Renowned Business Manager Chuck Flood Passes Away

Chuck Flood

Veteran business manager and Co-Founder of Flood, Bumstead, McCready & McCarthy, Inc. (FBMM), Chuck Flood, passed away Friday morning (July 21) in Nashville with his family by his side. He was 78.

Born Charles Martin Flood Jr. on Sept. 12, 1944, in Waco, Texas, his parents were Charles Martin Flood Sr. and Maida Tull Flood.

Flood attended Baylor University in Waco, which is where he met his wife Beth. The two spent most of their lives in Nashville, raised two daughters and were known not only for their affection and love for each other, but also for their epic parties hosted at their home with friends and family. They shared more than five decades of deep love and friendship. Beth passed away in 2021.

Flood was a prominent figure in the entertainment industry for more than four decades. His career included time at Capitol and Warner Bros. Records in the A&R and national promotion departments. He was also a Partner at Hayes Street Music.

In 1986, Flood founded Chuck Flood & Associates at his dining room table with the help of John Sayles and Betty Sanders.

He later joined forces with Frank Bumstead, Mary Ann McCready and John McCarthy forming what would become FBMM today. Flood was incredibly proud of his career at FBMM and saw his employees and clients as an extension of his family.

Chuck Flood is preceded in death by his parents; Hattie Robinson; his sister, Cecile Marie; and his wife, Beth.

He is survived by his beloved sister, Catherine Flood Weiss of Austin, Texas; daughter Sarah Flood and husband Robert Ryland of Elgin, Texas; and daughter Rachel Flood and husband Kristian Vatalaro, of New York, New York. He is also survived by three grandchildren: Martha Zo Ryland of New York, New York.; Henry Ryland of Elgin, Texas; and Joe Vatalaro of Atlanta, Georgia.

A celebration of life to share memories and honor Chuck and Beth will be held in Nashville. Details will be forthcoming. In lieu of flowers, the family asks and appreciates that donations be made in Chuck’s name to the Juvenile Diabetes Research Foundation (JDRF) or to Doctors Without Borders.

Radio Promotions Veteran Jan Woods Dies

Jan Woods

Independent radio promotions veteran Jan Woods passed away at her home in Hermitage, Tennessee on Thursday, July 20. Woods was the Owner of Jan Woods Promotions, whose primary focus is the MusicRow CountryBreakout Radio Chart, Billboard‘s Indicator and secondary markets.

With over two decades of experience, Woods worked with dozens of artists throughout her career, including Billy Ray Cyrus, Dolly Parton, Toby Keith, The Bellamy Brothers, Joe Nichols, George Jones and more.

She started her radio promotion career in 1994 with the launch of Jan Woods Promotions. Focusing her efforts on making friends in the music business, many of her colleagues remembering her for her humor and love of God. Woods worked the MusicRow Chart and Billboard Indicator chart, knowing that most independent artists would have their best radio shot starting with those starter charts.

Her charming temperament and passion for music served Woods well. Her office was adorned with multiple Gold and Platinum plaques for her success at country radio.

Woods is survived by her daughter Christina (Jeff) Bear and son Chris (Cathy) O’Guin; grandchildren Brittany Bear, Hope Bear, Faith Bear, Christopher O’Guin and Carly O’Guin; and great-grandchildren Cooper Cancel and Scarlett O’Guin.

Woods’ visitation will be at Cole and Garrett Funeral Home in Goodlettsville, Tennessee on Friday, July 28 from 11:30 a.m. to 1:30 p.m. A service will follow. She will be laid to rest at Forest Lawn Cemetery in Goodlettsville.

Cole Swindell Tops The MusicRow Radio Chart With ‘Drinkaby’

Cole Swindell‘s “Drinkaby” is the No. 1 song on the MusicRow CountryBreakout Radio Chart this week.

The tune was written by Jon Pardi, Jordan Schmidt, Hardy and Hunter Phelps, and appears on Swindell’s deluxe album Stereotype Broken. It follows his three Platinum-certified, hit singles from his fourth album Stereotype, “Never Say Never” featuring Lainey Wilson, “Single Saturday Night” and “She Had Me At Heads Carolina.”

“Drinkaby” currently sits at No. 14 on the Billboard Country Airplay chart and No. 13 on the Mediabase chart.

Swindell was a big winner at the ACM Awards in May, taking home Single of the Year and winning two awards for Song of the Year—as songwriter and artist—for “She Had Me At Heads Carolina.”

Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

DISClaimer Single Reviews: Chris Young Channels Summer Vibes On New Track

Hot enough for you?

The country stars are fully in tune with summertime this week.

