Mason Hunter kicked off by highlighting Dickerson’s reach, noting that the track has already surpassed 340 million streams and recently earned a nomination for Best Country Song at the upcoming American Music Awards. “This kind of success doesn’t happen by accident,” Hunter said. “It happens when a lot of talent gets in a room and creates a great song.”

Big Machine Music’s Mike Molinar and Concord’s Brad Kennard and Courtney Allen also stepped to the mic to offer congratulations. Studio Bank’s Ron Cox announced that in honor of the No. 1, Studio Bank made a donation to Cultivate, an organization that is, “doing very impactful work in our community by feeding the hungry not only physically but spiritually.”

Pictured (L-R): MusicRow’s John Nix Arledge, Chase McGill, Josh Kerr, Russell Dickerson, Chris LaCorte and MusicRow’s Sherod Robertson; Photo: Larry McCormack for BMI

Other industry leaders who spoke included Universal Music Publishing’s Cyndi Forman and Triple Tigers’ Kevin Herring, who noted the song’s global reach, including five weeks at No. 1 in Canada and four weeks in the UK.

Producer Josh Kerr was the first of the creators to speak, commenting on the energy in the room that day. “I’m a big believer that when someone listens to a song on the radio, they can feel the way that it was made, and I think that directly translated into how the listeners heard it,” said Kerr.

Chase McGill, who had a billion-stream year across his catalog, spoke next. “I was like, honestly, I want to be a small part of elevating that guy’s platform. Russell’s so easy to pull for,” McGill explained.

Co-writer and co-producer Chris LaCorte shared the song’s “origin story,” mentioning a guitar preset called “Spandex and Hairspray” that inspired the track’s 80’s sound. “The coolest thing is seeing the absolute just fun and joy we had writing that song come across and give that to the listener and seeing people just having the time of their lives,” LaCorte said.

Jessie Jo Dillon was unable to attend, but speakers made sure to tout her big year and multiple Songwriter of the Year honors.

Dickerson closed the afternoon by expressing his gratitude for the community that raised him and for the team that supports him. “I love this freaking life so much. I love being an artist. I love being exhausted. I love playing in front of people,” Dickerson said. “This song has absolutely changed my life. I get to do everything that I’ve dreamed of because of these guys and everybody in this room.”

DISClaimer Single Reviews: Melissa Etheridge & Chris Stapleton Team For Disc Of The Day

Melissa Etheridge & Chris Stapleton.

Whether in romantic ballads or rollicking tempo tunes, there’s a definite summertime feel in this week’s country tracks.

The session was dominated by two outstanding duet performances. One unites Jamie Floyd and Jake Hoot, who sing their faces off in “The Blade.” The other pairs rock superstar Melissa Etheridge with country titan Chris Stapleton. Their electrifying combination as both writers and singers earns them the Disc of the Day award.

Texas strikes again as The Droptines earn a DISCovery Award.

BRETT YOUNG & COLBIE CAILLAT / “If the World Was Ending”
Writers: Jonathan Percy Saxe/Julia Michaels; Producer: Noah Needleman; Label: BMX
– Young and Caillat put their spin on this pop tune, and the result is elegantly listenable. It ain’t country, but it is quite lovely.

LAUREN ALAINA / “Raining Whiskey”
Writers: none listed; Producer: none listed; Label: Big Loud Records
– There’s a little too much that’s computer generated in the production, but her performance is solid. The heartbreak lyric is clever.

TY MYERS / “Me Neither”
Writer: Ty Myers; Producer: Brandon Hood; Label: RECORDS Nashville/Columbia/Outlier Recordings
– Gently persuasive. The pop groove swirls around his softly caressing vocal delivery. The airy track frames a romantic message. This teenage singer-songwriter has a definite heartthrob vibe going on.

MELISSA ETHERIDGE & CHRIS STAPLETON / “The Other Side of Blue”
Writers: Chris Stapleton/Melissa Etheridge; Producers: Melissa Etheridge, Shooter Jennings; Label: Sun Records
– Ultra dramatic, brilliant work. Both vocalists have off-the-charts vocal charisma, and together they are simply awesome. The song eloquently addresses the agony of grief and its ultimately spirit cleansing aftermath. You’ll find it on her essential new album, Rise.

GRAHAM BARHAM / “BREAKUP (DOWN)”
Writers: Cole Miracle/Graham Barham/Jared Cotter/Jay Sean/Jeremy Skaller/Lydia Vaughan/Robert Larow/Sam Bergeson; Producer: Sam Bergeson; Label: Sony Music Nashville
– Welcome to “Club Country,” where dance beats meet honky-tonk heartache.

