Taylor Swift’s ‘Miss Americana’ Documentary To Premiere At Sundance

Taylor Swift‘s documentary, Miss Americana, is set to premiere at 2020’s Sundance Film Festival, according to the festival’s Wednesday (Dec. 4) lineup announcement.

The documentary, directed by Lana Wilson and produced by Morgan Neville, Caitrin Rogers and Christine O’Malley, will premiere on Day One of the festival, which is set for Jan. 23 and will run through Feb. 2 in Utah.

The Sundance Festival’s website describes the documentary as, “A raw and emotionally revealing look at one of the most iconic artists of our time during a transformational period in her life as she learns to embrace her role not only as a songwriter and performer, but as a woman harnessing the full power of her voice.”

The festival will feature pictures selected from more than 15,000 submissions.

“At this year’s Festival, we’ll explore the theme of ‘imagined futures,’ inside the theaters and in the conversations sparked by the work we are presenting,” says executive director of the Sundance Institute Keri Putnam. “We believe diverse stories from independent artists around the world open us up to new perspectives and possibilities—at a time when fresh thinking and dialogue is urgently needed.”

Industry Ink: Jack White’s Third Man Records, Walker Hayes, Songwriting University

Jack White’s Third Man Records Launches Quarterly Print Magazine

Third Man Records launched a full-color, quarterly print magazine, Maggot Brain, edited by Detroit music writer Mike McGonigal. The inaugural issue features Alice Coltrane, Swell Maps, Malls Across America, Mia Zapata, Dilla’s ‘Donuts’, Luc Sante, Vibrant Detroit Sign Painting, Mayakovsky, Index, Big Joanie, How To Resist Ice, Daniel Johnston, Les Filles Des Illeghidad, Swampfest, The KLF’s Greatest Pranks, and more.

The December/January/February issue is available now, and yearly four-issue subscriptions can be purchased at Third Man’s online store.

 

Walker Hayes Donates $10K To HOPE International

Pictured (L-R): Walker Hayes, Craig Cooper, Laura Cooper (HOPE International), Kristin Vinton (HOPE International). Photo: Robert Chavers

In honor of Giving Tuesday (Dec. 3), Walker Hayes played to a packed house at Nashville’s Listening Room Cafe, with 100% of the proceeds going to HOPE International, via Walker’s Be A Craig Fund. In addition to proceeds from the show, the Be A Craig Fund donated a total of $10,000 to HOPE International – an organization that invests in the dreams of families in the world’s underserved communities through services, and loans that restore dignity and break the cycle of poverty.

 

Michael Blanton, Gary Glover, Billy Sprague, Joe Beck Launch Songwriting University

Former A&R Executive/Producer Michael Blanton (Amy Grant, Michael W. Smith), entrepreneur Gary Glover (founder of Nashville Arts & Entertainment Magazine), and songwriters Billy Sprague and Joe Beck have teamed to launch the Nashville-based online platform Songwriting University. The service offers one-on-one access to top songwriters, allowing users to book a two-hour session online or in-person with a hit songwriter.

“Co-writing with great songwriters is one of the best ways to hone your craft. Collaborating with experienced professionals not only broadens your musical and lyrical scope, but it can also expand your network to get songs heard and possibly recorded,” says multi-award winning songwriter, producer, playwright, and musician Wayne Kirkpatrick. “Songwriting University creates the opportunity to connect with seasoned songwriters you could never connect with otherwise and help raise your game.”

Songwriting University is kicking off its launch by hosting an online songwriting competition with a $10,000 grand prize. Other cash prizes will be awarded to the winner and runner up in each genre category. Original songs can be entered now at songwritingu.com.

Chris Stapleton, Bill Anderson, Martina McBride Lead Country Music Hall Of Fame Exhibits For 2020

The Country Music Hall of Fame and Museum has set its 2020 roster of new exhibitions. The museum’s annual American Currents: State of the Music exhibition will return next year, opening March 6, 2020.

The museum will also devote separate exhibits to Martina McBrideChris Stapleton and Country Music Hall of Fame member Bill Anderson.

“Each of these artists achieved country music stardom in a different era, and each has a compelling story to tell about early exposure to music, about the decision to pursue music as a career and about the struggle to overcome the challenges created by such a decision,” said Museum CEO Kyle Young. “In 2020, we will offer our visitors insight into the life of a Country Music Hall of Fame member who has been writing hits for more than 60 years; a magnificent singer who owns four CMA Female Vocalist of the Year awards; and a singer-songwriter who made his way from small clubs to sold-out arenas and four CMA Male Vocalist of the Year awards.”

Stapleton’s exhibition will open June 26, 2020. Before he achieved solo success with the 2015 release of triple-Platinum album Traveller and the hits “Tennessee Whiskey” and “Parachute,” Stapleton had already established himself as a hit songwriter, with 150 songs recorded by an array of artists including Adele, Luke Bryan, Alison Krauss and George Strait. This exhibit will explore Stapleton’s personal and musical influences and his climb to stardom, including his time in the SteelDrivers.