Efforts by Dan + Shay, Hardy, Mickey Guyton & Kane Brown, Lionel Cartwright, Uncle Kracker and Travis Denning sound custom made for warm weather.

The most summer-sounding of all is Chris Young, who wins the Disc of the Day award.

Newcomers? We’ve got ‘em, with Christian Parker, Whitney Miller and our DISCovery Award winner Cassandra Davis all lending their voices to the vacation season.

O.N.E. THE DUO / “Superpower”
Writers: Shane Stevens/Nash Overstreet; Producer: Nash Overstreet; Label: Visionary Media Group
– Being a woman is a superpower sez the mother-daughter duo. It’s a charming single, but it would sound a lot more “country” if it had some actual musical instruments in the production instead of just electronic loops.

HARDY / “Truck Bed”
Writers: Ashley Gorley/Michael Hardy/Hunter Phelps/Ben Johnson; Producers: Joey Moi/Derek Wells/Hardy/Ben Johnson; Label: Big Loud Records/Big Loud Rock
– She’s kicked him out, so now he wakes up “on the wrong side of the truck bed” in the front yard. Now he has to go to work with a hangover. Instruments twang merrily, the gang sings along and a goofball vibe reigns supreme.

CAYLEE HAMMACK / “That Dog”
Writers: Caylee Hammack/Jake Mitchell/Aaron Raitiere; Producers: Caylee Hammack/Dann Huff; Label: Capitol Nashville
– The fiery redhead is totally over him, but she misses the dog. Sassy and spirited.

CHRIS YOUNG / “Young Love & Saturday Nights”
Writers: Ashley Gorley/Jesse Frasure/Josh Thompson/David Bowie; Producers: Chris Young/Corey Crowder/Chris DeStafano; Label: RCA
– The melody quotes “Rebel Rebel” by David Bowie, but this uptempo romp is country all the way. It’s a joyous celebration of old trucks, small towns, radio tunes and necking in the parking lot. Roll down the windows and crank it up on a carefree weekend.

CASSANDRA LEWIS / “Too Much”
Writers: none listed; Producer: Dave Cobb; Label: Elektra/Low Country Sounds
– My ears perked right up. This Portland, Oregan singer-songwriter will kick off her new album with this soul ballad. It’s a stately heartbreak outing with a spare arrangement that frames an extraordinary vibrato-vocal performance. She aims for the stratosphere and then soars above it. A remarkable, singular talent.

DAN + SHAY / “Save Me the Trouble”
Writers: Jordan Reynolds/Ashley Gorley/Dan Smyers/Shay Mooney/Jordan Minton; Producers: Dan Smyers/Scott Hendricks; Label: Warner Music Nashville
– She’s a heartbreak waiting to happen, so this power ballad throws down a warning. As we have come to expect, the singing here is simply excellent. The layered harmonies and understated production both work splendidly. Hit bound.

WHITNEY MILLER / “Nobody”
Writers: Hailey Nicole Verhaalen/Kelly Anne Seidel/Makena Hartlin; Producer: none listed; Label: Whitney Miller Music
– Smoldering and sensuous. She’s in a fever dream that he’s being unfaithful, so electric guitars echo and swirl around her steamy, smoky vocal. Miller is a former Miss United States (2012) who is also a mixed martial arts fighter and kickboxing commentator. Her singing is a tough as she is.

MICKEY GUYTON & KANE BROWN / “Nothing Compares to You”
Writers: Tyler Hubbard/Bebe Rexha/Jordan Schmidt; Producers: Tyler Hubbard/Jordan Schmidt; Label: Capitol Records Nashville
– They sound pretty good together, his plaintive, roughshod delivery contrasting nicely with her sunny, scintillating soprano. The slow-burn, bluesy tune gives Mickey, in particular, plenty of room to vamp and improvise. Smooth listening.

BRANDON DAVIS / “Still Gonna Be”
Writers: Brandon Davis/Daniel Agee/Joe Ragosta; Producers: Daniel Agee; Label: Big Yellow Dog Music
– He sings with passion, but the song isn’t worth the effort.

UNCLE KRACKER / “Reason to Drink”
Writers: Matthew Shafer/Blair Daly/Troy Verges; Producer: none listed; Label: UK
– A summertime party song. You’ll feel like you’re heard it before.

TRAVIS DENNING / “Things I’m Going Through”
Writers: Matt Mulhare/Jordan Dozzi; Producers: Jeremy Stover/Paul DiGiovanni; Label: Mercury Nashville
– He’s so relatable. He delivers this heartbroken meditation in a conversational, everyman voice that worms its way right into ya. The little details in the lyric are really cool. I remain a big fan.

