Matt Stell Discusses Career-Changing “Prayed For You,” Opry Debut, Upcoming EP [Interview]

Arkansas native Matt Stell recently accomplished more in the span of a few weeks than some artists accomplish in years.

A few weeks ago, Stell announced a new joint deal between Sony Music Nashville and Barry Weiss’ New York-based RECORDS, just days after he made his Grand Ole Opry debut on April 27, singing his breakthrough single “Prayed For You.”

His debut EP, Everywhere But On, releases May 24.

“Prayed For You,” which initially caught traction on major streaming playlists last year, has earned more than 44 million on-demand audio streams. The breakthrough hit, which he co-wrote with Wide Open Music’s Ash Bowers and Allison Veltz, was inspired by Veltz’s first meeting with the man who would become her husband.

“She had just met the guy a week before,” Stell recalls. “We took that moment in her life and infused with moments in my life and in Ash’s life and wrote it about a guy who is way luckier than he deserves. It’s about, as my dad would say, someone who can ‘hang in there like a hair on a biscuit,’ long enough for something good to happen.”

The song made its way to RECORDS’ Barry Weiss through a contact Veltz had in Los Angeles; Weiss signed Stell to RECORDS, marking its first foray into country. Keith Gale‘s Good Company was also brought in for strategic promotion duties.

In February, “Prayed For You” reached No. 36 on the Hot Country Songs chart. The song is at No. 42 on this week’s Mediabase chart and No. 39 on this week’s Country Airplay chart.

Under the new deal, Sony Music Nashville will handle marketing and radio promotion for the new single, which was re-serviced to country radio on May 6, with an official impact date of May 28.

In some ways, the whirlwind of accomplishments seems par for the course for Stell, who seems to have always been an overachiever.

He earned an athletic scholarship to Missouri’s Drury University, and nearly enrolled in a Harvard medical program before he got his first big break in music.

“I see everything through the lenses of sports. I know what it means to work hard for a chance to have success, and to work as part of a team,” says Stell. During one winter break, Stell asked his mother to bring the guitar she purchased for him when he was 12.

“I think she recognized there was a spark there, even when I didn’t,” he muses. “I sat in front of a computer screen, learning Haggard songs and Skynyrd songs. I also listened to a lot of Texas country music. I feel in love with this independent spirit of ‘write songs and get in a trailer and play them.’ It’s like rock n’ roll, but with acoustic guitars.”

He began co-writing songs and officially moved to Nashville in 2014. As with most newcomers to the Nashville scene, he found that success in the music industry rarely comes easily or quickly.

At one point he joined a medical missions trip, working with a group of doctors and pharmacists in Haiti, “usually lifting things or reaching tall things,” notes Stell, who stands at 6’ 7”. Watching as the fellow members of the group helped those with medical needs, coupled with his own struggles with building a music career, Stell nearly made a significant career change.

“I thought these people are improving people’s lives by what they know. I’m always going to play music, but I thought, ‘Maybe I’ll just be the guy who always does music on the side.’”

To that end, he applied for a post-baccalaureate pre-med program through Harvard University’s extension school. However, six weeks before he was to head off to Harvard, he had life-changing meeting with writer and publisher Ash Bowers, who signed Stell to Wide Open Music, and later co-wrote “Prayed For You.”

“That was the model in the way Ash operated—sign an artist as a writer to a publisher deal, then to management and then shop them to a label.” Stell says. “He really believed in me creatively. My music sounded different; up until that point, difference was a weakness until I met Ash and then it became a strength.”

Stell’s Grand Ole Opry debut performance on April 27 was not only a testament to the power of a song, and the power of a determined artist, but the power of a supportive family. Stell made his first visit to the Grand Ole Opry with his family when he was 17; his debut performance on that stage as an artist was both the fruition of a long-held dream, and a bittersweet moment, as Stell’s father passed away just over a year ago.

“Playing that stage a couple of weeks ago, looking out and seeing where we had been sitting in the audience was special. I’m glad I only had like 10 minutes onstage because I don’t think I had many more minutes of keeping it together.”

