Country music artist, Clayton Anderson, has signed with the multi-dimensional entertainment and music company Visionary Media Group. VMG is set to expand upon his unique touring concept, provide assistance with the release of his children’s book, and help finish the screenplay he’s writing.

Anderson has racked up over 240K monthly listeners on Spotify and over 10 million streams on the platform alone. Earlier last year, he teamed up with Bud Light for the Bud Light Dive Bar Tour: Home Edition alongside Jake Owen, Dierks Bentley, OneRepublic, and more, which allowed him to keep sharing music, virtually, with his fans during the pandemic.

“I’m beyond grateful and excited for the opportunity to be joining Anastasia Brown, Tracy Percival and the entire VMG family! I was so close to giving up my dream when COVID hit, but this partnership is such a blessing,” Anderson said. “Our ideals and passion for music are parallel and I honestly can’t convey how very thankful I am. I’m so fired up!”

Raised in southern Indiana, Anderson has built a loyal following with his blend of Midwestern rock and independent country. While enrolled at Indiana University, he wrote his first song in the school’s library and began playing fraternity parties around town, earning an audience long before graduation. He’s gone on to open for many artists, including Kenny Chesney, Blake Shelton, Jimmy Buffett, and Carly Pearce. He has also performed alongside Zac Brown Band at the Indy 500, with 40,000 people in attendance.

“When Renee Bell introduced me to Clayton, I flipped over his powerful voice. Then with time, I learned about his work ethic and how entrepreneurial he is—that’s when we knew he was the right fit to join the Visionary Family,” said Brown, VMG Chief Content Strategist.

Anderson is currently gearing up to release a slew of new singles throughout 2021 culminating in a new album release slated for 2022.

Businessman John Loar moved to Nashville to be closer to his daughter. Now he finds himself leading the charge to bring a Major League Baseball team and sports entertainment district to Music City.

His background is in real estate operations and acquisitions. In the late ’90s, Loar led the effort for the Seattle Seahawks acquisition and near-relocation to Los Angeles. He also supported former pitcher and Diamondbacks GM, Dave Stewart, on the acquisition of the Miami Marlins.

It’s clear that Loar sees Nashville’s potential future as part of Major League Baseball as a full circle investment in Music City’s entertainment capacity. He’s interested in creating a sports, family entertainment district—like that of Atlanta, Georgia’s The Battery Atlanta, and Ballpark Village in St. Louis, Missouri—not just a baseball field.

Loar founded Music City Baseball, LLC, an organization primarily of Tennessee business, sports, music, and community leaders that is committed to bringing a MLB franchise to the City of Nashville, without government funding. With a focus on securing MLB approval of an expansion franchise in Nashville, the leadership team is also open to the possibility of relocation and rebranding of an existing franchise.

Understanding the fabric of Music City and it’s business climate, Music City Baseball has already engaged with the music industry, securing Music Advisory Board Members to involve them in the plan for bringing MLB to Nashville and the concept of a new entertainment district. Entertainment icons Luke Combs, Kane Brown, Darius Rucker and Justin Timberlake have joined the Board thus far.

“The importance of the music industry to Music City Baseball’s objectives, extends to why Nashville is an important market,” Loar tells MusicRow. “It’s the opportunity to just connect the two of those going forward. Nashville is Music City, it’s the hottest market in the country. This ballpark is truly not a ballpark, it would be an entertainment venue for world-class entertainment, where you can imagine residencies like in Las Vegas. It would be air conditioned and covered, so they could use it year round. So it’s not about baseball, it’s more about that opportunity to create a world-class [entertainment complex], for convention use, for corporate use, etc.

“Baseball is the reason why I’m the catalyst behind it, but what we’re building here is a world-class entertainment venue. Baseball plays for 22% of the time, 81 games, but what it creates is an opportunity to have a venue within a venue. By design with our partners ASM Global, coordinating our music industry advisors, [the Nashville music industry can have] an important role in being part of this process. They can be included in the design of how the facility operates, how it’s designed and how it functions,” Loar says.

In an effort to build a Major League franchise on equity and celebrate diversity, Music City Baseball wants to name the team Nashville Stars, in honor of several Negro League baseball teams that played games in Nashville in the 1940s. They established a partnership with the Negro Leagues Baseball Museum, which includes a net sharing of revenues from the sale of merchandise bearing the name “Nashville Stars,” and cooperation between marketing and social media efforts.

“It gives Major League Baseball the opportunity to take its place in history and be proactive instead of reactive in the conversations that continue to go on diversity and inclusion,” Loar says.

