BREAKING: Music Row Champion Pat Rolfe Passes

Pat Rolfe

Pat Rolfe, one of the first women to head a major publishing company on Music Row, passed away on Friday (May 24) after a battle with cancer. She was 77.

Rolfe began her career at Lamar Fike’s Hill & Range, where she worked with artists such as Elvis Presley, Johnny Cash, Marty Robbins, Eddy Arnold, Hank Snow, Eddie Rabbit, Bill Monroe, George Morgan and more. She became General Manager of the company in 1972.

Rolfe remained at Hill & Range until Chappell Music purchased it in 1975. She stayed with Chappell and eventually rose to Vice President, a post she held until 1987 when Warner Bros. Music purchased it. During Rolfe’s tenure, Chappell Music was named ASCAP Publisher of the Year seven times.

After leaving Chappell, ASCAP Nashville head Connie Bradley hired Rolfe as Director of Membership Relations. She stayed at ASCAP, rising to the position of Vice President, until 2010. During her time at ASCAP, Rolfe brought in writers such as Tony Mullins, Deryl Dodd, Trevor Rosen, Hillary Lindsey, Josh Kear, Chris Tompkins, Michael Knox, Gerry House, Tim Ryan, Dierks Bentley, Brad Paisley and Wynonna Judd.

In 1991, Rolfe and other Music Row leaders Judy Harris and Sheila Shipley Biddy formed SOURCE, an organization focused on fostering relationships and opportunities for women in the entertainment industry. Now the longest-running organization for women in the music industry in Nashville, SOURCE continues to be a tentpole institution for the community.

Rolfe also co-founded the Music Row Ladies Golf Tournament that raises money for charity each year. She was inducted into the SOURCE Hall of Fame in 2012.

Rolfe will be remembered for her commitment to championing and mentoring multiple generations of women in the business. She is survived by her loving husband of 54 years, Mack; her stepchildren, John (Vanessa), Jim (Mary K) and Dick (Michelle); seven grandchildren; brothers, Jim, Mike, Joe, and Charlie Patterson and sister, Margaret Simmons. She was preceded in death by her parents, Marie and George Patterson, and her brother Jerry Patterson and sister-in-law Ann Patterson.

A visitation with the family will be held on Wednesday, May 29, 2024, from 9:30 a.m. until 11:00 a.m. at Green Hills Community Church with the funeral service beginning at 11:00 a.m.

In lieu of flowers, the family requests donations to the Bonaparte’s Retreat Dog Rescue, the Green Hills Community Church or a charity of your choice.

The U.S. Department Of Justice Sues Live Nation

The U.S. Department of Justice (DOJ), alongside a group of 30 states including Tennessee, has filed a antitrust lawsuit against Live Nation. The suit accuses the live music giant of market dominance, and calls for its split from Ticketmaster.

“We allege that Live Nation has repeatedly wielded its powers to keep its rivals from expanding in the U.S. concert promotions market through threats and retaliation,” shared Attorney General Merrick Garland on Thursday (May 23) during the lawsuit’s announcement.

Live Nation and Ticketmaster merged in 2010. Their combined dominance in live music has been scrutinized since then, but concerns increased significantly during the ticketing issues that arose with Taylor Swift’s “The Eras Tour.”

The DOJ alleges that Live Nation has used its market power to stifle competition. In Garland’s remarks on Thursday, he shared that the government will present evidence taken from Live Nation CEO Michael Rapino and Oak View Group CEO Tim Leiweke as well as Rapino and equity firm Silver Lake capital.

“The threats ultimately succeeded and Silver Lake has tried to sell TEG altogether,” Garland said. “We allege that Live Nation does not maintain its dominance in the live industry by staying ahead of its competition on the merits. It does so by unlawfully eliminating its competition. We allege that Live Nation controls the live entertainment industry in the United States because it is breaking the law.”

Live Nation has rejected the accusations.

“The DOJ’s lawsuit won’t solve the issues fans care about relating to ticket prices,” the company shared in a statement. “Calling Ticketmaster a monopoly may be a PR win for the DOJ in the short term, but it will lose in court because it ignores the basic economics of live entertainment, such as the fact that the bulk of service fees go to venues, and that competition has steadily eroded Ticketmaster’s market share and profit margin. Our growth comes from helping artists tour globally, creating lasting memories for millions of fans and supporting local economies across the country by sustaining quality jobs. We will defend against these baseless allegations, use this opportunity to shed light on the industry and continue to push for reforms that truly protect consumers and artists.”

