Mark Your Calendar—May 2026

Single/Track Releases & Radio Add Dates:

Luke Combs. Photo: Robby Klein

May 1
Diplo & Adrien Nunez/Two Steppin’/Atlantic Outpost
Cody Johnson/Hello Lonesome/CoJo Music/Warner Records Nashville
Lee Brice/Truck Bed Mixtape/Curb Records
Gavin Adcock/Wannabe/Thrivin’ Here Records/Warner Records Nashville
Wyatt Flores/Driving All Night/MCA/Island Records
Bayker Blankenship/Keep Calm/Santa Anna Nashville
Matt Maher/Gonna Be Alright
Gretchen Wilson/Redneck Shit
Drew Baldridge/Love Needs You/BBR Music Group/BMG
Alana Springsteen/i loved you then/Santa Anna Nashville
Thompson Square/Lay It On Me
Jordan St. Cyr/Wild Love
Tyce Delk/Mind If I Smoke
Kyle Clark/Checking Out
Danny Worsnop/I Tried To Write A Sad Song
Robyn Ottolini/If Hell Were a Bar
Matthew Goodnough (feat. Mac Hankins & The Moonlighters)/Bad Terms/Santa Anna Nashville
Abbie Callahan/Drag, Queen
Cody Oliphant/When I Go/Santa Anna Nashville
Parker Ryan/Loaded Gun
Caryn Dixon/Accidental Cowgirl
Jonathan Lee/Saturday Night/Pacific Standard Entertainment Group
Frank Ray/Third Row George Strait/BBR Music Group/Broken Bow Records
Julianna Rankin/XYZ71s/Big Loud Texas
Kyle Jenkins/It’ll Be Alright/Santa Anna Nashville
Hadlie Jo/God Made Mama
Diamond Dixie/Made A Liar
Carrie Brockwell/That’s Real
American Blonde/Mississippi Moonshine
Karly C/The Grass Looks Greener
Ashton Butler/One More Won’t Hurt
Neah McMeen/Little Scrap of Love
Camille Harrison/I Miss You, Mother
Cooper Riley/Outta Time

May 4
Luke Combs/Be By You/Columbia Nashville
Kacey Musgraves/Loneliest Girl/Lost Highway Records
Jason Charles Miller/Digging in the Dust (Water On Rust Remix)/One Opportunity Records
Caroline Jones/you’re it for me, honey/Nashville Harbor Records & Entertainment
Soul Circus Cowboys/Something Stronger

May 8
Kenny Chesney/Carry On
Koe Wetzel/Hurts Like You/Columbia Records
Greylan James/Small Town/Big Machine Records/Nashville Harbor Records & Entertainment
Chanel West Coast/Down To The Filter

May 11
Trey Pendley/Family Man/Leo33
Alex Miller/Just A Mom
Adam Chaffins/King Of Coal Dust County
Johnathon Heilbroun/Goodbye Looks Like/Johnathon Heilbroun Music

May 12
ALeeN ROSE (feat. Willie Nelson)/They’re There/Luna Wolf Records

May 15
Charles Wesley Godwin (feat. Luke Combs)/Better That Way/Big Loud
Love and Theft/Farm Truck
Angie K/Contigo
Wishgarden/Holy Water

May 18
Rodney Atkins/The Years Are Short/Curb Records
Jim Stanard (feat. Crystal Gayle)/Waking Up Dead/Manatee Records
Karly C/The Grass Looks Greener/Quirky Cowgirl

May 22
Andrew Mitch/muscle memory
Smokin’ Otis/Trail Ride

May 25
Skip Ewing/Me & God And A Fishing Pole
Robert Weston/Life’s A Beach/Weston Records

May 29
Levi Foster/Bloodhound
Bryan Ruby/Bonfire
Paige King Johnson/It Ain’t Me
Lauren Rismiller/Heart Broke In A Bar

 

Album/EP Releases:

May 1
Kacey Musgraves/Middle Of Nowhere/Lost Highway
Lainey Wilson/Lainey Wilson (Amazon Music presents: Live from Stagecoach 2026)/BBR Music Group/BMG
ERNEST/Deep Blue/Big Loud Records
Tauren Wells/Breathe On It
Austin Snell/Colors/River House Artists/Warner Records Nashville
Southall/Kinfolk
Emily Nenni/Movin’ Shoes/New West Records
Rita Wilson/Sound of a Woman
Ashley Anne/Generational Heartbreak
Alex Hall/Turn This Love Around/Yeehall Records/Blue Harbor Music
Jeff Bates/Hymns From the Church in the Wildwood/Tall Grass Records

May 8
Ashley McBryde/Wild/Warner Records Nashville
Chase Wright/Chasing Shadows
Amy Grant/The Me That Remains/Thirty Tigers
Josiah and the Bonnevilles/As Is/Rounder Records
Coleman Jennings/Lead You Home/Big Loud Texas/Mercury Records
Michaela Anne/These Are The Days/Georgia June Records

May 15
Braxton Keith/Real Damn Deal/Warner Records Nashville
49 Winchester/Change of Plans/Lucille Records/MCA
Ryan Bingham & The Texas Gentlemen/They Call Us The Lucky Ones/The Bingham Recording Co./Thirty Tigers
Cook Allender/Music Your Parents Hate/VibraHive Records
Sarah Harralson/Just The Beginning/Synapse Publishing & Entertainment, LLC

May 22
Julia Cole/Love You To Death
Kyle Clark/Better On A Boat
The Deslondes/Don’t Let It Die Vol. 1/New West Records
Steep Canyon Rangers/Next Act/Yep Roc Records
McCoy Moore/Sunshine State/Sony Music Nashville/Cervidae Records
Ian Harrison/Jealous/Sony Music Nashville/Free Flight Records
Ben Chapman/Feet On Fire/Soundly Music
Thomas Csorba/Tender Country/Turtlebox Records

