Garth Brooks Announces One-Night-Only Concert Event At 300 Drive-In Theaters

Garth Brooks. Photo: 8 Ten, Inc.

On June 27, Garth Brooks will perform a one-night-only concert event at 300 drive-in theaters across North America, marking the largest one-night show to ever play at outdoor theaters across the United States and Canada.

“I am so excited to get to play again. I have missed it so much and want to get back to it,” said Brooks. “This drive-in concert allows us all to get back to playing live music without the uncertainty of what would be the result to us as a community. This is old school, new school, and perfect for the time we are in.”

The event will be produced by Encore Live, a leading event production company. Tickets will go on sale Friday, June 19 at 11 a.m. CT, on sale at ticketmaster.com/garthbrooks, and a list of participating theaters will be available that day.

Tickets will be general admission and will cost $100, all inclusive. Each ticket admits one passenger car or truck. The event will take place rain or shine and will begin at dusk.

“Families need safe entertainment options that they can enjoy together this summer,” said Encore Live Founder and CEO Walter Kinzie. “We’re excited to partner with Garth, who’s already done so much to help the entertainment industry during these tough times, to provide a truly unique and incredible concert that will do a whole lot of good for local businesses and communities.”

Mechanical Licensing Collective Seeks Songwriter Nominations For Board And Committees


The Mechanical Licensing Collective (MLC) is seeking nominations for songwriter candidates to serve when songwriter seats become available on the MLC Board of Directors, Dispute Resolution Committee and Unclaimed Royalties Oversight Committee.

The MLC Songwriter Nominating Committee includes current MLC Dispute Resolution Committee songwriter members Aimée Allen and David Hodges along with songwriters Victoria Shaw appointed by the Nashville Songwriters Association International, Henny Tha Bizness appointed by The Recording Academy, and Claudia Brant appointed by the Songwriters of North America, in accordance with the MLC by-laws. The five-person committee will make recommendations of 2-3 persons for each vacant songwriter MLC board or committee seat or when seats come up for re-election. MLC songwriter board members will make the final determination from the nominees to fill such seats.

Candidates for the Board of Directors must be professional songwriters who retain and license mechanical rights for songs they have written (self-published). Candidates for the Unclaimed Royalties Oversight Committee and Dispute Resolution Committee must be professional songwriters.

The Unclaimed Royalties Oversight Committee recommends policies and procedures related to the distribution of accrued unclaimed royalties to the MLC Board. The Dispute Resolution Committee recommends policies and procedures for the processing of royalties to works subject to disputes over ownership to the MLC Board.

The MLC Board of Directors and Advisory Committees meet regularly, and all meetings allow for virtual participation such that travel is not generally required. Members are expected to devote sufficient time to prepare for and participate fully in all meetings.

To nominate someone for consideration, please click here to complete the nomination form.

Jason Isbell, Amanda Shires, Rosanne Cash, Keb’ Mo’ To Lead Keep The Music Playing Virtual Fundraiser

Nashville’s Acme Radio will host Keep The Music Playing, a livestream fundraiser set for June 17, to benefit Music Health Alliance.

The event will use live and pre-recorded performances from numerous Nashville venues including the Ryman Auditorium, Bluebird Cafe, Acme Feed and Seed, and Dino’s. Jason Isbell, Amanda Shires, Keb’ Mo’, Rosanne Cash, Katie Pruitt, Devon Gilfillian, Widespread Panic’s John “JoJo” Hermann, and more will take part in the event, while radio personality Justin Hammel and television host Kathie Lee Gifford will host.

Through the Spotify COVID-19 Music Relief Project, Spotify will match all donations to Music Health Alliance dollar for dollar, up to a collective total of $10 million.

Keep The Music Playing will air on acmeradiolive.com as well as facebook and youtube channels at 5 p.m. CT on June 17. Beginning today (June 10) donations can be made at musichealthalliance.com.
“When COVID-19 really started ramping up and it became obvious to us that a lot of the events and plans we’d made for the summer would have to be canceled, our team hopped on a call to immediately start problem-solving,” says Acme’s Director of Marketing, Tricia Higbee. “As disappointed as we were, what was really bothering us the most was being unable to provide that platform for all the amazing artists and personalities that go into making our events what they are. We didn’t want to take away that opportunity from voices who need to be heard, so we quickly decided to pivot.” Utilizing Acme Radio Live’s already up-and-running in-house production team to create world-class content for the event, Keep The Music Playing presented itself as the natural solution for the conundrum at hand. “Our mission with this event is simple, raise as much money as possible for the Music Health Alliance while also offering people around the world a glimpse inside Nashville, if only through a screen, to show how we’re physically distancing, but socially joining together to keep the music playing in Music City.”