Though Stell’s first love as a teen was sports, music was in his genes; his cousin, Hannah Blaylock, had made her own way to Nashville, briefly signing with BMLG as part of the trio Eden’s Edge.

“Hannah was great about introducing me to people when I came to town,” he recalls. “Her brother [Wesley Blaylock] is also talented, more on the indie rock scene. I remember going to see them at shows in high school and being wowed by that.”

The effort Stell has put into polishing his skill at songwriting is apparent on his upcoming seven-song EP; he wrote or co-wrote every track, including “Home In A Hometown,” which features Jimmie Allen (also managed by Bowers). Stell co-produced the project with Bowers.

Though his career effort and timing have already paid off handsomely, he’s ready for the hard work that’s yet to come.

“My family has been so supportive. I’ve worked hard enough at this to know that opportunities are rare in this business. You are lucky if you get one bite of the apple, so I owe them the best job I can do.”

Matt Stell Discusses Career-Changing “Prayed For You,” Opry Debut, Upcoming EP [Interview]

Arkansas native Matt Stell recently accomplished more in the span of a few weeks than some artists accomplish in years.

A few weeks ago, Stell announced a new joint deal between Sony Music Nashville and Barry Weiss’ New York-based RECORDS, just days after he made his Grand Ole Opry debut on April 27, singing his breakthrough single “Prayed For You.”

His debut EP, Everywhere But On, releases May 24.

“Prayed For You,” which initially caught traction on major streaming playlists last year, has earned more than 44 million on-demand audio streams. The breakthrough hit, which he co-wrote with Wide Open Music’s Ash Bowers and Allison Veltz, was inspired by Veltz’s first meeting with the man who would become her husband.

“She had just met the guy a week before,” Stell recalls. “We took that moment in her life and infused with moments in my life and in Ash’s life and wrote it about a guy who is way luckier than he deserves. It’s about, as my dad would say, someone who can ‘hang in there like a hair on a biscuit,’ long enough for something good to happen.”

The song made its way to RECORDS’ Barry Weiss through a contact Veltz had in Los Angeles; Weiss signed Stell to RECORDS, marking its first foray into country. Keith Gale‘s Good Company was also brought in for strategic promotion duties.

In February, “Prayed For You” reached No. 36 on the Hot Country Songs chart. The song is at No. 42 on this week’s Mediabase chart and No. 39 on this week’s Country Airplay chart.

Under the new deal, Sony Music Nashville will handle marketing and radio promotion for the new single, which was re-serviced to country radio on May 6, with an official impact date of May 28.

In some ways, the whirlwind of accomplishments seems par for the course for Stell, who seems to have always been an overachiever.

He earned an athletic scholarship to Missouri’s Drury University, and nearly enrolled in a Harvard medical program before he got his first big break in music.

“I see everything through the lenses of sports. I know what it means to work hard for a chance to have success, and to work as part of a team,” says Stell. During one winter break, Stell asked his mother to bring the guitar she purchased for him when he was 12.

“I think she recognized there was a spark there, even when I didn’t,” he muses. “I sat in front of a computer screen, learning Haggard songs and Skynyrd songs. I also listened to a lot of Texas country music. I feel in love with this independent spirit of ‘write songs and get in a trailer and play them.’ It’s like rock n’ roll, but with acoustic guitars.”

He began co-writing songs and officially moved to Nashville in 2014. As with most newcomers to the Nashville scene, he found that success in the music industry rarely comes easily or quickly.

At one point he joined a medical missions trip, working with a group of doctors and pharmacists in Haiti, “usually lifting things or reaching tall things,” notes Stell, who stands at 6’ 7”. Watching as the fellow members of the group helped those with medical needs, coupled with his own struggles with building a music career, Stell nearly made a significant career change.

“I thought these people are improving people’s lives by what they know. I’m always going to play music, but I thought, ‘Maybe I’ll just be the guy who always does music on the side.’”

