Josh Wilson Inks Label, Publishing Deals With Black River Entertainment

Black River Entertainment CEO Gordon Kerr with Josh Wilson, Wilson’s wife Becca, and their two-year-old son Asher.

Artist and songwriter Josh Wilson has inked deals with both Black River Christian and Black River Publishing.

Black River Entertainment’s CEO Gordon Kerr says, “What a privilege to get to know Josh Wilson and his beautiful family. His heart for ministry matched with this incredible music is the perfect complement to the vision of Black River Christian.”

Wilson, who was named ASCAP’s Writer/Artist of the Year in 2012, independently released two albums before signing with Sparrow Records/Capitol CMG. Recording six albums with the label, he achieved multiple Top 10 radio singles, including two No. 1’s (“Jesus Is Alive” and “Before The Morning”). He’s also toured with artists such as Steven Curtis Chapman, Third Day and Casting Crowns.

Black River Christian’s VP of National Promotion Brian Thiele says, “I had the privilege of working with Josh when he debuted as an artist, and I’m so excited to be reunited with him at Black River. He is one of the most talented musicians and songwriters in this industry. Not only is he using the gift of music to change lives, his love for people and his heart to serve are inspiring. I can’t wait for what’s next!”

Pictured (L-R): Black River Christian’s Michael Kerr, Jill Tomalty, and Brian Thiele, Black River Entertainment’s Rick Froio, Josh Wilson, Black River Entertainment’s Gordon Kerr, Dawn Delvo and Brian Rhoades. Photo: Courtesy of Black River Entertainment

“Josh Wilson’s amazing gift for songwriting and his genuine desire to use it for God’s glory are truly inspirational to the Black River Publishing creative team,” adds VP of Black River Publishing Dave Pacula. “Along with Black River Christian, we are thrilled to welcome him to the family!”

Wilson says, “I’m beyond excited to be a part of the Black River family. Since the first time I walked in the building, it felt like home. We’re all on the same page in terms of vision and direction, and I truly believe the years to come hold many great things.”

Wilson’s new label is also home to Hannah Kerr whose new single “Warrior” debuted as the most added single at Christian Radio (Aug. 18). Now as a writer for Black River Publishing, Wilson joins a GRAMMY-winning roster of talented songwriters, producers and artists.

Pictured (L-R): Black River Publishing’s Eric Hurt, Method Management’s Joel West, Black River Entertainment’s Gordon Kerr, Josh Wilson, Attorney Lauren Kilgore, Black River Publishing’s Katie Barolak and Dave Pacula. Photo: Courtesy of Black River Entertainment

Curb Records’ Little Feather Offers Old-School Country Soul On September Debut

Little Feather

One listen to Little Feather lead singer Liz Sharpe evokes a sense of similar earthy, pure vocalists such as Patty Loveless and Loretta Lynn, both of whom are kin with Sharpe—Kentucky roots and generations of family coal miners in tow.

“When I was a little girl, I’d watch my father wash the coal off his hands and I’d watch the water turn black,” Sharpe said during a visit to the MusicRow offices where the group offered a preview of tunes including “Bend With The Wind,” which harken to those rural roots. The six-piece band also performed the lively “Burning Down The Barn.”

Little Feather emerged as the band’s name after Sharpe went through a breakup. “My ex told me, ‘Float along, little feather’ when he broke up with me,” Sharpe said. “I went to producer and said I was so upset. I had this idea for a vengeance song and the song ended up being a cathartic song and it turned into me being called Little Feather all the time. I decided I wanted to work on songs I had written and didn’t want to play backup for other people.”

Sharpe, who is married to Little Feather drummer Aaron Spraggs, handpicked the additional members of Little Feather, including multi-instrumentalist Shannon Campbell, son of the late Glen Campbell, as well as bass player Dylan Rowe, rhythm guitarist and harmony singer Sam Brooker previously of the Sam & Ruby duo, and guitarist Pat Boyer. Each player brings an array of influences, from bluegrass, classic country, soul and pop.

“We are like a family. It’s been over seven years of work and sweat.” Sharpe said.