LUKE GRIMES / “Drink Drink Drink”
Writers: Dave Cobb/Jessie Jo Dillon/Luke Grimes; Producer: Dave Cobb; Label: MCA
– A rousing barroom anthem, propelled by banjo and fiddle. Grimes hearty baritone is joined by a gang sing-along on the choruses. Pour me a double. The singer’s Marshals neo-western TV series airs on CBS on Sunday nights.

EMILY ANN ROBERTS / “My Future”
Writers: Emily Ann Roberts/Micah Wilshire/Shane Minor; Producer: Brandon Hood; Label: RECORDS Nashville/Sony Music Nashville
– Sunny, jaunty, bopping and charmingly nutty. She takes one look and goes into a giddy fantasy of plunging into lasting love. Her saucy delivery has one built-in smile after another.

THE DROPTINES / “Snowed In”
Writer: Kenneth C Arthur; Producer: Taylor Tatsch; Label: Big Loud Texas
– Rootsy. The raspy vocal, haunting lyric and atmospheric production mark this Americana band as a force of the future. The hard-working Texas quintet has been doing things the old-fashioned way, grinding out gig after gig and winning fans one by one.

ASHLEY MONROE / “I Hate Nashville”
Writers: Ashley Monroe/Luke Laird; Producers: Ashley Monroe, Luke Laird; Label: Mountainrose Sparrow
– What’s there to say when you love country music, but it doesn’t love you back? Say it in this lovely, lilting song that’s both a love letter and an unrequited lament. As always, her voice is a beacon of honesty and her writing is three chords and the truth. Loving this.

JAMIE FLOYD & JAKE HOOT / “The Blade”
Writers: Allen Shamblin/Jamie Floyd/Marc Beeson; Producer: Jimmy Thow; Label: Jamie Floyd Music
– Originally popularized by Ashley Monroe, “The Blade” retains its haunting power in this duet between Floyd and The Voice competitor Hoot. They harmonize beautifully in their full-throated, chill-bump inducing arrangement. Echoey electric guitar and steel add the icing on this delicious masterwork.

JACKSON DEAN / “Hey Mississippi”
Writers: Jackson Dean/Jessie Jo Dillon/Luke Dick; Producer: Luke Dick; Label: Blue Highway Records
– He’s smitten with a Delta darlin’ in this magnolia-scented ditty. The understated production frames his relaxed vocal perfectly with its pristine guitar riffs. The softly swaying vibe sounds like languid Southern summer.

JO DEE MESSINA / “Don’t Let Them Hide Your Beautiful”
Writers: Blessing Offor/David Spencer/Jo Dee Messina; Producer: David Spencer; Label: Dreambound Records
– Sparkling and twinkling with upbeat positivity. Messina sings with immense verve here, and the track bops along smartly. A sweetly delivered feminist anthem.

WARREN ZEIDERS / “Drinking Game”
Writers: Elof Loelv/Evan Blair/J Kash/Jesse Fink/Michael Pollack/Warren Zeiders; Producer: Evan Blair; Label: Warner Records
– This takes off with a woosh and a rush as Zeiders tackles a tempo tune that barrels down the track with monster energy. A breezy carnival ride.

Industry Ink: CMHOFM, Dierks Bentley, Jamie MacDonald

Country Music Hall of Fame & Museum Commemorates 20 Millionth Visitor

Country Music Hall of Fame and Museum CEO Kyle Young, Museum Board Member Sara Finley, Trisha Yearwood, Museum Board Member David Conrad and the Sagi Family (Assaf, Yuli, Liat and Tom). Photo: Courtesy of the Country Music Hall of Fame and Museum

The Country Music Hall of Fame and Museum celebrated the nonprofit’s 20 millionth visitor since moving downtown in 2001 this week with a commemoration in the museum’s Mike Curb Conservatory. Trisha Yearwood and museum CEO Kyle Young were on hand to mark the milestone, greeting visitors including the Sagi family from Santa Clara, California.

One of Yearwood’s early jobs when she moved to Nashville in the 1980s included being a tour guide at the museum, and her employment application is currently on display in the museum galleries. Attendees to the celebration printed their own keepsake poster from Hatch Show Print, the nearly 150-year-old letterpress print shop owned and operated by the museum. The museum is among the most-visited history museums in the U.S., welcoming nearly 1.4 million visitors in 2025.  Next month will mark the museum’s 25th anniversary downtown.