LIONEL CARTWRIGHT / “Sleepwalking”
Writer: Lionel Cartwright; Producer: Lionel Cartwright; Label: Soul Mine Recordings
– Totally groovy. The gentle, mellow track is embellished with his tasty guitar licks, and the tune sways like a hammock on a summer afternoon. The creamy, dreamy, romantic mood is pure pleasure. This veteran hit maker still has the goods. Seek this ultimately enjoyable single out now. You can thank me later.

CHRISTIAN PARKER / “Hickory Wind”
Writers: Gram Parsons/Bob Buchanan; Producer: none listed; Label: CP
– Parker’s album Sweethearts drops on August 18. It is his tribute to the seminal 1968 Byrds country-rock masterpiece Sweethearts of the Rodeo. This single from it comes out tomorrow (July 21), and it’s a dandy remake of Gram Parsons’ timelessly eloquent waltz. Lilting and lovely. In addition to all the songs on the original album, the collection contains versions of “I Still Miss Someone,” “Satisfied Mind” and “Truck Store Truck Drivin’ Man.” Highly recommended.

My Music Row Story: KBFM’s Chris King

Chris King

The “My Music Row Story” weekly column features notable members of the Nashville music industry selected by the MusicRow editorial team. These individuals serve in key roles that help advance and promote the success of our industry. This column spotlights the invaluable people that keep the wheels rolling and the music playing.

Chris King is the Founder and Partner of King Business Financial Management (KBFM), a business management firm in Nashville. With over 10 years as a business and financial manager, King founded the firm in 2019 and has grown it to be the home to over 40 clients spanning genres across the music industry.

King was born in raised in Memphis, Tennessee, which informed his love for all different genres of music from a young age. During his college years at the University of Tennessee at Martin, he quickly realized that he had an affinity for numbers, but more importantly, he had a passion for interacting with people. He earned his Bachelor of Business Administration in Accounting and shortly after graduating, King moved to Nashville.

His dedication and motivation helped him quickly rise through the ranks at the business management firm FBMM, where he worked for six years. After leaving FBMM, King became a Partner at Blue Sky Group Business Management where he spent four years as the head of their entertainment business management division before departing in 2019 to launch KBFM.

MusicRow: Where did you grow up?

I grew up in Memphis, Tennessee. I went to the University of Tennessee at Martin for college.

Lucy Hughes Mckelvey, Marcus King, Chris King

Were you into music growing up?

Definitely. My mom was an R&B fan and my dad was into Earth, Wind & Fire. I really got introduced to country music by riding in the car with my sister my freshman year. Jason Adlean‘s first album was really the first album that introduced me to country music.

What did you study in college?

I studied accounting. I didn’t know anything about the music industry and I certainly didn’t know that you could be an accountant within the music industry. I had taken an accounting class in high school and that’s what made me fall in love with it.

I didn’t want to do taxes all day, so I was trying to find some sort of accounting work that didn’t mean being a CPA and dealing with tax returns on a consistent basis.

How did you figure out how to make that happen?

I just moved to Nashville. I was engaged at the ripe age of 20. I met my wife at UT Martin and she is is originally from Nashville. She moved back so I moved here and [started looking for a job]. I got married on a Saturday and on that Monday, I went in for an interview at FBMM.

I was simply searching for a job in some type of money management. A lot of the stuff I had studied in college was about helping small businesses with their accounting needs, so I was trying to find something where I could help somebody, whether that was with a business or personal finances. I lucked out getting a job at FBMM, where I was able to be in the best of both worlds, dealing with personal stuff and with business things.

Drew Parker, Chris King, Ray Fulcher

What was your first impression of the music business?

It was crazy. At the interview, they asked me if I knew what a royalty was. I have no idea. The first day I walked in, they said, “You’re going to work on [a big band’s] touring and their personal stuff.” For a year and a half, I got to see all of that.

It got me a ton of experience that I just couldn’t have learned anywhere else. I got to work on a few baby bands as well during that time. After that, I got to work on [one of the world’s biggest pop stars] for a year and a half.

How long were you at FBMM?

I was there for seven years. The last four years I was there, I got to work all over the place. That’s where I really fell in love with what I was doing even more. I got to work on a rock band from Athens, Alabama and a rapper from Pittsburgh. Forming personal relationships with them was what made me want to go out on my own.

KBFM staffers

Stephanie Mundy Self was my boss on some clients, so I was learning from her for a year and a half. She is such a hard worker—she eats, sleeps and breathes what she does. She really made me understand kind of that type of work ethic. Duane Clark was great—he always had an open door policy. I worked with Jen Conger for the last four years I was there. They were always open to talk with people and help people learn.