An exhibit exploring McBride’s career and musical influence opens Aug. 21, 2020. For more than 25 years, McBride—known for hits including “Independence Day” and “A Broken Wing”—has ranked as one of country music’s most powerful voices. The Kansas native released her major label debut in 1992, and had her first top 10 single in 1993 with “My Baby Loves Me.” Inspired by forerunners such as Linda Ronstadt and Country Music Hall of Fame members Reba McEntire and Connie Smith, McBride brought a powerful voice and style that set her apart from her peers. In 2019, the Academy of Country Music presented her with the Cliffie Stone Icon Award for her contributions to country music.

On Nov. 20, 2020, the museum will open a special exhibition looking at the life of Country Music Hall of Fame member Bill Anderson. Anderson has logged 37 top 10 hits as a recording artist, and has earned more than 50 BMI awards for songwriting. His first success came in 1958, when he wrote “City Lights,” a No. 1 single for Country Music Hall of Fame member Ray Price. Anderson’s songs have been recorded by James Brown, Kenny Chesney, Jerry Lee Lewis, Dean Martin, and hundreds of others, among them Hall of Fame members the Louvin Brothers, Roger Miller, Jim Reeves, Connie Smith, George Strait, Porter Wagoner and Kitty Wells. In 2005, Anderson and Jon Randall Stewart wrote “Whiskey Lullaby,” recorded by Brad Paisley and Alison Krauss. It was CMA Song of the Year, and in 2007, Anderson won the CMA and ACM Song of the Year awards for “Give It Away,” written with Buddy Cannon and Jamey Johnson and recorded by George Strait. A Grand Ole Opry member since 1961, Anderson entered the Nashville Songwriters Hall of Fame in 1975, the Country Music Hall of Fame in 2002 and the New York-based Songwriters Hall of Fame in 2018.

The museum’s continuing exhibition Outlaws & Armadillos: Country’s Roaring ‘70s, looks at the relationship between Austin, Texas, and Nashville during the 1970s, an era of freewheeling cultural and artistic exchange that skirted the status quo and changed country music. The exhibition opened in May 2018 and continues through Feb. 14, 2021.

Billy Bob’s Texas Names AXS As Official Ticketing Partner

Country music venue Billy Bob’s Texas has announced AXS as its official ticketing partner, with the establishment moving all future onsales to the AXS digital ticketing system.

Texas country star Pat Green was on hand for the announcement at “The World’s Largest Honkytonk,” as his show venue on Feb. 1, 2020 will be the first Billy Bob’s event sold via AXS.

AXS’ FanSight seat map will be available for Billy Bob’s shows beginning in early 2020. Unlike other enhanced seating maps, this industry-exclusive 3D digital visualization is a mobile-first product and provides a fully immersive 360-degree experience, including everything from the mechanical bull to the dance floor.

“We are excited to provide the very best in ticketing technology for our fans,” said Billy Bob’s General Manager Marty Travis. “AXS offers state-of-the-art technology solutions to ensure an easy purchase and mobile entry experience for ticket holders attending Billy Bob’s concerts. Fans have the option to purchase mobile tickets, scan upon entry with their smartphones, manage their accounts directly from their mobile devices and seamlessly transfer or exchange tickets for events they cannot attend.”

“Billy Bob’s is a treasure to me, and I’m so excited to see the future,” said Green. “You can see it here, right now of where we are going, of how you get tickets into people’s hands without worrying about anything.”

Billy Bob’s has hosted country music and classic rock’s top artists for nearly four decades, and has been named “Country Music Club of the Year” 12 times by the ACM and CMA.

“There’s not much that can be improved in such a historic venue like Billy Bob’s, but we are excited to take their ticketing experience to the next level,” said Rob Sine, Chief Revenue Officer of AXS. “Optimally, the fan experience starts with an easy and seamless ticket discovery experience, allowing customers to make an educated decision on which tickets to purchase on their mobile devices.”

Tyler Braden Signs With Warner Music Nashville

Pictured: Justin Luffman (VP Artist Development, WMN); Pete Olson (Manager, Triple 8 Management); Stephanie Davenport (Director A&R, WMN); John Esposito (Chairman & CEO, WMN); Tyler Braden; Cris Lacy (EVP A&R, WMN); Bruce Kalmick (Co-Owner, Triple 8 Management), Kristen Williams (SVP Radio & Streaming, WMN); Shane Tarleton (SVP Artist Development, WMN); Matt Signore (COO, WMN)

Tyler Braden has signed a label deal with Warner Music Nashville.

