Weekly Chart Report (2/28/14)
Click here or above to access MusicRow‘s weekly CountryBreakout Report

Click here or above to access MusicRow‘s weekly CountryBreakout Report


Suzanne Alexander

Pictured (L-R) front row: Jimmy Robbins, David Nail and Jon Nite. (back row): Frank Liddell, ASCAP’s LeAnn Phelan, Universal Music Publishing Nashville’s Kent Earls, Universal Music Group Nashville’s Mike Dungan, Sony/ATV Music Publishing’s Josh Van Valkenburg and ASCAP’s Ryan Beuschel. Photo: Ed Rode.

Pictured (L-R): David Nail, UMG Nashville Chairman & CEO, Mike Dungan. Photo: Ed Rode

BMI, ASCAP, and Big Machine celebrated Tim McGraw’s No. 1 hit “Southern Girl” at BMLG’s CRS show last week. Co-written by Jaren Johnston, Lee Thomas Miller, and Rodney Clawson, “Southern Girl” is McGraw’s 35th trip to the top of the charts.

Pictured (back row, L-R): ASCAP’s Evyn Mustoe, Ryan Beuschel, and LeAnn Phelan, and BMI’s Bradley Collins; (front row, L-R): Big Machine Label Group President & CEO Scott Borchetta, co-writer Jaren Johnston, Tim McGraw, and co-writers Lee Thomas Miller and Rodney Clawson. Photo by Rick Diamond.
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Cole Swindell (Warner Bros./WMN) and the WMN team recently celebrated his first No. 1 for his debut single “Chillin’ It.”

Pictured (L-R): WMN’s Chad Schultz, Scott Hendricks, Lou Ramirez, Kevin Herring, Peter Strickland, John Esposito, Cole Swindell, Kristen Williams, Red Light Management’s Jacob Knott, Red Light Management’s Waylon Weatherholt, WMN’s Cris Lacy, Justin Luffman, and Tyler Wall.
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The Ryman Auditorium was named Theatre of the Year during the twenty-fifth annual Pollstar Awards. The award was voted on by industry peers, and the win marks the fourth year in a row that Nashville’s iconic venue has been named Theatre of the Year by Pollstar Magazine. Since its 1994 renovation, the venue has won the award a total of six times. Ryman GM Sally Williams also was named Facility Executive of the Year during the ceremony.
Under Williams’ leadership, the Ryman has been awarded SRO Venue of the Year Presented by CMA in 2013 and 2012, Pollstar Magazine‘s 2013, 2012, 2011 and 2010 Venue of the Year, the Academy of Country Music’s 2012, 2010 and 2008 Venue of the Year and the International Entertainment Buyers Association’s 2009 Venue of the Year.

Ryman Auditorium General Manager Sally Williams. Photo by Steve Lowry/
Ryman Archives
Albums
With CRS behind us, overall album sales are down 11 percent week over week, while Country album sales are down 27 percent from last week when Eric Church‘s The Outsiders sold 288k units. This week’s noteworthy debut is MusicRow Challenge Coin recipient Cole Swindell. The “Chillin’ It” singer’s self-titled debut album (Warner Nashville) heats up to No. 2 (No. 3 overall), selling 63k units. Church’s The Outsiders (EMI Nashville) continues to reign as the No. 1 Country album (No. 2 overall), selling 73k units (361k RTD). Church recently performed alongside 16 other artists at UMG’s CRS event.
The top overall album is Frozen: Original Motion Picture Soundtrack by Various Artists, selling 89k units (1.1 million RTD). YTD, overall album sales are down 15.4 percent, while Country album sales are down 13.5 percent. The same week last year, Mumford and Sons’ Babel was the top overall album, selling 63k units, while Taylor Swift’s RED sold 28k units as the top Country album.
Tracks
Brantley Gilbert’s “Bottoms Up” is the top Country track this week (No. 19 overall), selling 64k units (479k RTD). Eli Young Band’s “Just Add Moonlight” is the top County debut, coming in at No. 40 with 9.5k units sold. Another noteworthy debut is Beck’s “Wave,” which floats at No. 92 with 17k units sold.
Pharrell William’s “Happy” is the top overall track, selling 402k units (1.7 million RTD). YTD, overall track sales are down 11.5 percent, while Country track sales are down 17.2 percent. The same week last year, Baauer’s “Harlem Shake” was the top overall album, selling 287k units, while Blake Shelton’s “Sure Be Cool If You Did” was the top Country track with 71k units sold.
Next week’s numbers will include Dierks Bentley’s Riser and Chris Janson’s Take It To The Bank.
NBC and Clear Channel Music + Entertainment will partner to televise the first-ever iHeartRadio Music Awards on May 1. The iHeartRadio Music Awards will air from the Shrine Auditorium in Los Angeles from 8-11 p.m. ET. The show will be executive produced by Clear Channel Media and Entertainment and Ryan Seacrest Productions. The show will be produced by Done and Dusted Production, and directed by Hamish Hamilton.
The iHeartRadio Awards will broadcast and stream live the audio across all participating Clear Channel radio stations and their websites, and on iHeartRadio.
Clear Channel also recently unveiled the iHeartRadio Countdown, a new two-hour weekly program syndicated by Premiere Networks that premiered Jan. 14, and highlights the top 20 songs on the iHeartRadio chart. The show will be co-hosted each week by a major artist and iHeartRadio’s Romeo On The Radio.