What was the next step for you?

I partnered with Harlan Hallett for a new company called Blue Sky Group. I was there for about four years. John Strohm connected us when I left FBMM. For somebody that had as big a clients and experiences as John did, to take a chance on a 28 year old kid starting his own thing, was so cool.

My years at Blue Sky were great. I learned a ton. Harlan’s background was more on the royalty side, so being there, I really got to learn a ton about catalog sales. Whenever I started at Blue Sky, it was me, Harlan and one other. We built it up and when I left, we had maybe seven or eight people in the office.

I left in February of 2019. Two employees came with me that I hired right out of college, Lucy Hughes Mckelvey and Erin Barry. We started building our team. I started looking around for other people, somebody I could bring in that could bring in to grow our network. I met Mallory Mason Pascal through Mandy Morrison over at City National Bank. We met in November of 2019 and started talking a lot. I basically felt like I was trying to court someone to date them. [Laughs] I was just trying to tell her why she should trust me. Then COVID hit and we cut the brakes for a while.

Chris King, Jordan Walker, Luke Combs, Ray Fulcher, Lucy Hughes Mckelvey

By the end of November of 2020, I was able to persuade her to come over. She was number five in the office including me, and now we’re up to 16 people on a day-to-day basis. We’ve also really grown our client roster. During COVID, I think a lot of artists realized they may be a company with a huge name, but not necessarily getting the service they thought they were and the one-on-one attention. We’ve got clients from The Basement to Bridgestone, so even though we’re smaller, we have all the knowledge and we can also give you more of that one-on-one feel.

That’s awesome. What are your goals for KBFM?

Just to keep growing. As long as we can offer the same service that we are now, I would love to get as big as we can possibly get knowing that we’re giving the same service out to everybody.

What would you tell young accountants wanting to do what you do?

Always be willing to learn. Try to research it yourself. With my kids and with my employees, I always encourage them to research [the answers they are looking for] and figure out the why behind it.

I would also say money is not everything. No one got in the music industry for money, at least not on the business side of things. It’s going to come with time. Find something that you’re passionate about and do it—the money will come if it’s supposed to come. If not, you’re still going to live a happy life to where it doesn’t matter.

KBFM Parnters Mallory Mason Pascal (second to left) and Chris King (far right) with their spouses

What is something people may not know about you?

I’m a big Justin Bieber and Michael Jackson fan. Lucy likes to ask people what concert they would want to go to, dead of alive. Mine is definitely Michael Jackson.

I got to take my eight-year-old to the Justin Bieber concert here in Nashville last year. That was a pretty special moment. I basically forced him into becoming a huge Justin Bieber fan like me, so he was standing up singing the whole time. That was a really cool experience.

What is a moment that you’ve had that your little kid self would be impressed with?

I got to go to Madison Square Garden two years ago to see [my client] Marcus King play a show at Madison Square Garden. There’s a lot of moments like that. When I was in college, my mom passed away from cancer. There are so many moments like that where I wish I could call her and tell her about.

I grew up in Memphis and got an accounting degree—I just hoped to work at some accounting firm. Now I’m working with Grammy winners and CMA winners. I have to pinch myself a lot. I hope the butterflies never go away.

Ryan Vojtesak Re-Enters Top 5 On MusicRow Top Songwriter Chart

Ryan Vojtesak

Ryan Vojtesak re-enters the top five on the MusicRow Top Songwriter Chart this week, moving from No. 6 to to No. 4. He is co-writer on Morgan Wallen’s tracks “Last Night,” “You Proof,” “Thinkin’ Bout Me,” “Everything I Love” and “Cowgirls.”

Filling out the top five, Ashley Gorley sits atop the chart at No. 1 for the 11th consecutive week as a co-writer on Chris Janson’s “All I Need Is You,” Parmalee’s “Girl In Mine,” Russell Dickerson’s “God Gave Me A Girl,” Hardy’s “Truck Bed,” Nate Smith’s “World On Fire” and Morgan Wallen’s “Last Night,” “Cowgirls,” “Everything I Love,” “Thinkin’ Bout Me” and “You Proof.”

Tracy Chapman remains at No. 2 with Luke Combs’ cover of her solely-written “Fast Car” still rising. Zach Bryan‘s “Something In The Orange” keeps him at No. 3 and Chase McGill sits at No. 5 with six charting songs.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Country Music Hall Of Famer Jerry Bradley Passes

Jerry Bradley. Photo: Tony Brown’s book Elvis, Strait to Jesus; courtesy of Melissa Core and Rick Caballo of Dead Horse Branding

Music industry titan and Country Music Hall of Fame member Jerry Bradley has passed away at age 83. He died peacefully on Monday (July 17) in Mt. Juliet, Tennessee.

