Nashville’s Country Music Marathon Gets New Name

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Nashville’s largest race is getting a format change. The event, which has been known as the Country Music Marathon since its inception, has been renamed the St. Jude Rock ‘n’ Roll Nashville Marathon and 1/2 Marathon.

The name change is meant to integrate the event into the Rock ‘n’ Roll Marathon Series global brand, and will allow for a greater musical variety in the bands that perform along the course each year.

“Nashville grew from a foundation built on music, and while country music is a pivotal piece of that, it’s not the only genre that defines Music City,” Josh Furlow, President of the Rock ‘n’ Roll Marathon Series, said. “The rock and roll genre roots itself in a spectrum of music styles including bluegrass, jazz, folk, soul and of course country. Our goal is to celebrate Nashville as a destination for live music and running by linking the historical race with the power of the Rock ‘n’ Roll Marathon brand.”

The St. Jude Rock ‘n’ Roll Nashville Marathon and 1/2 Marathon will take place on April 30, 2016, beginning on Broadway in downtown Nashville and finishing at Nissan Stadium.

A $55 registration fee is available now through Friday at RunRocknRoll.com/Nashville.

CMHoF Reopens Conservatory Eatery

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The Country Music Hall of Fame and Museum announced today (Sept. 15) the return of full-service dining to 2|22 Eatery, located in the museum’s Curb Conservatory.

Named after its downtown location (at 222 5th Avenue South), the refreshed restaurant offers a metropolitan twist on Southern favorites, as well as an updated look and name. There is an 80-seat dining room with updated interior, including burnt orange, upholstered chairs with aged copper legs, linenless tables, and custom wooden accents.

Under the direction of the museum’s executive chef, Bobby Hammock, and sous chef, Ian Coppock, highlights on the menu include sweet and citrus crab cakes; deconstructed chicken pot pie; savory chicken and waffles; cheesy pork and pimento sandwich; plum salad loaded with pickled watermelon radishes, golden raisins, arugula and pistachios served with a honey citrus balsamic vinaigrette; and much more.

2|22 Eatery has partnered with local and regional farmers including The Peach Truck and Porter Road Butcher in Nashville, Tenn.; The Hamery in Murfreesboro, Tenn.; Three Graces Dairy in Asheville, N.C.; Ashley Farms in Winston-Salem, N.C.; and Black Hawk Farms in Black Hawk, Ky.

Open daily from 11:00 a.m. to 2:30 p.m., the restaurant is a wholly owned subsidiary of the museum.

NSAI Celebrates Chart-Topping Songwriters

Songwriters with their No. 1 plaques.

Songwriters with their No. 1 plaques.

The Nashville Songwriters Association International (NSAI) honored Nashville-associated writers whose songs topped the Billboard Airplay, Digital or Hot charts between April 2015 and July 2015 yesterday evening (Monday, Sept. 14). There were 83 songwriters and 20 songs recognized.

The Maggie Cavender award was also presented to Jo Walker-Meador, Layng Martine, Jr. and the late Billy Block. Block’s wife, Jill Block, received the award on his behalf. This is the first time NSAI has presented three recipients with the Maggie Cavender Award within the same year. The NSAI #1 Party was held at the Music Mill, NSAI’s headquarters on Music Row.

The NSAI #1 Party was sponsored by Klindt, Cole & Associates of Merrill Lynch Private Banking and Investment Group.

Pictured (L-R): Lee Thomas Miller, Jo Walker Meador, and Bart Herbison.

Pictured (L-R): Lee Thomas Miller, Jo Walker-Meador, and Bart Herbison.