A full list of performers and/or guests is below:
AJ Croce
AJ Eason
Andrew Combs
Barry Scott
Bre Kennedy
Charles Wigg Walker
Chuck Mead
Craig Morgan
Dave McGinnis
Devon Gilfillian
Donna the Buffalo
Early James
Erin Rae
Future Thieves
Gramps Morgan
Guthrie Trapp
Ian Ferguson
Jaime Wyatt
Janelle Moser
Jason Isbell & Amanda Shires
Jeff Coffin
Jim Lauderdale
Joe Bonamassa
John Oates
John “JoJo” Hermann
Jordan Davis
Katie Pruitt
Keb Mo
Kenny Vaughan, Dave Roe, & Pete Abbott
Laine Hardy
Leah Blevins
Louis York
Marcus Finnie
Mike Keith (Voice of the Tennessee Titans)
Minton Sparks
Parker Gispert
Pat McLaughlin
Pete Weber & Terry Crisp (Nashville Predators)
Phil Vassar
Rod McGaha
Rodney Crowell
Ron Gallo
Rosanne Cash
Sam Bush
Sara Evans
Scotty McCreery
Sean Henry (Nashville Predators CEO & president)
Steve Conn
Steve Wariner
Sweettalker
Tim Gent

Country Music Association Names Kelly Striewski To Sr. VP Role

Kelly Striewski

The Country Music Association has named Kelly Striewski as Senior Vice President, Marketing & Strategic Partnerships, effective in August. Striewski previously worked for dick clark productions in Los Angeles, overseeing the company’s corporate and consumer marketing and communication efforts for dcp shows including Academy of Country Music Awards, American Music Awards, Billboard Music Awards, Golden Globe Awards, Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest and So You Think You Can Dance, among others.

At the CMA, Striewski will oversee development and execution of CMA’s marketing, communications and strategic partnerships strategies, including oversight of CMA’s marketing, communications, market research, creative, digital and strategic partnerships teams. She will also serve as a member of the CMA’s executive leadership team, working with the CMA Board of Directors to build strategic initiatives for the organization and will work closely with CMA’s network television partner, ABC Television Network.

“We are thrilled to welcome Kelly to our executive team at CMA,” says Sarah Trahern, CMA Chief Executive Officer. “She is a highly-accomplished entertainment veteran with a wealth of knowledge in both music and television. Kelly’s experience and expertise in marketing, communications and partnerships, as well as artist and industry relations, will be critical to CMA’s continued strategic growth.”

“I am honored to join CMA and to fully immerse myself into the Nashville community,” says Striewski. “It will be a privilege to work under the leadership of the organization’s highly-regarded CEO, Sarah Trahern and the exceptional CMA Board of Directors. I look forward to utilizing my marketing and television expertise to develop unique and innovative strategies that drive continued growth for country music.”

Prior to her work at dcp, Striewski led the Nintendo of America account team at Golin where she oversaw all PR activity, social media and influencer campaigns, game launches, special events and the brand’s expansion into mobile. Striewski also spent 15 years with B|WR Public Relations, where she led PR activity for notable brands such as PUMA, Lincoln Motor Company, Stand Up To Cancer, Neil Lane, Beaches & Sandals Resorts and DELL, among others.

Industry Ink: Douglas Corner, PLA Media, UMG

Douglas Corner Hosts Closing Sale


Following the announcement of its closing after 33 years in business, Douglas Corner is holding an indoor yard sale this Saturday and Sunday (June 13-14) at the club from 9 a.m.-2 p.m. All COVID-19 precautions will be in effect during the sale, including the use of rubber gloves, and the longtime Nashville spot will be selling three decades worth of belongings.
 

