Notable Music Journalist Gerry Wood Passes

Veteran music journalist and colorful Nashville media figure Gerry Wood died in Florida last Saturday (May 3) at age 87.

Wood was the manager of the Billboard office in Music City. He was also a popular local television personality in the 1980s.

Born Gerald E. Wood in Lewiston, Maine, he began his entertainment career in radio. He was a news and sports reporter at WSON in Henderson, Kentucky, then polished those skills while also becoming a DJ at WVJS in Owensboro, Kentucky. He graduated from the University of Kentucky in 1960 and went on to earn a masters degree from Vanderbilt University in 1965.

Gerry Wood continued to combine his news acumen and on-air personality skills at WAKY in Louisville and WKDA in Nashville (1964-66). He then shifted to working on Music Row. He worked in public relations at Vanderbilt (1966-69) and ASCAP (1969-75). Wood began his first stint at Billboard in 1975. He was named the publication’s editor-in-chief in New York in 1980.

He moved back to Music City to become editor at Nashville magazine (1983-84) and Nashville correspondent for People magazine (1984). Gerry Wood returned to Billboard to become the general manager of the publication’s Nashville bureau in 1986.

On local television, he became known as “The Gamboling Gourmet” on WTVF-TV. He was also a regular reviewer on the TNN cable channel in the mid 1980s.

Boundlessly enthusiastic, he was omnipresent at music-biz parties and junkets. He was also a travel enthusiast.

His then-wife Ellen Wood became a publicist in the BMI Nashville office. They worked with an emerging group of media folks, including Ed Morris, Debbie Holley, Chuck & Sandy Neese, Jimmy Buffett and Kip Kirby. Wood won a Journalistic Achievement Award from SESAC in 1981.

Gerry Wood wrote a number of books. Ain’t God Good (1975) and Let the Hammer Down (1978) were collaborations with country comedian Jerry Clower. Other titles included The Grand Ole Opry Presents the Year in Country Music (1997) and Tales From Country Music (2003).

Gerry Wood wrote for Country Weekly, as well as many other publications as a freelance journalist. He was a member of the CMA, the GMA, NSAI and the Recording Academy. He served on the board of the Nashville Entertainment Association.

Following his divorce, he moved to Florida and wrote books as well as articles for local publications on the Gulf Coast. He passed away in Inverness, Florida. No funeral arrangements have been announced.

Lulu Roman, Beloved ‘Hee Haw’ Star & Gospel Artist, Dies At 78

Lulu Roman. Photo: Jeremy Westby

Lulu Roman, the country and gospel music singer, comedian and beloved star of the long-running variety show Hee Haw, passed away on Tuesday (April 22) in Bellingham, Washington. She was 78.

A native of Dallas, Texas, Roman was born with a thyroid condition and placed in an orphanage at birth, facing significant early-life challenges on her path to becoming one of country entertainment’s most beloved figures. Before finding fame, she worked in Dallas nightclubs under the stage name “Lulu Roman, the World’s Biggest Go-Go Dancer,” in venues owned by Jack Ruby.

In 1969, with the endorsement of country legend Buck Owens, Roman joined Hee Haw, where she quickly became known for her infectious laughter, impeccable comedic timing and soul-stirring vocals. She also starred in the Hee Haw spinoff Hee Haw Honeys, the stock car film Corky, and appeared in episodes of The Love Boat and Touched by an Angel.

Roman’s journey wasn’t without challenges. During her early years on Hee Haw, she struggled with drug addiction, which led to a temporary departure from the show in the early 1970s. Her eventual recovery and conversion to Christianity sparked a second act as a gospel artist. Her music career flourished, earning her a Grammy nomination and multiple Dove Awards. Albums like You Were There and Take Me There blended her powerful testimony with moving performances that brought hope and healing to listeners.

Over the years, Roman recorded more than a dozen albums and was inducted into both the Country Gospel Music Hall of Fame and the Christian Music Hall of Fame. In 2013, she released At Last, an album of musical standards featuring duets with Dolly Parton, T. Graham Brown, Linda Davis and George Jones. She also shared her life story in her 2019 autobiography, This Is My Story; This Is My Song.

Beyond music and television, Roman devoted her time to numerous charitable efforts, championing causes related to children’s welfare, heart health, and addiction recovery—deeply personal missions that reflected her own path to healing and redemption.