Click here to see the DOJ’s full complaint.

This is a developing story.

Cody Johnson’s ‘Dirt Cheap’ Notches Second Week At No. 1 On MusicRow Radio Chart

Cody Johnson reaches the top spot on the MusicRow CountryBreakout Radio Chart again this week with his ballad “Dirt Cheap.”

The tune, written solely by Josh Phillips, appears on Johnson’s 2023 album Leather. Johnson is currently headlining his “Leather Tour” with upcoming dates in New Orleans, Louisiana, Panama City Beach, Florida and Bloomington, Illinois. The tour is set to close in University Park, Pennsylvania at the Bryce Jordan Center on Nov. 16.

“Dirt Cheap” currently sits at No. 14 on the Billboard Country Airplay chart and No. 13 on the Mediabase chart.

Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

Lainey Wilson Invited To Join The Grand Ole Opry

Reba McEntire & Lainey Wilson. Photo: Courtesy of NBCUniversal

Following her live performance of her new single “Hang Tight Honey” on NBC’s The Voice last night (May 21), Lainey Wilson was surprised by Opry member Reba McEntire with an invitation to become an official member of the Grand Ole Opry family.

Lainey Wilson with her custom-made belt buckle. Photo: Courtesy of NBCUniversal

The ACM Entertainer of the Year made her Opry debut on Feb. 14, 2020, and will be inducted on Friday, June 7.

“Lainey, I am so proud of you. You did a wonderful job. I have heard that I have inspired you in what you have done so far, and I am thrilled to death if I have had anything to do with your career because you are blowing it up. I was so proud of you at the ACMs the other night and I couldn’t be more proud to be the one that helps you continue to bridge the gap between our generations. I’d like to be the person to invite you to become an official member of the Grand Ole Opry,” said McEntire.

She then presented Wilson with a gift commemorating the occasion, a custom-made belt buckle reading “Opry” and “Lainey” with “2024” emblazoned on its reverse side.

“I am so incredibly honored to be invited to become an official member of the Grand Ole Opy, and to have the legendary Reba McEntire surprise me during tonight’s show was such an unforgettable moment,” shared Wilson. “This is something I’ve always dreamed of, ever since my first trip to the Opry when I was nine years old. I will never forget this moment!”

“There is not a doubt in my mind that Lainey will make an impact on country music and the Grand Ole Opry for generations to come,” says Dan Rogers, Senior Vice President & Executive Producer, Grand Ole Opry. “On the eve of the Opry’s 100th year, we’re so very excited to say ‘welcome home’ to one of country music’s great voices and personalities.”

 

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JUST IN: Date Set For 2025 Grammy Awards

The Recording Academy has set a date for the 67th Annual Grammy Awards, along with other key dates. The ceremony will take place Sunday, Feb. 2, 2025 at Crypto.com Arena in Los Angeles. It will broadcast live on CBS Television Network and stream live and on demand on Paramount+.

The final nominees for the 2025 Grammy Awards will be announced on Friday, Nov. 8, 2024.

Key dates for the 67th Annual Grammy Awards season are as follows:

Sept. 16, 2023 – Aug. 30, 2024
Product Eligibility Period

July 8, 2024 – Aug. 23, 2024
Media Company Registration Period

July 17, 2024 – Aug. 30, 2024
Online Entry Period

Oct. 4, 2024 – Oct. 15, 2024
First Round Voting

Nov. 8, 2024
Nominees Announced for the 67th Annual Grammy Awards

Dec. 12, 2024 – Jan. 3, 2025
Final Round Voting

Feb. 2, 2025
67th Annual Grammy Awards

Josh Phillips Notches Second Week At No. 1 On MusicRow Top Songwriter Chart

Josh Phillips

Josh Phillips remains in the top spot this week on the MusicRow Top Songwriter Chart for the second consecutive week. His solo-penned “Dirt Cheap,” recorded by Cody Johnson, earns him the position.

Hunter Phelps sits at No. 2 this week with “Bulletproof,” “Chevrolet” and “Take Her Home.” With “Bulletproof,” “Cowgirls,” “I Had Some Help,” “This Town’s Been Too Good To Us” and “Young Love & Saturday Nights,” Ashley Gorley takes the No. 3 spot.

Recently-named ACM Songwriter of the Year Jessie Jo Dillon maintains her position at No. 4 and Matt Jenkins rounds out this week’s top five.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Cody Johnson Tops MusicRow Radio Chart With ‘Dirt Cheap’

Cody Johnson has nabbed his fifth No. 1 on the MusicRow CountryBreakout Radio Chart with his moving ballad “Dirt Cheap.”

