2019 MusicRow Awards Category Profile: Breakthrough Songwriter of the Year

Following Monday’s (May 13) announcement of this year’s nominees for the 31st annual MusicRow Awards, we take a look at the Breakthrough Songwriter of the Year category. The MusicRow Awards will be presented at a private ceremony on June 26.

The Breakthrough Songwriter of the Year is voted by MusicRow’s subscribed members to honor a Nashville songwriter who wrote or co-wrote a Top 10 song for the first time. In addition, the qualifying song was not recorded by the nominated songwriter.

See the full list of MusicRow Awards nominees.

Winners are determined solely by MusicRow Magazine Subscribed Members. Voting closes on May 21 at 5 p.m. If you do not have a subscription, you may subscribe to receive a ballot and balcony invite.

2019 MusicRow Awards Breakthrough Songwriter of the Year nominees:

Tofer Brown scored his first Top 10 hit with “Night Shift,” recorded by Jon Pardi, and co-written with Phillip LaRue and Billy Montana. Additionally, Brown has cuts by Jason Mraz, Greg Holden, Tyminski, and Jillian Jacqueline (who he also produces).

Ben Caver earned his first No. 1 with “Here Tonight,” co-written with Justin Ebach, Charles Kelley, and artist Brett Young who recorded the smooth song. Add this to Caver’s list of cuts by Carrie Underwood, Rascal Flatts, Trisha Yearwood, and Tim McGraw and Faith Hill.

Brad Clawson is nominated for his first No. 1, “Up Down,” which was co-written with Michael Hardy and CJ Solar, and recorded by Morgan Wallen, who are all 2019 MusicRow Awards nominees. Clawson also has cuts by Randy Rogers Band and Chris Janson.

Jacob Davis and fellow Breakthrough Songwriter nominee Jason Gantt scored their first No. 1 with “Take It From Me.” They co-wrote the song with Breakthrough Artist nominee Jordan Davis, whose upbeat recording took the song to the top of the charts. Hailing from Shreveport, Louisiana, Jacob and Jordan are brothers and solo recording artists.

Erik Dylan scored his first Top 5 hit with “There Was This Girl,” written with and recorded by Riley Green, who is in the running for Breakthrough Artist-Writer for the same song. Dylan’s other current songs include Green’s “Bettin’ Man” and Josh Phillips’ “In A Bar Somewhere.” Dylan also released his own album, Baseball On The Moon, in 2018.

Ross Ellis and fellow nominee Ben Goldsmith earned their first Top 10 hits as co-writers of “Neon Church” along with Ben Stennis. Tim McGraw’s recording of the song was his first new solo music since 2015. Ellis has had cuts by Tyler Farr and Jordan Rager, and released his own single “Barefoot Dancer” in 2018.

Aaron Eshuis celebrated his first No. 1 with “This Is It,” recorded by Scotty McCreery. Eshuis penned the song with Frank Rogers and McCreery, and co-produced it with Rogers and Derek Wells. Eshuis’ growing catalog also includes cuts by Cole Swindell, Rascal Flatts, Kid Rock, Lauren Jenkins, and Ryan Hurd (who he also produces).

Jason Gantt secured his first No. 1 as co-writer of “Take It From Me,” written alongside fellow MusicRow Awards nominees Jacob Davis and Jordan Davis, who recorded the song. Gantt has previous cuts by Kenny Chesney, Scotty McCreery, Blake Shelton and more.

Ben Goldsmith earned his first Top 10 as a co-writer of Tim McGraw’s recent single “Neon Church,” marking the artist’s first new solo music since 2015. The song was co-written with fellow nominee Ross Ellis, and Ben Stennis. Goldsmith also has cuts by Jake Owen and Jerrod Niemann.

Mark Holman celebrated his first No. 1 with “Simple,” cowritten with fellow nominee Michael Hardy, and Florida Georgia Line’s Tyler Hubbard and Brian Kelley. It’s one of three credits Holman has on FGL’s current album, adding to his tally of CCM and rock cuts.

Josh London co-wrote “Best Shot” with JP Williams and Jimmie Allen. Allen’s recording of the song spent three weeks at No. 1, marking the first chart-topper for all three and earning them nominations for the 2019 MusicRow Awards.

Chase McGill is the only Breakthrough Songwriter nominee with three qualifying hits. His slew of album cuts in recent years all lead up to a trio of No. 1s: “Sunrise, Sunburn, Sunset,” recorded by Luke Bryan; “Break Up In The End,” recorded by Cole Swindell; and “Lose It” recorded by Kane Brown. McGill’s previous cuts include “When Someone Stops Loving You,” recorded by Little Big Town. He is also nominated for Male Songwriter of the Year.

