Funeral Services Announced For Longtime Opry Musician/Vocalist George McCormick

(George McCormick pictured third from left)

Funeral services for Mr. George Washington McCormick, 84 of Silver Point and formerly of Nashville, will be held Friday, Feb. 9 at 1 p.m. at the Baxter Chapel of Hooper-Huddleston & Horner Funeral Home. Interment will follow in Crest Lawn Cemetery. Rev. Tony Crow will officiate.

George’s family will receive friends Thursday from 5 p.m. until 8 p.m. and again Friday from 11 a.m. until service time at the funeral home.

He died Monday February 5, 2018 in Cookeville Regional Medical Center.

He was born June 16, 1933 in Smith Co. to the late Jesse Joseph and Della Lee Burton McCormick. A gifted musician and vocalist, George moved to Nashville at age 14 to play music and work at WLAC radio. He began his Grand Ole Opry career in 1951 to sing and play with Martha Carson. In his 47 years at the Opry, he played guitar and bass fiddle and sang harmony, tenor, baritone and lead with Opry artists including Wilma Lee and Stoney Cooper, The Louvin Brothers, Jim Reeves, Porter Waggoner, Dolly Parton and Grandpa Jones. He retired from the Opry in 1998 was a member of the AFL-CIO Musicians Union.

Described as one of a kind and a character, George enjoyed telling stories, laughing and joking with his family and many friends. He attended Smith Springs Baptist Church and Nolensville Baptist Church while in Nashville and was currently attending Silver Point Baptist Church.

In addition to his parents, he was preceded in death by brothers, David McCormick, Joe McCormick and Billy McCormick; sister, Betty McCormick; and by step-daughter, Anita Zemuncek and granddaughter Andrea Gregg.

He is survived by his wife of 33 years, Betty Norrod McCormick, daughters, Teresa McCormick of Cookeville, Trilene McCormick of Nashville, Mindi McCormick, both of Nashville and Anita (Marvin) Stewart of Columbia, TN; step-daughter Helen Smith; brother, Charles (Shirley) McCormick of Nashville; grandchildren, Nicholas Mathis, Roxanne Mathis, Kelsie Rowland, Sidney Roberts, Lauren Hali McCormick, Joey Stewart, Hunter Stewart and Candace Scarbro; and great grandchildren, Bella Masters, Ja’Marian Norwood, Blaine and Riley Scarbro, Shilah and Penelope Roberts and Everett and Corbin Rowland.

Family and friends will serve as pallbearers.

Hooper-Huddleston & Horner Funeral Home is in charge of arrangements (931) 526-6111.

In Pictures: Tyler Farr Hits Platinum, Hitmakers & Rum Chasers, BMI’s “Know Them Now”

Tyler Farr Celebrates Platinum

Members of the Columbia Nashville promotion team and staffers from Sony Music Nashville. Photo: Rachael Knaak

Tyler Farr celebrated his birthday (Feb. 5) with a Platinum record. Farr was asked to come by Sony Music Nashville yesterday where he was surprised with the news that his hit song “Whiskey In My Water” is now RIAA Platinum-certified.

 

Hitmakers & Rum Chasers Raise Funds For Hurricane Relief

Kent Blazy, Chef Mathayam Vachara, Corri English, Chuck Wicks and Ty Bentli backstage at Nashville’s City Winery during the “Hitmakers & Rum Chasers” hurricane relief concert Tuesday night to benefit children in the U.S. Virgin Islands (USVI) affected by Hurricanes Irma and Marie. Photo: Angela Howell

Hit country songwriters, artists and radio personalities converged to lend their talents for a “Hitmakers & Rum Chasers” hurricane relief concert Tuesday night at Nashville’s City Winery. The event benefited children in the U.S. Virgin Islands (USVI) affected by Hurricanes Irma and Marie. Presented by The Charley Foundation, the Nashville-based 501(c)(3) non-profit organization that provides support to charitable agencies addressing the critical needs of children, the evening featured music by songwriters Marc BeesonKent Blazy, St. John songwriter Erin Hart, Love & Theft, Danny Myrick, Jerrod Niemann and Bridgette Tatum.

 

BMI Launches “Know Them Now” Songwriter Series

Pictured (L-R): Daniel Ross, Mike Walker, BMI’s MaryAnn Keen, Driver Williams and Chase McGill gather backstage before the inaugural “Know Them Now” songwriter round.

Last Thursday, BMI kicked off its newest songwriter series with a packed crowd at the Listening Room Cafe. Designed to showcase tomorrow’s top hits today, the first installation of “Know Them Now” featured performances from rising hitmakers Chase McGill, Daniel Ross, Mike Walker and Driver Williams. An intimately engaged audience was treated to radio hits like William’s “Smoke A Little Smoke” (Eric Church), heartbreakers like McGill’s “When Someone Stops Loving You” (Little Big Town), recent cuts like Walker’s “American Nights” (Lee Brice) and a special appearance from American Idol winner, Trent Harmon alongside Ross. The crowd’s cries for more were met with an additional round of songs from the writers for a total of five songs each. Set to continue this spring, “Know Them Now” will return to the Listening Room on April 12 with more details to come soon.