Funeral arrangements have not yet been announced.

Music Row Musician & Mogul David Briggs Passes

David Briggs. Photo: Courtesy of the Country Music Hall of Fame and Museum

Keyboardist David Briggs, who performed with a who’s-who of rock and country greats, has died at age 82.

A 60-year veteran of Music Row, Briggs was also a song publisher, studio owner, songwriter and arranger. He was a member of the Musicians Hall of Fame as well as the Alabama Music Hall of Fame.

His career began in Florence, Alabama in the 1950s as a teenager who performed on local television and won boogie-woogie talent contests. Across the river was Muscle Shoals, which began to emerge as a music capital in the early 1960s. Songwriter Earl “Peanutt” Montgomery invited Briggs to recording sessions at FAME Studio, and the piano player soon became a key member of the original Muscle Shoals Rhythm Section. He and Muscle Shoals bass player Norbert Putnam became lifelong friends and collaborators.

Briggs played on all of the early Muscle Shoals hits, including those of Arthur Alexander, Joe Tex, Jimmy Hughes and Al Green. He began to write songs during this era. Brenda Lee, Percy Sledge and Dan Penn were among those who recorded his early songwriting efforts.

Recording sessions in Alabama weren’t constant. He and many of the other Muscle Shoals players relocated to Nashville, where session musicians worked around the clock. David Briggs arrived in Music City in 1965. During his first year in Nashville, he played on 140 recording sessions. This soon accelerated into 400+ sessions a year.

His versatility was one reason for his success. Those sessions were for such diverse artists as Johnny Cash, Bob Seger, Kenny Rogers, Connie Smith, Jerry Lee Lewis, Dean Martin, Willie Nelson, Joan Baez, Loretta Lynn, The Pointer Sisters, Ronnie Milsap, B.B. King, Waylon Jennings, Leon Russell, Joe Cocker, Hank Williams Jr., Linda Ronstadt, Roy Orbison, B.J. Thomas, Tony Joe White, Chet Atkins, Dolly Parton, Kris Kristofferson, The Monkees, Reba McEntire, John Prine, Dobie Gray, K.T. Oslin, Don McLean, Donovan, Billy Bob Thornton, Kenny Chesney, Nancy Sinatra, Charley Pride, The Everly Brothers, Eddie Rabbitt, Carl Perkins, Barbara Mandrell, Alice Cooper, George Harrison, Peter, Paul & Mary and many other music legends. He had more than 10,000 music credits on his resume.

During his journey to prominence as an “A Team” session musician, David Briggs also recorded solo albums and performed live, including as a member of the Nashville session supergroup Area Code 615 in 1969-71. In 1974, he was a member of The James Gang. The musician first backed Elvis Presley in 1966. Many recording sessions later, he performed in Presley’s TCB Band throughout 1976.

Briggs was also the music director for network and cable television specials. In addition to playing on records, he was a noted string arranger.

He branched out into other areas of the music business. In the late 1960s, Briggs partnered with Norbert Putnam to open Quadrafonic Sound. It became the premier studio in Nashville for visiting pop and rock musicians, including Neil Young, Dan Fogelberg and Jimmy Buffett. Briggs went on to create his own House of David recording studio nearby.

Also with Putnam, Briggs founded the publishing company Danor Music. The firm signed such Nashville Songwriters Hall of Fame members as Troy Seals and Will Jennings.

In 1999, David Briggs was inducted into the Alabama Music Hall of Fame. 10 years later, he and his fellow Muscle Shoals Rhythm Section members entered the Musicians Hall of Fame, which is located in downtown Nashville.

Younger brother John Briggs became an executive at ASCAP and U.S. Bank.

David Briggs died on Tuesday (April 22). He is survived by two sons, Darren and Gabriel. Funeral arrangements have not been posted.

Entertainment Attorney Steve Weaver Passes

Steve Weaver

Entertainment attorney Steve Weaver passed away April 12 following a battle with Posterior Cortical Atrophy, a rare form of Alzheimer’s disease. He was 76.

Weaver had a 40-year career as an entertainment attorney in Memphis and Nashville. In his early years, he was also a musician, songwriter, guitar instructor and entertainment agent. After graduating from law school, Weaver relocated to Atlanta and was employed as an Assistant Professor and Director of the Commercial Music/Recording Program at Georgia State University. He later began his private practice, the Law Office of C. Stephen Weaver, in 1983, with offices in Memphis and Nashville. In 1995 he moved all offices to Nashville’s Music Row. He was a partner in artist management firm Streetlight Management from 2008-2010.