Jeff Middleton earned his first No. 1 as co-writer of “Drowns The Whiskey,” recorded by Jason Aldean ft. Miranda Lambert. The song was written with Brandon Kinney and Josh Thompson. Middleton also has cuts by Breakthrough Artist nominee Jordan Davis, Lee Brice and Trace Adkins.

David Ray secured both his first cut and first No. 1 with Jake Owen’s “I Was Jack (You Were Diane).” Ray is self-published and recently released his own single as an artist, “Here for the Weekend.” Co-writing credits on “I Was Jack (You Were Diane)” include Tommy Cecil, Jody Stevens, Craig Wiseman and John Mellencamp.

Jordan Reynolds had a breakout year thanks to Dan + Shay, who had No. 1 hits with his co-writes “Tequila” and “Speechless.” Reynolds has a total of six songs on the duo’s current album, including new single “All To Myself.” Reynolds also has cuts by Lauren Alaina, Thomas Rhett, Lady Antebellum, Russell Dickerson, Keith Urban and Brett Eldredge.

Rob Snyder scored his first No. 1 with “She Got The Best Of Me,” written with fellow Breakthrough Songwriter nominee Channing Wilson and Artist of the Year nominee Luke Combs. The song spent four weeks at No. 1.

Will Weatherly secured his first No. 1 with “Lose It,” written with fellow 2019 MusicRow Awards nominees Kane Brown and Chase McGill. Weatherly has cuts by Florida Georgia Line, Lady Antebellum and Carrie Underwood, and production credits including Dustin Lynch.

JP Williams, Josh London and Jimmie Allen co-wrote “Best Shot,” which went on to become the first No. 1 for all three writers and secure their 2019 MusicRow Awards nominations. Allen’s debut single spent three weeks at No. 1.

Channing Wilson celebrated his first No. 1 as co-writer of “She Got The Best Of Me,” penned alongside pals and fellow 2019 MusicRow Awards nominees Rob Snyder and Luke Combs. Wilson adds Combs’ four-week No. 1 to his growing catalog, which also includes cuts by Riley Green.

2019 MusicRow Awards Category Profile: Breakthrough Songwriter of the Year

Following Monday’s (May 13) announcement of this year’s nominees for the 31st annual MusicRow Awards, we take a look at the Breakthrough Songwriter of the Year category. The MusicRow Awards will be presented at a private ceremony on June 26.

The Breakthrough Songwriter of the Year is voted by MusicRow’s subscribed members to honor a Nashville songwriter who wrote or co-wrote a Top 10 song for the first time. In addition, the qualifying song was not recorded by the nominated songwriter.

See the full list of MusicRow Awards nominees.

Winners are determined solely by MusicRow Magazine Subscribed Members. Voting closes on May 21 at 5 p.m. If you do not have a subscription, you may subscribe to receive a ballot and balcony invite.

2019 MusicRow Awards Breakthrough Songwriter of the Year nominees:

Tofer Brown scored his first Top 10 hit with “Night Shift,” recorded by Jon Pardi, and co-written with Phillip LaRue and Billy Montana. Additionally, Brown has cuts by Jason Mraz, Greg Holden, Tyminski, and Jillian Jacqueline (who he also produces).

Ben Caver earned his first No. 1 with “Here Tonight,” co-written with Justin Ebach, Charles Kelley, and artist Brett Young who recorded the smooth song. Add this to Caver’s list of cuts by Carrie Underwood, Rascal Flatts, Trisha Yearwood, and Tim McGraw and Faith Hill.

Brad Clawson is nominated for his first No. 1, “Up Down,” which was co-written with Michael Hardy and CJ Solar, and recorded by Morgan Wallen, who are all 2019 MusicRow Awards nominees. Clawson also has cuts by Randy Rogers Band and Chris Janson.

Jacob Davis and fellow Breakthrough Songwriter nominee Jason Gantt scored their first No. 1 with “Take It From Me.” They co-wrote the song with Breakthrough Artist nominee Jordan Davis, whose upbeat recording took the song to the top of the charts. Hailing from Shreveport, Louisiana, Jacob and Jordan are brothers and solo recording artists.