SoundHouse Acquires Assets Of InPop Records

Soundhouse LLC, with offices in Nashville, Boston and New York has recently purchased the assets of InPop Records, an independent contemporary Christian record label based in Nashville, Tennessee. INPOP is Sound House’s third acquisition in the contemporary Christian genre.

Soundhouse LLC, founded by CEO Michael Rosenblatt in 2016, is focused on the acquisition of streaming revenue from artists/producers/labels using win/win deal structures. InPop is the 15th acquisition for SoundHouse and brings its catalogue to over 3500 recordings. SoundHouse’s financial partners are Spark Capital, Columbia Capital and Pinnacle Bank.

“We are delighted to continue to inject growth capital into all genres of the music business,” said Rosenblatt. “We look forward to working with others in the contemporary Christian community.”

InPop was originally launched in 1999 by Australians Peter Furler, Dale Bray and Wes Campbell. InPop was later purchased in 2008 by Ron Starr and managed by Mark Lusk.

Capitol Christian Music Group Elevates Monica Coates, EJ Gaines To Co-Executive Directors Of Motown Gospel

Capitol Christian Music Group has promoted Monica Coates and EJ Gaines each to the position of Co-Executive Director of Motown Gospel, it was announced today by CCMG Chairman & CEO Peter York. Coates has also been promoted to Vice President of A&R/Creative of Motown Gospel, with expanded responsibilities including overseeing the growth and development of the company’s Gospel publishing assets, and Gaines has been elevated to Vice President of Marketing at CCMG, bringing his expertise to a broader artist roster. Coates reports to CCMG’s Chief Creative Officer Brad O’Donnell and Gaines to CCMG’s Chief Marketing Officer Hudson Plachy, and both executives continue to be based at the company’s headquarters in Nashville.

The promotions of Coates and Gaines align with a succession plan York had developed last year with CCMG’s prior Chairman & CEO William Ray “Bill” Hearn. Hearn passed away in December after a long and courageous battle with cancer. CCMG President of Motown Gospel Ken Pennell has also announced he will retire from the company, effective April 1 after 20 years at the company developing countless Gospel stars including Smokie Norful, Kierra Sheard and Tasha Cobbs Leonard.

“Monica and EJ have both contributed so much to the success of Motown Gospel, and these promotions reflect both the outstanding jobs they do and the expansion of their responsibilities within CCMG,” said CCMG Chairman & CEO Peter York. “Ken and I have worked closely together for two decades and I can’t thank him enough for his friendship and contributions to Gospel Music and our company. He will truly be missed, and everyone at CCMG wishes him nothing but the best in his retirement.”

Prior to assuming their new roles, Coates and Gaines were Motown Gospel’s Vice President of A&R and Vice President of Marketing respectively, with the two working closely together to build upon the company’s artist signing and development strategies. Both executives joined the company in 2016, with Coates directing A&R, Creative and Promotion functions, and Gaines overseeing Commercial Partnerships, Publicity and Events, Digital Marketing and Content Creation/Monetization, Sync and Business Affairs.

Coates is a 25-year veteran of the Gospel Music industry, with experience in artist management, promotion, publicity and A&R. Prior to joining Motown, she was Director of Operations at Kirk Franklin’s Fo Yo Soul Recordings (affiliated with RCA Records), where she oversaw management of the label and campaigns for artists including Franklin, The Walls Group, and Tasha Page-Lockhart. She began her career at Fred Hammond’s production house, Face To Face, where she also served as his personal manager. She also spent five years at Verity Records (now RCA Inspiration) as Senior Director of A&R working with best-selling artists Donnie McClurkin and Hezekiah Walker among many others. Coates’ first book, The Beginner’s Guide To The Gospel Music Industry, was published in 2009.

Prior to accepting his Motown Gospel role, EJ Gaines was an entertainment attorney and artist manager, helping guide the careers of numerous artists, including Mary Mary, Natalie Grant, Donald Lawrence, William McDowell, and Jonathan McReynolds. He began his career at Jive Records and Verity Records, before becoming an executive assistant to artist Donnie McClurkin. Gaines graduated from St. John’s University School of Law and served as an associate at Carter, Ledyard & Milburn LLP, later launching the entertainment division at Waterford Law Group, PLLC in 2013.

Motown Gospel is the label home to artists Tasha Cobbs Leonard, Tye Tribbett, Brian Courtney Wilson and many others.

MusicRow Pics: 2018 CountryBreakout Awards

MusicRow Magazine celebrated its 16th annual CountryBreakout Awards on Monday (Feb. 5) at The Listening Room Cafe in Nashville. Blake Shelton, Florida Georgia Line, Kelsea Ballerini, Luke Combs, Shane Owens, songwriter Ashley Gorley, and MusicRow reporter Alex Hardy were all honored during the event.