Rory Edmonds Promoted At PLA

Rory Edmonds


Rory Edmonds has been promoted to Graphic Design & Social Media Manager at PLA Media. The New York native and Belmont University graduate joined the company in March 2019 as Graphic Designer and Social Media Assistant. In his new role, Edmonds will be directing the strategic planning of PLA Media’s social media accounts while also expanding the offerings of the company’s graphic design and content creation services. Before PLA Media, Edmonds executed branding and social media for Chago’s Cantina in Nashville in addition to his tenures with Kaleidoscope Media and FlyteVu.
 

Covered By Country Joins The Fight Against COVID

Fans can soon help battle the spread of COVID-19, and support their favorite artists and a good cause at the same time with new face masks recently launched by Universal Music Group Nashville. The label recently unveiled “Covered By Country,” a line of artist branded face masks with 100% of net proceeds going to the Recording Academy’s charitable foundation MusiCares. “Covered By Country” offers fans a chance to purchase reusable cloth face masks with their favorite artist logos from stars like Alan Jackson, Brothers Osborne, Carrie Underwood, Darius Rucker, Dierks Bentley, George Strait, Jon Pardi, Luke Bryan and more.

Billy Strings To Play Multiple Nashville Venues On Streaming Strings Virtual Tour


Bluegrass wonder Billy Strings has announced a new live streaming virtual tour that will kick off on July 16 and run through July 26 in various Nashville clubs.

The Streaming Strings 2020 Tour will feature nine shows performed in crowdless venues throughout Music City. The concerts will be streamed by various partners including Nugs TV, FANS, Station Inn TV and TourGigs. Digital “tickets” will go on sale June 16 at 12 p.m. ET and can be purchased at billystrings.com. The dates listed may change based upon the status of COVID-19, and contingency plans (and dates) are in place. Minimal staff and crew will take part in order to help produce the show.

A portion of the proceeds from the virtual shows will be donated to several charity partners including the ACLU, Backline, and the NAACP Legal Defense and Educational Fund.

Streaming Strings 2020 Tour Dates:
7/16/20 – Brooklyn Bowl (Streamed live via FANS)
7/17/20 – Brooklyn Bowl (Streamed live via FANS)
7/18/20 – Station Inn (Streamed live via Station Inn TV)
7/19/20 – Station Inn (Streamed live via Station Inn TV)
7/22/20 – City Winery (Streamed live via Nugs TV)
7/23/20 – City Winery (Streamed live via Nugs TV)
7/24/20 – Exit/In (Streamed live via TourGigs)
7/25/20 – Exit/In (Streamed live via TourGigs)
7/26/20 – 3rd & Lindsley (Streamed live via Nugs TV)

Follow Up Panel (Tomorrow): A Conversation on Being African-American in the Nashville Music Industry


A followup discussion to last week’s powerful conversation, “Follow-Up Q&A: Being African-American in the Nashville Music Industry,” will be held via Zoom this Thursday (June 11) from 5:00-6:30 p.m. CT.

The purpose of this panel is to present an opportunity to both listen and learn how to be an advocate and ally.

Panelists will include Charlene Bryant, Founder of Riveter Management; Capitol Records Nashville recording artist Mickey GuytonGina Miller, Senior Vice President and General Manager, Entertainment One (Nashville); Shannon Sanders, 2x Grammy-winning producer and Program Director of 102.1 The Ville; Kortney Toney, Corporate Partnerships Manager for the Nashville Symphony; and Candice Watkins, VP, Marketing for Big Loud.

The panel will be moderated by Middle Tennessee State University’s Sekou Franklin (Ph. D., MTSU Department of Political Science) and Beverly Keel (Dean of MTSU College of Media and Entertainment).

The conversation is open to everyone who would like to attend with an open heart and mind, and those interested can register here.

Guests will receive the link by email to attend after registering. Questions for the panelists can be submitted in advance here.

The June 11 virtual panel discussion is sponsored by Change the Conversation, Digital Divas, Entertainment One Music Nashville, Middle Tennessee State University, mtheory, the Music Business Association, the National Association of Black Female Executives in Music and Entertainment Nashville, Quinton Digital, the Recording Academy Nashville Chapter, and 102.1 The Ville.

Organizers of the panel want to provide a safe space for their panelists and attendees. While they welcome sharing what you learn from the panelists, journalists are asked to reach out to [email protected] before publishing or attributing specific content from the conversation in published articles.

Ruston Kelly Debuts First Taste Of Upcoming Album ‘Shape & Destroy’

Ruston Kelly’s latest project, Shape & Destroy, is set for release later this Summer on Aug. 28. In advance of the new Rounder Records release, Kelly is debuting a new song, “Rubber,” today.

