Maddie & Tae Turn A Rollercoaster Journey Into Their Most Personal Album Yet [Interview]

Maddie & Tae. Photo: Carlos Ruiz

“I keep saying we are the queens of catching curve balls,” says Maddie & Tae’s Maddie Marlow, calling from her home in Nashville. “We can catch a curve ball like no one’s business.”

Like so many, Marlow and her musical comrade Tae Dye are sequestered at home in an effort to help stop the spread of the COVID-19 pandemic. The pandemic has halted much of the music industry, requiring the halting or rescheduling of tours and album releases, and dramatically shifting the album release plans for artists and their teams.

Mercury Nashville duo Maddie & Tae released their new album The Way It Feels today (April 10) and are among those artists who have had their album release plans change, but they are taking it in stride.

“We did have to change most of our plans, but I will say, I think God kinda prepared us for this because we’ve experienced a lot of change with really, really big life changes in the past three to four years,” Maddie says. “Just the fact that it’s been such a crazy world to live in right now, that just getting to release this long awaited project has been a light at the end of the tunnel for us and has been such a bright spot in our world. So we’re just grateful that we’re finally getting to release this whole entire story.”

That story has been an emotional rollercoaster Maddie & Tae, who first made serious inroads to success after signing with Big Machine Label Group in 2014 and releasing their breakthrough No. 1 hit, “Girl In A Country Song,” which took aim at gender stereotypes in country music. The song has since been certified Platinum. They followed it with their debut album Start Here and the Top 10, Gold-certified hit, “Fly.”

However, by 2017, Dot Records suddenly folded, leaving the duo without a label home. Maddie & Tae kept their focus on their friendship and the music.

“We definitely leaned on each other a lot, and I think some people may do the opposite under stress and pressure. We’re really grateful for the friendship that we’ve built over the past ten years, because it’s that foundation and that strength that has persevered through so many crazy times throughout our career and just throughout our life. I couldn’t imagine being a solo artist going through all of that by myself,” Maddie says. “We just wrote during that entire time. That’s why all of the stories are happy and sad, because everything we were feeling during that. That’s the only thing we knew to do, was write about it.”

Maddie & Tae were barely out of their teen years when they penned their first album; the new project is filled with even deeper, more vulnerable lyrics, paired with a more mature, polished brand of pop-country, added to their tightly-woven harmonies.

The Way It Feels’ first single, “Die From A Broken Heart,” was written two weeks after Tae had gotten out of a three-year relationship and while the duo was still looking for a label home after their deal with Dot Records dissolved.

“There was a lot of uncertainty and unknown ahead at that point,” Maddie says. “And poor Tae, she was so fresh off of the breakup and yet still was willing to dig in there and write this song.” They penned the track with Jonathan Singleton and Deric Ruttan.


“Jonathan actually had the title,” Maddie recalls. “He said that he saw some like Instagram post that said, ‘Can you die of a hangover?’ He thought it was awesome and was like, ‘I wonder, can you die from a broken heart? That would be a great song title.’ And we thought, ‘Man, it’d be so cool to tell the story from a whole bunch of different characters and include a whole bunch of different people.’ So we are really proud of that song.”

A few months after the exit from their former label, Maddie & Tae inked a new deal with Universal Music Group Nashville, home to artists including Little Big Town, Eric Church, Keith Urban and Carrie Underwood. Last year, they played 55 cities on Underwood’s Cry Pretty Tour 360 and to date, they’ve earned 812 million streams.

Among the champions at UMG Nashville is Stephanie Wright.

“She’s our guardian angel. That’s what we call her,” Maddie says. “We came in very discouraged when we had our first meeting with her because we didn’t really know what to do. We were confused, and we were defeated, honestly. But she put that confidence in us and just allowed us to have true creative freedom. A lot of people say that they want you to have creative freedom, and then they put their thumb on you. But she said it and completely meant it. She wanted us to go home and feel whatever we needed to feel, write about anything and everything, and there was nothing off limits.”

