Underwood “Blows Away” Arena

Underwood closes the show with "Blown Away," the current single and title track from her latest album.

Carrie Underwood brought The Blown Away Tour to Nashville’s Bridgestone Arena last night (Sun., Sept. 24) touching down on a packed and enthusiastic crowd. In the first few minutes it became very clear this show was going to live up to its name.

Using a massive video wall, special effects and a rising floor, we were transported to the scene of a tornado when Underwood entered the stage performing her mega hit, “Good Girl.” She followed the powerful opening number with hits “Undo It” and “Wasted.”

After spending countless hours watching husband Mike Fisher play for the Nashville Predators, she told the audience, “You have no idea how much time I spend at Bridgestone.” She said Fisher joked before the show, “You’re on my turf now.” She replied, “I was here first!”

After performing “I Told You So” and “Two Black Cadillacs,” she made a quick costume change and followed with “Last Name” and “All-American Girl.” She thanked everyone for coming and told the fans $1 of every ticket purchased from the entire tour is going to the American Red Cross. Based on last night’s performance, we can expect that’s going to be a really big check.

Next, her stellar and compelling performance of “Temporary Home” sent onlookers down a powerful emotional ride. Followed by “Jesus, Take the Wheel,” many in the crowd didn’t make it through with dry eyes. She then pulled everyone back into party mode with “Cowboy Casanova.”

Underwood next appeared wearing Fisher’s Predators jersey and cut off blue jean shorts to a cheering crowd. She joined a few members of her band on a section center stage, which levitated above the crowd and moved toward the back of the arena. She performed several songs from her current Blown Away album including, “Nobody Ever Told You,” “Thank God For Hometowns,” and “Do You Think About Me.” She tossed Hawaiian leis from the floating stage while oversized beach balls bounced around the stadium, and performed “One Way Ticket,” telling us we all deserved a vacation.

She brought opening act, Hunter Hayes back on stage to duet on “Leave Love Alone.” Hayes had captured the audience’s attention earlier that evening performing “Storm Warning” and “Wanted” among several other songs. Peter Strickland, Sr. VP of Warner Music Nashville and other members of the staff presented Hayes a plaque during his set for his No. 1 single, “Wanted.” Hayes then returned the favor, surprising the Warner staff with a plaque of their own honoring them for all of their hard work.

Underwood then gave her rocking rendition of “Sweet Emotion” that would have easily put a smile on Steven Tyler’s face. But perhaps the biggest highlight of the evening, and there were many to choose from, was Underwood’s performance of “Remind Me.” While the Brad Paisley duet is usually performed via video on tour, she was completely taken back and surprised when Paisley walked on stage singing his part. An emotional Underwood took a few moments while singing to wipe away the tears as the audience gave them a thunderous and deafening applause. The energy was there to stay as she followed up with “Cupid’s Got a Shotgun” and “Before He Cheats.”

Brad Paisley surprises Carrie during the performance of their #1 hit "Remind Me."

Underwood’s vocals were perfection and it was obvious we were watching a superstar. Although the stage was sophisticated and impressive, the set design kept Underwood’s talent center stage. She had five costume changes and looked beautiful, as always, in each one.

The encore took us back to the scene of the tornado, which had apparently gained strength during the concert. Underwood performed her last song of the night, “Blown Away,” before literally disappearing into the tornado’s vortex. And just like Underwood, we were also blown away.

Before taking the stage last night at Nashville’s Bridgestone Arena for “The Blown Away Tour,” Carrie Underwood was presented a Platinum plaque for sales of over one million copies of her latest album, "Blown Away." (L-R): Paul Barnabee, SVP Marketing, Sony Music Nashville; Caryl Healey, VP Sales, Sony Music Nashville; Underwood, Gary Overton (Chairman/CEO, Sony Music Nashville), Alaina Vehec (Dir., Digital Sales, Sony Music Nashville). Photo: Alan Poizner

Hunter Hayes Presents WMN With Plaque

Usually it’s the label that presents a plaque to an artist, but CMA New Artist of the Year nominee Hunter Hayes has demonstrated that it goes both ways. On Sunday (9/23), the hot young artist surprised his Warner Music Nashville staff with a plaque celebrating his first No. 1 song “Wanted” during his performance at Bridgestone Arena. “Wanted” is also Hayes’ first Platinum certification in sales, and is top 10 all genre on iTunes. Hayes has sold a combined total of nearly two million digital singles in under a year.

“Being surprised by Hunter on Sunday evening was such an honor, and indicates the humility Hunter has retained on his path to becoming a superstar,” said Peter Strickland, Sr. VP of Brand Management and Sales (WMN). “Warner Music Nashville and Atlantic Records are proud to have such a wonderful team such as Hunter’s as a member of our musical family.”

Hayes released his self-titled debut in fall 2011, and entered the history books as the only country artist to play every instrument, write or co-write every song, and co-produce on a debut album. He is currently supporting Carrie Underwood on the Blown Away Tour.