Throughout his career he was a member of the American Bar Association, Tennessee Bar Association, Nashville Bar Association, Country Music Association, Academy of Country Music, Gospel Music Association, Copyright Society of the South and Nashville Songwriter’s Association International.

Weaver is survived by his wife, Connie James Weaver; son, Lorne Mills of Phoenix; step-daughter, Katie Moore of Los Angeles; brother, Barton Weaver (Ella) of Bossier City, Louisiana; sister, Karen Singleton (Don) of Memphis; nephews and nieces Hayden Weaver, Kirk Weaver, Lindsey Shelton, and Becky Aston; sister-in-law, Sharon James Grubbs (Don); and his beloved dogs, Bubba and Leon.

Memorials in Weaver’s honor can be made to Alive Hospice of Nashville or Proverbs 12:10 Animal Rescue. A private memorial will be scheduled at a later time.

BREAKING: Joel Katz, Prominent Music Industry Attorney, Passes Away

Joel Katz

Renowned music industry attorney Joel Katz has passed away at the age of 80, MusicRow has confirmed.

Katz was the founding chairman of the global entertainment and media practice at Greenberg Traurig and played a pivotal role in shaping the careers of countless artists, producers and executives. Over his decades-long career, he represented a wide-ranging roster of legendary clients, including James Brown, Jimmy Buffett, Jamie Foxx, Steve Harvey, Faith Hill, Julio Iglesias, Alan Jackson, the Estate of Michael Jackson, Kris Kristofferson, Little Big Town, Ludacris, Tim McGraw, L.A. Reid, George Strait, James Taylor, Justin Timberlake, TLC and many more. He also served as counsel to major industry organizations such as the Recording Academy and the Country Music Association.

Beyond artist representation, Katz helped shape the modern entertainment industry by facilitating corporate acquisitions and mergers and consulting for multi-national and multi-media entertainment companies.

Born and raised in the Bronx, Katz earned his law degree from the University of Tennessee and spent the majority of his life and career in Atlanta.

In 2021, he stepped down from Greenberg Traurig and joined Barnes & Thornburg, bringing clients including Mike Dungan and Randy Goodman with him.

At one time, Katz was ranked Billboard’s No. 1 entertainment attorney on its Power 100 list of the music industry’s most powerful executives. He also made a lasting impact on education, endowing and establishing a commercial music program at Kennesaw State University—now one of the largest music education programs in the U.S. In recognition of his contributions, the University of Tennessee College of Law named its library in his honor: the Joel A. Katz Law Library.

Katz was also known for his philanthropy, particularly his support of City of Hope and the T.J. Martell Foundation. Over the years, he was honored numerous times, including receiving the Recording Academy’s prestigious Trustees Award.

A service for Katz will be held on Tuesday, April 22 at 3:00 p.m. at Arlington Memorial Park (201 Mt Vernon Hwy NW, Sandy Springs, GA 30328) followed Shivah at 5:00 p.m. on Tuesday, Wednesday and Thursday at Temple Sinai (5645 Dupree Dr., Atlanta, GA 30327.)

In lieu of flowers, the family suggests that donations in Katz’ memory may be made to the Mayo Clinic: Joel and Rikki Katz PSP Research Fund (Mayo Clinic, 200 First Street SW, Rochester, MN 55905.)

Stellar Guitarist & Songwriter Mac Gayden Passes

Mac Gayden. Photo: Jim McGuire, courtesy of the Country Music Hall of Fame and Museum

Nashville pop/rock pioneer Mac Gayden died on Wednesday (April 16) at age 83.

Gayden left his mark on Music City as a songwriter, a guitarist and a performer. He co-wrote such soul classics as “Everlasting Love” and “She Shot a Hole in My Soul,” co-founded the Southern rock bands Barefoot Jerry and Area Code 615, recorded a number of solo LPs and played lead guitar on albums by Kris Kristofferson, Bob Dylan, Elvis Presley, Linda Ronstadt and many others.

Born McGavock Dickinson Gayden and raised in a prominent Nashville family, Gayden pursued music as a career despite his family’s wish that he become a doctor. As a teenager, his guitar skills earned him membership in the pioneering Nashville rock & roll band The Escorts, featuring future Country Music Hall of Fame member Charlie McCoy. In the early 1960s, The Escorts toured regionally and played local gigs, including many fraternity parties at Vanderbilt University.