The Alabama native grew up in Slapout, just miles from the graveyard memorial to Hank Williams, and his influences include some of the best of the ‘90s and 2000s, from Eric Church, Alan Jackson and Keith Urban to singer/songwriters including John Mayer, Ron Pope and Jason Reeves. Following a move to Nashville in 2016, Braden spent several years committed to his job as a firefighter while building his catalogue and touring. During a local performance he met Triple 8 Management co-owner Bruce Kalmick, then manager Pete Olson. His team also includes 50 Egg Music and William Morris Endeavor.

Braden has earned more than 20 million streams on Spotify alone, and is working on releasing new music in 2020.

Alan Jackson’s 2020 Tour Adds Tenille Townes As Special Guest

Alan Jackson is heading out on tour beginning in January, and has announced he is bringing rising artist Tenille Townes along for the ride as his special guest.

The country icon will launch his tour right after the first of the year (Jan. 10), headlining arenas and festivals through October and visiting cities around the country including Atlanta, Fort Worth, New Orleans, Salt Lake City, with a stop in Nashville at Bridgestone Arena on August 7th.

Townes will join him at most shows on the tour, and many stops will also showcase some of Jackson’s favorite talents who play at AJ’s Good Time Bar, his honkytonk located on Nashville’s Lower Broadway.

Tickets for several shows are already on sale, and others will follow before year’s end. Tickets and information for all Alan Jackson 2020 tour dates are available at alanjackson.com

Friday, Jan. 10: Cincinnati, OH (Heritage Bank Center) ++
Saturday, Jan. 11: Columbia, SC (Colonial Life Arena) ++
Friday, Feb. 14: Atlanta, GA (State Farm Arena) ++
Saturday, Feb. 15: New Orleans, LA (Smoothie King Center) ++
Friday, Feb. 21: El Paso, TX (UTEP Don Haskins Center) ++
Saturday, Feb. 22: Fort Worth, TX (Dickies Arena) ++
Thursday, March 26: Tulsa, OK (BOK Center) ^^
Friday, March 27: Springfield, MO (JQH Arena) ^^
Saturday, April 25: Glendale, AZ (Gila River Arena) ## **
Sunday, April 26: Indio, CA (Stagecoach Festival) ++ <>
Thursday, July 9: Ft. Loramie, OH (Country Concert) ++ <>
Friday, Aug. 7: Nashville, TN (Bridgestone Arena) ++
Friday, Aug. 28: Detroit, MI (Little Caesars Arena) ##
Saturday, Aug. 29: Green Bay, WI (Resch Center) ##
Friday, Sept. 11: Des Moines, IA (Wells Fargo Arena) ## **
Saturday, Sept. 12: Milwaukee, WI (Fiserv Forum) ## **
Friday, Oct. 2: Salt Lake City, UT (Vivint Smart Home Arena) ##
Saturday, Oct. 3: Denver, CO (Pepsi Center) ##

++ Tickets on sale now!
^^ Tickets on sale Friday, December 6
## On sale date TBD
** Special guest TBD
<>Festival event

Oak View Group And Live Nation Officially Break Ground On New Arena In Austin, TX

Moody Center Rendering. Courtesy: Scoop Marketing

The University of Texas at Austin, Oak View Group (OVG) and Live Nation Entertainment recently announced the official groundbreaking and start of construction on the Moody Center, a new multi-purpose, state-of-the-art, privately financed sports and entertainment arena in Austin, Texas.

The $338 million, 15,000-seat world-class arena will open early 2022, and in addition to the space being home to the University of Texas basketball games, graduations, as well as university, community, high school, and other events for the Austin community, the new venue will be built for music and host top touring concerts and shows. Moody Center will replace the 42-year-old Frank C. Erwin Jr. Center at The University of Texas at Austin campus.

Live Nation Entertainment will work with C3 Presents to bring top tours and premium live events to the Moody Center.

“The Moody Center will be a must-play arena and we look forward to bringing our concerts and tours there as soon as the doors open in 2022,” said Michael Rapino, Chairman and CEO, Live Nation Entertainment.

Moody Center Rendering. Courtesy: Scoop Marketing

“The University of Texas is one of the most important and largest universities in the world. Our partnership with President Fenves, Athletic Director Del Conte and the entire university is a new vision and a new standard on a private-public partnership that will create a world-class venue for the Longhorns and for Austin,” said Tim Leiweke, CEO, Oak View Group. “This partnership has brought together one of the most recognized universities and brands, the Longhorns, with the world’s leader in content, Live Nation, and the world’s largest developer of new arenas, OVG, with Matthew McConaughey. Those partners will create one of the greatest arenas in the world and become the heart and soul for the campus and Austin.”

McConaughey, University of Texas at Austin professor, Distinguished Alumnus (BS ’93), and Academy Award-winning actor, has signed on as Minister of Culture of the Moody Center and will work on ideas including but not limited to suite designs, bar placement, color schemes, and other concepts, to create a symbiotic relationship between the arena, the city, and the university.