May 29
Don Williams/EPILOGUE: THE CELLAR TAPES/Craft Recordings
Willie Nelson/Dream Chaser/Legacy Recordings
Rodney Atkins/True South/Curb Records
Kip Moore/Reason To Believe/Virgin Music Group
Alana Springsteen/I HOPE THIS HELPS/Santa Anna Nashville
Renée Fleming & Béla Fleck/The Fiddle and the Drum/Thirty Tigers
Bellah Mae/Keep It Peachy/Sony Music Nashville
Susto Stringband/Susto Stringband (Volume Two)/Missing Piece Records
Joshua Ray Walker/Ain’t Dead Yet/East Dallas Records/Thirty Tigers
Keyland/Knuckle Sandwich/One Riot
Carrie Brockwell/That’s Real
Frank Evans/Fit for a Dog

 

Industry Events:

May 17
61st Annual ACM Awards

 

Upcoming Nashville Concerts:

Chris Stapleton. Photo: David McClister

May 1
Ethel Cain/FirstBank Amphitheater
Bailey Zimmerman/Ascend Amphitheater
Ani DiFranco/Ryman Auditorium
Ashnikko/Marathon Music Works
Arm’s Length/Brooklyn Bowl
The Nude Party/The Basement East
Aaron Hibell/Cannery Hall (The Mil)
Raven/Exit/In
Liz Cooper/The Blue Room
Multi Ultra/Cannery Hall (Row One Stage)

May 2
Florence + The Machine/Bridgestone Arena
Bailey Zimmerman/Ascend Amphitheater
Josh Ritter/Ryman Auditorium
Nettspend/Cannery Hall (Mainstage)
Flyte/The Basement East
Krooked Kings/Exit/In
Sluice/The Blue Room
Jesse Solomon/Cannery Hall (Row One Stage)

May 3
Maddox Batson/The Pinnacle
Tracy Lawrence/Ryman Auditorium
Strings & Heart/Exit/In
Vanessa Carlton/City Winery

May 4
Fender Presents: Tele Town/Ryman Auditorium
The Paper Kites/Brooklyn Bowl
Freddie Dredd/The Basement East

May 5
Disclosure Live/The Pinnacle
Courtney Barnett/Ryman Auditorium
Failure/The Basement East
Patrick Droney/Exit/In
David Broza/City Winery
Andrew Duhon/Cannery Hall (Row One Stage)

May 6
Bruno Mars/Nissan Stadium
David Lee Roth/Ryman Auditorium
Sepultura/Brooklyn Bowl
Bahamas/The Basement East

May 7
Sammy Virji/The Pinnacle
Satchvai Band/Ryman Auditorium
Breakfield/Exit/In
Black Marble/The Blue Room

May 8
Russell Dickerson/Ascend Amphitheater
Amy Grant/Ryman Auditorium
Sleeping With Sirens/Marathon Music Works
CHE: ENCORE/Cannery Hall (Mainstage)
Colby Acuff/The Basement East
VAMPA/Cannery Hall (The Mil)
Sons Of Legion/Exit/In
CusCampbell/City Winery
Gia Margaret/The Blue Room
Babes In Canyon/Cannery Hall (Row One Stage)

May 9
David Byrne/Ascend Amphitheater
Benjamin Tod/Brooklyn Bowl
White Reaper x Drug Church/The Basement East
Sons Of Legion/Exit/In
Keiko Matsui/City Winery
Folk Bitch Trio/The Blue Room

May 10
Dethklok & Amon Amarth/The Pinnacle
Ari Lennox/Ryman Auditorium
Juvenile/Marathon Music Works
Alpha Wolf/Brooklyn Bowl
Dry Cleaning/The Basement East
Sun Kil Moon/City Winery
FLAKE/Cannery Hall (Row One Stage)

May 11
Unprocessed/The Basement East
Grant Knoche/Cannery Hall (Row One Stage)

May 12
Earth, Wind & Fire/FirstBank Amphitheater
Mac Demarco/Ryman Auditorium
Elmiene/Brooklyn Bowl
Cattle Decapitation/The Basement East
the Pharcyde/City Winery
Whitney/The Blue Room

May 13
Bilmuri/The Pinnacle
Nitty Gritty Dirt Band/Opry House
Herbie Hancock/Ryman Auditorium
Magnolia Park/The Basement East
49 Winchester/The Blue Room
Miles Minnick/Cannery Hall (Row One Stage)

May 14
Black Label Society/Ryman Auditorium
Pub Choir/Brooklyn Bowl
The Black Angels/The Basement East
Amelia Day/Exit/In
The Spooklights/Cannery Hall (Row One Stage)

May 15
Bush/FirstBank Amphitheater
Marilyn Manson/The Pinnacle
Drew & Ellie Holcomb/Ryman Auditorium
Behemoth/Brooklyn Bowl
TYNAN TIME/Cannery Hall (Mainstage)
Corrosion of Conformity/Cannery Hall (The Mil)
Happy Landing/Exit/In
Grace Ives/The Blue Room
Sterling Ezla & Cole Barnhill/Cannery Hall (Row One Stage)

May 16
Treaty Oak Revival/Bridgestone Arena
Drew & Ellie Holcomb/Ryman Auditorium
Kings Kaleidoscope/Cannery Hall (Mainstage)
Bella White/The Basement East
Earth Tongue & Pink Fuzz/The Blue Room
Katelyn Tarver/Cannery Hall (Row One Stage)

May 17
Treaty Oak Revival/Ryman Auditorium
Little Image/The Basement East
’68/Cannery Hall (The Mil)

May 18
Paul Gilbert/City Winery

May 19
Godsmack/FirstBank Amphitheater
Electric Callboy/The Pinnacle
Tech N9ne X E-40/Marathon Music Works
Chet Faker/Cannery Hall (Mainstage)
Saving Abel/City Winery
Edge of Broken/Cannery Hall (Row One Stage)

May 20
Diljit Dosanjh/Bridgestone Arena
Ann Wilson/City Winery

May 21
The Black Crowes & Whiskey Myers/Bridgestone Arena
Alter Bridge/The Pinnacle
Jarrod Walker/The Basement East
Sonja Morgan/City Winery