The tune, written solely by Josh Phillips, appears on Johnson’s 2023 album Leather. The singer performed the touching tune on the ACM Awards on Thursday night (May 16).

“Dirt Cheap” currently sits at No. 16 on the Billboard Country Airplay chart and No. 13 on the Mediabase chart.

Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

The 59th ACM Awards Focuses On Fun Collaborations & Cultural Moments [Recap]

Reba McEntire hosts the 59th ACM Awards.

The 59th Academy of Country Music Awards took place Thursday night (May 16) at The Star in Frisco, Texas.

Lainey Wilson was crowned ACM Entertainer of the Year, her first time receiving the honor. Chris Stapleton led the night in total wins with four awards, followed by Wilson with three wins, and Luke Combs and Jordan Davis with two wins.

Lainey Wilson performs at the 59th ACM Awards.

Music icon Reba McEntire hosted the two hour show that featured 18 performances from 19 artists, along with several collaborations. She kept things lighthearted and funny during her opening remarks, often highlighting the popularity of country music at the moment.

“From Mother Maybelle to Cowboy Carter, country music is so big in 2024 that there’s room for everybody,” she said. “We all love country [music] and we all are country. We’re keeping the circle unbroken, but growing it to even bigger and better.”

Wilson kicked off the night’s music with a cover of “God Blessed Texas” before transitioning into an exciting performance of her new single “Hang Tight Honey.” Jelly Roll continued the party with a performance of an unreleased song “Liar.”

Post Malone performs at the 59th ACM Awards.

The first award presentation, for Song of the Year, came swiftly. It went to Davis’ “Next Thing You Know,” co-written by Davis, Chase McGill, Greylan James and Josh Osborne.

Davis thanked the songwriting community for embracing him when he accepted. McGill and James stood grinning widely behind him, embracing each other. “I love songwriting because of songs that have won Song of the Year,” Davis said.

In one of the night’s best musical moments, Kelsea Ballerini was joined by folk-pop artist Noah Kahan for a mashup of her “Mountain With A View” and his “Stick Season.” It was the first of many successful collaborations throughout the show.

The next ACM Award went to Dan + Shay for Duo of the Year. The two thanked their families and teams and shared that despite their journey of highs and lows, “the one thing that has remained the same is the love and support from the country music community.”

Greylan James, Chase McGill and Jordan Davis win the award for Song of the Year at the 59th ACM Awards.

For the next award, Old Dominion took home their seventh consecutive win for ACM Group of the Year, tying Rascal Flatts for the most consecutive wins in the category.

Speaking of groups, sister duo Tigirlily Gold gave a warm performance of “I Tried A Ring On.” The sisters, who were crowned New Duo or Group winners earlier in the week, hugged each other with excitement after they wrapped up their ACM Awards debut.

After another musical highlight of the night, a performance of Cody Johnson‘s touching “Dirt Cheap,” viewers heard some new music. Thomas Rhett excited the crowd with his new song “Beautiful As You” and Miranda Lambert set the stage ablaze with the television premiere of her new single, “Wranglers.”

Noah Kahan and Kelsea Ballerini perform at the 59th ACM Awards.

Georgia native Kane Brown sang a soulful rendition of Ray Charles’ classic “Georgia on My Mind,” which Charles performed on the ACM Awards stage 40 years ago. Blake Shelton and Gwen Stefani only had eyes for each other as they sang their latest duet “Purple Irises.”

About mid-way through the show, the party subdued for a tribute to the late, great Toby Keith. His close friend and fellow Okie Shelton spoke about the icon before introducing Jason Aldean to perform one of Keith’s biggest hits. Aldean did an excellent job with a reverent version of “Should’ve Been A Cowboy” with accompaniment from a small string section. There wasn’t a dry eye in the room as pictures of Keith took over the screens.

Geoff Sprung, Brad Tursi, Matthew Ramsey and Trevor Rosen of Old Dominion win the award for Group of the Year at the 59th ACM Awards.

Stapleton was presented with Male Artist of the Year. Wilson got emotional as she accepted Female Artist of the Year. She thanked McEntire and all of the other women in country music who paved the road before her.

Another highlight of the night came when Stapleton and surprise guest Dua Lipa shocked the audience with an unexpected performance of “Think I’m In Love With You.” The exceptional singers, complete with Morgane Stapleton‘s signature harmonies, sounded perfect together on the funky song.