 

Country Music Hall of Fame & Museum Hosts Panel On Opry’s Comedy Tradition With Henry Cho & Gary Mule Deer

Gary Mule Deer, Country Music Hall of Fame and Museum Senior Director of Editorial Paul Kingsbury and Henry Cho at the museum. Photo: Courtesy of the Country Music Hall of Fame and Museum

Henry Cho and Gary Mule Deer participated in a discussion April 15 about the Grand Ole Opry’s practice of blending humor with musical performances. The comedians shared their own career paths that led them to the world-famous country radio show during a panel at the Country Music Hall of Fame and Museum, and the conversation was led by the museum’s Senior Director of Editorial Paul Kingsbury.

The Opry has a longstanding tradition of making comedy part of its entertainment mix, and Jerry Clower, Lonzo & Oscar, Mike Snider, Stringbean and Country Music Hall of Fame members Minnie Pearl and Rod Brasfield are just a few of the many comic talents who have been Opry cast members. In 2023, the Grand Ole Opry brought acclaimed comedians Cho and Mule Deer into the fold. The interview was offered in support of the museum’s Country’s Grandest Stage: The Opry at 100 exhibit.

 

Dierks Bentley’s ROW 94 Expands Nationwide With Broken Branches Release

Dierks Bentley‘s ROW 94 recently received a 94 rating from Wine Enthusiast magazine. The brand is expanding with the second release of its popular limited edition Broken Branches. Broken Branches, like all ROW 94 releases, is made in partnership with Lofted Custom Spirits at the Green River Distilling Co. in Owensboro, Kentucky. Bottled at 100 proof and aged five years, the bourbon also underwent “Branch Aging,” where time-worn, fire-toasted Oak staves seasoned for up to 24 months rested in the barrels to deepen the whiskey’s complexity. In its second release, Broken Branches is expanding to Arizona, Colorado, Florida, Georgia, Illinois, Indiana, Kentucky, New York, South Carolina, Tennessee, and Texas in the coming months.

 

Jamie MacDonald Makes National TV Debut On ‘Kelly Clarkson Show’

YouTube video

Jamie MacDonald made her national TV debut on The Kelly Clarkson Show this week, singing “Won’t Let Go” from her self-titled debut album, which was released earlier this year via Capitol CMG. McDonald is set to make her Grand Ole Opry debut on May 1.

T.J. Martell Hosts 2026 Nashville’s Best Cellars Dinner

John McBride, Martina McBride. Photo: Ed Rode for The T.J. Martell Foundation

The T.J. Martell hosted the 2026 Nashville’s Best Cellars Dinner on Tuesday (April 14).

The exclusive event, with Grand Cru Presenting Sponsor Secure Air, brought together influential and philanthropic leaders from Nashville’s music and wine industries for a celebratory charity auction and dinner dedicated to the fight against cancer. With $690,000 in total revenue, the evening set a new record for the event in Nashville.

The evening also recognized Martina and John McBride with the prestigious Billy Ray Hearn Award of Excellence. Established to carry forward the legacy of Billy Ray Hearn, the award honors industry leaders who exemplify outstanding professional achievement, extraordinary philanthropic contributions, and an unwavering commitment to Music’s Cure for Cancer.

Additionally, the event featured a spirited fundraising auction hosted by acclaimed radio personality and auctioneer Shawn Parr.

Michael Bublé, Randy Travis (seated), Lauren Alaina. Photo: Ed Rode for The T.J. Martell Foundation

Attendees included Randy Travis, Mary Travis, Michael Bublé, Dave Cobb, Frank Ski, Lauren Alaina, Jordan Davis, Karen Fairchild of Little Big Town, Brad Tursi of Old Dominion, and Kimberly Perry and Johnny Costello of The Band Perry. This year’s dinner, which was presented by Troy and Nicole Vollhoffer and Premier Global Production, was crafted by Executive Chef Freddy Money of Atlas in Atlanta.

Nashville’s Best Cellars Dinner was presided over by Steve Gawley, Executive Vice President of Business & Legal Affairs and Business Development at REPUBLIC Collective and Chairman of the Board of Trustees for the T.J. Martell Foundation, and co-hosted by Mike Harris, President and CEO Music Corporation of America (MCA) and John Esposito, Co-Founder of HEY NOW Records and 15-year veteran Chairman/CEO of Warner Music Nashville. A Dinner Committee featuring many of Nashville’s top executives included Stacy Blythe, Charlie Brusco, Dave Cobb, Derek C. Crownover, Seth England, Clint Higham, Jon Loba, Jordan Pettit, Patrick Sabatini, and John & Nataliia Sanzo. Event co-chairs in attendance also included entrepreneur, philanthropist and wine collector Tom Black, and philanthropist, wine connoisseur and active supporter of various charitable organizations Eliza Kraft Olander.