To that end, he applied for a post-baccalaureate pre-med program through Harvard University’s extension school. However, six weeks before he was to head off to Harvard, he had life-changing meeting with writer and publisher Ash Bowers, who signed Stell to Wide Open Music, and later co-wrote “Prayed For You.”

“That was the model in the way Ash operated—sign an artist as a writer to a publisher deal, then to management and then shop them to a label.” Stell says. “He really believed in me creatively. My music sounded different; up until that point, difference was a weakness until I met Ash and then it became a strength.”

Stell’s Grand Ole Opry debut performance on April 27 was not only a testament to the power of a song, and the power of a determined artist, but the power of a supportive family. Stell made his first visit to the Grand Ole Opry with his family when he was 17; his debut performance on that stage as an artist was both the fruition of a long-held dream, and a bittersweet moment, as Stell’s father passed away just over a year ago.

“Playing that stage a couple of weeks ago, looking out and seeing where we had been sitting in the audience was special. I’m glad I only had like 10 minutes onstage because I don’t think I had many more minutes of keeping it together.”

Though Stell’s first love as a teen was sports, music was in his genes; his cousin, Hannah Blaylock, had made her own way to Nashville, briefly signing with BMLG as part of the trio Eden’s Edge.

“Hannah was great about introducing me to people when I came to town,” he recalls. “Her brother [Wesley Blaylock] is also talented, more on the indie rock scene. I remember going to see them at shows in high school and being wowed by that.”

The effort Stell has put into polishing his skill at songwriting is apparent on his upcoming seven-song EP; he wrote or co-wrote every track, including “Home In A Hometown,” which features Jimmie Allen (also managed by Bowers). Stell co-produced the project with Bowers.

Though his career effort and timing have already paid off handsomely, he’s ready for the hard work that’s yet to come.

“My family has been so supportive. I’ve worked hard enough at this to know that opportunities are rare in this business. You are lucky if you get one bite of the apple, so I owe them the best job I can do.”

In Pictures: BMI Songwriters Bring The Heat To 24th Annual Key West Songwriters Festival

Pictured (L-R): BMI’s Nina Carter, Liz Rose, Heather Morgan, Mags Duvall, BMI’s Leslie Roberts, and Sarah Buxton at the Key West Songwriters Festival. Photo: Erika Goldring for BMI

BMI songwriters just wrapped up another Key West Songwriters Festival, now in its 24th year. Year after year, BMI brings some of Nashville’s best talent to the island for five days of music by established songwriters as well as up-and-comers.

The rowdy week of performances was kicked off on Wednesday night (May 8) with a concert featuring Key West veterans HARDY and The Dylan Altman Blues Band. Throughout the week, fans were treated to a slew of free programming as well as curated theater shows including rounds from Big Loud and The Girls of Nashville. The annual street party on Duval featured Sony Music Nashville recording artists Ryan Hurd and Mitchell Tenpenny, both hit songwriters as well as artists.

Pictured: Mitchell Tenpenny and BMI’s David Preston. Photo: Erika Goldring for BMI

Pictured: Ryan Hurd performs at the Duval Street Main Stage at the Key West Songwriters Festival. Photo: Erika Goldring for BMI

Pictured (L-R): BMI’s MaryAnn Keen, HARDY, Storme Warren, and BMI’s Mason Hunter. Photo: Erika Goldring for BMI

Pictured (L-R): Ben Burgess, Jacob Durette, Brock Berryhill, and BMI’s Josh Tomlinson. Photo: Erika Goldring for BMI

Pictured: Dean Dillon at the Key West Songwriters Festival. Photo: Erika Goldring for BMI

Pictured: Willie Jones at the Key West Songwriters Festival. Photo: Erika Goldring for BMI

Pictured (L-R): BMI’s Spencer Nohe, Josh Kerr, Parker Welling, Hannah Ellis, Nick Wayne, and BMI’s MaryAnn Keen at the Key West Songwriters Festival. Photo: Erika Goldring for BMI