Southern Ground Takes Nashville

If musical talent and food weren’t enough to lure attendees to Nashville’s Riverfront Park for the eclectic Southern Ground Music and Food Festival this past Friday (9/21) and Saturday (9/22), perhaps the beautiful weekend weather was.

The ‘No Re-entry’ tickets locked in guests for the music and food festival where the Zac Brown Band served as the late night main stage house band. The group shuffled through signature tunes with John Mayer, Sheryl Crow, Gregg Allman, Alan Jackson and Dwight Yoakam.

Playing before the headliner guests were some of music’s finest artists including David Gray, Edward Sharpe & The Magnetic Zeros, and Amos Lee. Perhaps the one transcendent aspect about the diverse lineup was a common support for Zac Brown’s Camp Southern Ground designed for children with neurobehavioral disorders, for which the festival was a benefit.

Food aspects of the event offered credentialed VIP or Pit access for price premiums, while Stage Box seats treated the elite to stage-side four course meals with beverages. For the general masses, food trucks including Cookie, Zac Brown Band’s mobile kitchen, were available for additional charges alongside beverages from sponsors LandShark and Jack Daniel’s.

Highlights included Mayer, the last minute roster addition, who rested his voice throughout both evening appearances. Instead, he relied on guitar skills while Brown sang a mashup between Stevie Wonder’s “Isn’t She Lovely” and Mayer’s “Neon,” among others. Mayer also accompanied Yoakam, who delivered two hits “Fast As You,” and “Guitars, Cadillacs,” for his Saturday evening performance with the band.

Additional artists on the bill included The Wheeler Boys, Vintage Trouble, Holly Williams, Los Lonely Boys, Dugas, The Lumineers, Levi Lowrey, Clay Cook, Blackberry Smoke,The Jerry Douglas Band, John Driskell Hopkins & Brighter Shade, Michael Franti & Spearhead, and Nic Cowan.

Aldean Announces “Concert For the Cure”

Jason Aldean has selected his October 27 show in Dallas, TX as the location of his seventh annual “Concert For the Cure,” to benefit the local affiliates of the Susan G. Komen for the Cure. As the final event of Aldean’s record-breaking 2012 My Kinda Party Tour, the show at Gexa Energy Pavilion sold out during summer with over 20,000 tickets purchased.

“This is one of the nights I look forward to most every year,” said Aldean. “I’m really proud of the money we’ve raised so far, and it feels great to be able to honor our friend who passed away at such an early age from breast cancer. Everyone has been affected by this disease at some point, and I want to do my part to help find a cure before my daughters grow up. I know Dallas is ready to help us!”

Less than two weeks before the Concert For the Cure, Aldean will release his new Broken Bow Records album Night Train on Oct. 16. It is currently available for pre-order on Aldean’s website, and its lead single “Take a Little Ride” is accelerating for the top of the charts. Aldean also has CMA Awards nominations for Entertainer of the Year, Male Vocalist of the Year, and Single of the Year for “Dirt Road Anthem.” His My Kinda Party Tour has sold over 1.9 million tickets since it launched.

Loretta Lynn’s 50 Years With Opry; Waylon Jennings’ Last Recordings

The Grand Ole Opry will celebrate Loretta Lynn’s 50th Anniversary with a special show tomorrow night (9/25). The  star-packed performance will feature Lynn, Miranda Lambert, Pistol Annies, Crystal Gayle, Lee Ann Womack, and more.

Fans are invited to post their favorite memories of Lynn via Twitter using #Love4Loretta, and some of the Tweets will be compiled on opry.com and shared at tomorrow night’s show.

Opry flagship station 650 AM-WSM is scheduled to play a Lynn song every hour tomorrow, while other artists call in with congratulations for the iconic artist.

Also, opry.com will stream a press conference featuring Lynn and other artists on tomorrow night’s show live from backstage at the Opry House at 6:30 p.m.

The Opry show can be heard live on 650 AM WSM and opry.com.

• • • •

A new album from outlaw country legend Waylon Jennings is filled with recordings made during the years preceding his death in 2002. Goin’ Down Rockin’: The Last Recordings of Waylon Jennings will be released tomorrow (9/25) via Saguaro Road Records. No one has ever heard these performances, they are Waylon’s last gift to his fans.

Jennings and his longtime accompanist Robby Turner laid down twelve tracks using Jennings’ guitar/vocals and Turner’s bass. Ten years after the artist’s passing, Turner finished each song to honor Jennings’ vision and brought in some of his favorite sidemen including Reggie Young, Richie Albright and tour mate Tony Joe White. 

CRS Previews 2013 Agenda

The Country Radio Seminar 2013 agenda will offer attendees lessons from even more industry experts, through a new daily featured speaker initiative.

The daily speaker initiative will offer attendees a different presentation every morning of CRS 2013, which runs Feb. 27-March 1 in Nashville. Each guest speaker will be given a priority time slot when no other events or panels are being held. The CRS 2013 keynote speaker and daily speakers will be revealed in the coming weeks.