Wilson earned her next trophy alongside Jelly Roll for Music Event of the Year with “Save Me.” Jelly shared how important the song was to him and his “high school friend” David Ray Stevens who he wrote it with.

Chris Stapleton and Dua Lipa perform at the 59th ACM Awards.

Soon came Post Malone‘s highly-anticipated ACM Awards performance. The Texas-bred artist proved his country cred with a performance of “Never Love You Again” before thrilling the crowd with the history-making “I Had Some Help.”

Before he left the stage, McEntire joined him for a few acoustic verses of the Allman Brothers Band‘s “Ramblin’ Man,” in tribute to the band’s recently-passed Dickey Betts. Malone gushed at McEntire and the country music community’s acceptance of him, often bowing his head in gratitude and respect.

Dan Smyers and Shay Mooney of Dan + Shay win the Duo of the Year award at the 59th ACM Awards.

In another sweet moment, the son and widow of the late Country Music Hall of Famer Charley Pride appeared to present the ACM Album of the Year award. Rozene and Dion gave the honor to Stapleton for Higher.

With his co-producers wife Morgane and Dave Cobb behind him, he shared, “We do our best to make an album that’s a complete body of work. I hope that’s what this means.” Morgane added, “I am so proud every day to get to work with the love of my life… I feel like the luckiest girl in the world.”

Avril Lavigne and Nate Smith perform at the 59th ACM Awards.

After Parker McCollum performed his ACM Award-winning “Burn It Down,” the fire moved over to the big stage with a fun collaboration from New Male Artist of the Year winner Nate Smith and pop icon Avril Lavigne. The two traded verses and smirks on Smith’s “Bulletproof.”

The award of the night, Entertainer of the Year, went to Wilson. She was emotional when she accepted the trophy.

“I remember being a little girl and I would open my window, climb out on our roof and count the stars. I’d see the planes flying over my little town of 200 people. I would dream about being up there in one of those planes,” Wilson shared. “The funny thing is that I still feel like that little girl. I still climb out on the roof and look at the stars—but I feel more eye-level with them now.”

For the last performance of the night, McEntire set the stage on fire and brought the house down with her new single “I Can’t” backed by a 20-person choir. She revealed that she would be back to host the 60th Academy of Country Music Awards next year, which is sure to be a historic night.

BREAKING: The MLC Sues Spotify

The Mechanical Licensing Collective (The MLC) has taken legal action against Spotify in the United States District Court for the Southern District of New York. The action seeks recovery of unpaid royalties due under the compulsory mechanical blanket license obtained by Spotify to reproduce and distribute musical works in the United States via its consumer music streaming platform.

The action states that, beginning in March 2024, Spotify asserted that its Premium Individual, Duo and Family subscription streaming plans were now Bundled Subscription Offerings because those plans included access to audiobooks. According to The MLC’s suit, applying the rate formula applicable to Bundled Subscription Offerings results in a reduction of the Service Provider Revenue that Spotify reports, which results in an underpayment of royalties.

The MLC believes that Spotify’s position does not comply with applicable law and regulations. The company has statutory authority to address Spotify’s noncompliance with its royalty payment obligations. The MLC is taking legal action to enforce these obligations and ensure that Spotify pays all royalties due from its use of songs on Premium plans.

“The MLC was designated by the Register of Copyrights to administer the blanket license and is the only entity with the statutory mandate to collect and distribute blanket license royalties and take legal action to enforce royalty payment obligations,” says Kris Ahrend, The MLC CEO. “The MLC takes seriously its legal responsibility to take action on behalf of our members when we believe usage reporting and royalty payments are materially incorrect.”

Click here to see a copy of the complaint.

In response to the legal action, NMPA President & CEO David Israelite shares, “We applaud The MLC for standing up for songwriters and not letting Spotify get away with its latest trick to underpay creators. The MLC is tasked with challenging services who falsely report royalties, and we commend their swift action.

“The lawsuit sends a clear message that platforms cannot improperly manipulate usage—in this case unilaterally redefining services as a bundle—in order to devalue music. We strongly support the MLC and will continue to pursue justice.”