Additionally, the packed house of industry members and radio executives enjoyed performances from Reviver Records artist Michael Tyler, and Red Star Label Group’s Denny Strickland.

For more, read Bobby Karl’s recap of the event.

MusicRow Publisher/Owner Sherod Robertson, Kelsea Ballerini and MusicRow Chart Director Alex Kobrick. Photo: Bev Moser/Moments By Moser Photography

Photo: Bev Moser/Moments By Moser Photography

Pictured (L-R): Tim McFadden, Tony Jackson and MusicRow Publisher/Owner Sherod Robertson. Photo: Bev Moser/Moments By Moser Photography

Pictured (L-R): Jordon Williams and Quinn Williams of Spencer’s Own, MusicRow Chart Director Alex Kobrick, Nic Williams, Nate Williams and Morgan Williams of Spencer’s Own. Photo: ElectricHouse

Photo: Haley Crow/MusicRow

Photo: Haley Crow/MusicRow

Pictured (L-R): Uncle Si & The Sicotics’ Marsha Robertson, Uncle Si Robertson and Bridgette Tatum. Photo: Haley Crow/MusicRow

Pictured (L-R): Dylan Jackobsen and MusicRow Chart Director Alex Kobrick.

Photo: Bev Moser/Moments By Moser Photography

Pictured (L-R): Dallas Remmington and Jessica Rose. Photo: Haley Crow/MusicRow

Pictured (L-R): Cody McCarver and Smith & Wesley’s Scott Smith and Todd Smith. Photo: Haley Crow/MusicRow

MusicRow Publisher/Owner Sherod Robertson, Capitol Records’ Bobby Young and MusicRow Chart Director Alex Kobrick. Photo: Bev Moser/Moments By Moser Photography

MusicRow Publisher/Owner Sherod Robertson, Scott Hendricks and MusicRow Chart Director Alex Kobrick. Photo: Bev Moser/Moments By Moser Photography

MusicRow Publisher/Owner Sherod Robertson, Florida Georgia Line’s Tyler Hubbard and Brian Kelley, and MusicRow Chart Director Alex Kobrick. Photo: Bev Moser/Moments By Moser Photography

Pictured (L-R): Florida Georgia Line’s Brian Kelley and Tyler Hubbard. Photo: Haley Crow/MusicRow

Pictured (L-R): MusicRow Publisher/Owner Sherod Robertson, Ashley Gorley and MusicRow Chart Director Alex Kobrick. Photo: Bev Moser/Moments By Moser Photography

Pictured (L-R): MusicRow Publisher/Owner Sherod Robertson, Luke Combs and MusicRow Chart Director Alex Kobrick. Photo: Bev Moser/Moments By Moser Photography

Pictured (L-R): MusicRow Chart Director Alex Kobrick, Ann Chrisman Promotions’ Ann Chrisman and Anne Sarosdy, Shane Owens, Grassroots Promotions’ RJ Jordan and Nancy Tunick, MusicRow Publisher/Owner Sherod Robertson. Photo: Bev Moser/Moments By Moser

Pictured (L-R): MusicRow Chart Director Alex Kobrick, Alex Hardy and MusicRow Publisher/Owner Sherod Robertson. Photo: Bev Moser/Moments By Moser

Exclusive: Kix Brooks Bonus Q&A Discusses Brooks & Dunn Breakup And Pranks

Kix Brooks talked with MusicRow in the latest CountryBreakout Awards print magazine about the art of a radio interview, and having been on the other side of the microphone interviewing guests on his American Country Countdown radio show for 10 years. In this bonus web feature, Brooks touches on the confusion of the Brooks & Dunn retirement, then their return five years later for a residency in Las Vegas’ prestigious Caesars Palace. Brooks also recalls a few memorable pranks from on the road and if any are in store for Las Vegas.

To read the full interview with Brooks, pick up a copy of the MusicRow CountryBreakout Awards print magazine, or subscribe to receive your copy.

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There were rumors the reason Brooks & Dunn retired in 2010 was because you and Ronnie disliked each other. But you appeared on his solo album and you still vacation together. Could you explain the decision to part, then reunite in Las Vegas after five years?

The rumor Ronnie and I didn’t like each other is definitely not true. Basically we were offered a record deal without ever even having met. Our first four singles went No. 1. It happened so fast, we wanted to take advantage of it, but at the same time we didn’t have a chance to come up with any personal dynamic. I was 36, Ronnie was going on 40 years old when we met. I can’t think of another case in music—I mean I don’t know any other acts where that kind of thing has happened to them. It’s fun to talk to Florida Georgia Line, because they have had that same meteoric rise getting started, but they were two buddies that wanted to do it. Ronnie and I thought the idea was absurd from the beginning. But, like songwriters do, when Tim DuBois said, ‘Do me a favor and see if you can write a song together,’ we did. The next thing we were off to the races. We kept working it to keep this thing going. As a duo there was always a certain amount of compromise that came with making records, etc. Ronnie evolved as a dynamic singer. For me, did I really want to be a side guy playing guitar? I had always had bands growing up. Obviously from a success standpoint it was extremely rewarding, but at some point it comes with so many compromises you step back to question, what am I really doing here?