Emboldened by a new label team, the girls got to work, upping the intensity in the writing room and challenging themselves to be open about the highs and lows of their journey. Maddie & Tae are writers on 14 of the album’s 15 tracks, collaborating with writers including Jordan Reynolds, Dave Barnes, Josh Kerr, Jimmy Robbins, Laura Veltz and Jon Nite.

“Trying On Rings” draws from Maddie’s love story with her husband Jonah Font; the couple wed in 2019. “Friends Don’t” examines the “are-we-or-aren’t-we” questions that come with transitioning from “just friends” to a couple. They welcomed former tour-mate Dierks Bentley on the sultry “Lay Here With Me.”

“I think a lot of the best songs that we wrote for this project work because we are so self aware of what we were struggling with and what we were happy about. We wrote with writers that were not afraid to deep dive or just have open minds and open hearts. We really had to know ourselves to write this album,” Tae says.

The stunning “Water In His Wine Glass,” tackles alcoholism and was inspired by “a family member, someone really close to our family who was struggling with alcohol,” says Maddie. “We were all hurting for him. I was really nervous in the writing room, because that’s just not a subject that comes from Tae and I, typically. We hadn’t covered that topic yet, so I just said, ‘Let’s write from that story, and let’s write a prayer for someone that you love that’s struggling with that.’ And we wrote the song in like 21 minutes. It was the fastest song we’ve ever written.”

“We walked into a writing session with Jon Nite and Jimmy Robbins. I asked for a bottle of water and Jimmy was like, ‘We don’t have any bottles. Can I get you a glass?’ I was like ‘Oh, that’s perfect.’ And he was like, ‘Oh, we’re out of clean glasses. Can I get you water in a wine glass?’ And Tae and I are suckers for alliteration so we loved it and we thought it was such a cool title.

“Actually when I sent the song to my dad, he got so mad at me because he’s like this big, burly Texas man, and he said, ‘I’m sitting in Longhorn Steakhouse, and you did not give me a heads up, and I just started balling.’ And the waitress was like, ‘Are you okay? Are you okay?'” Maddie says, laughing.

Just weeks before the album’s release, they made another bold move, opting to change the project’s title from One Heart To Another to its current listing, The Way It Feels.

“Maddie actually had the idea,” says Tae. “We had done the photo shoot to match the title One Heart To Another, with that photo of us standing back-to-back and we’re holding hands, because it just shows a lot of strength and vulnerability. One day Maddie was listening to [SiriusXM’s] The Highway and they played one of the songs from our album, called ‘Bathroom Floor.’ When the line ‘I bet you’re gonna love the way it feels’ came on, that line just hit her differently and she thought it should be the name of the album.

“Thinking about it now, this album is 15 songs and it’s so many stories. In every story there are so many emotions, but that’s life and that’s definitely been our journey over the past three years. So we felt a lot of things, and The Way It Feels is just very fitting for this record,” Tae says.

Along the way in making this project, they also made headway in reaching some songwriting goals they’ve long held.

“We wrote with a bucket list songwriter, when we wrote with Dean Dillon and Jessie Jo Dillon. I was freaking out,” Maddie says.

Tae says there at least one more writing goal she’s working on.

“I would love to write with Tom Douglas,” she says.

UMG Nashville Adds Boy Named Banjo To Roster

Top Row: UMG Nashville EVP & COO Mike Harris, Barton Davies, Red Light Management’s Angie Coonrod, Ford Garrard. Second Row: William Reames, Sam McCullough, UMG Nashville Chairman & CEO Mike Dungan, Willard Logan. Bottom Row: UMG Nashville SVP Business & Legal Affairs Rob Femia, Red Light Management’s Tom Becci, UMG Nashville President Cindy Mabe, UMG Nashville EVP Promotion Royce Risser, UMG Nashville EVP A&R Brian Wright

Universal Music Group Nashville has signed Nashville-based country band Boy Named Banjo, which includes members William Reames, Willard Logan, Barton DaviesSam McCullough, and Ford Garrard. The band members and UMG Nashville held a virtual meeting to celebrate the signing.