Pictured (L-R): BMI’s Mitch Ballard, Robert Earl Keen, Lee Roy Parnell, Lisa Stewart, and BMI’s Mason Hunter at the Key West Songwriters Festival. Photo: Erika Goldring for BMI

Pictured: Chris Lane at the Key West Songwriters Festival. Photo: Erika Goldring for BMI

Pictured (L-R): Jack Ingram and Jon Randall perform at the Key West Songwriters Festival. Photo: Erika Goldring for BMI

Pictured: Cole Swindell at the Key West Songwriters Festival. Photo: Erika Goldring for BMI

Ticketmaster Launches SafeTix To Reduce Scalping While Tracking Identity

Ticketmaster has launched what it calls the next generation of digital ticketing, SafeTix™. The new feature ties a unique, identifiable digital ticket to each fan’s mobile phone through an encrypted barcode that automatically refreshes every few seconds. The tickets also include NFC technology that will allow fans to enter venues through a simple “tap and go” experience.

These enhancements protect against tickets being screenshotted or photocopied and sold multiple times by unscrupulous resellers. Legitimate resell or transfers to mobile phone number or email address is still possible. With the new technology, each time a ticket is transferred or sold, a new digital ticket will be tied to the recipient’s account and phone, providing complete visibility into the chain of custody of each issued ticket.

SafeTix™ is built on the Presence platform and intended to enhance its venue access control platform, which launched in 2018.

SafeTix also gives event owners control over their tickets by providing greater visibility into the individual fans who come to a live event, in addition to the original ticket purchaser. Communication tools provided in the Presence platform will allow event owners to communicate directly with event attendees, providing fans with relevant venue or event-specific instructions or personalized food and beverage or merchandise offers while they are on site, and engaging  with them after an event is over.

“Because a new ticket is issued every time there’s a transfer or sale, event owners have the ability to develop a unique relationship with each fan, leading to in-venue personalization and future communication while increasing their known fanbase,” said Justin Burleigh, Chief Product Officer of Ticketmaster, North America. “SafeTix will allow fans to arrive at a show or game with confidence that their tickets are always 100% authentic and will dramatically reduce the amount of ticket fraud event owners are dealing with on event day.”

SafeTix will be used across NFL stadiums for the 2019 season and for a variety of touring artists. It will also be available at the more than 300 additional Presence-enabled venues in the U.S. In 2019 more than 350 venues are scheduled to come onboard.

Later this year, fans will be able to add contactless tickets to Apple Wallet so they can enter venues with their iPhone or Apple Watch. Using proximity-based technology, tickets are automatically selected when a customer holds their iPhone near the ticket reader. Apple and Ticketmaster unveiled the integration this month during the opening keynote at TRANSACT.

In 2018, Ticketmaster announced an investment in Blink Identity, a facial recognition company as well as the acquisition of Upgraded, a blockchain ticketing company, continuing its commitment to identity-based ticketing.

Ticketmaster Launches SafeTix To Reduce Scalping While Tracking Identity

Ticketmaster has launched what it calls the next generation of digital ticketing, SafeTix™. The new feature ties a unique, identifiable digital ticket to each fan’s mobile phone through an encrypted barcode that automatically refreshes every few seconds. The tickets also include NFC technology that will allow fans to enter venues through a simple “tap and go” experience.

These enhancements protect against tickets being screenshotted or photocopied and sold multiple times by unscrupulous resellers. Legitimate resell or transfers to mobile phone number or email address is still possible. With the new technology, each time a ticket is transferred or sold, a new digital ticket will be tied to the recipient’s account and phone, providing complete visibility into the chain of custody of each issued ticket.

SafeTix™ is built on the Presence platform and intended to enhance its venue access control platform, which launched in 2018.

SafeTix also gives event owners control over their tickets by providing greater visibility into the individual fans who come to a live event, in addition to the original ticket purchaser. Communication tools provided in the Presence platform will allow event owners to communicate directly with event attendees, providing fans with relevant venue or event-specific instructions or personalized food and beverage or merchandise offers while they are on site, and engaging  with them after an event is over.