The break offered a time to professionally get away from each other to re-evolve where we were as artists, people and musicians. We both went out and performed and got our thing back as individuals. I don’t think we had much intention of doing Brooks & Dunn again, because we had gone as far and high as we expected to go. After some time apart when Caesars came to us asking if we would like to do the residency, and especially with our dear friend and big sister Reba, we were like, “You know what? It would be fun to sing these songs again.” We enjoy about an hour in the dressing room each night, kinda talking over stuff and Ronnie and I are going duck hunting right after the first of the year. It’s not like we don’t want to hang out with each other. It took five years off for us to find the fun spot, musically and professionally again.

You put out a solo album in 2012 [New To This Town] with Arista Nashville. Looking back, was it freeing to creatively explore or did you hear Ronnie’s voice in your head with advice he might have offered?

I just got back to doing what I did. I wrote with a lot of my old buddies. It’s fun to be uninhibited, uncompromised. I wrote a bunch of stuff and went in and produced and recorded it myself. Of course you’ve always got a record company involved but I had one that did like it and believed in it. I’m sure Ronnie felt the same way trying to make Brooks & Dunn music, something that says what two guys together would say with fun and games. It wasn’t that Brooks & Dunn never did personal love songs, but that’s the challenge for duos, whether it’s two guys or two girls or whatever.

Ronnie and I are both at a point in our career where you have to be careful with how much you expect for radio to play. And it’s not just us, that’s the case with Reba, George Strait, Alan Jackson, etc. We’ve had our run at radio and there are a lot of great new artists who are getting their shot now. That’s the way of the world and at some point you have to find joy in the success you’ve had and find a new place as a performer and artist you have to accept time marches on. Just like we did, new artists are going to take a shot and there’s gotta be room for them. 

How has the Together In Vegas show evolved and what have you learned with the Las Vegas residency?

The set list has changed a little bit. We’ve thrown in a couple Christmas songs over the holiday, which we’ve never done before. But the staples are gonna be there—they want “My Maria,” “Fancy,” “Night The Lights Went Out In Georgia” and “Boot Scootin’ Boogie.” For us, the trick is to keep it fresh and at the same time we tend to go off on so many tangents we have to learn where to reel it in.

Now we’re not sweatin’, we know the songs are there so we’re having a lot of fun with each other.

We get out there and get lost if people are having fun. It’s become so comfortable and Reba is a great responder. Ronnie and I are loose enough that we’re liable to say anything. Just the way Reba gets mad on stage is really funny. I can understand why her TV show did so well for so many years. She’s just got great looks. She has an ability to get out on stage with us and make people laugh.

Brooks & Dunn were known for epic road pranks. Have you pulled any pranks in Las Vegas? Do any stand out over the years?

Knowing we’re going to be in Las Vegas all the time, we prefer not to live in fear. No pranks have gone on in Vegas.

But Ronnie and I honestly never started anything on the road all those years. We’re just really big finishers. Once we sorta got a reputation, we would always tell opening acts, “Don’t start it and there won’t be any, let’s just have a fun tour. But if you start doing stuff, really bad things could happen to you.” We’ve put a hardcore military stink bomb in Reba’s road case. And with Jo Dee Messina, CMT filmed it after she put a bunch of balloons filled with glitter on Ronnie’s bus. I rented this hot air balloon because I knew she was deathly afraid of heights. We grabbed Jo Dee after sound check one day and she saw that balloon inflated and just lost her mind. We’re 30 feet in the air and she was still trying to get out. After Faith Hill put salt water in Wade Hayes’ drinking water and he got so sick when she was opening for Ronnie and I, I bought this eel without a head at a truck stop. We thawed it out and put that in her bed, down where her feet would go when we were in Canada. She never actually commented on it, but when we went back through customs, the agent started putting on gloves saying there was apparently some jewelry missing and I would have to be examined to make sure it wasn’t hidden anywhere [laughs].

Donovan Woods Finds Inspiration From Poets, Novelists On New Album ‘Both Ways’

Donovan Woods‘ new album ‘Both Ways’ (Meant Well), featuring 12 new tracks produced by James Bunton, is set for release April 20. The project, his fifth, which was recorded in Toronto, is the followup to Hard Settle, Ain’t Troubled, and features the new single “Burn That Bridge.”

Woods cites the work of poet Bronwyn Wallace and novelists Richard Ford and Alice Munro as major creative inspirations for his approach to Both Ways. “The writing I have always liked, is about things that are indicative of a world but not the entire world,” said Woods. “I’m inspired by writing that leads you into the room and then leaves you to fill in the details.”