At one of those Vanderbilt gigs, he met local soul singer Robert Knight. Gayden and Buzz Cason co-wrote “Everlasting Love” for Knight and produced his 1967 hit record of the song. “Everlasting Love” went on to become a pop standard. It has been a hit in various countries 12 times, including U.S. versions by Carl Carlton (1974), Rex Smith & Rachel Sweet (1981) and Gloria Estefan (1995). Superstar rockers U2 issued their rendition of the song in 1994.

Robert Knight introduced Gayden & Cason’s “Love on a Mountain Top” in 1968. The song was a favorite in Pittsburgh and Philadelphia, but failed to catch on nationally. But in 1974, Knight’s single became a top-10 in Finland, Ireland and the U.K. The songwriting team also crafted Knight’s 1968 single “My Rainbow Valley,” which became a top-10 U.K. hit via a version by The Love Affair.

Gayden and Chuck Neese co-wrote the beach-music mainstay “She Shot a Hole in My Soul,” which was originated by Clifford Curry in 1967. The song was subsequently recorded by The Box Tops, John Fred & His Playboy Band, Huey Lewis & The News and others.

By the late 1960s, Mac Gayden’s prowess as a guitarist had attracted the attention of Nashville’s top session musicians and producers. With Wayne Moss, Kenny Buttrey, McCoy and others, he formed Area Code 615 in 1969. The group members all maintained their Music Row studio work and split up after two albums. Gayden and Moss formed Barefoot Jerry, which was active in 1971-72 with Gayden in its lineup. The widely admired Barefoot Jerry was mentioned in the Charlie Daniels Band 1975 rock hit “The South’s Gonna Do It Again.”

Like most of the other members of his early bands, Mac Gayden became a popular session musician. Already an accomplished slide guitarist, he fed his playing through a wah-wah pedal to create the ear-catching sound on the 1972 J.J. Cale pop hit “Crazy Mama.” Gayden’s innovative playing was also heard on records by Simon & Garfunkel, Charlie Rich,Leonard Cohen, John Hiatt, Charley Pride, Tammy Wynette and Loudon Wainwright, as well as the superstars cited above.

Gayden’s style was deeply influenced by R&B. In addition to Knight and Curry, he played on soul records by Roscoe Shelton, Arthur Alexander, The Pointer Sisters, Ivory Joe Hunter, Gene Allison and Joe Simon, plus The Valentines, whom he produced (notably on his song “Gotta Get Yourself Together”). Out-of-town visitors Connie Francis, Bobby Vinton, Patti Page, Ian & Sylvia, Robert Mitchum, The Alarm, Jerry Jeff Walker, Michael Martin Murphey and Karen Black had Gayden’s guitar on their sessions, too.

He also continued to record his own music. Mac Gayden issued McGavock as his debut solo LP in 1972. ABC Records signed him for Skyboat (1975) and Hymn to the Seeker (1976). His 1996 collection Nirvana Blues was the most critically praised of his albums.

As a record producer, Gayden created albums with Dianne Davidson and Steve Young. His songs were recorded by Bobby Bare, Porter Wagoner, The Crickets, Gary Lewis & The Playboys, James & Bobby Purify, Carol Chase and The Crickets, among others.

In later years, Mac Gayden worked with a number of independent recording artists. He also operated his label, Wild Child Records. Gayden chronicled his life, music, and search for inner harmony in a 2013 memoir, Missing String Theory: A Musician’s Uncommon Spiritual Journey.

That same year, the Country Music Hall of Fame & Museum featured him in its “Nashville Cats” interview series. Gayden was also a key figure in two of the museum’s major exhibitions, “Night Train to Nashville: Music City Rhythm & Blues” and “Dylan, Cash, and the Nashville Cats.” The “Night Train” commemorative album won a Grammy Award and included Gayden’s tunes “Everlasting Love,” “She Shot a Hole in My Soul” and “Gotta Get Yourself Together.”

Mac Gayden’s brother Joseph Gayden (1947-2004) managed Quadraphonic Sound Studios in the 1980s and was a sculptor. Brother Hamilton Gayden is a retired Davidson County Judge.

His death was announced by The Country Music Hall of Fame & Museum. Funeral arrangements have not been posted.