Will Rambeaux and Bill MacDermott produced the album, which Sharpe says was recorded in Rambeaux’s basement. “We would go and rehearse, and spilled coffee all over his carpet,” noted Sharpe.

The band’s self-titled album, which releases Sept. 29, was originally created as demos, long before Jim Ed Norman signed the band to a deal with Curb Records.

“Jim Ed’s father was my pastor growing up, and was the reason I did music, Sharpe says. “We felt like Curb was where we were supposed to go. Too many stars were aligning. When Jim Ed first listened to our music, he listened to these older demos, and said, ‘This is your record.’ He really got what we are about.”

Little Feather with MusicRow Magazine owner/publisher Sherod Robertson

Sony/ATV Launches Royalty Portal App

Source: SonyATV.com

Sony/ATV Music Publishing has launched an Android and iOS app for its royalty portal, SCORE.

The new app will allow the company’s songwriters and their representatives to obtain real-time, detailed access to their current royalty account. Previously royalty calculations required waiting until the end of any statement period. Also available is an overview of historic earnings information that can be searched and organized by song title, income source, time period and territory.

The app additionally includes the SCORECARD, which uses a graphic interface to offer a simple and up-to-date, top-view summary of a writer’s royalties. Through SCORECARD clients can also drill down further to access, and even download in-depth information about their earnings in exceptional granular detail.

Sony/ATV Chairman and CEO Martin Bandier said: “At Sony/ATV we are committed to providing our songwriters and their teams with an unrivalled level of transparency and service, which includes giving them access to the most highly-detailed royalty information available. The launch of the SCORE app is an important next step in us delivering on that promise and now means our writers can obtain an unsurpassed insight into their historic and current period earnings with one simple click.”

Dale Esworthy, Sony/ATV Senior Vice President, Worldwide Administration, said: “The SCORE app is one more way to connect to our writers. Every day our admin teams around the world are working on behalf of all our writers—to register, license, collect and pay—and the results of all this work are now even more visible to the writers on a continual basis. We are proud to offer this level of service and detail to all our writers around the globe.”

Grammy-nominated and 2016 ACM and BMI Songwriter Of The Year Ross Copperman, who has written for artists including Kenny Chesney, Brett Eldredge and Keith Urban, said: “Sony/ATV continues to pursue fair compensation for songwriters and, at the same time, makes worldwide information related to my songs easily accessible to me.”

Grammy-winning songwriter Chris DeStefano, whose hits include songs for Luke Bryan, Miranda Lambert and Carrie Underwood, added: “I’m grateful to have a publisher partner like Sony/ATV who continually provides me with relevant, easy to access information about my songs.”

Available to download from both the Google Play and iTunes stores, the app is powered by Sony/ATV’s TEMPO system. Administrative support is available in writer local territories from local administration staff which utilizes Sony/ATV’s worldwide network of local creative and administration teams. In addition, they are able to utilize their close relationships with the relevant societies and their colleagues around the world to accurately register songs and collect royalties.

Visit SonyATV.com for more insight into SCORE.

Source: SonyATV.com

Source: SonyATV.com

Funeral Arrangements Set For Bluegrass Great Pete Kuykendall

Funeral arrangements have been announced for bluegrass great Pete Kuykendall, who passed away on Aug. 23. The family will receive friends on Tuesday, Aug. 29, from 3-5 p.m. and 7-9 p.m., and the funeral service will be held on Wednesday, Aug. 30, 10 a.m., at Moser Funeral Home, 233 Broadview Avenue, Warrenton, Virginia.

An internment service will follow at 12:00. The funeral home’s phone number is (540) 347-3431.

Kitsy Kuykendall has requested in lieu of flowers that memorial donations be made to these funds: the International Bluegrass Music Museum and the IBMA Trust Fund.

BMI And YouTube Host “Speed Dating” Event For Nashville Songwriters

Following a successful collaboration on BMI’s Speed Dating for Songwriters in New York City, YouTube partnered with BMI’s Nashville office to host a Speed Dating for Songwriters event at its pop-up space at Redpepper on Aug. 23.