Splitting his time between homes in Nashville and Toronto, Woods has already amassed over 45 million streams of his solo material, with more than a million monthly listeners on Spotify alone. In addition, he has garnered the respect of major songwriters and artists on both sides of the border, writing songs for (and with) Tim McGraw, Charles Kelly (Lady Antebellum), Billy Currington and Charlie Worsham, among others.

Both Ways tracklist:
1. Good Lover
2. Another Way
3. Burn That Bridge
4. Truck Full of Money
5. Our Friend Bobby
6. I Ain’t Ever Loved No One
7. I Live a Little Lie
8. Easy Street
9. I Don’t Belong To You
10. Read About Memory
11. Great Escape
12. Next Year

High Valley To Release Acoustic Album ‘Farmhouse Sessions’ March 23

High Valley is releasing an acoustic album, High Valley: Farmhouse Sessions, featuring new renditions of some favorite fan tracks, March 23. The project was recorded in their farmhouse outside of Nashville, and includes their debut single “Make You Mine,” their Canadian No. 1 “I Be U Be,” as well as the duo’s current single, “She’s With Me,” which is Top 15 and rising up the charts.

“We were out on our first headline tour in the US this fall and witnessed so many amazing fans singing our songs back to us,” shared Brad Rempel. “We wanted to be able to share that feeling with everyone so we put together a few of our favorites.”

High Valley opened for Chris Janson last night at his sold-out Ryman show, and are set to head out on a run of overseas dates in the United Kingdom, Germany, Netherlands and Australia.

High Valley: Farmhouse Sessions Track List:
1.    “I Be U Be” (Brad Rempel, Jenson Vaughan)
2.    “She’s With Me” (Brad Rempel, Seth Mosley, Ben Stennis)
3.    “Make You Mine” (Brad Rempel, Seth Mosley, Ben Stennis)
4.    “Memory Makin’” (Brad Rempel, Seth Mosley, Ben Stennis)
5.    “Roads We’ve Never Taken” (Brad Rempel, Tom Douglas, Jaren Johnston)
6.    “The Only” (Jon Nite, Ross Copperman, Nicolle Galyon)
7.    “Dear Life” (Brad Rempel, Seth Mosley, Ben Stennis)

Chris Janson Receives Surprise Opry Invitation From Keith Urban During Ryman Show

Photos by Chris Hollo for the Grand Ole Opry

Chris Janson was surprised during his sold-out Ryman Auditorium concert last night by Keith Urban with an invitation to become an official Grand Ole Opry member. Fellow Opry member Urban then gave the Ryman audience a surprise by performing alongside Janson on the John Michael Montgomery hit “Sold,” a tune the two had collaborated on on the Opry stage last year.

“Over the course of more than 100 appearances since his Opry debut in 2013, Chris has become a favorite of Opry fans and fellow performers alike,” said Opry General Manager Sally Williams. “It’s been amazing to watch him bring audiences to their feet night after night. He is so passionate about the Opry, including its rich history, the camaraderie it builds between generations of fans and artists, and its place in country music’s future. We could not be more thrilled to officially welcome him later this spring.”

“The Opry is where my heart is,” said Janson about the momentous evening and invitation. “I could probably die if I never got to do anything else.” 

Janson’s next Opry appearance is slated for February 20, and his formal Opry induction will be scheduled for later this Spring.

(L-R): Steve Buchanan (President, Opry Entertainment Group), Chris, Sally Williams (General Manager, Grand Ole Opry / Sr. Vice President, Programming & Artist Relations, Opry Entertainment), Keith, John Esposito- Chairman & CEO Warner Music Nashville

YouTube video

Alan Jackson, Bill Anderson, Steve Dorff Headed To Songwriters Hall Of Fame

The Songwriters Hall of Fame announced the recipients of its 49th annual Induction and Awards ceremony on Tuesday morning (Feb. 6), and the new class will include Alan Jackson, Bill Anderson and Steve Dorff, among others. The induction event will take place on June 14 at the Marriott Marquis Hotel in New York City.

Established in 1969, the Songwriters Hall of Fame (SHOF) serves as a bridge between music’s past and future. In the Hall, musical pioneers are enshrined and celebrated, while the organization’s outreach to the music community grooms the next generation of troubadours.

Other songwriters to be inducted this year include John Mellencamp, Robert “Kool” Bell, Ronald Bell, George Brown & James “JT” Taylor, Jurmaine Dupri, and Allee Willis.

These songwriters wrote mega-hits such as, “Mama Sang a Song,” “Celebration,” “Through The Years,” “Always Be My Baby,” “Chattahoochee,” “Jack And Diane,” “I’ll Be There For You.”