Ashley Sidoti
The Valory Music Co. has promoted Ashley Sidoti to the role of Southeast Director of Promotion and Marketing. In this position, Sidoti will work in the Southeast region promoting all Valory Music Co. artists including Reba, The Mavericks, Brantley Gilbert, Justin Moore and Thomas Rhett.
“I am both thrilled and honored to be stepping into this new role,” said Sidoti. “I’ve learned so much from everyone on the Valory team and have met so many wonderful people working in Country radio. I am ecstatic that this opportunity will allow me a bigger opportunity to showcase our talented roster of artists in the Southeast and beyond.”
“Ashley has been a great addition to The Valory Music Co. acting as the Label Promotion Coordinator,” said Valory Vice President George Briner. “I’m now pleased to announce the promotion of Ashley as Southeast Director Promotion and Marketing. Her passion for music and focus to detail makes this a great choice. All of us with The Valory Music Co. and the Big Machine Label Group are excited for Ashley to take on this new position, plus it’s great to see someone grown within the organization.”
She most recently served as the promotion coordinator for The Valory Music Co., where she returned to in 2012 after serving as the Creative Assistant at Better Angels Music and as Client Manager at Harris Business Management.
Sidoti can be reached at 615-574-7827 or via ashley.sidoti@valorymail.com

JoJamie Hahr

Pictured (L-R): Black River’s VP of A&R, Doug Johnson; John King; Kellie Pickler; Black River’s, CEO Gordon Kerr; Craig Morgan; Black River’s General Manager, Greg McCarn; Black River’s VP Promotion, Bill Macky. Photo: John Russell
On the final day of CRS (Friday Feb. 21) MusicRow attended Nielsen Entertainment’s panel on streaming, titled “Who Moved My Listener? Trends In Media Consumption.” A sleepy afternoon crowd scattered throughout the room, while Nielsen’s Stephanie Friedman discussed the company’s latest research.
Friedman focused on user driven streaming and broke down demographics for the audience. The typical streamer is a tech savvy male between the ages of 18 and 34. Not surprisingly, most streams originate from either computers or car radio. Nielsen is currently unable to offer regional demographics for streaming, and uses YouTube to obtain that information.
The audience showed more interest when Friedman spouted statistics on streaming and Country music. In 2013 alone, Nielsen tracked 118 billion streams, with the highest volume coming from streaming giant YouTube. The most streamed Country song of 2013 was Florida Georgia Line’s “Cruise,” with more than 86,277,000 streams. The band’s meteoric hit continues to reign as the most streamed Country track per week, followed by Jason Aldean’s “When She Says Baby” at No. 2 and Luke Bryan’s “That’s My Kind Of Night” at No. 3.
Overall, the panel stressed the important relationship between streaming and radio, noting how each entity informs one another, and imparted semi-interesting data to listeners. It also touched on the problems, within streaming, noting that there is no way to prevent the corruption of streaming numbers.
After ending early, the panel sent attendees sauntering though Nashville’s Convention Center, eagerly awaiting the night’s “New Faces” show.