Hit Country Songwriter Larry Bastian Passes

Larry Bastian

Longtime Major Bob Publishing songwriter Larry Bastian died on Sunday (April 6) at age 90.

Bastian co-wrote such Garth Brooks hits as “Unanswered Prayers,” “Rodeo” and “The Old Man’s Back in Town” in 1991-92. The superstar recorded many other Bastian songs, as did a who’s-who of country music.

Larry Bastian was born and raised in California’s agricultural San Joaquin Valley, and he lived throughout his life in the Springville/Porterville area. He was from a farming family. Following high school, he spent his early years farming and cowboying. Bastian then worked for 15 years as a biologist for the Department of Agriculture for Kern and Tulare Counties.

But he always made music. Touring country artists who heard his songs, encouraged him to send his music to Nashville. In the 1970s, Larry Bastian decided to devote himself to songwriting.

His first notable success was when his “This Ain’t Tennessee and He Ain’t You” was recorded by Janie Fricke in 1980. Although never a hit, it became the songwriter’s most recorded song, with a version by Tom Jones, among several other notables. In 1981, Sammi Smith’s recording of “Sometimes I Cry When I’m Alone” became the songwriter’s first top-40 hit. Shortly afterward, David Frizzell & Merle Haggard recorded “Lefty,” Bastian’s tribute to Lefty Frizzell, who was David’s brother and Merle’s idol.

Bastian songs also charted for Ray Price, Wyley McPherson and The Kendalls in the 1980s. In 1988, Conway Twitty had a top-10 smash with “Saturday Night Special.” Garth Brooks began his run of Bastian-penned successes in 1991. Sammy Kershaw had a top-20 hit with “Yard Sale” in 1992 and repeated the feat with “If You’re Gonna Walk, I’m Gonna Crawl” in 1997. Bastian’s last notable chart success was in 2004 with Craig Morgan’s version of “Look at Us.”

During his songwriting career, Larry Bastian’s works were also recorded by George Jones, Reba McEntire, Willie Nelson, Vern Gosdin, Eddy Arnold, Buck Owens, Tammy Wynette, Tracy Byrd, Lacy J. Dalton, Moe Bandy, Rhett Akins, The Whites, Neal McCoy, Con Hunley and many others.

His songs also found a home in bluegrass music.

Larry Bastian passed away in Porterville, California. No funeral arrangements have been announced.

Folk & Bluegrass Great Tracy Schwarz Passes

Tracy Schwarz

Best known for his work in The New Lost City Ramblers, fiddler/singer Tracy Schwarz passed away on March 29 in Elkins, West Virginia at age 86.

Raised in New Jersey and Vermont, Schwarz took up the guitar as a pre-teen after listening to country radio stations. He mastered the fiddle in the 1950s, and immersed himself in the bluegrass scene in Washington, D.C. while attending college there.

After serving in the Army for two years, he joined Mike Seeger and John Cohen in forming The New Lost City Ramblers in 1962. The group began as old-time music revivalists, but soon absorbed the bluegrass, folk and Cajun influences that Schwarz brought to the band.

The New Lost City Ramblers became one of the mainstays of Folkways Records. The band recorded nine albums for the label between 1964 and 2009. The New Lost City Ramblers collaboration with country-music legend Cousin Emmy was a highlight in 1968.

Tracy Schwarz and Mike Seeger also recorded as members of The Strange Creek Singers in 1972. That group was the launchpad for the feminist old-time duo Hazel & Alice (Hazel Dickens and Alice Gerrard), who influenced The Judds.

During his career’s 50+ additional years, Tracy Schwarz also recorded four solo albums, four others with Cajun master Dewey Balfa and three with Schwarz’s musical family.

He was an enthusiastic educator of traditional music styles and made several fiddle instruction albums. The Folkways website printed this as a eulogy: “He fervently believed that anyone who was interested in learning how to play an instrument or sing, could.

His infectious enthusiasm and innovative methods helped generations of students around the world to develop their skills.”

Avenue Bank Founder Van Tucker Passes

Van Tucker

Music Row banking executive Van Tucker passed away on March 28. She was 67.

Tucker was the founder and Chief Creative Officer of Avenue Bank, and later served as CEO of Nashville Fashion Alliance and Launch Tennessee. She was a 1999 graduate (and later a board member) of Nashville’s Leadership Music program, and a founder and board member of the Americana Music Association, among many other board positions.