“The 2018 roster of Songwriters Hall of Fame inductees is a prodigious representation of creators of cross-genre hits, certain to resonate with everyone,” said SHOF co-chairs Kenneth Gamble & Leon Huff and president/CEO Linda Moran. “Each year, the slate of songwriters we induct is more diverse and illustrative of the history and contributions that we strive to acknowledge and honor. We could not be more excited to preside over this year’s event and to give these songwriters their due respect.”

Bill Anderson

Bill Anderson is the rare songwriter whose first major label cut went to No. 1 on the charts, was named Song of The Year, and sparked a writing career that is currently in its seventh decade. The song, “City Lights,” was written when Anderson was a 19-year old Georgia disc jockey and became a career-defining hit for Ray Price in 1958.  The song opened doors for him in Nashville, leading him to signing with BMI and Tree Publishing.

Anderson was far from a one-hit wonder. He followed “City Lights” with country standards like “Tips Of My Fingers,” the GRAMMY-nominated “Once A Day,” “Saginaw, Michigan,” “That’s What It’s Like To Be Lonesome,” “I Missed Me,” “Cold Hard Facts Of Life,” which earned him another GRAMMY nomination, “Mama Sang A Song,” the crossover smash, “Still,” and countless others. He was voted country Songwriter Of The Year six times during his first decade in Music City.

His success continued into the seventies with award-winning hits like “Slippin’ Away,” “The Lord Knows I’m Drinking,” “I May Never Get To Heaven,” and the disco-flavored, “I Can’t Wait Any Longer.” The eighties saw Anderson’s chart-topping career take a hiatus as he became a TV network game show host, spokesman for a national restaurant chain, and a nonstop touring Grand Ole Opry performer. In the nineties he came roaring back with a vengeance, however, as he seriously turned to co-writing for the first time.

Inducted into the Country Music Hall of Fame in 2001, his collaborations with the newer generation of Nashville tunesmiths resulted in hits like “Wish You Were Here,” the GRAMMY-nominated “Two Teardrops,” “A Lot Of Things Different,” for Kenny Chesney, “Which Bridge To Cross (Which Bridge To Burn),” for Vince Gill and two Song Of The Year awards for “Whiskey Lullaby,” with Brad Paisley and Alison Krauss and George Straight’s “Give It Away,” in 2005 and 2007 respectfully.  He continues to write today with songs like Brad Paisley’s “Dying To See Her.”

Steve Dorff

Steve Dorff’s career as a songwriter spans five decades and includes more than forty BMI awards, twenty Top 10 hits, twelve No. 1 hits, and an American Music Award. The GRAMMY- and Emmy-nominated songwriter and composer has had songs recorded by more than four hundred artists from all genres of music, as well as twenty-eight movie scores and numerous theme songs and placements on TV series.

Dorff’s songs have been recorded by iconic artists such as Barbra Streisand, Celine Dion, Whitney Houston, Kenny Rogers, Anne Murray, George Strait, Garth Brooks, Dolly Parton, Willie Nelson, Dusty Springfield and countless others. A few chart hits include Rogers’ “Through the Years,” Murray’s “I Just Fall in Love Again,” Strait’s “I Cross My Heart,” and Eddie Rabbitt’s “Every Which Way But Loose”—the title track from Clint Eastwood’s 1978 film.

Dorff has composed TV music for shows such as Murphy Brown, Growing Pains, Murder She Wrote, Columbo, Reba, Spenser: For Hire, Just the Ten of Us, and The Singing Bee. His film contributions include songs and scores for Pure Country, Bronco Billy, Rocky IV, Tin Cup and Honky Tonk Man. Branching into stage productions, he wrote the music for the theatre production, Josephine. Dorff published the 2017 memoir, I Wrote That One Too…A Life in Songwriting from Willie to Whitney, and he enjoys performing his best-loved songs at venues across the country.

Jermaine Dupri

Jermaine Dupri  wrote his first song “Single” at the young age of 15, then his first platinum selling single a mere four years later with the mega hit “Jump” (Kriss Kross) and he hasn’t stopped writing hits since.

Dupri’s songwriting accomplishments have continued for over two decades with over 30 number one hits including “My Boo” (Usher featuring  Alicia Keyes) “Nice & Slow” (Usher),  “Don’t Forget About Us” (Mariah Carey), “Grillz” ( Nelly featuring Paul Wall), “Confessions Part II” (Usher), “Burn” (Usher), “You Got It Bad” (Usher), “The First Night” (Monica), “Jump” (Kriss Kross) and “We Belong Together” (Mariah Carey).  His songwriting transcends across all genres of music, with hits “Shake It Off” (Mariah Carey) and “Money Aint  A Thang” (Jermaine Dupri feat Jay Z), “Give it 2 U” (Da Brat),“Just Kicking It” (Xscape) and “Where The Party At” (Jagged Edge).

The most iconic singers/rappers of the past quarter-century have recorded his songs: Usher, Aretha Franklin, The Notorious B.I.G., Ludacris, Bow Wow, Aaliyah, 3LW, Destiny’s Child, 112, Anthony Hamilton, Nelly, Fabulous, Lil John, Alicia Keyes, Master P, Da Brat, Jagged Edge,  Xscape, Run DMC, Isley Brothers, Mase, TLC, New Edition, Tamia, Monica, Janet Jackson, and Mariah Carey amongst others.