May 22
Trace Adkins/Ryman Auditorium
Chrisette Michele/Brooklyn Bowl
Noah Gundersen/The Basement East
Culture Wars/Exit/In
ChRocktikal/Riverside Revival
Maggie Miles/Cannery Hall (Row One Stage)

May 23
Chris Stapleton/Nissan Stadium
Trace Adkins/Ryman Auditorium
Krewella/Marathon Music Works
Uncle Lucius/Cannery Hall (The Mil)
Rickshaw/The Blue Room
hallpass/Cannery Hall (Row One Stage)

May 25
Alex Warren/Bridgestone Arena
Stella Standingbear/Cannery Hall (Row One Stage)

May 26
The Kid LAROI/Marathon Music Works
The Mountain Goats/Brooklyn Bowl
Vana/The Basement East
Alvin Garrett/City Winery
Arlo Parks/The Blue Room

May 27
Marcus King Band/Nashville Municipal Auditorium
Chicago/Opry House
Cold/The Basement East
MAJOR./City Winery

May 28
America/Ryman Auditorium

May 29
Cinderella’s Tom Keifer Band/Ryman Auditorium
Echo & The Bunnymen/Brooklyn Bowl
Genevieve Heyward/Exit/In
Caroline Carter/The Blue Room
Daydrnkrz/Cannery Hall (Row One Stage)

May 30
Joshua Slone/Marathon Music Works
Free Throw/Brooklyn Bowl
Fulton Lee/The Basement East
BARELY ALIVE/Cannery Hall (The Mil)
Tyler Boone/Exit/In
Ariella & Nicolaas/City Winery

May 31
Steve Earle/Ryman Auditorium
Peelingflesh/The Basement East
Fattmack/Exit/In
Andres/Cannery Hall (Row One Stage)

Ella Langley Stays Atop The MusicRow Radio Chart With ‘Be Her’

 

Ella Langley. Photo: Caylee Robillard

Ella Langley notches a second week atop the MusicRow CountryBreakout Radio Chart with her track, “Be Her.”

Langley co-wrote the song with Jordan Schmidt, Smith Ahnquist and HARDY. It appears on her sophomore album Dandelion.

The album has scored the largest streaming week for an album by a woman in 2026, and the biggest streaming week for a country album by a woman in two years. It currently sits at No. 1 on the Billboard 200 albums chart.

“Be Her” currently sits at No. 8 on the Billboard Country Airplay chart and No. 6 Mediabase chart.

Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

Tucker Wetmore Wins ACM New Male Artist Of The Year

Tucker Wetmore

Tucker Wetmore has been crowned ACM’s New Male Artist of the Year. This mark’s Wetmore’s first-ever ACM Award.

Wetmore was surprised with the news in London today (April 30) during his sold-out show at the O2 Forum Kentish Town. Thomas Rhett appeared on screen via video message to announce the win before Wetmore’s mom Sia presented him with the trophy on stage.

“I’m at a loss for words right now for the first time in a long time. I can’t do any of this without you guys,” Wetmore shared from the stage. “I can’t do any of this without that woman [mom] right there… Y’all made this possible. Every single person in this venue. And there’s countless more outside of this venue that I can’t sit here and name because I’d be here all night. Thank y’all so much and thank you ACMs for this amazing honor.”

Wetmore is currently amidst his “The Brunette World Tour,” selling out shows in New York, Boston, three consecutive nights in London and more, and he will also make his Red Rocks debut this summer.

The 61st ACM Awards will stream live Prime Video on May 17 at 7 p.m. CT from MGM Grand Garden Arena in Las Vegas.

DISClaimer Single Reviews: Kassi Ashton ‘Has Never Sounded Better’

The country stars are swinging into spring in wildly diverse ways.

In this edition of DISClaimer, you’ll find flavors ranging from hip-hop to reggae, from rockabilly to pop.

You might think that one of the big star contenders would rule the listening session — Keith Urban, Jason Aldean, Lee Brice or Dylan Scott. But you would be wrong. The Disc of the Day belongs to Kassi Ashton. She’s been musically all over the map during the past five years, but it sounds like with “Bitches” she has found her groove.

The DISCovery Award goes to Kelli Belles, who is billed with her last name only. She’s an old-school country singer duet-ing with a Living Legend. More power to her.

THE HEATHERLYS / “Maybe Baby
Writers: none listed; Producer: none listed; Label: American Love Affair
– What a complete and utter blast. Merriment simply leaps out of the speakers as Eric and Lindsey strut their stuff on this deliciously retro rockabilly tune. Everly harmonies, stinging guitar, slappin’ bass, rollicking rhythm. What more could you want from a springtime single?

LEE BRICE / “Truck Bed Mixtape”
Writers: Andy Sheridan/Brian Davis/Lee Brice; Producers: none listed; Label: Curb Records
– He vows to make love to her in his truck all night. Which doesn’t sound all that comfy. The production of this love anthem is somewhat muddy.

LAUREN LUCAS / “Bringing Me Home”
Writer: Lauren Lucas; Producer: none listed; Label: LL
– Moody and contemplative. She has been wandering lost, but now she has found her way, thanks to the power of love. Lucas dips into her low alto range here, which adds to the languid atmosphere.

JASON ALDEAN / “Don’t Tell on Me”
Writers: John Morgan/Kurt Allison/Lydia Vaughan/Tully Kennedy; Producer: Michael Knox; Label: Broken Bow Records
– The track rocks mightily as he wails. His well-hidden secret is that he’s still in love with his ex. No one knows, but he’s afraid his heart will give him away. The new album is Songs About Us, and the title tune is a duet with Luke Bryan.

KASSI ASHTON / “Bitches”
Writers: Bryan Simpson/Kassi Ashton/Oscar Charles/Ryan Tyndell; Producers: Kassi Ashton, Oscar Charles; Label: MCA
– This is a wonderfully cool sound. A spare, thumping rhythm track features twang guitar and a splendidly drawled lyric. Ashton has never sounded better as she lays on the sass and admits that every gal in her family is as big a spitfire as she is. This delightfully refreshing track deserves massive exposure.