The networking event for a hand-selected group of BMI’s most promising up-and-coming songwriters gathered 12 writers (four topliners, four artists, and four track producers) to meet for seven minutes at a time to share and discuss each other’s music. During a casual mixer the writers then mingle and become better acquainted, and at the end of the event, they are separated into groups of three and tasked with meeting in the next six weeks to write a song.

YouTube will return to Nashville six to eight weeks from now to film each group performing their new song live.

(L-R): Tia Scola, BMI’s Leslie Roberts and Lauren Duski. (Middle): Caroline Watkins, Parker Welling, Emily Landis, Cameron Montgomery and Jordan Minton. (Back row): Nick Wayne, Mikey Reaves, Johnny Dibb, Joel Crouse and Danielle Blakey

‘MusicRow’ Announces Promotions: Jessica Nicholson, Eric Parker

MusicRow announces the promotion of two of its team members, Jessica Nicholson and Eric Parker.

Jessica Nicholson has been promoted to Managing Editor for the publication and has been covering the Nashville music industry as part of MusicRow magazine since 2012. She previously served as a staff writer at Country Weekly magazine. Her music journalism experience also includes work with CCM Magazine.

Nicholson graduated from Belmont University with a degree in Music Business and Marketing. She is a member of the Country Music Association and SOURCE.

Eric T. Parker has been promoted to Operations Director, overseeing the production of six print magazines and expanding the internship program. Parker produces three annual events for the enterprise—the MusicRow Awards, Rising Women on the Row, and the MusicRow Meet & Greet and the CountryBreakout Awards—in addition to contributing editorial for print and online, overseeing subscription services and running the song tip sheet RowFax.

A California native, Parker graduated from the Mike Curb College of Entertainment and Music Business at Belmont University before being hired at MusicRow in 2010 to assist with the CountryBreakout Chart.

MusicRow Publisher and Owner, Sherod Robertson states, “I am convinced the single most important ingredient of a successful company is having the right team. Everything else depends on it. Each member of the MusicRow staff plays a critical role in our organization so I’m pleased to recognize the efforts of these two individuals who have been a part of MusicRow for many years.”

Robertson adds, “The resourceful and compelling content MusicRow produces each and every day is a testament to Jessica Nicholson’s unwavering ability as both a writer and managing editor. She has a tremendous ability to keep up with the many happenings on Music Row. Eric Parker’s passion for the industry far exceeded his part-time status at the company when I acquired the publication in 2010. That passion moved him into a full-time position shortly afterwards. With the experience he has gained over the last six-plus years, Eric has parlayed those skills into a valuable and important role in our company.”

Jessica Nicholson can be reached at jnicholson@musicrow.com and Eric Parker can be reached at eparker@musicrow.com.

Kane Brown And Luke Combs To Tape ‘Front And Center’ Episode For CMA Songwriter Series

As part of the CMA Songwriters Series, Kane Brown and Luke Combs will perform on a new episode of American Public Television’s “Front and Center.” The taping will take place Tuesday, Sept. 5 at the Franklin Theatre in Franklin, Tennessee.

The artists will be joined on stage by a selection of country’s hottest writers for a night of music and stories about some of the genre’s best-known songs. Top tunesmiths taking the stage with Brown will be Tom Douglas (“Cold Spot” recorded by Brown; “The House That Built Me” recorded by Miranda Lambert; “God’s Will” recorded by Martina McBride) and Josh Hoge (“Undone” recorded by Backstreet Boys; “Used to Love You Sober” recorded by Brown; “I’m Comin’ Over” recorded by Chris Young). Combs will be accompanied by hit songwriters Thomas Archer, Ray Fulcher, and Rob Williford, all of whom had a hand in writing on Combs’ album This One’s For You.

Tickets for the Songwriter Series show, presented by U.S. Bank, are available for purchase on the Franklin Theater website. Through the CMA Songwriters Series and “Front and Center” collaboration, an array of special episodes have been produced featuring artists like Dierks Bentley, Lady Antebellum, Little Big Town, Jennifer Nettles, and dozens of top songwriters. Each episode features insider stories and explores the passion and motivation that have helped to create some of country’s biggest hits.