The new album, which was co-produced by Kelly and longtime collaborator Jarrad K and recorded at Dreamland Recording Studios in upstate New York, documents Kelly’s journey through maintaining his sobriety and dealing with his past. He addresses these experiences and setbacks with unvarnished honesty, grace and conviction in the 13 new songs including the stirring track, “Brave.”
“Making this record definitely taught me that I don’t want to be selfish: I want to channel something larger than myself and give myself to the process as fully as possible, because these songs also become the story of whoever hears them,” said Kelly. “Whatever someone might get out of listening to this record and hearing me express myself in this way, it’s completely theirs.”

Kelly gets some help from his father Tim “TK” Kelly on steel guitar and backing vocals on the new album, which also includes special guests Gena Johnson, Abby Kelly and Kacey Musgraves on background vocals.

Shape & Destroy Track List:
1. In The Blue
2. Radio Cloud
3. Alive
4. Changes
5. Mid-Morning Lament
6. Brave
7. Clean
8. Rubber
9. Jubilee
10. Closest Thing
11. Pressure
12. Under The Sun
13. Hallelujah Anyway

 

Margo Price’s ‘That’s How Rumors Get Started’ To Release July 10

Margo Price. Photo: Bobbi Rich

Margo Price‘s upcoming album has a new release date. Price and her team previously made the decision to delay the release of her upcoming album That’s How Rumors Get Started, which will now release July 10 (Loma Vista Recordings).

“This album is a postcard of a landscape of a moment in time. It’s not political but maybe it will provide an escape or relief to someone who needs it. Sending love to everyone out there and hope I see you down the highway,” said Price, who also recently penned an essay for Vogue, detailing her decision to delay the album release and chronicling her family’s experiences over the past few months, as tornadoes ravaged their neighborhood in east Nashville in March, and her husband Jeremy Ivey endured weeks of sickness and symptoms that were consistent with COVID-19.

In conjunction with the album announcement, Price has released a new song, “Letting Me Down,” along with a music video, which was directed by Kimberly Stuckwisch, who drove an RV from Los Angeles to Nashville to film in Margo’s home and an abandoned hospital where she performs a stunning dance sequence choreographed by her sister Kylie.

“We bought a cheap ’80s travel trailer with a bathroom, kitchen, and a propane powered refrigerator, so we wouldn’t have to go inside anywhere for food or bathrooms,” Stuckwisch says. “We were able to abide by the 6-feet social distance CDC recommendation as we set up a remote head for the camera that we operated from a closet outside of the room. We wore masks the entire time and Margo supplied us with multiple bottles of hand sanitizer and spiked seltzers. We parked our RV in her driveway and worked solely out of there and the room we were filming in. We wanted to speak to what was going on at that moment, to a world that was/is shut down, to the fear we all feel, and to the hope of breaking free,” said Stuckwisch.

Price penned “Letting Me Down” alongside Jeremy Ivey; the track follows “Twinkle Twinkle” and “Stone Me,” the first song released from the new album. She will perform “Letting Me Down” on Saturday, June 13 and sit for an interview with Anthony Mason on CBS This Morning: Saturday. Price recently released the live album Imperfectly Perfect at the Ryman.

That’s How Rumors Get Started is Price’s third studio project, following her 2016 debut Midwest Farmer’s Daughter and 2017’s All American Made, which earned Price a 2018 Grammy nomination for Best New Artist.

Recording Academy Announces Changes To Grammy Awards, Nominations Review Committees

The Recording Academy announced Wednesday (June 10) a series of changes that will affect the 63rd Grammy Awards.

The changes to Grammy categories affects the categories of Best New Artist, Best Urban Contemporary Album, Best Rap/Sung Performance, Best Engineered Album, as well as changes in the Musical Theater and the Latin Urban genres. The rules for the Recording Academy’s nomination review committees have also been updated.

“I’m excited to announce our latest changes, as we’re constantly evaluating our Awards process and evolving it to ensure the GRAMMY Awards are inclusive and reflect the current state of the music industry,” said Harvey Mason jr., Chair & Interim President/CEO of the Recording Academy. “The Academy accepts proposals for rule changes from members of the music community throughout the year that are carefully reviewed and, if accepted, ultimately ratified at our annual Board meeting, a process that we are proud to have continued in this challenging year.”