The band incorporates elements of country, bluegrass, alt-rock and folk-pop into their sound, anchored by an authentic lyrical perspective.

Influenced by artists such as The Steeldrivers, John Hartford, and The Infamous Stringdusters, Boy Named Banjo has crafted a sound that incorporates an energetic blend of country, bluegrass, alt-rock, and folk-pop telling their stories through an honest, emotional, roots-driven perspective.

UMG Nashville Chairman & CEO, Mike Dungan, says, “Not one boy, but five. Nashville natives, and raised far from the red dirt road, these incredibly talented young men formed their band while they were 16-year old prep school classmates. Eight years later and this band is road tested, polished just enough, and poised to deliver their own fresh and exciting thing to country music. Our staff is hooked, and we are thrilled to bring them to the mainstream!”

John Anderson’s New Album ‘Years’ Drops Today

John Anderson’s new album, Years, is out today on Easy Eye Sound.

In celebration of the release, the official video for Anderson’s new song, “I’m Still Hangin’ On,” is debuting today as well. Produced by Dan Auerbach and David “Fergie” Ferguson, the album includes 10 new originals including “Tuesday I’ll Be Gone” featuring special guest Blake Shelton. Anderson penned all 10 songs on the album together along with help from Paul Overstreet, Pat McLaughlin, Ferguson, Dee White, Joe Allen, Bobby Wood and Larry Cordle.

“We went in the studio, and I remember saying, ‘I’m going to do this like it might be my last,’” Anderson offers, “It still could be, but now the chances of that are getting slimmer and slimmer every day. I’m doing better so I’m not hardly thinking that way anymore.” He adds, “There’s a few things that I came out of this whole deal better with. Part of it is my love for music and part of it is my appreciation for my family. But the biggest part is knowing that I might die here any minute, for who knows what reason, but I know that the good Lord already came down and touched me. There’s not a doubt in my mind.”

YEARS TRACK LIST:
1. I’m Still Hangin’ On (John Anderson, Dan Auerbach, Paul Overstreet)
2. Celebrate (John Anderson, Dan Auerbach)
3. Years (John Anderson, Dan Auerbach, Pat McLaughlin, David Ferguson)
4. Tuesday I’ll Be Gone ft. Blake Shelton (John Anderson, Dan Auerbach, David Ferguson)
5. What’s a Man Got To Do (John Anderson, Dan Auerbach, Dee White, David Ferguson)
6. Wild and Free (John Anderson, Dan Auerbach, Joe Allen)
7. Slow Down (John Anderson, Dan Auerbach, Bobby Wood)
8. All We’re Really Looking For (John Anderson, Dan Auerbach, Larry Cordle)
9. Chasing Down a Dream (John Anderson, Dan Auerbach, David Ferguson)
10. You’re Nearly Nothing (John Anderson, Dan Auerbach)

Bobby Bones Rolling Out New Super Easy Trivia Show

Bobby Bones will be hosting rounds of a new game show, Super Easy Trivia, every Tuesday and Friday at 10 a.m. CT airing on his IGTV, YouTube Channel and Facebook. Featuring a mixture of celebrity guests that have included Jake Owen and Andy RoddickThe Bobby Bones Show listeners, as well as personal friends, contestants face off from their homes in multiple knock-out rounds of “easy” rapid-fire trivia with the final contestant earning a $100 prize.

Today’s new episode of Super Easy Trivia features Rascal Flatts’ Jay DeMarcus, Travis Denning, sports talk show host Matt Jones and more.

“I’ve always loved game shows and thought this would be a fun way for us all to connect while we’re home and take a break from the nonstop tough news we’re constantly being given,” said Bones. “Share with your friends and join us!”