KEITH URBAN & MICHAEL McDONALD / “We Go Back”
Writers: BRELAND/Keith Urban/Sam Sumser/Sean Small; Producers: Dann Huff, Keith Urban; Label: MCA
– Urban’s forthcoming album is a collection of yacht-rock oldies (”Summer Breeze,” “How Much I Feel,” “Baby Come Back,” “I Just Wanna Stop,” etc.). Its lone original song is this collaboration with Rock & Roll Hall of Famer McDonald. The breezy ode appropriately recalls an old love from the 1970s. McDonald’s velvety voice shines on the choruses.

SMOKIN’ OTIS / “Trail Ride”
Writers: none listed; Producers: none listed; Label: TS
– Also known as Tennessee Slick, handsome Smokin’ Otis is a Clarksville, TN native who stirs together his country raps, cowboy imagery and gang-sung choruses on this stoner anthem. Hooky and listenable.

DYLAN SCOTT / “Slow Down Ol’ Son”
Writers: Dylan Scott/Matt Alderman/Will Weatherly; Producers: Andrew Baylis, Will Weatherly; Label: Curb Records
– The inevitable passage of time and the fleeting hours we have to live are the themes of this powerfully delivered, thoughtful power ballad. Heartily recommended.

RAY BENSON / “Highway 61 Revisited”
Writer: Bob Dylan; Producer: none listed; Label: Tafari Records
– And now for something completely different. Durable Asleep at the Wheel leader Ray Benson is releasing a collection titled Swingin’ and Skankin’ that fuses western swing with reggae. Guitarist Warren Haynes joins him on this funky reworking of the Dylan classic. Believe it or not, the musical melange works. Also on board on the album are Willie Nelson, jazz legend Stanley Jordan and reggae superstar Sly Dunbar. Ear opening.

BELLES & DOLLY PARTON / “Son of Jolene”
Writers: Dolly Parton/Dan Harrison/Kelli Belles/Tyler Bank; Producers: Austin Luther, Johnny Gates, Kent Wells; Label: East Music Row Records
– The song that answers the musical question, “What would happen if Dolly’s jezebel Jolene had a child?” No surprise: He’s a wicked heartbreaker. The scampering track and Dolly’s pinpoint harmony singing are tingling delights.

BELLAH MAE / “Salt and Sugar”
Writer: Bellah Mae; Producers: Brett Truitt, JANEVA; Label: Sony Music Nashville
– In this pop-country ditty, she regrets her romantic decisions. He seemed like a nice guy, but then she got to know what he was really like. So she goofed, but can you blame her? After all, “salt and sugar both look the same.’

THE BELLAMY BROTHERS / “50 Years On”
Writer: David Bellamy; Producers: Randy Hiebert, The Bellamy Brothers; Label: Bellamy Brothers Records
– The legendary duo is marking its golden anniversary with this lilting, swaying reflection of music and memories. They’ve accomplished so much, so a little name-dropping in the lyric is only natural. Loggins & Messina, Merle Haggard, The Rolling Stones, George Jones, Queen and Conway Twitty are name checked, and the video shows many other compatriots who have passed on. Their innumerable international tours, Opry appearances, war-zone USO shows, youthful pop stardom and country classics are referenced, in case you need any reminders about Howard and David’s extraordinary career.

ALEX MILLER / “Just a Mom”
Writers: Steve Williams/Wood Newton; Producer: Jerry Salley; Label: Billy Jam Records
– Just in time for Mother’s Day (coming on May 10), Alex lists the multitude of multi-tasking jobs that being a mom entails. She’s embarrassed to be applying for work when her only experience is being “just a mom.” But she gets the gig anyhow. As usual, Alex delivers the goods as an expressive vocalist. Also as usual, Salley’s production is understated perfection.

Country Outlaw David Allan Coe Dies At 86

David Allan Coe. Photo: Matthew Woitunski via Wikimedia Commons (CC BY 2.0)

Talented country star David Allan Coe has died at age 86.

The charismatic performer was known for recording such hits as “Mona Lisa Lost Her Smile”, “The Ride”, “You Never Even Called Me by My Name”, “She Used to Love Me a Lot”, and “Longhaired Redneck.” He notched 63 singles on the Billboard charts.

Coe was a talented songwriter, with artists including Johnny Cash, George Jones, Willie Nelson, Tammy Wynette, The Oak Ridge Boys and many more recording his songs. His biggest hits as a songwriter were “Would You Lay With Me (In a Field of Stone),” recorded by Tanya Tucker, and Johnny Paycheck’s iconic rendition of “Take This Job and Shove It,” which later inspired a movie of the same name.

Coe often spurred controversy with lyrics, with frequent profanities, tales of drug use and sexually explicit material. His rebellious attitude and image garnered him the title of the ‘outlaw’s outlaw.’

Coe was born in Akron, Ohio on Sept. 6, 1939. As a boy, he was sent to the Starr Commonwealth For Boys reform school. Coe would spend the next 20 years in correctional facilities, including three years at the Ohio Penitentiary.

After ending a prison term in 1967, Coe moved to Nashville where he reportedly lived in a hearse which he parked in front of the Ryman Auditorium. While street performing, he caught the attention of the owner of the independent record label Plantation Records, Shelby Singleton, who signed him.

In 1970 Coe released his debut album Penitentiary Blues. In 1971 he signed to Pete and Rose Drake’s publishing company Windows Publishing Company, and when Tanya Tucker’s recording of his “Would You Lay With Me (In a Field of Stone)” went to the top of the charts, Coe was signed to Columbia Records. He cut his own version of the song for his second Columbia album, Once Upon a Rhyme, released in 1975.

Once Upon A Rhyme also contained Coe’s biggest hit, “You Never Even Called Me by My Name,” written by John Prine and Steve Goodman.

His third album, The Mysterious Rhinestone Cowboy, was named for the rhinestones suit and a Lone Ranger mask he wore to perform.