“Because a new ticket is issued every time there’s a transfer or sale, event owners have the ability to develop a unique relationship with each fan, leading to in-venue personalization and future communication while increasing their known fanbase,” said Justin Burleigh, Chief Product Officer of Ticketmaster, North America. “SafeTix will allow fans to arrive at a show or game with confidence that their tickets are always 100% authentic and will dramatically reduce the amount of ticket fraud event owners are dealing with on event day.”

SafeTix will be used across NFL stadiums for the 2019 season and for a variety of touring artists. It will also be available at the more than 300 additional Presence-enabled venues in the U.S. In 2019 more than 350 venues are scheduled to come onboard.

Later this year, fans will be able to add contactless tickets to Apple Wallet so they can enter venues with their iPhone or Apple Watch. Using proximity-based technology, tickets are automatically selected when a customer holds their iPhone near the ticket reader. Apple and Ticketmaster unveiled the integration this month during the opening keynote at TRANSACT.

In 2018, Ticketmaster announced an investment in Blink Identity, a facial recognition company as well as the acquisition of Upgraded, a blockchain ticketing company, continuing its commitment to identity-based ticketing.

In Pictures: BMI Songwriters Bring The Heat To 24th Annual Key West Songwriters Festival

Pictured (L-R): BMI’s Nina Carter, Liz Rose, Heather Morgan, Mags Duvall, BMI’s Leslie Roberts, and Sarah Buxton at the Key West Songwriters Festival. Photo: Erika Goldring for BMI

BMI songwriters just wrapped up another Key West Songwriters Festival, now in its 24th year. Year after year, BMI brings some of Nashville’s best talent to the island for five days of music by established songwriters as well as up-and-comers.

The rowdy week of performances was kicked off on Wednesday night (May 8) with a concert featuring Key West veterans HARDY and The Dylan Altman Blues Band. Throughout the week, fans were treated to a slew of free programming as well as curated theater shows including rounds from Big Loud and The Girls of Nashville. The annual street party on Duval featured Sony Music Nashville recording artists Ryan Hurd and Mitchell Tenpenny, both hit songwriters as well as artists.

Pictured: Mitchell Tenpenny and BMI’s David Preston. Photo: Erika Goldring for BMI

Pictured: Ryan Hurd performs at the Duval Street Main Stage at the Key West Songwriters Festival. Photo: Erika Goldring for BMI

Pictured (L-R): BMI’s MaryAnn Keen, HARDY, Storme Warren, and BMI’s Mason Hunter. Photo: Erika Goldring for BMI

Pictured (L-R): Ben Burgess, Jacob Durette, Brock Berryhill, and BMI’s Josh Tomlinson. Photo: Erika Goldring for BMI

Pictured: Dean Dillon at the Key West Songwriters Festival. Photo: Erika Goldring for BMI

Pictured: Willie Jones at the Key West Songwriters Festival. Photo: Erika Goldring for BMI

Pictured (L-R): BMI’s Spencer Nohe, Josh Kerr, Parker Welling, Hannah Ellis, Nick Wayne, and BMI’s MaryAnn Keen at the Key West Songwriters Festival. Photo: Erika Goldring for BMI

Pictured (L-R): BMI’s Mitch Ballard, Robert Earl Keen, Lee Roy Parnell, Lisa Stewart, and BMI’s Mason Hunter at the Key West Songwriters Festival. Photo: Erika Goldring for BMI

Pictured: Chris Lane at the Key West Songwriters Festival. Photo: Erika Goldring for BMI

Pictured (L-R): Jack Ingram and Jon Randall perform at the Key West Songwriters Festival. Photo: Erika Goldring for BMI

Pictured: Cole Swindell at the Key West Songwriters Festival. Photo: Erika Goldring for BMI

2019 MusicRow Awards Category Profile: Breakthrough Artist-Writer of the Year

Following Monday’s (May 13) announcement of this year’s nominees for the 31st annual MusicRow Awards, we take a closer look at the Breakthrough Artist-Writer of the Year category. Voted by MusicRow’s subscribed members, the category honors a Nashville songwriter and artist who for the first time wrote or co-wrote a Top 10 song.