Last week, Bones surprised fans with LIVE IN LITTLE ROCK, a new album from Bobby Bones & The Raging Idiots. The album features eight new tracks recorded on their most recent nationwide tour, It’s Just The Two Of Us…(Sorry).

Morris Higham Management Raises $4,000 For TJ Martell Foundation’s Phran Galante Memorial Fund


Morris Higham Management brought “Songs for a Cause” to Joe’s Pub in New York City last month. Presented by City National Bank, the inaugural show in this year’s benefit series featured Michael Ray, Carly Pearce, Ryan Griffin, and Luke Laird. Over $4,000 was raised with proceeds benefiting TJ Martell Foundation’s Phran Galante Memorial Fund for Lung Cancer Research.

“Songs for a Cause” follows last year’s “Morris Higham Presents at The Bluebird Cafe” series which supported various industry charities including CMA Foundation, MusiCares and ACM Lifting Lives and raised over $7,000.

“We lost Phran Galante, a dear friend to me and so many others last fall. She was fiercely passionate about the work being done by a number of charities in our community and was a tireless champion for them. To be able to support TJ Martell with a gift to the fund named in Phrannie’s honor means a lot to our team,” shares Morris Higham partner and president Clint Higham.

“We started this series at the Bluebird last year as a way to give back to our incredible industry partners and support all they do to sustain the future of country music,” Higham continues. “This year we plan to continue in that spirit but wanted to take the music to New York City and spread the love. The goal remains the same though, supporting the incredible work being done by organizations like TJ Martell that provide aid to our industry family in times of crisis.”

Sound Royalties Extends $20 Million No-Cost Funding Program

Sound Royalties has extended its $20 million, no-cost funding program application deadline to May 16. Songwriters, performing artists, producers, independent labels, distributors and publishers receiving royalty income can apply for financing on a one-year repayment schedule, with no fees or costs.

In addition to the 12-month, no-cost advance option, terms that extend beyond one-year are also available. Applicants are qualified based on verifiable royalty income of at least $5,000 per year.
Sound Royalties provides funding to music creatives without requiring copyrights to be secured as collateral. The company also offers pass-through income so a creative can still receive ongoing royalty payments.

“Based on the overwhelming response from the music community, we’re continuing our no-cost funding program and also want to emphasize that many independent labels and publishers are eligible,” says Alex Heiche, CEO and founder of Sound Royalties. “The past month has been brutal for the music industry with so many event cancellations and payment delays. With this extension to apply for a no-cost advance, we will continue our efforts to ease some of the burden caused by this unprecedented interruption in business.”

“Most musicians, songwriters, and producers, as well as many music industry entrepreneurs, are considered self-employed, independent contractors or sole proprietors of small businesses,” said Michael Bizenov, President of Sound Royalties. “These individuals, are being hit hard right now and we’re glad to be able to offer them this no-cost option.”

Sound Royalties launched in 2014 and has worked with musicians including DJ Khaled, Rich Robinson, Pitbull, Brenda K. Starr and more.

Weekly Chart Report (4/10/20)

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Jillian Edwards’ New Project ‘Meadow’ Set For May

Jillian Edwards is debuting the first single, “Heaven’s Eyes,” from her forthcoming EP, Meadow, today (April 10). The new project is set for release on May 15 on her label, The Deeply Co. and features a collection of songs ready-made for rest, solitude and comfort, much needed in the season the world is currently facing.Meadow includes tracks co-written with David Leonard, Jonathan Smith, Peter Groenwald, Josh Bronleewe, Tony Wood and Jessie Early, and was produced by Lucas Morton and executive-produced by Grammy-winning artist Steven Curtis Chapman, her father-in-law.

“I’ve always felt like God has given me a clear vision that music is what I’m made to do,” Edwards says. “I want to provide healing, and that for me comes in beauty. So that’s the heart of these songs. I really want them to be medicine for hurting people, and that’s everyone. If my biggest dream for Meadow comes true, it would be that someone who is walking through the worst day of their life could hear these songs and have peace take over their heart knowing that God is crazy about them, and He works all things together for good.”