Coe would go on to release a handful of more albums throughout the ’70s, including Longhaired Redneck (1976), Human Emotions (1978), Family Album (1978), Compass Point (1979) and Spectrum VII (1979).

In 1980 Coe enlisted producer Billy Sherrill for I’ve Got Something to Say, which included featured vocals from Guy Clark, Bill Anderson, Dickey Betts (of The Allman Brothers Band), Kris Kristofferson, Larry Jon Wilson, and George Jones.

Coe’s 1983 album Castles in the Sand would prove to be a mainstream success for Coe, peaking at No. 8 on the country albums chart. Its success was spurred on by “The Ride,” which spent 19 weeks on the Billboard country singles charts, reaching a peak of No. 4. The song tells the story of a hitchhiker’s encounter with the ghost of Hank Williams, Sr. in a ride from Montgomery, Alabama to Nashville.

1984’s Just Divorced contains Coe’s second biggest chart hit, “Mona Lisa Lost Her Smile”, which rose to No. 2 on the Billboard country singles chart.

Coe’s 1986 album Son of the South featured contributions from fellow country outlaws Willie Nelson, Waylon Jennings, and Jessie Colter. His final album for Columbia, a concept album A Matter of Life…and Death, was released in 1987.

Throughout the 1990s, Coe toured throughout the United States and Europe. In 1990 he reissued his independent albums Nothing Sacred and Underground Album on CD, as well as the compilation 18 X-Rated Hits–which were very controversial for racist, misogynist and homophobic lyrics.

In 2003, Coe wrote a song for Kid Rock, “Single Father,” which appeared on Kid Rock’s self-titled album, and was released as a single. He released Rebel Meets Rebel, with Dimebag Darrell, Vinnie Paul, and Rex Brown, in 2006, two years after Darrell’s murder.

Coe is survived by his son Tyler Mahan Coe, who created the country music podcast Cocaine & Rhinestones and the podcast Your Favorite Band Sucks. He is also survived by his daughter, Shelli Coe Mackie. He is preceded in death by his son-in-law, the late Michael Mackie, formerly of Texas band Thunderosa.

BREAKING: Date Revealed For 60th Annual CMA Awards

The Country Music Association has announced the date for The 60th Annual CMA Awards, which will air Wednesday, Nov. 18 from Nashville’s Bridgestone Arena live on ABC and next day on Hulu.

The CMA has also revealed the full ballot schedule for the 60th CMA Awards, as well as key dates for the CMA Broadcast Awards, Touring Awards, International Awards and Industry Honors.

“Country Music is shaped by the people who dedicate their lives to it, whether on stage, in the studio, on the road, or behind the scenes,” says Sarah Trahern, CMA Chief Executive Officer. “At CMA, celebrating that work is at the heart of everything we do. Across our awards and honors, it is this community that determines what excellence looks like, and in our 60th year, I hope every member of this industry truly understands the significance of that. Their participation is how Country Music recognizes itself, and how it shapes its future.”

Below is a snapshot of key dates, eligibility requirements and voting processes across CMA’s annual awards cycle.

CMA Awards Balloting Timeline — “The 60th Annual CMA Awards”

The CMA Awards celebrate excellence in Country Music across 12 categories, honoring artists, musicians, songwriters, producers, mix engineers, and music video directors who made a significant impact on the genre during the eligibility period.

Eligibility Period:
– July 1, 2025 – June 30, 2026
Voting Process:
– All CMA Professional voting members can vote in three rounds. As of today, 6,678 Professional members are eligible to vote.
– Nomination Ballot: Voters write in any artist or project they think deserves a nomination. If it fits the criteria for that category, it counts.
– Second Ballot: The top 20 vote-getters from the first round move forward (only the top 15 for Entertainer of the Year). Members can vote for up to five candidates in each category.
– Final Ballot: The top 5 from the second round become the official nominees, and CMA members vote one last time to choose the winners. Members can vote for one nominee in each category.
– All three rounds of voting will be conducted online by Election Services Corp. (ESC). To ensure ballot delivery, members are encouraged to add CMAAwardsVote@mg.electionservicescorp.com to their safe senders.
– All balloting is tabulated by the professional services organization, Deloitte.
Nomination Ballot:
– Emailed to eligible CMA members on Monday, July 6
– Closes Thursday, July 16 at 6:00 PM/CT
Second Ballot:
– Emailed on Tuesday, Aug. 4
– Closes Monday, Aug. 17 at 6:00 PM/CT
– Final nominees in each of the 12 categories will be announced later this summer.
Final Ballot:
– Emailed on Thursday, Oct. 1
– Closes Tuesday, Oct. 27 at 6:00 PM/CT
Membership Deadline & Information:
– To vote in all three rounds, prospective CMA members must apply for membership by Monday, June 1 at CMAmember.com.
– Only CMA Professional voting members receive voting privileges. The Professional voting tier is offered to industry professionals who primarily work within Country Music.

CMA Broadcast Awards Submissions — 2026 CMA Broadcast Awards

The CMA Broadcast Awards recognize excellence in Country broadcasting, honoring stations and personalities who make a significant impact on the genre and its listeners.

Eligibility Period:
– Performances and events between June 1, 2025 – May 31, 2026
Submission Process:
– Apply starting Friday, May 1 at broadcast.CMAawards.com.
– Guidelines and entry instructions are available on the website.
– CMA membership is not required to submit.
Eligible Categories:
– Broadcast Personality of the Year and Radio Station of the Year in four market sizes: Major Market, Large Market, Medium Market and Small Market
– National Broadcast Personality of the Year in two formats: Daily and Weekly
– Syndicated, Short-Form, Hub Voice-Tracking, Digital Service Providers, and Satellite personalities with livestream broadcasts are eligible to apply for National Broadcast Personality of the Year.
Submission Period:
– Open Friday, May 1 through Tuesday, June 30 at 5:00 PM/CT
Judging Process & Information:
– Entries will be reviewed and evaluated online by a panel of distinguished radio and industry professionals.
– CMA Broadcast Awards winners will be notified in October and recognized at “The 60th Annual CMA Awards” ceremony.
– All balloting is tabulated by the professional services organization, Deloitte.