The MusicRow Awards will be presented at a invitation-only ceremony on June 26.

See the full list of nominees.

Winners are determined solely by MusicRow subscribers. Voting closes on May 21 at 5 p.m. If you do not have a subscription, you may subscribe to receive a ballot.

2019 Breakthrough Artist-Writer of the Year nominees:

Jimmie Allen co-wrote his No. 1 single “Best Shot” with fellow MusicRow Awards nominees Josh London and JP Williams. The song made history as the first time a black artist took their first-ever single to No. 1 at country radio, and the first time since 2012 a debut single spent three weeks at No. 1. Following that success, Allen’s “Make Me Want To” was most added at country radio in its first week. It’s the second single off his debut album Mercury Lane.

Seth Ennis is nominated in this category for co-writing “Hooked,” with fellow nominee Morgan Evans, and 2018 nominee Lindsay Rimes. Dylan Scott’s recording of the song went to No. 2 and is certified Gold. Ennis is multi-talented—he co-wrote, co-produced and played all the instruments on his own debut single, “Woke Up In Nashville.” For his current single, “Call Your Mama,” Ennis collaborated with fellow 2019 MusicRow Awards nominees Michael Hardy and Jordan Reynolds.

Morgan Evans was co-writer of two big country hits during the eligibility period: his own U.S. debut single “Kiss Somebody,” and “Hooked,” recorded by Dylan Scott. “Hooked” was written with fellow Breakthrough Artist-Writer nominee Seth Ennis, and 2018 Breakthrough Songwriter nominee Lindsay Rimes. Australian-born Evans penned his No. 1, “Kiss Somebody,” with Chris DeStefano and 2019 Male Songwriter of the Year nominee Josh Osborne. Evans followed that success with currently rising single “Day Drunk.”

Riley Green is nominated for co-writing his Top 5 hit “There Was This Girl.” He penned the song with Breakthrough Songwriter nominee Erik Dylan, and they also collaborated on Green’s other recently-released tune “Bettin’ Man” alongside Jonathan Singleton. Green also co-wrote his brand new single “In Love By Now.” He is an Alabama native who built a following by touring the Southeast and will continue on the road this summer with Brad Paisley.

HARDY charted two No. 1s as a songwriter during the eligibility period: “Simple” recorded by Florida Georgia Line, and “Up Down,” recorded by Morgan Wallen ft. FGL. HARDY wrote “Simple” with FGL’s Tyler Hubbard and Brian Kelley along with 2019 Breakthrough Songwriter nominee Mark Holman. For “Up Down,” HARDY collaborated with fellow nominees Brad Clawson and CJ Solar. HARDY’s own debut single “Rednecker” is on the charts, as is his co-write, “God’s Country,” recorded by Blake Shelton.

CJ Solar co-wrote “Up Down” with fellow 2019 nominees Brad Clawson and HARDY, and the recording by Morgan Wallen ft. Florida Georgia Line became a No. 1 hit. While experiencing success as a songwriter, Solar also scored as an artist. His singles “Airplane” and “American Girls” reached No. 15 on the MusicRow Chart, helping him earn the MusicRow CountryBreakout Award for Independent Artist of the Year. Solar also has credits on singles by Jerrod Niemann and Kyle Park.

2019 MusicRow Awards Category Profile: Breakthrough Artist-Writer of the Year

Following Monday’s (May 13) announcement of this year’s nominees for the 31st annual MusicRow Awards, we take a closer look at the Breakthrough Artist-Writer of the Year category. Voted by MusicRow’s subscribed members, the category honors a Nashville songwriter and artist who for the first time wrote or co-wrote a Top 10 song.

The MusicRow Awards will be presented at a invitation-only ceremony on June 26.