Erik Dylan scored his first Top 5 hit with “There Was This Girl,” written with and recorded by Riley Green, who is in the running for Breakthrough Artist-Writer for the same song. Dylan’s other current songs include Green’s “Bettin’ Man” and Josh Phillips’ “In A Bar Somewhere.” Dylan also released his own album, Baseball On The Moon, in 2018.

Ross Ellis and fellow nominee Ben Goldsmith earned their first Top 10 hits as co-writers of “Neon Church” along with Ben Stennis. Tim McGraw’s recording of the song was his first new solo music since 2015. Ellis has had cuts by Tyler Farr and Jordan Rager, and released his own single “Barefoot Dancer” in 2018.

Aaron Eshuis celebrated his first No. 1 with “This Is It,” recorded by Scotty McCreery. Eshuis penned the song with Frank Rogers and McCreery, and co-produced it with Rogers and Derek Wells. Eshuis’ growing catalog also includes cuts by Cole Swindell, Rascal Flatts, Kid Rock, Lauren Jenkins, and Ryan Hurd (who he also produces).

Jason Gantt secured his first No. 1 as co-writer of “Take It From Me,” written alongside fellow MusicRow Awards nominees Jacob Davis and Jordan Davis, who recorded the song. Gantt has previous cuts by Kenny Chesney, Scotty McCreery, Blake Shelton and more.

Ben Goldsmith earned his first Top 10 as a co-writer of Tim McGraw’s recent single “Neon Church,” marking the artist’s first new solo music since 2015. The song was co-written with fellow nominee Ross Ellis, and Ben Stennis. Goldsmith also has cuts by Jake Owen and Jerrod Niemann.

Mark Holman celebrated his first No. 1 with “Simple,” cowritten with fellow nominee Michael Hardy, and Florida Georgia Line’s Tyler Hubbard and Brian Kelley. It’s one of three credits Holman has on FGL’s current album, adding to his tally of CCM and rock cuts.

Josh London co-wrote “Best Shot” with JP Williams and Jimmie Allen. Allen’s recording of the song spent three weeks at No. 1, marking the first chart-topper for all three and earning them nominations for the 2019 MusicRow Awards.

Chase McGill is the only Breakthrough Songwriter nominee with three qualifying hits. His slew of album cuts in recent years all lead up to a trio of No. 1s: “Sunrise, Sunburn, Sunset,” recorded by Luke Bryan; “Break Up In The End,” recorded by Cole Swindell; and “Lose It” recorded by Kane Brown. McGill’s previous cuts include “When Someone Stops Loving You,” recorded by Little Big Town. He is also nominated for Male Songwriter of the Year.

Jeff Middleton earned his first No. 1 as co-writer of “Drowns The Whiskey,” recorded by Jason Aldean ft. Miranda Lambert. The song was written with Brandon Kinney and Josh Thompson. Middleton also has cuts by Breakthrough Artist nominee Jordan Davis, Lee Brice and Trace Adkins.

David Ray secured both his first cut and first No. 1 with Jake Owen’s “I Was Jack (You Were Diane).” Ray is self-published and recently released his own single as an artist, “Here for the Weekend.” Co-writing credits on “I Was Jack (You Were Diane)” include Tommy Cecil, Jody Stevens, Craig Wiseman and John Mellencamp.

Jordan Reynolds had a breakout year thanks to Dan + Shay, who had No. 1 hits with his co-writes “Tequila” and “Speechless.” Reynolds has a total of six songs on the duo’s current album, including new single “All To Myself.” Reynolds also has cuts by Lauren Alaina, Thomas Rhett, Lady Antebellum, Russell Dickerson, Keith Urban and Brett Eldredge.

Rob Snyder scored his first No. 1 with “She Got The Best Of Me,” written with fellow Breakthrough Songwriter nominee Channing Wilson and Artist of the Year nominee Luke Combs. The song spent four weeks at No. 1.

Will Weatherly secured his first No. 1 with “Lose It,” written with fellow 2019 MusicRow Awards nominees Kane Brown and Chase McGill. Weatherly has cuts by Florida Georgia Line, Lady Antebellum and Carrie Underwood, and production credits including Dustin Lynch.

JP Williams, Josh London and Jimmie Allen co-wrote “Best Shot,” which went on to become the first No. 1 for all three writers and secure their 2019 MusicRow Awards nominations. Allen’s debut single spent three weeks at No. 1.