With a focus on technology, social media, and adaptation to market challenges, CRS 2013 will also include its usual mix of expert panelists, research, and industry leaders. Early confirmed speakers include talent coach Valerie Geller (Geller Media International), brand management and social media marketer Jeff James, and talent experts Beth and Matt Sunshine (The Center For Sales Strategy). Check out the agenda and a select panel descriptions at www.countryradioseminar.com.

Legislation Seeks To Lower Online Radio Royalty Rates

A bill introduced to Congress Friday (9/21) is designed to put streaming radio royalty rates in line with satellite radio royalty rates. Under the Internet Radio Fairness Act, a panel of federal judges would set rates, which would likely lead to lower rates for Pandora, iHeartRadio, Slacker and similar non-interactive online radio services.

Under current circumstances, a high percentage of company income goes to pay artist and songwriter royalties. These royalty rates are based on individual song plays, and though they are fractions of a cent, can add up very quickly to large sums. In Pandora’s case, the artists’ share alone cost the service half of last year’s revenue, according to CEO Tim Westergren.

By comparison, SiriusXM pays about 8 percent of its revenue for artist performance royalties.

Terrestrial radio stations only pay songwriters and publishers, not artists. The recent exception to this rule is the deals made by Big Machine Label Group with terrestrial radio broadcasters Clear Channel and Entercom. The model has BMLG and its artists being paid terrestrial performance royalties in exchange for a lower rate for digital performance royalties, which will distribute the royalty cost more evenly between both kinds of radio.

The Internet Radio Fairness Act was introduced in the House by Jason Chaffetz (Rep.-Utah), and Jared Polis (Dem.- Col.), and in the Senate by Ron Wyden (Dem.-Oregon).

More from the New York Times.

Hall of Fame Breaks Summer Attendance Record

The Country Music Hall of Fame and Museum has set a new record for summer attendance, museum officials revealed today.

From the Memorial Day weekend through Labor Day, 197,938 people visited the museum, a 15% increase over the previous record of 172,100 set in 2011.

“We are gratified that so many local, national and international visitors have chosen to visit us this summer, and we’d like to thank them for such strong support,” said Museum Director Kyle Young. “There are a number of factors that contributed to our record-setting attendance:  Foremost, we’ve offered a powerful trifecta of exhibitions spotlighting the Bakersfield Sound, superstar Taylor Swift and Country Music Hall of Fame member Patsy Cline, and strong live programs to accompany them. Taylor’s exhibition marks the first time we’ve mounted a major display on a contemporary artist, and our visitors have responded very positively—our youth and family attendance is up 23% over last year.”

Coming up soon at the Hall of Fame, Nashville Songwriters Hall of Fame member Allen Reynolds (“Five O’Clock World,” “Dreaming My Dreams With You”) will be honored as the latest subject of the quarterly series Poets and Prophets: Legendary Country Songwriters. The 90-minute event takes place October 6, at 1:30 pm and will be hosted by museum editor Michael Gray. Museum passes are required for attendance.

Singles Only Hosts Oktoberfest Benefit

Singles Only will host A Night of Hits Oktoberfest, a songwriter benefit at 3rd & Lindsley, on Wednesday, Oct. 3. The music begins at 6 p.m. and proceeds will benefit The Raining Season, an organization that runs and funds an orphanage in Freetown, Sierra Leone.

Performers for the evening include Eric Paslay, Dave Barnes, Liz Rose, Jaron Boyer, Jeff Middleton, Erik Dylan, Jeff Coplan, Steve Pasch, Brian White, Dylan Altman, Jim McCormick and Ben Daniel.

Tickets at $5 at the door. More on The Raining Season here.

Brantley Gilbert Launches Headlining Tour

Brantley Gilbert

Brantley Gilbert will set out on his first headlining tour, The Hell on Wheels Tour, this Thursday (9/27) in West Lafayette, IN with special guests Uncle Kracker, Brian Davis, and his BMLG labelmate Greg Bates.

“We’re doing something a little bit different with our music, there’s a little bit of rock in our country,” said Gilbert on choosing Uncle Kracker as a tourmate. “I don’t think that’s a secret. We’re not hiding it! There’s a different aspect to it.”

“I feel like I’m writing my best stuff right now with him,” Gilbert said of choosing songwriter Davis. “He’s basically part of the family. So him coming on the road with us will be a great chance for me to write even more than I’m writing right now. I couldn’t happier with the line-up, I think it’s going to be a lot of fun.”

Hell on Wheels Tour:
9/27– West Lafayette, IN
9/28– Poplar Bluff, MO
9/29– Oklahoma City, OK
10/4– Missoula, MT
10/5– Bozeman, MT
10/6– Boise, ID
10/11– Dodge City, KS
10/12– Fayetteville, AR
10/13– Jackson, MS
10/14– Nashville, TN *Miles and Music for Kids (with Dierks Bentley)
10/18– Amarillo, TX
10/19– Las Cruces, NM
10/20– San Antonio, TX
10/26– Ames, IA
10/27– Rockford, IL
10/28– Lexington, KY
11/8– Clemson, SC
11/9– Huntington, WV
11/10– Johnson City, TN
11/16– Baton Rouge, LA