See the full list of nominees.

Winners are determined solely by MusicRow subscribers. Voting closes on May 21 at 5 p.m. If you do not have a subscription, you may subscribe to receive a ballot.

2019 Breakthrough Artist-Writer of the Year nominees:

Jimmie Allen co-wrote his No. 1 single “Best Shot” with fellow MusicRow Awards nominees Josh London and JP Williams. The song made history as the first time a black artist took their first-ever single to No. 1 at country radio, and the first time since 2012 a debut single spent three weeks at No. 1. Following that success, Allen’s “Make Me Want To” was most added at country radio in its first week. It’s the second single off his debut album Mercury Lane.

Seth Ennis is nominated in this category for co-writing “Hooked,” with fellow nominee Morgan Evans, and 2018 nominee Lindsay Rimes. Dylan Scott’s recording of the song went to No. 2 and is certified Gold. Ennis is multi-talented—he co-wrote, co-produced and played all the instruments on his own debut single, “Woke Up In Nashville.” For his current single, “Call Your Mama,” Ennis collaborated with fellow 2019 MusicRow Awards nominees Michael Hardy and Jordan Reynolds.

Morgan Evans was co-writer of two big country hits during the eligibility period: his own U.S. debut single “Kiss Somebody,” and “Hooked,” recorded by Dylan Scott. “Hooked” was written with fellow Breakthrough Artist-Writer nominee Seth Ennis, and 2018 Breakthrough Songwriter nominee Lindsay Rimes. Australian-born Evans penned his No. 1, “Kiss Somebody,” with Chris DeStefano and 2019 Male Songwriter of the Year nominee Josh Osborne. Evans followed that success with currently rising single “Day Drunk.”

Riley Green is nominated for co-writing his Top 5 hit “There Was This Girl.” He penned the song with Breakthrough Songwriter nominee Erik Dylan, and they also collaborated on Green’s other recently-released tune “Bettin’ Man” alongside Jonathan Singleton. Green also co-wrote his brand new single “In Love By Now.” He is an Alabama native who built a following by touring the Southeast and will continue on the road this summer with Brad Paisley.

HARDY charted two No. 1s as a songwriter during the eligibility period: “Simple” recorded by Florida Georgia Line, and “Up Down,” recorded by Morgan Wallen ft. FGL. HARDY wrote “Simple” with FGL’s Tyler Hubbard and Brian Kelley along with 2019 Breakthrough Songwriter nominee Mark Holman. For “Up Down,” HARDY collaborated with fellow nominees Brad Clawson and CJ Solar. HARDY’s own debut single “Rednecker” is on the charts, as is his co-write, “God’s Country,” recorded by Blake Shelton.

CJ Solar co-wrote “Up Down” with fellow 2019 nominees Brad Clawson and HARDY, and the recording by Morgan Wallen ft. Florida Georgia Line became a No. 1 hit. While experiencing success as a songwriter, Solar also scored as an artist. His singles “Airplane” and “American Girls” reached No. 15 on the MusicRow Chart, helping him earn the MusicRow CountryBreakout Award for Independent Artist of the Year. Solar also has credits on singles by Jerrod Niemann and Kyle Park.

CMA Reveals Awards Ballot Schedule, Opens Submissions For Broadcast Awards

The balloting timeline for the upcoming Country Music Association Awards has been revealed, with an eligibility period from July 1, 2018 through June 30, 2019.

The first ballot and instructions will be emailed Monday, July 8 to CMA members in good standing who are eligible to vote. Voting for the first ballot closes Wednesday, July 17 (6 p.m. CT).

The second ballot will be emailed to CMA members Monday, Aug. 12. Voting for the second ballot closes Tuesday, Aug. 20 (6 p.m. CT). The final nominees in each of the 12 categories will be announced later this summer.

Winners of The 53rd Annual CMA Awards will be determined in a final round of voting by eligible voting CMA members. The third and final ballot will be emailed to CMA members Tuesday, Oct. 1.