Edwards resides in Nashville with her husband, Will, drummer for indie rock band Colony House, and their daughter, Willow Faye, and along with her own projects has also had songs featured in television episodes of Nashville, Pretty Little Liars and Grey’s Anatomy, and on commercials for Citibank, among other high-profile brands. In addition, a collaboration with EDM DJ Thomas Gold resulted in a surprise hit for the singer/songwriter with “Magic,” on which she is credited as a co-writer and featured vocalist.

Chris Colston To Release Debut Album ‘Bombs Away’ In June

Singer-songwriter Chris Colston is set to release his debut full-length project, Bombs Away, on June 26.

Colston, an East Texas native, credits his stepfather with helping to spark his love of music, by signing Colston up for drum lessons at age 7. He later picked up guitar and by 17 had formed his first band and was touring around Texas.

Colston became a favorite on the Texas music scene with the release of his 2018 EP Gone. The EP’s title track earned more than a half-million streams on Spotify, and Colston has since opened shows for Casey Donahew, Whiskey Myers and Parker McCollum, among others.

His new project was produced by Philip Mosley and includes songs penned by Colston, Jameson Rogers, Randy Montana, Morgan Wallen, Jessi Alexander, Connie Harrington, Erik Dylan and more.

Bombs Away Track Listing:
Five Beers (Jordan Walker / Brett Tyler / Bart Butler)
First Dirt Road (Josh Michael Phillips, Jessi Jo Dillon, Erik Dylan)
Bombs Away (Jameson Rodgers / Justin Lantz)
First Tattoo (AJ Pruis / Morgan Wallen)
I Hope It Hurts (Erik Dylan/Randy Montana/Hunter Phelps)
Lovin’ You’s Like (Randy Montana/Jessi Alexander/Connie Harrington)
Whiskey Sunset (Randy Montana/ Michael Dulaney)
Self Defense (Jameson Rogers, Brandon Kinney)
Stay feat. Peyton Garner (Chris Colston/Eamond Mcauley)

iHeartMedia Morning Shows Extend Airtime Due To Demand During COVID-19 Pandemic

iHeartMedia morning shows including Nashville’s “The Bobby Bones Show,” New York’s “Elvis Duran and The Morning Show” and “The Breakfast Club,” and Los Angeles’ “On Air with Ryan Seacrest” and “Big Boy’s Neighborhood” are extending their daily airtime for an additional hour+ because of increased listener demand received through daily call-ins and social media feedback during the COVID-19 pandemic.

Currently more than 65 morning shows across more than 50 markets have officially extended their morning shows by at least one hour. In addition to each station’s regular programming schedules, on air personalities across the country will continue to serve and inform communities during these unprecedented times with the latest COVID 19 facts, with special local market broadcast reports on the latest news provided by iHeartRadio’s 24/7 News Network every hour.

“Given the amount of positive feedback our stations were receiving from their listeners, our on air talent began asking them if they should stay on air longer in the mornings — and the response was incredible,” said Tom Poleman, Chief Programming Officer of iHeartMedia. “This listener feedback, combined with the data we are seeing with our on demand shows, is a testament to the connection that our radio personalities have with their listeners, and the fact that broadcast radio still holds such a unique place in American culture especially during a time of crisis. These on-air voices are trusted friends with close emotional connections to their listeners, and they inspire their communities; and help them cope with anxiety and concern; and provide entertainment and stress relief.”

iHeartMedia also recently released data and insights on how Americans are consuming podcasts during the pandemic, noticing an uptick in the on-demand podcasts category with Top 5 on-demand shows up nine percent month-to-date. In addition, with consumers spending more time at home, iHeartRadio usage across digital platforms has seen an overall increase in smart speakers, for some as high as 57 percent, 60 percent on web, 35 percent through smart TVs and social engagement with on air personalities has increased 19 percent.