Now in his third decade of writing and producing  songs,  GRAMMY award-winning Jermaine Dupri shows no signs of slowing down as he continue to pen his way to the top.

Alan Jackson

Recently inducted to the Country Music Hall of Fame, Alan Jackson’s membership among country music’s all-time greats is the latest in a long line of career-defining accolades that include three CMA Entertainer of the Year honors, more than 25 years of membership in the Grand Ole Opry, a 2016 Billboard ranking as one of the Top 10 Country Artists of All-Time, induction to the Nashville Songwriters Hall of Fame, and the Heritage Award as the most-performed country songwriter-artist of ASCAP’s first 100 years.

Jackson is one of the most successful and respected singer-songwriters in music. He is in the elite company of Paul McCartney and John Lennon among songwriters who’ve written more than 20 songs that they’ve recorded and taken to the top of the charts. Beginning with his first hit, “Here in the Real World,” Jackson’s pen has given us some of country music’s most-memorable songs of the past 30 years –the immediately-recognized “Chattahoochee,” the haunting “Midnight in Montgomery,” the touching “Remember When,” the autobiographical “Livin’ On Love,” “Drive,” and “Chasin’ That Neon Rainbow” and the inspired “Where Were You (When the World Stopped Turning).” Jackson is one of the best-selling artists since the inception of SoundScan, ranking alongside the likes of Eminem and Metallica. He’s also the man behind one of Nashville’s most-popular new tourist stops, AJ’s Good Time Bar, a four-story honky-tonk in the heart of downtown (along a stretch of Broadway known as the “Honky Tonk Highway”) featuring daily live music and a rooftop view of Music City.

The man from rural Newnan, GA has sold nearly 60-million albums worldwide and ranks as one of the 10 best-selling male vocalists of all-time in all genres. He has released more than 60 singles – registering 50 Top Ten hits and 35 #1s (including 26 Billboard chart-toppers). He has earned more than 150 music industry awards – including 18 Academy of Country Music Awards, 16 Country Music Association Awards, a pair of GRAMMY’s and ASCAP’s Founders and Golden Note Awards.

Robert “Kool” Bell, Ronald Bell, George Brown & James “JT” Taylor P/K/A “Kool & The Gang”

In 1964, Robert “Kool” Bell and his brother, Ronald Bell joined George Brown and other Jersey City neighborhood friends to create a unique musical blend of jazz, soul and funk. After performing for five years under various monikers, Kool & The Gang officially launched in 1969 with the release of their self-titled debut album, which was an introduction to their signature sound.

The band’s stellar reputation grew with each album, but 1973’s gold disc “Wild & Peaceful” took Kool & The Gang to another level, spurred by the immortal party anthems “Funky Stuff,” “Hollywood Swinging” and the platinum smash “Jungle Boogie.” The 1970’s brought hits like “Higher Plane,” the classic “Summer Madness” (featured on the GRAMMY-winning movie soundtrack Rocky) and “Open Sesame,” which was featured on the top-selling movie soundtrack of all-time, Saturday Night Fever, earned the group a GRAMMY.

In 1978, James “JT” Taylor, joined Kool & The Gang. His distinctive voice was discovered at age seven, leading him to start a band and perform at the Apollo Theater by age thirteen. As a songwriter and lead vocalist, his appreciation for all music led him to numerous bands and, ultimately, the group as lead vocalist/songwriter. JT’s contributions made an instant impact. In 1979, the group unveiled a smooth new sound with Ladies Night, their first platinum album, produced by the legendary pop/jazz musician and mentor Eumir Deodato, which heralded an unprecedented decade of mainstream domination, creativity, and innovation.

In 1989, JT pursued a solo career. His first release, the Diane Warren-penned duet with Regina Belle, “All I Want Is Forever,” was featured in the film, Tap. JT’s uninhibited 1st album, Master of the Game, steered him towards industry giants like Teddy Riley, Jeff Lorber, Barry Eastman, Whitney Houston, and George Benson. His next endeavors included projects, such as “The Promised Land” for Ghostbusters II with Bobby Caldwell and Jeff Porcaro, the Simon Law-co-produced Feel the Need album featuring “Long Hot Summer Night,” as well as “Baby I’m Back,” and “A Brand New Me”. Today, JT continues to develop projects, always reaching for new horizons.

Kool & The Gangs iconic songs, including “Celebration,” which was inducted into the GRAMMY Hall of Fame and remains de rigueur at joyous occasions worldwide, have earned two GRAMMY Awards, 25 Top Ten R & B hits, nine Top Ten Pop hits, 31 gold and platinum awards, 5 American Music Awards, and numerous Grammy nominations. Marking their 50th anniversary this year, they were honored with a BET Soul Train Lifetime Achievement Award and a star on The Hollywood Walk of Fame and continue to tour the world.