His 40 years of success in the record and publishing industries are unique in the Nashville music business community.

Jerry Bradley and the CMHOF’s Kyle Young at Bradley’s induction into the Country Music Hall of Fame. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum

As part of what is known as “The First Family of Music Row,” Jerry was the son of Nashville sound architect Owen Bradley as well as the nephew of the renowned A-Team guitarist Harold Bradley, who were both in the Hall of Fame. His late wife was the iconic Connie Bradley, who led ASCAP for three decades.

Other members of the Bradley dynasty include Jerry’s sister, longtime BMI executive Patsy Bradley, and his son, current BMI Nashville VP of Creative Clay Bradley, as well as other family members who made an impact on the music business.

Jerry Owen Bradley was born in Nashville on January 30, 1940. He was a practical jokester in his youth. When he decided to follow his dad and uncle Harold’s footsteps into the music business, after two years in the army, Jerry started working with his family’s music publishing company, Forrest Hills Music. He also started learning to engineer and produce records in his dad’s studio, Bradley’s Barn, after it was built in 1965.

Learning from his father, Jerry watched and often contributed to sessions with artists like Webb Pierce, Loretta Lynn, Brenda Lee, Gordon Lightfoot and more.

Jerry and Connie Bradley. Photo: Donn Jones/CMA

Coming up in the music business as Owen Bradley’s son made Jerry ache for a shot at building his own reputation. In order to make a name for himself, Jerry asked Head of RCA Nashville Chet Atkins—who was ironically Owen’s competition at the time—for a job.

Jerry came on as an assistant for Atkins in 1970, but soon found himself behind the sound board as a staff producer. A few short years later Jerry became Head of RCA Nashville in 1973.

If making a mark for himself was what Jerry yearned for, he did that and more. With Jerry at the helm from 1973 to 1983, RCA Nashville experienced its famed success with country hitmakers Alabama, Ronnie Milsap, Dolly Parton, Charley Pride and many more. The label was heralded Label of the Year by Billboard for ten consecutive years, and launched the careers of some of country music’s most legendary stars.

“When my daddy died, my mother told me he was proud of me. He never said that but he told her that. That touches me,” Jerry told MusicRow in a 2021 interview about his family’s legacy.

One of Jerry’s early signings was Alabama, a family band from Fort Payne, Alabama. Jerry helped design the artwork for their first RCA Nashville album My Home’s in Alabama, and started their iconic trademark of Alabama spelled with a capital “A” at both the beginning and ending of the word. The now Country Music Hall of Fame members would go on to celebrate multiple Platinum and multi-Platinum albums.

Jerry Bradley and Charley Pride attend the 2019 Country Music Hall of Fame Medallion Ceremony. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum

Another stunning success of Jerry’s was his work with Ronnie Milsap, who recorded 35 No. 1 hits for RCA Nashville. Jerry produced many of Milsap’s hits, with publisher Tom Collins co-producing some as well.

He made history while working with Charley Pride, who became one of country music’s first Black superstars. Pride recorded hits such as “Someone Loves You Honey,” “Burgers and Fries” and “Where Do I Put Her Memory” under Jerry’s supervision.

During his time at RCA, Jerry was also the force behind the renowned 1976 album, Wanted: The Outlaws, from Waylon Jennings, Willie Nelson, Jessi Colter and Tompall Glaser. He was meticulously involved in the imagery for the project, modeling the cover after a vintage, western wanted poster. The album became the very first country album to achieve Platinum status.

Like his father and uncle Harold, Jerry was very involved in the success of the Music Row community. He was President of the Country Music Association in 1974-1975, and was heavily involved in CMA’s annual Fan Fair (now CMA Fest).

Jerry was also known as a prankster on Music Row. Some of the many pranks he pulled were sticking spoons to his face during formal industry events while speeches were being given, and sneakily planting corn in the yards of his colleagues’ offices.

Connie and Jerry Bradley with Harold and Patsy Bradley at the Owen Bradley statue on Music Row. Photo: Courtesy of Jerry Bradley

“When country music was taking off in the Garth Brooks era, Soundscan came out and all of the sudden country music was selling more than anything else, dad grabbed me one day on a Sunday and we went and planted corn in everybody’s front lot,” Jerry’s son Clay remembers. “In about three weeks they all had corn stalks growing.”