“Last year, we celebrated the 50th anniversary of the T.J. Martell Foundation. Over that half century, we — together — have raised more than $280 million to fund bold, high-risk/ high reward cancer research that has led to real breakthroughs and lifesaving treatments. This reflects not only strong stewardship, but also the trust that all of you place in this organization,” says Gawley, Chairman of the Board of Trustees for the T.J. Martell Foundation. “It also reminds us that there is still so much more to do. The work you support doesn’t happen someday — it is happening everyday in the finest cancer research institutions in the nation because of what we choose to do in rooms like this. And here in Nashville, that impact is real, not abstract — it’s right here in your own community. The marquee on the Vanderbilt-Ingram Cancer Center contains the words ‘Supported by the T.J. Martell Foundation.’ That’s not just recognition. It’s a reflection of decades of commitment from this community. And your commitment is driving real science.”

Pictured (L-R): Steve Gawley, Jordan Pettit, Stacy Blythe, Scott Borchetta, John Sanzo, John McBride, Martina McBride, John Esposito, Eliza Kraft Olander, Mike Harris, Frank Ski, Chef Freddy Money, Dave Cobb, Shawn Parr, Peter Marcum. Photo: Ed Rode for The T.J. Martell Foundation

“Now, as many of you know, I had the privilege of serving as the chair of the Nashville Board of Governors for years, and the T.J. Martell Foundation is deeply personal to me. But the story of this Foundation in Nashville did not start with me. It started with giants,” shares Esposito, Former Chairman of the Board of Trustees for the T.J. Martell Foundation. “It started with people like the legendary Frances Preston. Frances was a force of nature. She brought the T.J. Martell Foundation to Nashville because she saw the power of this community. She knew that the music industry did not just write songs; we take care of our own, and we fight for the people who need it most. Frances laid the groundwork that allowed us to build the Frances Williams Preston Labs at Vanderbilt-Ingram Cancer Center, right here in our backyard.”

“Every year, I am reminded of just how extraordinary this community is, and this year’s Nashville Best Cellars Dinner was no exception,” says Lynn-Anne Huck, CEO of the T.J. Martell Foundation. “The artists, executives, and philanthropic leaders who came together that evening didn’t just attend an event; they reaffirmed a shared belief that we can and will make a difference. Their generosity moves me deeply, and I am endlessly grateful.”

Lauren Alaina, Karen Fairchild. Photo: Ed Rode for The T.J. Martell Foundation

Brad Tursi and Roxy King. Photo: Ed Rode for The T.J. Martell Foundation

Dave Cobb, Frank Ski, Steve Gawley. Photo: Ed Rode for The T.J. Martell Foundation

KMM Sports Joins Forces With Borchetta Entertainment Group

Kelli Masters‘ boutique agency KMM Sports has formed a strategic partnership with Borchetta Entertainment Group, the multi-platform company founded by industry titan Scott Borchetta, and veteran media executive Erik Logan, former President of the Oprah Winfrey Network and current CEO of Tony Robbins’ conglomerate, Robbins Research International.

The new partnership gives KMM Sports the brand-building infrastructure, media relationships, and business management capabilities of a world-class entertainment organization while preserving the personal, relationship-driven representation that has defined KMM for two decades. KMM Sports has represented players in every NFL Draft since 2006, and the move positions KMM Sports as one of the only agencies in professional sports to combine NFLPA-certified contract negotiation with entertainment-grade brand management, strategic financial planning, and full-service legal counsel under one roof — from the first college offer through professional career, retirement and into life after the game.

In 2010, Masters became the first woman in history to represent a Top 5 pick in the NFL Draft when Gerald McCoy was selected No. 3 overall by the Tampa Bay Buccaneers, and in the 16 years since, she has represented more athletes than any woman in the industry, negotiated hundreds of millions of dollars in NFL contracts, and built KMM Sports into one of the most respected boutique agencies in professional sports. Masters, a member of the Cherokee Nation and former Miss Oklahoma, earned her Juris Doctorate with honors from the University of Oklahoma and was named one of Bleacher Report’s 25 Most Influential Women in Sports.