“As a proud alumnus and professor at UT, I’m honored, now as Minister of Culture, to convey what a special place the university and the city of Austin are through the design and hospitality of the new Moody Center,” said McConaughey. “It should be the first place the biggest bands in the world want to play, but the last place a visiting basketball team wants to play.”

Scott And Sandi Borchetta Pledge $1 Million To Music Has Value Fund

Music Has Value co-founders Scott and Sandi Borchetta, in tandem with Giving Tuesday yesterday (Dec. 3), pledged $1,000,000 to the Music Has Value fund to help support music education and music therapy programs for years to come.

Administered by The Community Foundation of Middle Tennessee since its launch in 2016, the fund has given more than $125,000 to school music programs. Music Has Value, a tagline that gained national recognition during Borchetta’s run as an advisor on American Idol, was launched with custom merchandise designed by Sandi Spika Borchetta, raising money for the organization.

“The power of music can only be realized with opportunity. Whether for pure enjoyment or the desire to pursue music-making as a career, every young person should have access to musical instruments and a system of education”, says Scott Borchetta, co-founder of Music Has Value and President/CEO of the Big Machine Label Group. “We intend to help and encourage students, teachers and schools to continue to strive for musical infrastructure and continue to realize the importance of music programs. It’s a lofty goal but one we believe in and will continue to support.”

Music Has Value will focus on two specific areas throughout 2020 and beyond. The fund will continue to target K-12 schools needing instruments and resources, with an emphasis on rural areas that are often overlooked. Since Music Has Value also aims to enrich lives both young and old, a portion of the funds pledged will also support music therapy programs for seniors and those battling Alzheimer’s.

“Scott and I are very passionate about helping enrich the lives of others via music,” said Sandi Spika Borchetta, co-founder of Music Has Value. “I grew up in small towns in Montana and Colorado. I’ve seen first-hand that many schools in small communities have little or zero funding for music programs. Our goal is to help schools get what they need to inspire and teach children the joy and gift of music. Children benefit in all areas from being involved in music programs and having access to musical instruments and the opportunity to learn music. We see a real opportunity in focusing our efforts going forward in small towns and rural areas across the country.”

The Borchetta’s support, serve and have been honored by many organizations, including Monroe Carell Jr. Children’s Hospital at Vanderbilt, Starkey Hearing Foundation, St. Jude, the T.J. Martell Foundation, City of Hope, the Country Music Hall of Fame & Museum, Ryan Seacrest Foundation, the Nashville Entrepreneur Center and others.

Shore Fire Media Joins Dolphin Entertainment’s Publicity And Marketing Group

Dolphin Entertainment, Inc. has acquired Shore Fire Media in a major expansion of the company’s entertainment marketing division. Shore Fire joins 42 West, The Door, and Viewpoint Creative in Dolphin’s Entertainment Publicity and Marketing Group.

“We are beyond thrilled to welcome Marilyn Laverty and the entire Shore Fire team into our family,” said Dolphin Entertainment CEO Bill O’Dowd. “Shore Fire’s reputation and relationships in the music industry are simply unparalleled. With Marilyn and her team joining us, we feel like the holidays have come early this year. We could not be more excited.”

Shore Fire Media represents top artists in multiple genres, songwriters, producers, record labels, music industry businesses, venues, trade organizations, authors, comedians, social media personalities and cultural institutions. Shore Fire artists recently received 28 nominations for the 2020 Grammy Awards, including Album of the Year and Best New Artist.

“We’re delighted to join this great group of media professionals,” said Laverty. “Bill O’Dowd is a leader with tremendous vision and we look forward to the many opportunities that this will provide for our staff and for everyone we represent.”

As part of Dolphin Entertainment, Shore Fire will continue to operate under its own name out of its existing offices in Brooklyn, Los Angeles and Nashville, with Laverty serving as President, and Mark Satlof, Matt Hanks and Rebecca Shapiro continuing to serve as Senior Vice-Presidents.

Brooks & Dunn, Kane Brown, Brett Young To Play Bobby Bones’ 5th Annual Million Dollar Show

Brooks & Dunn, Kane Brown, Brett Young, Colbie Caillat, Gone West, Lainey Wilson, Heath Sanders and more are set to perform at Bobby Bones & The Raging Idiots’ 5th Annual Million Dollar Show on Jan. 13. The show, which benefits St. Jude Children’s Research Hospital, features the superstar lineup along with Bones’ musical comedy band Bobby Bones & The Raging Idiots.

Tickets for this year’s show go on sale this Friday, Dec. 6 at 10 a.m. CT at BobbyBones.com. Last year’s event raised a record-breaking $200,000 for St. Jude Children’s Research Hospital, bringing Bones’ total raised for the cause to more than $11 Million.