Weekly Register: Josh Abbott Band Makes Top Country Album Debut

Josh Abbott Band

Josh Abbott Band makes this week’s top debut album, landing at No. 6 on Nielsen Soundscan’s current country albums rankings with Until My Voice Goes Out moving 3.7K.

Chris Stapleton‘s From A Room again takes the top spot on the current country albums chart, with 6.2K (496K RTD). Lucas Hoge‘s Dirty South is at No. 2 this week, with 6K, while Stapleton takes the No. 3 spot with Traveller at 5.9K this week. Luke CombsThis One’s For You moves 5.1K to land at No. 4, while Now That’s What I Call Country Vol. 10 (Various Artists) rounds out the Top 5 with 5K.

On the country digital songs rankings, Sam Hunt‘s “Body Like A Back Road” continues to reign with 30K this week (1.573 million RTD). Kane Brown‘s “What Ifs” is at No. 2 with 22K, followed by Luke Bryan‘s new single “Light It Up” at No. 3 (18K), and Thomas Rhett‘s “Grave” (17.1K) from his upcoming album Life Changes, out Sept. 8. Luke Combs‘ “When It Rains It Pours” rounds out the Top 5 this week with 17K.

Jana Kramer‘s “I’ve Done Love” debuts at No. 8 country, with 13K.

Information provided courtesy of Nielsen Soundscan.

 

Deeper Roots: Steven Curtis Chapman On Connecting With Nashville’s Creative Community

Steven Curtis Chapman

In 2014, when Steven Curtis Chapman signed on for the re-launch of Sam’s Place–Music For The Spirit at the Ryman, a performance series which originally ran from 1994-99 at the Ryman Auditorium, he saw a prime opportunity to become more involved in the Nashville music community he has called home since he moved to Music City to attend Belmont University.

Chapman released his debut album First Hand on Sparrow Records in 1987, spurred by the single “Weak Days,” which would launch a three-decade recording and touring career.

“I enjoy that kind of a role at this point in my career when I can bring others together and I’ve got years of history with lots of artists in Christian and country music, just being in Nashville for 30+ years now,” Chapman tells MusicRow.

Chapman had been a performer when the original series began in 1994, when Sam’s Place was hosted by Gary Chapman. When Chapman’s longtime booking agent John Huie mentioned that there was talk of re-launching Sam’s Place at the Ryman, Chapman jumped at the chance to take part as host.

“I told John, ‘You’ve got to promise me I’ll get a shot at hosting that, because it’s exactly what I would imagine doing.’”

Chapman often reaches out with personal invites to his friends and fellow artists in the music community, and Sam’s Place has again become a unique space for artists to collaborate on duets and cover each other’s songs, creating new artistic memories in a historical music venue.

“It’s kind of an open invitation from me to perform with some of these artists if they have a song of mine or if it’s an artist who has influenced me. Where else would I get a chance to sing ‘What A Difference You’ve Made In My Life’ with Ronnie Milsap, or ‘Everything is Beautiful’ with Ray Stevens, which was one of the first records I remember listening to with my dad”?

Chapman has bobbed and weaved into the country genre throughout his career. He recalls his childhood in Paducah, Kentucky, where, when the weather was right, his father could tune into WSM radio to listen to the Grand Ole Opry. While working at Opryland in his 20s, Chapman performed on the Grand Ole Opry, where Roy Acuff introduced him to the Opry audience. In 2013, in conjunction with Cracker Barrel, Chapman released Deep Roots, a country and bluegrass-tinged collection of classic hymns.

Sam’s Place at the Ryman pays homage to Sam Jones, a businessman and evangelist who headlined a Nashville revival in 1885, where he converted Thomas Ryman. Together, Jones and Ryman built the Union Gospel Tabernacle, which opened in 1892 and was later named the Ryman Auditorium after Ryman’s death in 1904.

After signing on to host the series, Chapman delved into the history of Sam Jones and Thomas Ryman. He made a startling discovery that deepened his connection to his role at Sam’s Place at the Ryman.