“As a peer-driven and peer-voted award, members of the music community are directly involved in the growth and preservation of the GRAMMYs® process,” said Bill Freimuth, Chief Awards Officer at the Recording Academy. “Each year we receive a number of rule change proposals from artists, producers and songwriters asking us to reevaluate our process to better reflect the current state of the music industry and how it’s evolved over the past 12 months.”

In the Best New Artist Field, the upper limit rule will be removed and will rely on the expertise of the Core and Genre Screening Committees to make the determination as to whether or not an artist had attained prominence in a prior year. An artist will be considered for Best New Artist if their eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape. Minimum releases to meet eligibility are five singles/tracks or one album. While there will be no specified maximum number of releases, the screening committees will be charged with determining whether the artist had attained a breakthrough or prominence prior to the eligibility year. Such a determination would result in disqualification. An artist may not enter into this category more than three times, including as a performing member of an established group.

The Best Urban Contemporary Album category will be renamed Best Progressive R&B Album. For albums containing at least 51% playing time of newly recorded progressive vocal tracks derivative of R&B. This category is intended for artists whose music includes the more progressive elements of R&B and may include samples and elements of hip-hop, rap, dance, and electronic music. It may also incorporate production elements found in pop, euro-pop, country, rock, folk and alternative.

The Best Rap/Sung Performance will be renamed Best Melodic Rap Performance. This category is intended for performances that use the delivery of rap and melody over modern production. This performance requires a strong and clear presence of melody combined with rap cadence, and is inclusive of dialects, lyrics or performance elements from non-rap genres including R&B, rock, country, electronic or more. The production may include traditional elements of rap or elements characteristic of the aforementioned non-rap genres. Both the song and melody should be considered to fit these criteria to be accepted in this category.

The Latin Pop Album has been renamed Best Latin Pop or Urban Album, and Latin Rock, Urban or Alternative Album has been renamed Best Latin Rock or Alternative Album, to migrate the genres of Latin urban and represent the current state and prominent representation in the Latin urban genres. The Best Latin Pop or Urban Album category is intended to recognize excellence in Latin pop or urban music recordings that utilize a stylistic intention, song structure, lyrical content, and/or musical presentation to create a sensibility that reflects the broad spectrum of Latin pop music style and culture. The category includes recordings from balladeers and commercial Latin music and is not limited to any one region. The Best Latin Rock or Alternative Album category is intended to highlight Latin rock or alternative music recordings that utilize a stylistic intention, song structure, lyrical content and/or musical presentation to create a sensibility that reflects the broad spectrum of the Latin music style and culture.
The Best Engineered Album Categories will allow hi-res audio (greater than rebook audio-44 khz/16bit to be considered in submissions for both Best Engineered Album, Non-Classical and Best Engineered Album, Classical.

There are also several substantial changes to the Nominations Review Committee, including:

Term Limit Changes.

The term limit for nominations review committee chairs and members have been further limited, to three years on and one year off for committee members, and three years on/two years off for Chairpersons. Committee members may serve a maximum of five consecutive years, if they served on the committee first and were then elected to be chair. Two years off still applies in these cases.
Changes To Discourage Potential Conflicts Of Interest.

At the time of invitation to participate on a Nominations Review Committee, a conflict of interest disclosure form will be provided. Each person invited to be a member of such a committee must disclose to the best of their knowledge whether, in connection with any recording that may be entered in the current year’s GRAMMY Awards process, (a) the person would be in line to receive a GRAMMY nomination or win for any recordings being considered in a particular category, (b) the person would have any direct or indirect financial ties to the recordings or creators under consideration, (c) the person has immediate familial ties to any of the artists in the top voter selections, and/or (d) any other conflict of interest, actual or perceived.

If a recording listed by the invitee presents a conflict of interest, the Academy will notify the committee member that they cannot participate on the committee that year.
If, in the unlikely event that, despite these pro-active efforts a conflict is discovered during the committee meeting, that person will be notified and recused from the meeting.
Failure to voluntarily disclose any conflict of interest will result in the person being barred from future Nominations Review Committee participation
For the full list of rule amendments for the 63rd GRAMMY Awards, which were voted on and passed at the Recording Academy’s most recent semiannual Board of Trustees meeting held in May 2020, click here.