NSAI Executive Director Bart Herbison shares, “The Nashville Songwriters Association International (NSAI) believes that the lawsuit the Mechanical Licensing Collective (MLC) filed against Spotify for underpaying mechanical royalties to songwriters is based on a correct interpretation of the streaming service eliminating standalone music subscriptions and only offering ‘bundles’ that pair music and books. Because bundles pay less to American songwriters, the loophole will result in Spotify reducing compensation to them by $150 million each year as founder Daniel Ek cashed in a reported $180 million in stocks over recent months—$118 million in proximity to the bundling move.”

He adds, “This scheme could set songwriters back to a situation worse than before the Copyright Royalty Board trial that resulted in a record percentage increase from streaming companies. Spotify’s history speaks for itself when it comes to failing to value the creators whose creations are the foundation of their product.”

In a statement, Spotify says, “The lawsuit concerns terms that publishers and streaming services agreed to and celebrated years ago under the Phono IV agreement. Bundles were a critical component of that settlement, and multiple DSPs include bundles as part of their mix of subscription offerings. Spotify paid a record amount to publishers and societies in 2023 and is on track to pay out an even larger amount in 2024. We look forward to a swift resolution of this matter.”

This is a developing story.

BREAKING: 2024 ACM Award Winners Unveiled [Full List]

Country music artists, songwriters, industry professionals and fans came together in Frisco, Texas for the 59th Academy of Country Music Awards on Thursday night (May 16).

Lainey Wilson was the night’s big winner. The superstar was named Entertainer of the Year, Female Artist of the Year and earned Music Event of the Year alongside Jelly Roll for their collaboration “Save Me.” Chris Stapleton was honored as Male Artist of the Year in addition to Artist-Songwriter of the Year, which he won prior to the ceremony, and awarded Album of the Year for Higher.

Dan + Shay took home Duo of the Year, and Old Dominion claimed their seventh consecutive Group of the Year title. The Song of the Year honor went to Jordan Davis‘ “New Thing You Know,” and Luke Combs‘ rendition of “Fast Car” was recognized as Single of the Year.

Ahead of the special event, the New Artist of the Year winners were revealed. Megan Moroney was crowned New Female Artist of the Year, Nate Smith was awarded New Male Artist of the Year, and Tigirlily Gold was named New Duo or Group of the Year. Additionally, Jessie Jo Dillon scored the Songwriter of the Year title, and Parker McCollum‘s “Burn It Down” music video won Visual Media of the Year.

The full list of winners for the 59th annual ACM Awards is below:

MAIN AWARDS:

ENTERTAINER OF THE YEAR
Kane Brown
Luke Combs
Jelly Roll
Cody Johnson
Chris Stapleton
Morgan Wallen
Lainey Wilson WINNER

FEMALE ARTIST OF THE YEAR
Kelsea Ballerini
Ashley McBryde
Megan Moroney
Kacey Musgraves
Lainey Wilson WINNER

MALE ARTIST OF THE YEAR
Luke Combs
Jelly Roll
Cody Johnson
Chris Stapleton WINNER
Morgan Wallen

DUO OF THE YEAR
Brooks & Dunn
Brothers Osborne
Dan + Shay — WINNER
Maddie & Tae
The War And Treaty

GROUP OF THE YEAR
Flatland Cavalry
Lady A
Little Big Town
Old Dominion — WINNER
Zac Brown Band

NEW FEMALE ARTIST OF THE YEAR
Kassi Ashton
Ashley Cooke
Hannah Ellis
Kylie Morgan
Megan Moroney — WINNER

NEW MALE ARTIST OF THE YEAR
Ernest
Kameron Marlowe
Dylan Scott
Conner Smith
Nate Smith — WINNER

NEW DUO OR GROUP OF THE YEAR
Neon Union
Restless Road
Tigirlily Gold — WINNER

ALBUM OF THE YEAR [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]
Gettin’ Old – Luke Combs
Producer: Chip Matthews, Jonathan Singleton, Luke Combs
Record Company-Label: River House Artists / Columbia Nashville
Higher – Chris Stapleton — WINNER
Producer: Chris Stapleton, Dave Cobb, Morgane Stapleton
Record Company-Label: Mercury Nashville
Leather – Cody Johnson
Producers: Trent Willmon
Record Company-Label: CoJo Music LLC / Warner Music Nashville LLC
One Thing At A Time – Morgan Wallen
Producers: Joey Moi, Cameron Montgomery, Charlie Handsome, Jacob Durrett
Record Company-Label: Big Loud Records / Republic Records / Mercury Records
Rolling Up the Welcome Mat (For Good) – Kelsea Ballerini
Producers: Kelsea Ballerini, Alysa Vanderheym
Record Company-Label: Black River Entertainment