“I took Kenny Chesney on his first ride up 16th Avenue going the wrong way telling him I was checking the corn stalks. He didn’t know what the hell I was talking about until we got up the street,” Jerry admitted.

Jerry married the late ASCAP executive, Connie Bradley, in 1979. The two were married for nearly 43 years, until Connie unexpectedly died in March of 2021. There’s no doubt the two were the ultimate Music Row power couple.

From another marriage, Jerry had two children, Leigh Jankiv and Clay Bradley, who also went on to work in the business. Jerry’s cousin Bobby Bradley Jr. is also a noted recording-studio engineer. Bobby got his start at Bradley’s Barn, and went on to work with Johnny Cash, George Jones, Loretta Lynn, Dolly Parton, Marty Stuart, Tammy Wynette, Trisha Yearwood and more at many different studios.

Jerry left RCA Nashville in 1983 and stepped into leading Opryland Music Group, which owned all the Acuff-Rose publishing catalogs. Opryland Music Group became the first Nashville publishing company to win ASCAP and BMI Song of the Year honors in 1990. Acuff-Rose has been a steady earner because of its catalog of old songs, which included the classics of Hank Williams, Roy Orbison, Don Gibson, John D. Loudermilk, the Everly Brothers and Dallas Frazier. With a fire in his belly to elevate the company, Jerry went to work acquiring new staff, song pluggers and hit songwriters such as Dean Dillon, Casey Beathard and Kenny Chesney. Soon the Opryland Music Group was battling with the multinational corporate giants like Warner Chappell, EMI, Polygram Music and BMG.

Jerry Bradley. Photo: Courtesy of the Country Music Hall of Fame and Museum

Jerry retired from the music business in 2003. He was inducted into the Country Music Hall of Fame in 2019 for his incredible impact on Music Row. Jerry has mentored such successful music industry professionals as his son Clay Bradley, Troy Tomlinson and Joe Galante.

“I never lost the fact that it was fun,” Jerry shared. “I had fun.”

Jerry Bradley is predeceased by his parents Owen Bradley and Katherine Bradley; his uncles Harold Bradley, Charlie Bradley and Bobby Bradley; his aunt Ruby Strange; his wife Connie Bradley; and the mother of his two children, Gwynn Hastings Kellam.

He is survived by his sister Patsy Bradley; his children Leigh Jankiv (Rob LeBlanc) and Clay Bradley (Sara); his grandchildren Josh Jankiv (Ashley), Eli Jankiv, Emma Jankiv (Matt Acott), John Bradley and Lillian Grace Bradley; and his five great grandchildren.

A Celebration of Life will be held at Cedar Creek Yacht Club on Sept. 10 at 4 p.m. This is the place Jerry enjoyed the most. He was a 60-year member and he spent his time on Old Hickory Lake with his family and friends on the “STUDIO A” houseboat.

In lieu of flowers, the family asks that you please make a donation to Music Health Alliance.

Kane Brown Tops The MusicRow Radio Chart With ‘Bury Me In Georgia’

Kane Brown‘s “Bury Me In Georgia” is at No. 1 on the MusicRow CountryBreakout Radio Chart this week.

Brown co-wrote the anthemic hit with Matt McGinn, Jordan Schmidt and Josh Hoge. It appears on his third studio album, Different Man, which also contains hits “Like I Love Country Music,” “One Mississippi” and “Thank God” with Katelyn Brown.

“Bury Me In Georgia” currently sits at No. 9 on the Billboard Country Airplay chart and No. 10 on the Mediabase chart.

Brown recently headlined Boston’s Fenway Park, becoming the first Black artist to headline the historic ball park solo.

Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

DISClaimer Single Reviews: Hannah Dasher Creates A ‘Fabulous Sonic Slab’

Hannah Dasher. Photo: Jeremy Ryan

Is it just me, or is there more new blood in country music than ever these days?

Vying for our attention this week are such up-and-comers as Ashley Cooke, Warren Zeiders, Nate Smith, War Hippies, Hannah Dasher, Dylan Marlowe and Elvie Shane. The Disc of the Day contenders are Cooke, Shane, Chase Rice, Lukas Nelson & Lainey Wilson, Sam Hunt and our winner, Hannah Dasher.

We have no actual newcomers today, but I would like to point out the presence of at least three previous DisCovery Award winners—Nate Smith, War Hippies and Hannah Dasher.

CHASE RICE / “Bad Day to Be a Cold Beer”
Writers: Blake Pendergrass/Chase Rice/John Byron/Justin Thomas; Producer: Oscar Charles; Label: BBR
– Announcing THE drinking song of 2023. This rollicking romper is a working man’s anthem, a party-hearty banger and a kick-butt production all wrapped up in hillbilly delight. Turn it up.