CMA Touring Awards Nominations

The CMA Touring Awards honor excellence in Country Music touring, recognizing behind-the-scenes professionals across 20 categories for their significant contributions to the industry.

Eligibility Period:
– Oct. 1, 2025 – Sept. 30, 2026
Nomination Process & Information:
Nomination Ballot: A Nomination Ballot will be sent to current CMA Professional voting members in the following member categories: Affiliated, Artist, Composer, Entertainment Services, Musician, Personal Manager, Record Company, Talent Agent, Advertising/Marketing/Communications, Venue, Talent Buyer/Promoter and Touring Personnel. Each member is eligible to submit one nomination for each award category.
Second Ballot: Any candidate that meets the eligibility criteria and receives a minimum of three (3) nominations will be placed on the Second Ballot. Eligible CMA members may vote for up to five (5) candidates in each category for which they choose to vote.
Selection of Final Nominees: The Top 20 vote recipients from the Second Ballot will be presented to a CMA Touring Awards Task Force to develop a slate of at least five (5) but no more than eight (8) potential nominees for each of the CMA Touring Awards categories.
Final Ballot: The Final Ballot consisting of the approved nominees are sent to eligible CMA members for voting. Each member may vote for one (1) nominee in each category they choose to vote.
– All balloting is tabulated by the professional services organization, Deloitte.
Nomination Ballot:
– Opens Monday, July 20
– Closes Tuesday, July 28 at 6:00 PM/CT
Second Ballot:
– Opens Tuesday, Aug. 25
– Closes Thursday, Sept. 10 at 6:00 PM/CT
Final Ballot:
– Opens Tuesday, Dec. 1
– Closes Wednesday, Dec. 16 at 6:00 PM/CT

CMA International Awards

CMA International Awards recognize outstanding achievements and contributions to Country Music worldwide, celebrating individuals across six categories who champion the genre and expand its global reach.

Nomination Process & Information:
– All CMA Professional voting members can submit nominations. A CMA International Awards Task Force reviews the nominations and makes finalists and winner recommendations to the CMA Awards & Recognition Committee, which approves the recipients.
– There are six CMA International Award categories—Jo Walker Meador International Award, Rob Potts International Live Music Advancement Award, Wesley Rose International Media Achievement Award, International Country Broadcaster Award, International Artist Achievement Award, and Jeff Walker Global Country Artist Award.
– Nominate at https://CMAmember.lnk.to/IntNoms26PR.
Nomination Ballot:
– Open starting Friday, May 1 through Sunday, May 31

CMA Industry Honors Nominations

CMA Industry Honors recognize outstanding achievements and contributions to Country Music, celebrating the individuals whose work has made a lasting impact on the genre.

Nomination Process & Information:
– CMA Industry Honors recognize artists, executives, and other professionals who have made exceptional contributions to the Country Music industry and community.
– CMA Professional members can submit nominations for the following CMA Industry Honors —CMA Foundation Humanitarian Award, Irving Waugh Award of Excellence, Joe Talbot Award, CMA Touring Lifetime Achievement Award, CMA Songwriter Advocate Award, and CMA Award for Recording Excellence.
– Final recipients are selected and approved by the CMA Board of Directors.
– Nominate at https://CMAmember.lnk.to/IndustryHonorsNoms26PR.
Nomination Ballot:
– Open now through Sunday, Aug. 16

For questions regarding awards eligibility or voting and nomination processes, CMA members can contact Brenden Oliver, CMA Director, Awards Stewardship, at BOliver@CMAworld.com. For inquiries related to CMA membership, reach out to the Membership team at Membership@CMAmember.com.

My Music Row Story: FlyteVu’s Laura Hutfless

Laura Hutfless

Laura Hutfless is the CEO and Co-Founder of FlyteVu, an award-winning creative agency that connects brands with culture in bold and unexpected ways. Following a 15-year career as a talent agent at WME and CAA, she grew FlyteVu into a rapidly expanding, industry-recognized agency known for culture-shaping campaigns honored by the Emmys, GRAMMYs, Cannes Lions and more.

Under her leadership, FlyteVu has been recognized on Adweek’s Fastest-Growing Agencies list and Chief Marketer’s Top 200. She also led the creation of the FlyteVu Fund, which has donated more than $1.2 million to charitable causes through employee-directed giving.

MusicRow: Where did you grow up?

I grew up in a military family, so we moved every couple years. Because of that, I was introduced to a lot of different types of music based on the preferences of the community or where we were based. In high school, I was introduced to country in West Virginia. So when I went to college at NC State, I found the country label and the country radio station that was there and I interned. That’s how I started in music.

Photo: Courtesy of Hutfless

What did you do for the radio station?

Promotion. I tried hosting one early morning show, and that was a disaster [laughs], so I decided that was definitely not for me. I worked with the record labels and the artists coming through town hosting listening experiences for fans and worked a lot backstage. That’s where I got to know a lot of managers and production managers, and I started to network.

Did you always want to work in the music business?

No, I started in college in a graphic design and art design major, thinking I wanted to be an animator. Then after a few internships in that space, I decided that was not for me. I discovered that there were art directors at record labels, who made the designs for albums and tour posters, and that’s what I wanted to do.

Who were you designing for?

When I moved to Nashville, I picked up some freelance gigs from different orgs in town, including labels, but I was still young and I needed a full time job. My first job was as an assistant at WME on the desk of the first agent who was doing sponsorships. I got that job because I could make PowerPoint presentation, so it was a perfect opportunity for me to learn the business and design skills, and we know how much that part of the industry has taken off in the past 20 years. I just got in at the perfect time.

Did you move right from Nashville right out of college?

I may have moved before graduation [laughs]. I moved without a job. I worked at a little boutique called Flavor. All of the stylists and artists would come to shop there. Networking was the name of the game then, so I worked retail for the first six months of being here.