Music City Baseball was positioned to submit a proposal to Major League Baseball to establish a team in Nashville, but that step has been delayed a year due to business effects from the COVID-19 pandemic. Until then, Loar is focused on site selection for the proposed entertainment district.

“We hope it’s in Davidson County, but it will possibly be in Williamson County or Rutherford County. We’ve got eight sites that we’re considering,” Loar says. “We hope it’s part of the East bank, potentially the Tennessee State University site. A downtown ballpark gives us the opportunity to build, with our partner ASM Global, a world-class entertainment venue. The walkability, bringing the Cumberland River alive, and just being part of a downtown park is the objective.”

In 2021, it’s important for Music City Baseball to show their partner (ASM Global) that the Nashville market can be a revenue contributor, the reasons why, and to find a site for the ballpark.

“We think we can privately finance a ballpark here, as it’s really not a ballpark. It’s an entertainment venue. The baseball team becomes a tenant,” Loar says. “It’s driven by the music industry in residencies, and in conventions. It supports the growth of Nashville, the airport growth, the expansion internationally, and the hotel industry and the restaurant industries that continue to grow, even with COVID. People come to Nashville just because it’s Music City, so when the Red Sox, the Phillies, the Giants, or whoever see the Stars on the schedule, they’re going to come here for a three-game series, and be a part of the town and the market area.”

Quartz Hill Records, the newly-formed joint partnership with global music distribution company The Orchard, announced the signing of Ben Gallaher to its label roster.

Gallaher has earned a fast-growing fanbase due to his commanding guitar prowess and energetic live shows while opening for the likes of Lynyrd Skynyrd, Hank Williams Jr., Blake Shelton, 3 Doors Down, Lee Brice, and has toured the Pennsylvania State Prisons for ten years on his annual, headlining Prison Tour.

Gallaher was introduced to Quartz Hill Records’ Benny Brown by Brown’s longtime friend Ben Vaughn, President & CEO of Warner Chappell Music Nashville, and Gallaher’s publisher. After meeting with Brown and Quartz Hill managing partners Paul Brown and Jason Sellers, they knew the label had found its next rising star.

“I was immediately taken with Ben’s ability to sit and perform just a guitar vocal and make it sound huge—like we were in an arena instead of in a conference room. After performing only three songs, I knew Ben was a star. And after spending time with more than 100 songs Ben had written, I knew we needed him in country music. His songs not only have a good beat but each one has a message that fans can wrap their arms around,” says Benny Brown.

“I’m humbled to work with Benny Brown and the Quartz Hill Records team. Since our first conversation, they have welcomed me as a member of their family,” says Gallaher. “Our visions for my brand and future are perfectly aligned and I’m fired up to share the new music we have been working on!”

Fans will get their first taste of new music from Gallaher on Friday, Feb. 5 with the worldwide release of “Every Small Town,” co-written by Gallaher, Ash Bowers and Jim Collins. Gallaher is currently in the studio recording his debut Quartz Hill Records album with producers Mickey Jack Cones (Jason Aldean, Thomas Rhett) and Derek George (Dustin Lynch, Randy Houser).

Gallaher is signed to Warner Chappell Music Nashville and is an ASCAP writer. He is booked by WME and managed by BSB Management.

Attorney and founding chairman of the Greenberg Traurig’s entertainment and media practice, Joel Katz, notified Greenberg Traurig of his resignation from the firm on Dec. 31, 2020, MusicRow has confirmed.

A top entertainment attorney frequently listed in Billboard‘s Power 100 list, Billboard‘s Country Power Players List, and MusicRow‘s InCharge, Katz has represented legendary entertainers from an array of genres, including artists, producers, record companies, concert promoters, and business leaders. His client list has included Jimmy Buffett, Jamie Foxx, Steve Harvey, Faith Hill, Julio Iglesias, Alan Jackson, Estate of Michael Jackson, Kris Kristofferson, Little Big Town, Ludacris, Tim McGraw, L.A. Reid, George Strait, James Taylor, Justin Timberlake, TLC, and others.

In a statement provided to MusicRow, Greenberg Traurig Executive Chairman, Richard A. Rosenbaum, said: “Joel Katz has, by mutual understanding, resigned from the firm as of December 31, 2020. Our global entertainment practice remains strong, diverse and among the largest, most dynamic and highest rated in the world, led by Chair Bobby Rosenbloum in Atlanta, assisted by Vice Chairs Barbara Meili in New York and Dan Black in Los Angeles, as well as Jay Cooper, the founder of our Los Angeles Entertainment Practice, leading music industry lawyers Jess Rosen in Atlanta and Paul Schindler in New York, and many others. We thank Mr. Katz for his contributions over the years and have no further comment at this time.”