NATE SMITH / “World On Fire”
Writers: Ashley Gorley/Lindsay Rimes/Nate Smith/Taylor Phillips; Producer: Lindsay Rimes; Label: Arista Nashville
– The metaphor doesn’t really work for me, but even if the lyrics are nonsense, this is a spectacularly charismatic vocal performance. The track is molten-rock hot.

HANNAH DASHER / “(I’m the One That Taught Him) That Thing You Like”
Writers: Hannah Dasher/Brandon Hood/Wynn Varble; Producers: none listed; Label: HD
– Witty, bluesy and twanging. She takes the new girlfriend aside to let her know just how intimately she knows the boy on this unreleased track. A fabulous sonic slab. I remain a massive fan.

DYLAN MARLOWE / “Dirt Road When I Die”
Writers: Dylan Marlowe/Joe Fox; Producer: Joe Fox; Label: Sony Music Nashville
– Downbeat, borderline depressing and a little confusing. Okay, after we take you down that dirt road, what do you want us to do with your body? Bury it? Burn it? Leave it out in the sun in the back of that pickup truck?

ASHLEY COOKE / “Your Place”
Writers: Ashley Cooke/Jordan Minton/Mark Trussell; Producer: Jimmy Robbins; Label: Big Loud Records/Back Blocks Music
– This lady sure can write ‘em and sing ‘em. This track from her forthcoming (July 21) debut album sets some definite boundaries for her ex. Her current situation is none of his damn bizness. This is an artist you need to be listening to.

WARREN ZEIDERS / “Pretty Little Poison”
Writers: Ryan Beaver/Jared Keim/Warren Zeiders; Producer: Ross Copperman; Label: Warner Records
– This is his upcoming album’s title tune and lead single. He sings it with passion, but the track drags and the song’s tone is unrelentingly monochromatic.

LUKAS NELSON & POTR WITH LAINEY WILSON / “More Than Friends”
Writer: Lukas Nelson; Producers: Lukas Nelson & Promise of the Real; Label: 6 Ace Records
– His Sticks and Stones album drops tomorrow and the record-release party is tonight at The Nashville Palace. This track from it is a boatload of pleasure—two great voices, one funky country band and a hearty, good-time song. What’s not to love? Lukas gets better and better with each release, and Lainey blends with him perfectly as the icing on this cake. A breezy summer outing.

DIAMOND RIO / “The Kick”
Writers: Carson McKee/Dana Williams/Daniel Thomas Truman/James W. Olander/Marty Roe/Micah Schweinsberg; Producer: James W. Olander; Label: Rio Hot Records
– An instrumental! This is a country category that seems to have died years ago, but leave it to Diamond Rio to revive it with this sizzling jam. Drummer Brian Prout and multi-instrumentalist Gene Johnson have retired after 33 years in the band. Their replacements, Micah Schweinsberg and Carson McKee, more than keep pace with group mainstays Dan Truman (keyboards), Jimmy Olander (lead guitar), Dana Williams (bass) and Marty Roe (rhythm guitar) on this lively outing. A welcome return.

GIRLS NEXT DOOR / “What’s This Thing You’ve Got About Leaving”
Writers: TW Hale/Roger Murrah; Producers: TW Hale/Tom Harding; Label: Girls Next Door Music
– After an absence of 30+ years, Cindy Nixon Psanos, Diane Williams Austin, Tammy Stephens Smith and Doris King Merritt have reunited as the Girls Next Door. The quartet initially made some noise with a flurry of singles on MTM Records in the late ‘80s. The group’s comeback single is a lively, bopping, good-vibes ditty that vividly shows that their creamy harmony blend is as flawless as ever. Nicely done, all around.

SAM HUNT / “Outskirts”
Writers: Sam Hunt/Zach Crowell/Jerry Flowers/Josh Osborne; Producers: Chris LaCorte/Shane McAnally/Sam Hunt; Label: MCA Nashville
– Regret, nostalgia, reflection and mourning for the love he threw away. Singing with the throttle wide open, Hunt has seldom sounded better. The song displays very classy craftsmanship. Totally a winner.

WAR HIPPIES / “The Hangman”
Writers: Donald E. Reis III/Scoot Edward Brown; Producer: Donnie Reis; Label: War Hippies
– This is a duo of military combat vets. The song is a haunting western-outlaw ballad about two lovers who are strung up, side-by-side. Complete with gunshot and galloping-horse sound effects. Imaginative, indeed.