Songs Recognized:
“Homegrown Honey,” Darius Rucker, Charles Kelley, Nathan Chapman, recorded by Darius Rucker
“Because He Lives (Amen),” Daniel Carson, Ed Cash, Bill Gaither, Gloria Gaither, Jason Ingram, Matt Maher, Chris Tomlin, recorded by Matt Maher
“Soul On Fire,” Tai Anderson, Brenton Brown, David Carr, Mark Lee, Matt Maher, Mac Powell, recorded by Third Day
“Take Your Time,” Sam Hunt, Josh Osborne, Shane McAnally, recorded by Sam Hunt
“Say You Do,” Matt Ramsey, Shane McAnally, Trevor Rosen, recorded by Dierks Bentley
“Drinkin Class,” Josh Kear, David Frasier, Ed Hill, recorded by Lee Brice
“Raise ‘Em Up,” Jaren Johnston, Tom Douglas, Jeffrey Steele, recorded by Keith Urban f/ Eric Church
“A Guy Walks Into A Bar” Melissa Peirce, Jonathan Singleton and Brad Tursi, recorded by Tyler Farr
“Don’t It,” Jaren Johston, Ashley Gorley, Ross Copperman, recorded by Billy Currington
“Smoke,” Michael Hobby, Ross Copperman, Jon Nite, recorded by A Thousand Horses
“Sippin’ On Fire,” Cole Taylor, Matt Dragstrem, Rodney Clawson, recorded by Florida Georgia Line
“Shoulders,” Ben Glover, Joel Smallbone, Luke Smallbone, recorded by for King & Country
“Wild Child,” Josh Osborne, Kenny Chesney, Shane McAnally, recorded by Kenny Chesney w/ Grace Potter
“Love Me Like You Mean It,” Forest Glen Whitehead, Josh Kerr, Kelsea Ballerini, Lance Carpenter, recorded by Kelsea Ballerini
“Sangria,” Josh Osborne, JT Harding, Trevor Ronsen, recorded by Blake Shelton
“Little Toy Guns,” Carrie Underwood, Chris DeStefano, Hillary Lindsey, recorded by Carrie Underwood
“Love You Like That,” Brett Beavers, Canaan Smith, Jim Beavers, recorded by Canaan Smith
“Tonight Looks Good On You,” Ashley Gorley, Dallas Davidson, Rhett Akins, recorded by Jason Aldean
“Girl Crush,” Lori McKenna, Liz Rose, Hillary Lindsey, recorded by Little Big Town

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Pictured (L-R): Lee Thomas Miller, Layng Martine, Jr., and Bart Herbison

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Jill Block with sons Rocky and Grady Block, receiving the Maggie Cavender Award on behalf of the late Billy Block.

Prince’s “Let’s Go Crazy” Video Case Leads To Copyright Precedent

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Prince

Under a new ruling from a federal appeals court, Universal Music Group could be liable for attempting to take down a 29-second home video of a baby dancing to Prince‘s “Let’s Go Crazy.” In February 2007, Gallitzin, Pa., resident Stephanie Lenz uploaded the video featuring her then 13-month-old infant to YouTube. Prince’s “Let’s Go Crazy” was playing in the background. UMG sent YouTube a takedown notice under the Digital Millennium Copyright Act (DMCA), alleging the video infringed on the song’s copyright. Advocacy Group The Electronic Frontier Foundation represented Lenz, suing UMG on her behalf and arguing that Universal had misapplied the DMCA by inappropriately targeting a legal fair use.

On Monday (Sept. 14), the United States Court of Appeals for the Ninth Circuit (San Francisco)’s three-judge panel ruled that copyright holders are required to consider fair use before sending a takedown notification.

“Universal faces liability if it knowingly misrepresented in the takedown notification that it had formed a good faith belief the video was not authorized by the law, i.e., did not constitute fair use,” Judge Richard C. Tallman’s opinion reads. “Here, Lenz presented evidence that Universal did not form any subjective belief about the video’s fair use — one way or another — because it failed to consider fair use at all, and knew that it failed to do so.”

The Ninth Circuit stated a jury would need to decide whether UMG had formed a good faith belief that the video breached the fair use policy. Fair use allows portions of copyrighted material to be used for purposes of criticism, comment, research, or in other limited circumstances without a license from the copyright holder.

“Today’s ruling sends a strong message that copyright law does not authorize thoughtless censorship of lawful speech,” said Corynne McSherry, legal director for The Electronic Frontier Foundation.

A spokesman for the Recording Industry Association of America, Jonathan Lamy, said, “We respectfully disagree with the court’s conclusion about the DMCA and the burden the court places upon copyright holders before sending takedown notices.”

New Book Examines The Beatles’ Country Roots

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Belmont University’s Don Cusic is releasing his new book The Beatles and Country Music.

In the book Cusic examines The Beatles’ earliest influences, including skiffle and folk music, as well as early rockabilly influences from Elvis, the Everly Brothers, Bill Haley and Carl Perkins. Early in their career, The Beatles performed country songs in Hamburg and at the Cavern in Liverpool.

When the group first appeared on the Ed Sullivan Show in February 1964, George Harrison was playing a Gretsch guitar—inspired by his love of Chet Atkins, who also played a Gretsch.

Gene Autry was one of Ringo’s biggest musical influences, according to the book. And Ringo sang the Buck Owens hit, “Act Naturally,” on an album by The Beatles. Ringo recorded his 1970 album Beaucoups of Blues in Nashville, which was produced by legendary Music City steel guitarist Pete Drake.

Drake also played on George Harrison’s album, All Things Must Pass and Harrison’s song “Behind That Locked Door.”

The book documents Paul McCartney’s 1974 Nashville recording sessions with local steel guitarist Lloyd Green.

Cusic writes about country artists who have recorded Beatles songs, including Chet Atkins, who also played on a McCartney song.