Tucker is survived by her husband of 17 years, Monty Holmes; sons Casey Spicer and Eamonn (Ami) Spicer; grandchildren Annalen Spicer, Oakley Spicer, Ripley Spicer, Alyse Spicer, Charlotte Gibson; bonus children Whitney (Andy) Gibson and Braden (Michelle Gay) Holmes; furry loves Mr. B and Beck; brother Melvin C. (Theresa) Tucker III; nieces Cate Tucker and Vivienne Tucker; and numerous aunts, uncles and cousins.

In lieu of flowers, the family is requesting donations to the Williamson County Animal Shelter.

A Celebration of Life for Tucker will take place on May 18 at 4 p.m. to 5:30 p.m. at Franklin Mercantile (100 4th Ave. N, Franklin, TN 37064). Billed as her “Farewell Tour,” attendees are encouraged to bring their favorite stories and memories of Tucker.

Songwriting Legend Troy Seals Passes

Troy Seals. Photo: Courtesy of ASCAP

Nashville Songwriters Hall of Fame member Troy Seals has died at age 86.

During his illustrious career, Seals co-wrote more than 75 charted singles, including 30 top 10 hits and 11 No. 1 records. Among his classics are “Seven Spanish Angels,” “Lost in the Fifties Tonight,” “There’s a Honky-Tonk Angel (Who’ll Take Me Back In)” and “If You Ever Have Forever in Mind.” Troy Seals was also a recording artist and a session guitarist.

The musician was born in Big Hill, Kentucky, and his family moved to Cincinnati when he was 11. Troy Seals began his career at age 17 in 1956. He and his band The Earthquakes performed on the rock & roll nightclub circuit during the 1950s, working with such legends as Fats Domino, Jackie Wilson, Bo Diddley, The Drifters, Lloyd Price, Dorsey Burnette and Chubby Checker.

At one rock & roll show, Seals met rockabilly recording artist Jo-Ann Campbell, who was featured in such teen films as Go, Johnny Go (1958) and Hey Let’s Twist (1961). Not long after Seals and Campbell married, she scored a 1963 country hit with “I’m the Girl From Wolverton Mountain.” Billed as “Jo-Ann & Troy,” the couple had pop success with “I Found a Love, Oh What a Love” in 1964.

After regular appearances on Dick Clark’s TV shows American Bandstand and Where the Action Is, Campbell retired in 1965. Seals gave up music and founded a construction company in 1968. The couple moved to Nashville in early 1969. Troy Seals continued to work in construction, building Music Row’s Quadraphonic Studio. He also took work as a session musician, hoping to break into the country industry.

He began to make inroads as a songwriter in the 1970s. In 1972, Sammi Smith had a top 40 hit with his “Girl in New Orleans.” Waylon Jennings introduced Seals’ co-written ballad “We Had It All” in 1973. Although never a big hit, the song became something of a country standard with subsequent versions by Dolly Parton, Dottie West, Tom Jones, B.J. Thomas, Tina Turner, Donna Fargo and co-writer Donnie Fritts, among others.

Troy Seals recorded his debut album at Quadraphonic in 1973. Titled Now Presenting Troy Seals, the Atlantic Records collection included his version of “We Had It All,” as well as “There’s a Honky Tonk Angel (Who’ll Take Me Back In).”

Another of the artists Troy Seals worked with on the rock & roll circuit was Conway Twitty, who had transitioned into country stardom in Nashville. Twitty took Seals under his wing and in 1974 turned “There’s a Honky Tonk Angel” into the songwriter’s first No. 1 smash. Twitty also had No. 1 hits with the Seals tunes “Don’t Take It Away” (1979), “Red Neckin’ Love Makin’ Night” (1982) and “Fallin’ for You for Years” (1987). Three Troy Seals songs were duet hits for Twitty and Loretta Lynn, “Feelin’s” (1975), “I Can’t Love You Enough” (1977) and “From Seven Till Ten” (1978).

Producer Billy Sherrill recorded Troy Seals as the songwriter’s second album. It was issued by Columbia Records in 1976. Seals also recorded singles for Elektra, RCA, Polydor and several smaller labels. But he became increasingly known for his writing, rather than his recordings.