Channing Wilson celebrated his first No. 1 as co-writer of “She Got The Best Of Me,” penned alongside pals and fellow 2019 MusicRow Awards nominees Rob Snyder and Luke Combs. Wilson adds Combs’ four-week No. 1 to his growing catalog, which also includes cuts by Riley Green.

iHeartRadio Teams With NBC For ‘The Songland Podcast’

NBC’s Songland has partnered with iHeartMedia, for a joint podcast. The Songland Podcast launches today (May 14) with four episodes, featuring mentors Shane McAnally, Ester Dean, and Ryan Tedder, as well as show producer Dave Stewart.

Each of the podcast episodes focuses on the background of a hit song, with Stewart discussing the writing of “Sweet Dreams (Are Made Of This)” with Annie Lennox (recorded by the duo Eurythmics), while McAnally details the crafting of “Mama’s Broken Heart,” (recorded by Miranda Lambert) and Tedder discusses writing Beyonce’s “XO.” Dean talks about penning “Superbass” for Nicki Minaj.

The NBC show Songland focuses on how songs are created. Each week, four rising songwriters compete to have their song chosen by a recording artist and are aided by a songwriter-producer panel that includes Tedder, McAnally and Dean.

Following the show’s May 28 premiere on NBC, each podcast will dive more deeply into songs featured on the show, giving guest artists from the show an opportunity to further discuss why they chose the song they did, and for writers to discuss how they wrote the song.

iHeartRadio Teams With NBC For ‘The Songland Podcast’

NBC’s Songland has partnered with iHeartMedia, for a joint podcast. The Songland Podcast launches today (May 14) with four episodes, featuring mentors Shane McAnally, Ester Dean, and Ryan Tedder, as well as show producer Dave Stewart.

Each of the podcast episodes focuses on the background of a hit song, with Stewart discussing the writing of “Sweet Dreams (Are Made Of This)” with Annie Lennox (recorded by the duo Eurythmics), while McAnally details the crafting of “Mama’s Broken Heart,” (recorded by Miranda Lambert) and Tedder discusses writing Beyonce’s “XO.” Dean talks about penning “Superbass” for Nicki Minaj.

The NBC show Songland focuses on how songs are created. Each week, four rising songwriters compete to have their song chosen by a recording artist and are aided by a songwriter-producer panel that includes Tedder, McAnally and Dean.

Following the show’s May 28 premiere on NBC, each podcast will dive more deeply into songs featured on the show, giving guest artists from the show an opportunity to further discuss why they chose the song they did, and for writers to discuss how they wrote the song.

NSAI Board of Directors Names Executive Committee Members, Welcomes Newest Board Members

Front Row, Seated (L-R): Jenn Schott, Sarah Buxton, Laura Veltz, Chris DeStefano. Back Row, Standing (L-R): Rivers Rutherford, Danny Wells, Tim Nichols, Anthony L. Smith, Lee Thomas Miller, Metro Councilman Jeff Syracuse, Steve Bogard, Liz Rose, NSAI Executive Director Bart Herbison, Troy Verges, Jeff Cohen, Tony Arata.

The NSAI Board of Directors had its first meeting of a new term this week including its new members Sarah Buxton and Laura Veltz. During the meeting, the Board of Directors re-elected the current Executive Committee which includes President Steve Bogard, Legislative Co-Chairs Roger Brown and Lee Thomas Miller, Industry Liaison Brett James, Sergeant-At-Arms Bobby Tomberlin, Secretary Byron Hill, Treasurer Jenn Schott and At-Large Members Tim NicholsAnthony L. Smith and Danny Wells.

Additionally, the Board received a visit from Metro Council member Jeff Syracuse who they were able to thank in person for his support of songwriters and specifically for his recent leadership in siding against the streaming services and specifically Amazon in their appeal of the Copyright Royalty Board’s pay raise to songwriters.

NSAI Board of Directors Names Executive Committee Members, Welcomes Newest Board Members

Front Row, Seated (L-R): Jenn Schott, Sarah Buxton, Laura Veltz, Chris DeStefano. Back Row, Standing (L-R): Rivers Rutherford, Danny Wells, Tim Nichols, Anthony L. Smith, Lee Thomas Miller, Metro Councilman Jeff Syracuse, Steve Bogard, Liz Rose, NSAI Executive Director Bart Herbison, Troy Verges, Jeff Cohen, Tony Arata.

The NSAI Board of Directors had its first meeting of a new term this week including its new members Sarah Buxton and Laura Veltz. During the meeting, the Board of Directors re-elected the current Executive Committee which includes President Steve Bogard, Legislative Co-Chairs Roger Brown and Lee Thomas Miller, Industry Liaison Brett James, Sergeant-At-Arms Bobby Tomberlin, Secretary Byron Hill, Treasurer Jenn Schott and At-Large Members Tim NicholsAnthony L. Smith and Danny Wells.