This is the 26th book by Cusic. He has written biographies of Eddy Arnold, Roger Miller, and Gene Autry. Other books include Elvis and Nashville, Baseball and Country Music, and Saved By Song: A History of Gospel and Christian Music.

The Beatles and Country Music is available here.

Kenny Chesney Preps 2016 with Lambert, Hunt, Old Dominion

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Less than three weeks after Kenny Chesney wrapped his highest-grossing tour ever ($114 million, reports Billboard), he is already making plans for next summer.

Chesney has tapped Miranda Lambert, Sam Hunt, and Old Dominion to join him on tour dates for 2016.

​“Miranda is the real deal,” Chesney says. “She’s a songwriter, first, and a real vocalist. She’s put it all out there when she’s on stage, and I loved touring with her so much in 2009, I can’t believe it’s taken us this long to get her back out here – because I love every single thing about who she is as an artist and a person.

​“The second I heard Sam’s demo for ‘Come Over,’ I knew he was onto something very unique,” continues Chesney, who cut the Hunt-written song. “Watching him develop as an artist, seeing his songwriting evolve – and knowing how he brings it when he gets onstage makes him a perfect act to come out with us. He’s fun, alive and all about the music.

​“Old Dominion had a tough job this summer, and they got it done,” Chesney concludes. “They’re hit songwriters, but they’re also guys who’ve played in a lot of clubs – and know how to connect with people. I mean, not only are their songs solid, they’re great guys.”

Dates have not yet been announced.

Kip Moore To Headline Next Taping Of ‘Front And Center’

Kip Moore

Kip Moore

The Country Music Association and the critically-acclaimed music series “Front and Center” have announced Kip Moore along with Brett James and Jaren Johnston as the stars of the next songwriters series taping, to be held Sept. 21 at the Iridium in New York City.

Moore co-wrote all three of his No.1 singles; every track on his latest album Wild Ones; and penned songs for Jake Owen and Thompson Square.

Both James and Johnston have written hit songs cut by artists including Dierks Bentley, Carrie Underwood, Tim McGraw, Keith Urban and more.

“Front and Center” is the critically-acclaimed, original one-hour concert series that airs commercial-free on public television. Now in its sixth season, the show has presented an eclectic mix of Grammy, CMA, and American Music Award winners, rock icons, and multi-Platinum sellers including Bentley, Counting Crows, Goo Goo Dolls, Jack Johnson, Lady Antebellum, Cyndi Lauper, The Fray, Train, Urban, and more.

For more information on the “Front and Center” music series, visit frontandcenter.com.

Brett James

Brett James

Jaren Johnston

Jaren Johnston

Razor & Tie Welcomes Nashville’s Creative Professionals Into The Circle

 

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Nashville’s creative community is reaping the benefits of a burgeoning number of professional spaces for working, creating and networking. Razor & Tie moved their Nashville publishing outpost to a new location in Nashville’s SoBro area earlier this year. The new space, The Circle at Razor & Tie, also serves a creative hub for songwriters, artists, and creative professionals.

The space is conveniently located at 511 8th Ave. S., near label Third Man Records and music venue Mercy Lounge. Razor & Tie’s co-owners Cliff Chenfeld and Craig Balsam‘s vision for the space is a multi-functional zone with an open floor plan, perfect for a myriad of uses, including co-writes, album release parties, song pitch meetings, and more.

Among the space’s amenities are a rehearsal room, six writing rooms, co-working and conference room areas, a lounge, kitchen and office space. The Circle at Razor & Tie offers a coffee bar and high speed wi-fi, and boasts exposed 20-foot ceilings as part of its contemporary design.

A range of membership levels are available to meet the varying needs of Nashville’s creative community. Full-time membership offers unlimited, 24/7 access.  Team membership offers a 15 percent discount off the full-time membership rate for three or more people. Part-time membership offers access 10 days per month from 9 a.m.-6 p.m.

A week-long trial is available for $50.

“We are excited to develop a new space in a hot new area of Nashville where we can continue to provide our writers and artists with the right ‘vibes’ to create great music,” said Balsam and Chenfeld at the space’s opening earlier this year.

For more information, visit circleatrazorandtie.com or call 615-915-1590.

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MusicRowPics: Josh Thompson Previews His ‘Lost Record’

Josh Thompson

When Wisconsin native Josh Thompson performed for the MusicRow staff he was greeted by a member of the Green Bay Packers.

After releasing his debut album in 2010, singer-songwriter Josh Thompson enjoyed the success of three Top 30 singles, including “Way Out Here,” “Beer on the Table” and “Won’t Be Lonely Long.”