ELVIE SHANE / “Baptized”
Writers: Elvie Shane/Dan Couch/Luke Preston/Oscar Charles; Producer: Oscar Charles; Label: Wheelhouse Records
– Simmering with gospel passion, this ode to a deep and sensuous love is downright riveting. Shane is one of our most talented and distinctive newcomers. Lend the “My Boy” singer your ears once again.

Bobby Karl Works The Room: Eric Church Exhibit Opens At Hall Of Fame

Eric Church attends the Country Music Hall of Fame and Museum’s new exhibit “Eric Church: Country Heart, Restless Soul.” Photo: Jason Kempin/Getty Images for the Country Music Hall of Fame and Museum

Chapter 674

You read it here first: Eric Church will be a member of the Country Music Hall of Fame.

The museum’s CEO Kyle Young said so last night (July 12): “He will be in here one day,” Kyle said while standing in the Hall of Fame Rotunda.

“I have immense respect for this room we’re in,” said Eric. “I’m honored to be here….The people I love and respect are here.”

Pictured (L-R): Gibson’s Cesar Gueikian, Museum’s Lisa Purcell, Brandon Schneeberger, Museum’s Michael Gray, Museum’s Kyle Young, Eric Church, Museum’s Angela Stefano Zimmer, John Peets and Marshall Alexander. Photo: Jason Kempin/Getty Images for the Country Music Hall of Fame and Museum

The occasion was the opening reception for the museum’s new exhibit “Eric Church: Country Heart, Restless Soul.” It is a career retrospective for one of country music’s most gifted contemporary artists. Church is one of the few of his generation who matches immense popularity with universal critical acclaim.

“Whenever I make a new record, I envision all my favorite albums on a wall. And I ask myself if this one I’ve just made is worthy to be hung there with them. If you look abound this room, a lot of those artists are here,” Church added, referring to the Hall of Fame plaques displayed in the Rotunda.

“This is an unbelievable honor for me.”

“It’s a pleasure to welcome you to this hallowed place,” said Kyle. “It’s a pleasure to introduce you to our latest exhibit….Eric Church has shown himself to be an artist of vision and of staying power.” He described Eric as, “uncompromising, bound and determined to do things his own way….going against the grain.” Oh, that’s when he also predicted again that Eric would one day be a Country Music Hall of Fame member. Which is indisputably the truth. I have been in the Church Choir.

The Rotunda was packed. Spotted in the throng working the room were Sarah Trahern, Tim Wipperman, Joanna Carter, Jim Horn, Jim Horner (I know, I know, they were even seated at the same table), Paul Kingsbury, Michael P. Heeney, Seab Tuck, Mike Dungan, Lisa Purcell, Mike Molinar, Derek Kupisch, Scott Perry and Walter Campbell.

Pictured (L-R): Manager John Peets and Eric Church view the Country Music Hall of Fame and Museum’s new exhibit. Photo: Jason Kempin/Getty Images for the Country Music Hall of Fame and Museum

Former Nashville Public Library chief Kent Oliver reported that he’s now working with the American Library Association on intellectual freedom issues. Manager Scott Adkins is pushing The Return of Tanya Tucker, a documentary out now on all platforms. Her upcoming induction into the Hall of Fame is also bound to be a busy time for him. Another client, Bill Anderson, will celebrate on July 22 when he becomes the longest tenured Grand Ole Opry cast member in history.

Meanwhile, attendee Tony Gottlieb is launching Melody Place Records with business partner Sandy McGraw. The label will likely be the home of an all-star duets project using vocal tracks left by the late Dan Seals. Its roster also includes Sara Evans and Jackie Evancho, the young America’s Got Talent alumnus.

The cocktail supper featured shots of, naturally, Eric Church’s spirit, Whiskey JYPSI. Which was quite excellent. Very smooth. We also had roast beef medallions with horseradish, kettle chips with pimento cheese (and Mt. Olive Relish), roasted squash and eggplant slices, blackened chicken on sweet-potato rounds with salsa verde and raw veggies with sour cream. The bread pudding with Krispy Creme Donut holes was a particular crowd pleaser. The wait staff circulated with shrimp & cream cheese skewers, watermelon & mozzarella spoonfuls and BBQ & slaw on corn cakes, plus the whiskey shots.

The schmoozing had reached fever pitch by the time Kyle and Eric welcomed everyone.

“Enjoy the exhibit,” said Eric. “I’m gonna come and hang out with you.” True to his word, the star toured the exhibit with the rest of us, patiently posing for photos with attendees.

“Eric Church: Country Heart, Restless Soul” officially opens today at the Country Music Hall of Fame & Museum.