By the close of the 1970s, Troy Seals was established as a Music Row tunesmith. He worked with a variety of co-writers, most successfully Eddie Setser, Max D. Barnes, Graham Lyle and Mike Reid. Seals and wife Jo-Ann Campbell were also sometimes cowriters. His early songs were recorded by Johnny Paycheck, Jeanne Pruett, Jerry Lee Lewis, Nat Stuckey, Bob Luman and Connie Smith. In 1979, Elvis Presley had a posthumous, top 10 country hit with his revival of “There’s a Honky Tonk Angel.”

The 1980s witnessed his full flowering as a songwriter. During the decade, Troy Seals provided top-10 hits for Charley Pride (1980’s “You Almost Slipped My Mind”), The Bellamy Brothers (1984’s “Forget About Me”), George Jones (1985’s “Who’s Gonna Fill Their Shoes”), Keith Whitley (1986’s “Ten Feet Away”), Alabama (1984’s “When We Make Love”), John Schneider (1985’s “Country Girls”), Ronnie McDowell (1984’s “I Dream of Women Like You”), Lee Greenwood (1986’s “Didn’t We”) and Waylon Jennings (1985’s “Drinkin’ and Dreamin’”).

Between 1980 and 1986, Brenda Lee, David Allan Coe, Johnny Rodriguez, Merle Haggard, Glen Campbell, Dobie Gray and others also issued country singles of Troy Seals songs. In 1985, his co-written “Seven Spanish Angels” became a smash hit for Willie Nelson and Ray Charles. It was nominated as Song of the Year by the CMA and was the biggest country hit of Charles’ career.

Seals songs reached beyond country music. In 1983, Eric Clapton had a pop hit with the songwriter’s “I’ve Got a Rock and Roll Heart.” Over the years, Troy Seals copyrights were also recorded by such pop and R&B stars as Joe Cocker, Millie Jackson, Celine Dion, Three Dog Night, Etta James, Jodeci, Delbert McClinton, Aretha Franklin, The Rolling Stones and Barry Manilow, among others.

In 1985, Ronnie Milsap had a huge hit with “Lost in the Fifties Tonight.” This became the second Troy Seals song nominated for a CMA Award. It won the ACM’s Song of the Year honor, was ASCAP’s Country Song of the Year and earned Milsap a Grammy. It also led to Troy Seals being named Country Songwriter of the Year by ASCAP.

Troy Seals became even more successful in 1987-88, when he co-wrote six top 10 country hits. In addition to Twitty’s “Fallin’ for You for Years,” these included “Maybe Your Baby’s Got the Blues” for The Judds, “Let the Music Lift You Up” for Reba McEntire, “No More One More Time” for Jo-El Sonnier, “Joe Knows How to Live” for Eddy Raven and “I Won’t Need You Anymore (Always and Forever)” for Randy Travis, which won the singer a Grammy Award. During this same two-year span, Seals also provided singles for Gene Watson, The Bama Band and Hank Williams Jr. This era was capped by his induction into the Nashville Songwriters Hall of Fame in 1988.

Troy Seals closed out the 1980s by cowriting a top-10 hit for The Oak Ridge Boys (“Beyond Those Years”) and a No. 1 success for Eddy Raven (“Bayou Boys”). Around this time, the songwriter’s nephew Brady Seals was becoming known at the keyboardist/singer in the band Little Texas. The extended family also included country stars Dan Seals and Johnny Duncan, pop star Jim Seals of Seals & Crofts and hit songwriter Chuck Seals (“Crazy Arms”).

Troy Seals began the 1990s with a flurry of successes. He co-wrote the George Jones/Randy Travis duet “A Few Ole Country Boys,” as well as Eddy Raven’s “Island” and Travis Tritt’s “Looking Out for Number One.” Seals earned his third CMA Song of the Year nomination along with co-writer Vince Gill for 1999’s “If You Ever Have Forever in Mind.”

His 1990s singles also included songs recorded by Faith Hill, John Anderson, Clinton Gregory, John Berry, Neal McCoy, J.P. Pennington, Chris LeDoux, Mike Reid and nephew Brady Seals, who was then recording as a solo artist. The songwriter’s last notable chart success was with his co-written “Good Little Girls,” recorded by the duo Blue County in 2003. At the time, Troy Seals was 65 years old.

Troy Seals died at home in Hendersonville on March 6. He is survived by wife Jo-Ann and by son Troy Jr. Funeral services were private.