SINGLE OF THE YEAR [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]
– “Burn It Down” – Parker McCollum
Producer: Jon Randall
Record Company-Label: MCA Nashville
– “Fast Car” – Luke Combs — WINNER
Producers: Luke Combs, Chip Matthews, Jonathan Singleton
Record Company-Label: River House Artists / Columbia Nashville
– “Last Night” – Morgan Wallen
Producer: Joey Moi, Charlie Handsome
Record Company-Label: Big Loud Records / Republic Records / Mercury Records
– “Need A Favor” – Jelly Roll
Producer: Austin Nivarel
Record Company-Label: Stoney Creek Records / BMG Nashville
– “Next Thing You Know” – Jordan Davis
Producer: Paul DiGiovanni
Record Company-Label: MCA Nashville

SONG OF THE YEAR [Awarded to Songwriter(s)/Publisher(s)/Artist(s)]
– “Fast Car” – Luke Combs
Songwriters: Tracy Chapman
Publishers: Purple Rabbit
– “Heart Like A Truck” – Lainey Wilson
Songwriters: Dallas Wilson, Lainey Wilson, Trannie Anderson
Publishers: Sony / ATV Countryside; Songs of Riser House; Songs of Wild Cat Well Music
– “Next Thing You Know” – Jordan Davis — WINNER
Songwriters: Chase McGill, Greylan James, Jordan Davis, Josh Osborne
Publishers: Family Farm Songs; Hold On Can I Get A Number 1 Music; Songs of Universal Inc.; Anthem Music Publishing
– “The Painter” – Cody Johnson
Songwriters: Benjy Davis, Kat Higgins, Ryan Larkins
Publishers: Big Music Machine; BMG Platinum Songs US; Nashblonde Music; Pompano Run Music; Songs for Ellie May; Sony / ATV Tree Publishing; Warner-Tamerlane Publishing Group; Well That Was Awkward Music
– “Tennessee Orange” – Megan Moroney
Songwriters: Ben Williams, David Fanning, Megan Moroney, Paul Jenkins
Publishers: 33 Creative; Bone Bone Creative; Sony / ATV Tree Publishing

MUSIC EVENT OF THE YEAR [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]
– “Can’t Break Up Now” – Old Dominion, Megan Moroney
Producers: Brad Tursi, Geoff Sprung, Matthew Ramsey, Trevor Rosen, Whit Sellers, Ross Copperman, Kristian Bush
Record Company-Label: Three Up Three Down, LLC / Columbia Nashville
– “Different ‘Round Here” – Riley Green (feat. Luke Combs)
Producer: Dann Huff
Record Company-Label: Nashville Harbor Records & Entertainment
– “I Remember Everything” – Zach Bryan (feat. Kacey Musgraves)
Producer: Zach Bryan
Record Company-Label: Belting Bronco Records / Warner Records, Inc
– “Man Made A Bar” – Morgan Wallen (feat. Eric Church)
Producer: Joey Moi
Record Company-Label: Big Loud Records / Mercury Records / Republic Records
“Save Me” – Jelly Roll (with Lainey Wilson) — WINNER
Producers: Zach Crowell, David Ray Stevens
Record Company-Label: Stoney Creek Records / BMG Nashville

VISUAL MEDIA OF THE YEAR [Awarded to Producer(s)/Director(s)/Artist(s)]
– “Burn It Down” – Parker McCollum — WINNER
Producers: Christen Pinkston & Wesley Stebbins-Perry
Director: Dustin Haney
– “Human” – Cody Johnson
Producer: Christen Pinkston &Wesley Stebbins-Perry
Director: Dustin Haney
– “In Your Love” – Tyler Childers
Producer: Kacie Barton, Whitney Wolanin, Nicholas Robespierre, Ian Thorton, Silas House
Director: Bryan Schlam
– “Next Thing You Know” – Jordan Davis
Producer: Jamie Stratakis
Director: Running Bear (Stephen Kinigopoulos, Alexa Stone)
– “Tennessee Orange” – Megan Moroney
Producer: Lauren Starr, Saul Levitz, Laura Burhenn
Director: Jason Lester

SONGWRITER OF THE YEAR
Jessie Jo Dillon — WINNER
Ashley Gorley
Hillary Lindsey
Chase McGill
Josh Thompson

ARTIST-SONGWRITER OF THE YEAR
Zach Bryan
Ernest
Hardy
Chris Stapleton — WINNER
Morgan Wallen