“For twenty years, I’ve built KMM on a simple belief: represent the whole person, not just the player,” says Masters. “We’ve done that with heart, with hustle, and with relationships that last longer than any contract. This partnership doesn’t change who we are — it amplifies what we can do. Our athletes now walk into any room with the credibility and infrastructure of an organization that has built some of the biggest names in entertainment. We’re ready to go up against anybody.”

“I built Big Machine Records from nothing — thirteen people, three artists, and a belief that the independents could outwork the majors. We proved that. The same playbook applies here,” says Borchetta. “Kelli has something that no mega-agency can replicate: twenty years of trust, built one athlete at a time. What Erik and I bring is scale — the brand-building infrastructure, the media relationships, and the business management capabilities that turn a great agent into an industry-defining platform. When the world sees the full picture of what we’re building, they’re going to understand why every athlete should be paying attention.”

“Our job is to build the infrastructure around the agency so athletes get the same caliber of brand management, financial guidance, and career strategy that the biggest names in entertainment and music have relied on for decades. This is about giving the athletes a partner for every chapter of their life — not just the seasons they play,” adds Logan.

KMM Sports will now offer athletes a fully integrated platform that spans every stage of their career, including Contract Negotiation & Legal Representation; End-to-End Brand Management; Financial Advisory & Wealth Strategy; Media, Content & Digital Strategy; NIL & College-to-Pro Transition; and Post-Career Transition & Life Planning. The announcement comes as Borchetta Entertainment Group rapidly expands its management division, which now includes artists Carly Pearce, The Band Perry, and a roster of developing artists across country, Americana, and the broader music landscape, giving KMM Sports clients access to an entertainment ecosystem that spans music, media, content creation, and brand partnerships.

Jake Saghi Inks With Sony Music Publishing & Ace High Music

Pictured (Back Row, L-R): Travis Chaney (Ace High Music), Jackson Kiger (SMP), Tom Luteran (SMP), Cam Caldwell (SMP) and Chelsea Kent (SMP). (Front Row, L-R): Chris Poole (Ace High Music), Abigail Wate Ayala (Ace High Music), Jake Saghi and Rusty Gaston (SMP).

Jake Saghi has inked with Sony Music Publishing and Ace High Music.

“Chris and Abigail [Wate Ayala] are fighters and I’m stoked to have them by my side,” he shares. “This is the start of an exciting new chapter with Ace High and Sony, and I can’t wait to see how far we take it!”

A Colorado native, Saghi has worked with Kidd G, Redferrin, Dom Ellis, Cassadee Pope, Abby Anderson, Rodney Atkins, Lakeview, Sacha and more. His recent cuts include “If I Was California,” by Redferrin, “Circa 17’” by Jon Langston, and Kidd G’s “Probably Shouldn’t Drive,” among others.

“Jake is an incredibly talented songwriter and producer with a natural gift for crafting hits,” says Rusty Gaston, Sony Music Publishing Nashville CEO. “We’re excited to welcome him to SMP and partner with the Ace High team to support his growing career.”

“Jake is the kind of writer and producer we’re always searching for – authentic, disciplined, and creatively fearless,” adds Chris Poole, Ace High Music Vice President & Partner. “From the first conversation, it was clear he understood who he is and where he’s headed. We’re excited to help amplify that vision alongside Sony Music Publishing and build something incredible together.”

Luke Combs Honored With ‘TIME100’ Cover

Photo: Robby Klein

Luke Combs was honored earlier this week with a TIME100 cover story, highlighting him as one of the world’s most influential people..

Combs’ full feature is available here, and a tribute written by Ed Sheeran can be found here.

Combs recently kicked off his “My Kinda Saturday Night Tour” with a sold-out show at Las Vegas’ Allegiant Stadium, which broke the venue’s attendance record. Additional tour stops will include three nights at London’s Wembley Stadium, two nights at Edinburgh’s Scottish Gas Murrayfield, two nights at Ireland’s Slane Castle, two nights at Green Bay’s Lambeau Field and stops at South Bend’s Notre Dame Stadium, Knoxville’s Neyland Stadium, Columbus’ Ohio Stadium, Paris’ Accor Arena and Sweden’s Ullevi, among others.

The tour celebrates Combs’ new album, The Way I Am, which he released on March 20 via Sony Music Nashville. Produced by Combs, Jonathan Singleton and Chip Matthews, the 22-track album includes a collaboration with Alison Krauss as well as previously released songs “Sleepless in a Hotel Room,” “My Kinda Saturday Night,” “Days Like These,” “15 Minutes,” “Giving Her Away” and “Back in the Saddle.”