John Mellencamp

John Mellencamp’s career in music, spanning more than 35 years, has seen him transition from pop star to one of the most highly respected singer/songwriters of a generation.  He is an authentic voice of American music and master storyteller with a commitment to creating traditional rock & roll, bittersweet songs of happiness and melancholia, inequality and fervent political dissent. With dozens of hits to his credit, the singer has taken on the plight of the family farmer, issues with authority figures and, of course, his own musings on relationships. Throughout his prolific career, John Mellencamp has written more than twenty Top 40 hits, Hits like “Jack and Diane,” “Small Town,” “Crumblin Down,” “The Authority Song,” “Rain On The Scarecrow,” “Lonely Ol Night,” “”R.O.C.K. In The U.S.A.,” “Paper In Fire,” “Check It Out,” “Pink Houses,” “Pop Singer,” and “Jackie Brown.” These iconic American songs have played an important role in defining Midwestern music and developing the rock genre.

Mellencamp is incredibly acclaimed; he is a member of the Rock and Roll Hall of Fame, a GRAMMY® winner, a recipient of the John Steinbeck Award, ASCAP Foundation’s Champion Award, The Woody Guthrie Award and Americana Music Association’s Lifetime Achievement Award and more recently, the Founders Award, the top honor assigned by the American Society of Composers, Authors and Publishers.  He is also one of the most successful live concert performers in the world. The social activism reflected in his songs helped catalyze Farm Aid, the concert series and organization that has addressed the struggle of American family farmers for more than 25 years.

His latest song, “Easy Target” offers a raspy diagnosis of America’s current political ailments. John wrote the title song for the 2017 film, The Yellow Birds, an American war film directed by Alexandre Moors and based on the novel The Yellow Birds by Kevin Powers. The film debuted at Tribeca Film Festival and aired on the Nat Geo Channel.

John continues to focus on another facet of his artistic expression: painting. His style has progressed over the years as evidenced by several museum shows and published portfolios, and in recent years, he has increased his output by completing over 100 new works. He was also involved with an extraordinary collaboration for The Ghost Brothers of Darkland County, a musical with music and lyrics by John Mellencamp, a libretto by author Stephen King and production by T Bone Burnett.

Allee Willis 

Allee Willis is a one-woman creative musical think-tank – a multi-disciplinary artist and visionary thinker whose range of imagination and productivity knows no bounds and whose songs integrate into all fields she works in. The GRAMMY ®, Emmy and Tony award-winning and nominated songwriter’s hits include the seemingly ubiquitous “September,” “I’ll Be There For You (the Friends theme), “Boogie Wonderland,” “Neutron Dance,” “What Have I Done To Deserve This,” “Lead Me On,” “Stir It Up,“ “In The Stone,” and “You’re The Best”. Willis also co-authored the Oprah Winfrey-produced Tony and GRAMMY-winning musical The Color Purple.

Willis, who writes both music and lyrics, has written for artists across many genres, including Earth, Wind & Fire, The Pointer Sisters, Pet Shop Boys, Justin Timberlake, Patti LaBelle, Bonnie Raitt, Jimmy Cliff, Debbie Harry, DMC, Bette Midler, Aretha Franklin, Cyndi Lauper, Herbie Hancock, Toto, Bryan Adams, Diana Ross, Chaka Kahn, Jennifer Hudson, Ray Charles, Weather Report, Dusty Springfield, Fantasia, Kirk Franklin, Tina Turner, Taylor Dane, The Emotions, Boy George, Cher, Ashford & Simpson, Thomas Dolby, Dionne Warwick, Herb Alpert, Gladys Knight, and more.

Willis began writing songs in 1972 when she worked at Columbia/ Epic Records writing ads, radio commercials and liner notes for the artists including Laura Nyro, Barbra Streisand, Santana, Simon & Garfunkle and Earth, Wind & Fire.

Willis’s first song was recorded in 1974 by Bonnie Raitt. But her big break came in 1978 when Patti LaBelle started regularly recording her songs. LaBelle placed Willis with Herbie Hancock, whom she wrote three songs with. A few months later she began collaborating with Verdine White of Earth, Wind & Fire who introduced her to his brother Maurice, founder and lead singer of the band. Within five minutes of meeting they started writing “September.”

In 1997, representing 3 million BMI songwriters, Willis became the first pop artist to address Congress on artist rights in cyberspace.  Throughout the 90’s she consulted with tech and media companies including Microsoft, Intel, AOL, Fox, Disney and Warner Bros. on their music and entertainment web strategies.

Willis most recently completed writing, recording producing, directing and animating “The D,” a song for her hometown of Detroit. It features 5000 vocalists, more people in history than have ever been on a record before. Willis also started performing a series of sold-out one-woman shows, combining her songs with her comedy, art, videos and technology.