Photo: Courtesy of Hutfless

Where did you go after WME?

The company I was working for after WME was acquired by Ticketmaster, and during the acquisition, the department I was working in essentially disbanded. In that process, a lot of the clients I was working on were represented by CAA and they pursued me, but it took me a while to take that role because I was making great money on my own.

I really liked my job, but I was still in my early twenties and I realized I still had a lot to learn and CAA was an amazing training program to understand the music industry and beyond. It was music, TV, brand deals, marketing, gaming…and the networking there—there’s nothing else like it. I’m really grateful I ended up taking that role because it really did set me on the road that I’m on today.

How did you go from CAA to starting FlyteVu?

About seven years into CAA, quite a few of the brands who I was negotiating with on behalf of my talent roster started to bloom. This was right at the time that social media was coming onto the scene. Influencers and brands navigating the music space, they did not understand the rights. So they would make a deal with the label, but they didn’t understand that they didn’t get better appearances, or they would make a deal with the talent director that didn’t understand they had to clear music with the publisher.

Photo: Courtesy of Hutfless

So I was helping them as an agency navigate that. They wanted me to come work in house. I didn’t want to work for one, but it’s really interesting to craft deals and campaigns and partnerships from the onset. That sounded like the next challenge for me, so I decided to start FlyteVu because I could then take them all on.

What was the journey like to start FlyteVu?

Jeremy Holley and I put together a business plan and ultimately decided to bet on ourselves and fill a gap we were seeing in the industry.

We had the support of CAA and Warner and we had the business, and unlike a lot of entrepreneurs that are starting from nothing, I feel like we really shaped off their base. We were really blessed right out of the gate from day one to have enough business to start the company.

Who were some of your first clients?

American Red Cross, Cracker Barrel and a fitness brand called Snap Fitness.

What’s been your personal journey with the company throughout the past 10 years?

When we started, I was doing everything. Selling, creating, managing, activating, hiring, managing people—all of those. I mean it’s chaos, but entrepreneurs thrive in that environment. As the company’s grown, it moves. My role has shifted from doing the work in a founder-led mentality, taking big risks, to now CEO of the company, which is accomplishing work through others while maintaining the same quality and value system that the company was founded on. To me, that is much harder.

Photo: Courtesy of Hutfless

It’s also now steering the shift, but understanding that any pivot that I would have made as a founder to be fast has a significant effect on everyone else. You can’t make quick decisions like you used to as a founder. You have to have a lot more thoughtful strategic insight as you lead people. I still really love the creative. I think that’s just my skills and my passion, so I still sneak into the creative meetings. [laughs].

Looking back on the past 10 years to now, what are some major milestones that you guys have hit over the past 10 years?

Definitely producing our first Super Bowl campaign. Surviving COVID was a milestone for any agency, entertainment or live event—and we adapted very quickly for our clients. Surpassing 30 employees and having employees in LA, New York and Austin, opening hubs in other markets. I’d say the last milestone was selling for eight figures. I’m still the CEO and that has allowed us to grow very quickly, continue expanding, but also develop our own AI tools, which we will roll out next quarter. It is really exciting to elevate our company in tech and AI.

Tell me more about the Super Bowl ad.

Photo: Courtesy of Hutfless

It was for Bumble. It did not start off as an ad, it started because the founder of Bumble wanted to work with Serena Williams and I helped broker that multi-year deal. In the course of growing that partnership, we decided to launch it at the Super Bowl. The problem is we decided that eight weeks before the ad took. It was wild and chaotic because that process had 20% of the time that it normally would’ve taken.

But I love that because that’s the mentality of FlyteVu. We’ll figure it out. That’s the mentality of any successful entrepreneur. You also have to have a team that rallies behind you in those moments because everyone has to be on board,

What’s the best advice that you’ve ever gotten?

Don’t take no from someone who doesn’t have the authority to give you a no. Virginia Bunetta told me that. Another one is you need to build the life you want, not for the life you have. That one was helpful personally and professionally because a big part of my story is that I adopted my daughter on my own, and that was during that season making some tough decisions. You have to build your life around what you want to have and start investing in your career and your lifestyle and making space for what you want—not just where you are now.

How do you balance motherhood and your career?

Photo: Courtesy of Hutfless

I just have priorities. I planned my life. I intentionally planned the chapter of life to support the life that I wanted in those challenges. For example, I did not start a company when I had a young baby or child at home. I started the company first, which gave me time to build the company up, have financial freedom and have a team now that can run the company where I’m now in the senior role, not the founder role. Now that puts more flexibility in my schedule. I could adopt a little girl and be able to prioritize her more than I could have if I adopted her when I was 25.

Who have been some of your mentors?

Virgina Bunetta has been a friend and mentor. Lou Taylor, she taught me how to read my first PNL. Rob Light at CAA—I didn’t get to talk to him often because he was in LA, but every time he did speak to me, it was direct and it was honest, and it wasn’t always what I wanted to hear. To me, that’s what a mentor does. They make their time impactful. They’re willing to bring light to blind spots at the risk of however you might respond because they care about you and your future.

Lastly Jennifer Cooke. She manages Amy Grant. She was one of the first female managers in town. She was also the first person I knew in Nashville to approach motherhood on her own.

What’s a moment that your little kid self would be proud of?

I grew up in a very conservative Christian home, so Amy Grant was the only artist that I was allowed to listen to. At CAA, she was on my roster and I sold and negotiated some sponsorships for her. That was a little surreal, to work with the artists that you grew up listening to.

The second one was selling a company for eight figures. I would never have thought when I was little that I would build something and sell it. It’s not just about the money—the money is financial freedom for my family, but it’s not what I place my own worth or value in. Never did I think I could build something from scratch and then someone else would place that level of value on it.

MusicRow Releases 2026 InCharge Issue, Russell Dickerson Graces The Cover

MusicRow Magazine, Nashville’s leading music industry trade publication, is proud to announce the 2026 release of its flagship print directory, InCharge.