“One thing I discovered is that when Sam Jones wasn’t preaching, he was raising funds for an orphanage. How perfect is that?” says Chapman, who in 2003 launched the organization Show Hope to care for orphans and to provide financial assistance to those in the adoption process. Chapman and wife Mary Beth adopted three of their six children.

Sam’s Place at the Ryman is only one outpouring of Chapman’s desire to give back to and connect with his Nashville community on a deeper level.

Steven Curtis Chapman, Mark Mattingly. Photo: Daniel White

Earlier this year, Chapman announced he had teamed with former Creative Trust General Manager Mark Mattingly to launch The Stable Collective, which focuses on growing Chapman’s music via brand development, touring, and new partnerships. Prior to The Stable Collective, Creative Trust had handled Chapman’s management for 30+ years, until Creative Trust founder Dan Raines focused the business more on media and internet content branding. Creative Trust still handles business management duties for Chapman.

“I looked at other management companies and other opportunities, but the more Mark and I talked, I thought it would be great to try something completely new and try something from the ground up. It’s about thinking strategically about where I am now in my career.”

This year, Chapman released the memoir Between Heaven and the Real World: My Story, and recently embarked on his SCC Solo Tour, which allows him to display a wider range of his musical influences.

“I would love to do a country album. Maybe an album of songs that influenced me,” says Chapman, who incorporates songs such as George Jones’ “He Stopped Loving Her Today,” into his set. “The question is always, ‘Would anybody be interested in that?’ I definitely hope to do that at some point. Songwriting is my passion.”

That time may come sooner rather than later, given that he has writing dates on the books with songwriters including Luke Laird and Lori McKenna.

Thirty years of recording and touring, 58 GMA Dove Awards, 5 Grammys, 48 No. 1 singles and 10 RIAA Gold or Platinum albums later, Chapman is also certainly in a position to offer words of advice and wisdom to rising artists, something he hopes to do more formally in the coming months.

“I would have the opportunity to begin to pour some of that into other artists. I’ve done that naturally anyway. Even at Sam’s Place or on tours, other artists will say, ‘Your music influenced me to do what I do.’ I’ve heard that for a long time and am encouraged by it. I’ve tried to give advice and counsel when it was asked for but never in a formal way. Just being able to speak into some younger artist’s careers in a formal and more official way will be a really exciting for me to consider doing in the months ahead.”

The next Sam’s Place At The Ryman—featuring performances from Chapman, Jonny Diaz, Amy Grant, Scotty McCreery, and The SteelDrivers—takes place Sunday, Sept. 17 at 7 p.m.

The Listening Room To Open In New Location In September

The Listening Room Cafe (TLR), will celebrate its final night in its current SoBro location Friday, Sept. 1. The club and full-service restaurant will to move a few blocks south to the former International Harvester building at 618 Fourth Avenue South.

There will be a soft opening at the new Fourth Ave. S. location in September and The Listening Room will officially mark their grand opening Saturday, Oct. 14, with special guests that will be announced soon. In addition to dinner six nights a week and Saturday brunch, the new location will offer lunch and a special late-night menu. They will also continue to offer complete on-site and off-site catering. The new location will nearly double the venue’s size and will feature a separate 150-seat dining room, a balcony overlooking the listening room and an outdoor patio.

Patrons have enjoyed nearly 7,000 songwriter-in-the-rounds and concerts since TLR opened its doors in Nashville’s SoBro area in 2006.

TLR owner, Chris Blair has planned a big party to celebrate the final night on Second Avenue. At the Sept. 1 event many of the songwriters and artists who’ve performed over the years will be dropping by for a song or two. There will be a limited dining menu with specials and Blair jokes that he hopes the bar is cleared out of its inventory so that there will be less to pack up and move. Unlike all of their seated events, this final celebration will include a combination of seats and standing room.

“For our final night, I really want everyone to just enjoy themselves at our big party,” said Blair. “It won’t be a typical quiet listening room atmosphere. Instead, we will have people getting up to play a couple songs, while allowing for a bit of networking, a lot of laughter and celebration and plenty of glasses raised to celebrate The Listening Room’s remarkable past and exciting future.”

For tickets to the Sept. 1 event, visit listeningroomcafe.com.