Additionally, the Board received a visit from Metro Council member Jeff Syracuse who they were able to thank in person for his support of songwriters and specifically for his recent leadership in siding against the streaming services and specifically Amazon in their appeal of the Copyright Royalty Board’s pay raise to songwriters.

2019 MusicRow Awards Category Profile: Talent Agency Of The Year

Following Monday’s (May 13) announcement of this year’s nominees for the 31st annual MusicRow Awards, we take a look at a newly-added category for this year’s awards, the Talent Agency of the Year category. The MusicRow Awards will be presented at a private ceremony on June 26.

See the full list of MusicRow Awards nominees.

Winners are determined solely by MusicRow Magazine subscribers. Voting closes on May 21 at 5 p.m. If you do not have a subscription, you may subscribe to receive a ballot.

Talent Agency of the Year nominees:

2019 MusicRow Awards Category Profile: Talent Agency Of The Year

Following Monday’s (May 13) announcement of this year’s nominees for the 31st annual MusicRow Awards, we take a look at a newly-added category for this year’s awards, the Talent Agency of the Year category. The MusicRow Awards will be presented at a private ceremony on June 26.

See the full list of MusicRow Awards nominees.

Winners are determined solely by MusicRow Magazine subscribers. Voting closes on May 21 at 5 p.m. If you do not have a subscription, you may subscribe to receive a ballot.

Talent Agency of the Year nominees:

Shania Twain Joins Lionsgate Faith-Based Film ‘I Still Believe’

Shania Twain

Music superstar Shania Twain has joined the cast of faith-based film I Still Believe, to be released by Lionsgate and Kingdom Studios on March 20, 2020. The film focuses on the story of Christian music artist Jeremy Camp, and takes its title from his 2003 hit song by the same name.

Twain will play Jeremy’s mother, Terry Camp. Other cast members include Britt Robertson as Melissa Henning (Camp’s love interest and later wife), Melissa Roxburgh as Heather Henning (Melissa older sister), and Nathan Dean Parsons as Jean-Luc La Joie, Jeremy and Melissa’s friend who mentors Camp. It was previously revealed that K.J. Apa will star as Camp, while Gary Sinese will portray Camp’s father.

Jon Erwin and Andrew Erwin are directing the project, while Kevin Downes is producing with the Erwins as part of Kingdom Studios. I Still Believe follows last year’s Lionsgate box office success of I Can Only Imagine, which chronicles the story of Bart Millard, lead singer and writer for CCM band MercyMe. The film opened at No. 3 at the box office, and grossed $83 million in the United States, becoming the fourth-highest grossing music biopic of all time.

CCM singer Camp has sold more than 5 million albums and earned four RIAA-certified Gold albums, two American Music Awards, 38 No. 1 singles and a Gold digital single for “There Will Be A Day.”

Twain is repped by CAA.

Shania Twain Joins Lionsgate Faith-Based Film ‘I Still Believe’

Shania Twain

Music superstar Shania Twain has joined the cast of faith-based film I Still Believe, to be released by Lionsgate and Kingdom Studios on March 20, 2020. The film focuses on the story of Christian music artist Jeremy Camp, and takes its title from his 2003 hit song by the same name.

Twain will play Jeremy’s mother, Terry Camp. Other cast members include Britt Robertson as Melissa Henning (Camp’s love interest and later wife), Melissa Roxburgh as Heather Henning (Melissa older sister), and Nathan Dean Parsons as Jean-Luc La Joie, Jeremy and Melissa’s friend who mentors Camp. It was previously revealed that K.J. Apa will star as Camp, while Gary Sinese will portray Camp’s father.

Jon Erwin and Andrew Erwin are directing the project, while Kevin Downes is producing with the Erwins as part of Kingdom Studios. I Still Believe follows last year’s Lionsgate box office success of I Can Only Imagine, which chronicles the story of Bart Millard, lead singer and writer for CCM band MercyMe. The film opened at No. 3 at the box office, and grossed $83 million in the United States, becoming the fourth-highest grossing music biopic of all time.

CCM singer Camp has sold more than 5 million albums and earned four RIAA-certified Gold albums, two American Music Awards, 38 No. 1 singles and a Gold digital single for “There Will Be A Day.”

Twain is repped by CAA.