His new album, Change: The Lost Record, Volume One, the first in a two EP series, was originally recorded in 2011 while Thompson was still signed to RCA Nashville. After parting ways with the label, Thompson held onto the songs, refashioning them into his new project, set for digital release Oct. 9 via partnership with ole Digital/The Orchard.

Thompson visited the MusicRow office to preview a few songs from the project, including “Work In The Mornin’,” “Same Ol’ Plain Ol’ Me,” and a track he calls the “leavin’ song” on the album, “Over Me.”

“I could have released it on another label, but I would have had to release it to them, so I kept it and decided to release it now,” said Thompson.

After his last record release, Turn It Up in 2014, Thompson has been cranking out the songs, writing an average of 80-120 songs per year. He penned Joe Nichols’ current single, “Freaks Like Me,” which he obliged MusicRow staffers with an acoustic rendition, before ending with a snippet of his 2013 hit “Cold Beer With Your Name On It.”

Thompson also recently teamed with band The LACS for the song “Tonight On Repeat.”

Josh Thompson with MusicRow staff.

Josh Thompson and his team with MusicRow staff.

 

Industry Ink: CRS, Bobby Braddock, Change The Conversation, SOLID, Musicians Corner

Nominations Open For Country Radio Hall of Fame Class of 2016

country radio hall of fame11Nominations for the Country Radio Hall of Fame Class of 2016 are now being collected, and must be received by Tuesday, Nov. 17. Those interested can submit nominations at countryradioseminar.com.

Submissions received after the Nov. 17 deadline will be placed under consideration for the Country Radio Hall of Fame Class of 2017.

The inductees for 2016 will be announced at CRS 2016, which will take place Feb. 8-10 at the Omni Hotel in downtown Nashville. More information regarding the event will be made available in coming months.

The Country Radio Hall of Fame was founded in 1974 to recognize outstanding individuals working in the broadcast industry, who are promoting the country music format. The Hall of Fame has two categories: Radio and On-Air Personality. The CRB President’s Award and the Artist Career Achievement are also recognized during the event.

 

Bobby Braddock To Share Stories From New Memoir

bobbybraddockCountry Music Hall of Fame member Bobby Braddock will share stories and tales from his new memoir, Bobby Braddock: A Life on Nashville’s Music Row, at the Country Music Hall of Fame and Museum on Saturday, Oct. 3, 2015, at 1:30 p.m.

Hosted by museum staff member Jay Orr, Braddock will share some of the colorful stories that fill the pages of his second memoir—this one chronicling his remarkable songwriting career. Braddock will read selections from his book, and he will have a piano nearby, to illustrate the talk with music.

Following the program, Braddock will sign copies of the book, available for purchase from the Museum Store. The program is included with museum admission and free to museum members. Seating is limited, and passes are required for admittance. Museum members may reserve their program passes in advance by phone (615-416-2050) or via reservations@countrymusichalloffame.org. The interview will be streamed live on the museum’s website.

 

Change The Conversation To Hold Next Meeting on Sept. 17

ChangeTheConversationChange the Conversation will hold its monthly meeting on Thursday, Sept. 17, that will feature executives from YouTube and The Geena Davis Institute on Gender in Media.

Change the Conversation is the coalition formed in 2014 by music industry veterans Leslie Fram, Tracy Gershon and Beverly Keel to increase the opportunities for females in the country music industry by commissioning research, raising awareness and providing networking and mentoring opportunities for women.

The event, which will be held at the venue Ruby at 6 p.m., is free and has limited seats available. Seats must be reserved in advance by contacting eileentilson@me.com.

 

SOLID Accepting New Membership Applications

solid_latest4New membership sign-ups for The Society of Leaders in Development (SOLID) are currently open and are available through Thursday, Oct. 15.  One year experience working full-time in the entertainment industry is the only requirement to be considered for eligibility. Interested candidates can find an application on the new SOLID website

A party for potential New Members is set at Sambuca on Tuesday, Sept. 15 from 6-8pm.  Everyone who is interested in getting involved next year is encouraged to meet and mingle with current members and board members.

 

Musicians Corner To Hold Les Paul Tribute Sept. 19

AFMlogo-3The lineup for the Sept. 19th Musicians Corner Les Paul Tribute Concert at Centennial Park honoring the 100th anniversary of the birth of Les Paul has been set.

Bassist and President of the Nashville Musicians Association, AFM Local 257, Dave Pomeroy, is the musical
director and bandleader of the show, which will feature many of Nashville’s guitarists playing the
music of Les Paul, music inspired by Les Paul, and music played on Les Paul guitars.

Performers include Duane Eddy, John Jorgenson, Guthrie Trapp, Emily West, Derek Wells and Ryan Wariner. The backing band will include Pomeroy, Charlie Morgan, Jimmy Wallace, and Jim Hoke. For more information, visit musicianscorner.com.