Voting for the CMA Awards final ballot ends Thursday, Oct. 24 (6 p.m. CT).

Eligible members of the Country Music Association can now submit applications online for the 2019 CMA Broadcast Awards for Broadcast Personality, Station and National Broadcast Personality of the Year at broadcast.CMAawards.com.

CMA Broadcast Awards are presented for Personality and Station of the Year in four categories that are determined by market size (Major, Large, Medium and Small), as well as CMA National Broadcast Personality of the Year.

To submit an entry, CMA member radio stations and broadcast personalities in the U.S. and Canada can log on to broadcast.CMAawards.com, where guidelines and instructions for entries are posted. The site will continue to accept submissions until June 30, 2019 (5:00 PM/CT). All CMA Broadcast Awards entries must reflect performances and events between June 1, 2018 and May 31, 2019. CMA’s panel of judges, which includes distinguished radio and industry professionals, will be able to view and evaluate each entry online.

CMA Broadcast Awards winners will be notified in early October and recognized at The 53rd Annual CMA Awards, which will be held in November in Nashville. The annual, three-hour awards ceremony will broadcast live on the ABC Television Network. Nominees and winners for the 2019 CMA Broadcast Awards and The 53rd Annual CMA Awards are determined by more than 7,400 professional members of CMA, which is the first trade organization formed to promote an individual genre of music, established in 1958.

CMA Awards ballots are tabulated by the professional services organization Deloitte.

CMA Reveals Awards Ballot Schedule, Opens Submissions For Broadcast Awards

The balloting timeline for the upcoming Country Music Association Awards has been revealed, with an eligibility period from July 1, 2018 through June 30, 2019.

The first ballot and instructions will be emailed Monday, July 8 to CMA members in good standing who are eligible to vote. Voting for the first ballot closes Wednesday, July 17 (6 p.m. CT).

The second ballot will be emailed to CMA members Monday, Aug. 12. Voting for the second ballot closes Tuesday, Aug. 20 (6 p.m. CT). The final nominees in each of the 12 categories will be announced later this summer.

Winners of The 53rd Annual CMA Awards will be determined in a final round of voting by eligible voting CMA members. The third and final ballot will be emailed to CMA members Tuesday, Oct. 1.

Voting for the CMA Awards final ballot ends Thursday, Oct. 24 (6 p.m. CT).

1st Ballot
Monday, July 8 – Wednesday, July 17 (6 p.m. CT)

2nd Ballot
Monday, Aug. 12 – Tuesday, Aug. 20 (6 p.m. CT).

3rd Ballot
Tuesday, Oct. 1 – Thursday, Oct. 24 (6 p.m. CT)

Eligible members of the Country Music Association can now submit applications online for the 2019 CMA Broadcast Awards for Broadcast Personality, Station and National Broadcast Personality of the Year at broadcast.CMAawards.com.

CMA Broadcast Awards are presented for Personality and Station of the Year in four categories that are determined by market size (Major, Large, Medium and Small), as well as CMA National Broadcast Personality of the Year.

To submit an entry, CMA member radio stations and broadcast personalities in the U.S. and Canada can log on to broadcast.CMAawards.com, where guidelines and instructions for entries are posted. The site will continue to accept submissions until June 30, 2019 (5:00 PM/CT). All CMA Broadcast Awards entries must reflect performances and events between June 1, 2018 and May 31, 2019. CMA’s panel of judges, which includes distinguished radio and industry professionals, will be able to view and evaluate each entry online.

CMA Broadcast Awards winners will be notified in early October and recognized at The 53rd Annual CMA Awards, which will be held in November in Nashville. The annual, three-hour awards ceremony will broadcast live on the ABC Television Network. Nominees and winners for the 2019 CMA Broadcast Awards and The 53rd Annual CMA Awards are determined by more than 7,400 professional members of CMA, which is the first trade organization formed to promote an individual genre of music, established in 1958.

CMA Awards ballots are tabulated by the professional services organization Deloitte.