This annual guide highlights some of the Nashville music business’ most influential industry executives. This year’s edition includes 384 profiles, accompanied by contact information, career biographies and detailed board and organizational membership affiliations.

The guide also includes a record label staff index, a company appendix and a professional categories appendix, which lists executives by their areas of expertise, including label, talent agency, management, music publishing, legal, finance, performing rights organizations and more.

“Nashville’s music industry continues to evolve. Its strength remains rooted in the people doing the hard work, building careers, developing talent and finding new ways to connect music with audiences,” says MusicRow Publisher/Owner Sherod Robertson. “Whether inside record labels, management companies, booking agencies, publishing companies, media organizations and other segments of our community, the people on these pages are the ones who move things forward.”

Multi-Platinum chart-topper Russell Dickerson graces the cover of the 2026 InCharge issue.

The Triple Tigers recording artist burst onto the scene with a remarkable run of No. 1 hits—“Yours” (3X Platinum), “Blue Tacoma” (2X Platinum), “Love You Like I Used To” (2X Platinum), “Every Little Thing” (Platinum), “God Gave Me a Girl” and most recently the Platinum-certified “Happen to Me”—cementing his reputation as one of country music’s most consistent hitmakers. Dickerson has amassed nearly four billion career streams to date.

His sold-out live show became the driving force behind his fourth studio album, FAMOUS BACK HOME, a high-energy, confidence-fueled project that mirrors the electricity of his sold-out “RUSSELLMANIA TOUR”—now extended through 2026.

Single copies of MusicRow’s 2026 InCharge issue are available for purchase at musicrow.com for $115, and are included with yearly MusicRow subscriptions.

Stagecoach Wraps 2026 Festival

Lainey Wilson

Stagecoach held its last day of sets yesterday (April 26), wrapping up its 2026 festival.

Friday night featured performances from Adrien Nunez, Avery Anna, Bailey Zimmerman, BigxThaPlug, Chase Rice, Counting Crows, Ella Langley, Hannah McFarland, Josh Ross, Julia Cole, Larkin Poe, Lyle Lovett, Marcus King Band, Nate Smith, Neon Union, Noah Cyrus, Noah Rinker, Ole 60, Sam Barber, Taylor Holder, The Red Clay Strays and Wynonna Judd before headliner Cody Johnson took the stage.

Cody Johnson

Highlights from opening night included Johnson bringing out Boyz II Men for “On Bended Knee,” Langley bringing out Theo Vonn for “you look like you love me,” Zimmerman and BigXthaPlug performing “All The Way,” Cyrus bringing out her dad Billy Ray Cyrus for “On Our Way Along,” and King bringing out his wife Briley King for a cover of Little Feat’s “Willin.’”

Day two was led by headliner Lainey Wilson, with additional performances from Benjamin Tod, Billy Bob Thornton & The Boxmasters, Braxton Keith, Bush, Charles Wesley Godwin, Chase Matthew, Corey Kent, Gavin Adcock, Elizabeth Nichols, Journey, Kevin Smiley, Lane Pittman, Little Big Town, Michael Marcagi, Redferrin, S.G. Goodman, Something Out West, Teddy Swims, Treaty Oak Revival, Tyler Braden and Willow Avalon.

Through a high winds delay, day two was still packed with highlights including Wilson bringing out Riley Green and Little Big Town. Green’s original full length set was cancelled due to the winds.

Post Malone

The final day was packed with performances from Adam Sanders, Amos Lee, Bayker Blankenship, Brandon Wisham, Brett Young, Brooks & Dunn, Cameron Whitcomb, Eli Young Band, Gabriella Rose, Hootie & the Blowfish, Hudson Westbrook, Ink, Jake Worthington, Kameron Marlowe, Max McNown, Ryan Hurd, The Wallflowers, Third Eye Blind, Ty Myers, Warren Zeiders, Wyatt Flores and Zach John King before culminating in a headline performance by Post Malone. 

The final day highlights included Post Malone playing covers of Garth Brooks, Hank Williams Jr., Kenny Chesney and more, and brought out Shaboozey and Keith, and Hootie & Blowfish bringing out Flavor Flav and Chuck D of Public Enemy out for a cover of Buffalo Springfield’s “For What It’s Worth” and Public Enemy’s “Fight the Power.”

Alongside the performances, fans also got to see Guy Fieri return to his Smokehouse, hosting cooking demos with Wynonna Judd, Billy Bob Thornton, Bush’s Gavin Rossdale, BigXthaPlug and more. Sydney Sweeney also hosted karaoke, singing duets with Green, Zimmerman, Diplo and Rice.

Bailey Zimmerman

Ella Langley

Riley Green

Little Big Town

Hootie & The Blowfish

Warren Zeiders

Ella Langley Tops MusicRow Top Songwriter Chart

Ella Langley. Photo: Caylee Robillard

Ella Langley has taken the No. 1 spot on the MusicRow Top Songwriter Chart. 14 tracks off her newly released Dandelion album push the singer-songwriter to the top this week, including “Be Her,” “Bottom Of Your Boots,” “Broken,” “Butterfly Season,” “Choosin’ Texas,” “Dandelion,” “I Gotta Quit,” “Last Call For Us,” “Loving Life Again,” “Low Lights,” “Most Good Things Do (Acoustic),” “Somethin’ Simple,” “We Know Us,” and “You & Me Time.”

Joybeth Taylor jumps into the No. 2 spot with Langley’s “Broken,” “Butterfly Season,” “Choosin’ Texas,” “Dandelion,” “girl you’re taking home,” “I Gotta Quit,” “Last Call For Us,” “Low Lights,” “Most Good Things Do (Acoustic),” “Somethin’ Simple,” “Speaking Terms,” “We Know Us,” and “You & Me Time,” as well as Corey Kent’s “Empty Words.” Luke Combs moves to No. 3 with “Days Like These,” “Rethink Some Things,” and “Sleepless In A Hotel Room.”

Randy Montana (No. 4) and Blake Pendergrass (No. 5) round out this week’s top five.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.